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9 min read

The Devil's perspective

Seeing through a rebel angel’s eyes opens up some surprising new angles on faith. Jonathan Evens interviews author Nicholas Papadopulos.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A statue of an angel crouching and gesturing with one hand.

With The Infernal Word: Notes from a Rebel Angel, Nicholas Papadopulos, Dean of Salisbury Cathedral, is challenging the accepted narrative of faith “through the eyes of a rebel, an angelic non-believer with plenty of attitude.” His book enables readers to see the Biblical story in an unusual light - from the perspective of a devil who took up arms against heaven under the leadership of Satan. 

Papadopulos, who worked for seven years as barrister specialising in criminal law prior to ordination, says: “I have always been more interested in questions than answers, both as a criminal lawyer and as a priest. Posing difficult questions identifies the real issues. Writing in the rebel angel’s voice has allowed me to have fun whilst at the same time compelling me to work out what faith in God really means to me. They say the devil has all the best tunes – well, what better way to challenge the accepted narrative of faith than through the eyes of a rebel, an angelic non-believer with plenty of attitude.” 

“To admire Satan … is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking, of incessant autobiography” 
 

C.S. Lewis. 

His central character is a rebel angel who sided with Satan in his insurgency and was cast out of Heaven. He is, as a result, an unhappy devil, perplexed by the triumph of good over evil and the stories of salvation. With eternity to ponder why God emerged triumphant from the struggle, this rebel angel has turned to the Bible, the record of God’s dealings with ‘the humans’ to find out why his side was defeated. Through his conversational and sardonic style, this rebel angel discusses a dozen of God’s significant encounters with humanity - each of which takes place on a mountain top, from Mount Ararat where Noah’s ark pitched up, to the Mount of Ascension where Jesus returns to heaven. Each of these infernal reflections reveals an aspect of God’s inexplicable and unfathomable love for humans and engages deeply with the reality of a loving God who is made visible and vulnerable in Christ. 

The Devil and his rebel angels have a significant cultural history. From his earliest known appearance in the Book of Job - probably the oldest book in the Bible - the figure of the devil has haunted Western culture being understood “as the embodiment of evil, a figure of temptation, and a potential foil to God”. In The Devil: A Very Short Introduction, Darren Oldridge describes Christian art as representing the Devil “using naked, dark forms with bestial features, committing revolting acts in a Hellish landscape”. He continues, in relation to literature: “In Goethe's Faust, Mephistopheles' character is conveyed in words of nullity and darkness. Milton's Paradise Lost describes a fiend whose defiance towards God makes him a kind of perverse hero. The Devil is often described as an appealing character who tricks people into committing sins.” However, there is an opposite view, as set out by Erik Butler in The Devil and His Advocates, in which Satan has, since his first appearance, “pursued a single objective: to test human beings, whose moral worth and piety leave plenty of room for doubt.” Butler suggests that, while Satan can be manipulative, “at worst he facilitates what mortals are inclined to do, anyway”. 

Responses to John Milton’s Paradise Lost exemplify the debates that rage around the depiction of the Devil in literature. Two rival “interpretive traditions” exist in relation to Milton’s depiction of Satan.  

The romantic tradition, understood to have been begun by William Blake and Percy Bysshe Shelley, “contends that Milton unconsciously favoured Satan and that Satan was the true hero of Paradise Lost”. Blake famously wrote that Milton “was a true Poet and of the Devil’s party without knowing it”. He views desire and energy as characteristics of the Devil and sees these as being opposed to reason, which is equated with God and the power appropriated by institutional Christianity. Similarly, Shelley in his Defence of Poetry writes: “Milton’s Devil as a moral being is as far superior to his God as one who perseveres in some purpose which he has conceived to be excellent in spite of adversity and torture is to one who in the cold security of undoubted triumph inflicts the most horrible revenge upon his enemy.”  

Unlike Shelley, however, Blake also believed that Jesus, through artistic imagination, harmonises the binary opposites that Blake viewed as being characterised by the Devil and God and, as a result, advocates a revolutionary form of Christianity. Philip Pullman’s His Dark Materials is a more recent imaginative engagement with this side of the Paradise Lost debate, which sits somewhat uneasily between Shelley and Blake.  

Set against the romantic view of Milton’s Satan as the true hero of Paradise Lost is a view, exemplified by C.S. Lewis in A Preface to Paradise Lost, which sees Milton’s account of the Fall as being similar to that of Augustine’s City of God, with Satan portrayed, not only as “morally evil but also supremely egotistical … even showing himself in some ways to be foolish and tedious”. Lewis wrote that “To admire Satan … is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking, of incessant autobiography”. While Lewis was writing A Preface to Paradise Lost, he was also working on The Screwtape Letters in which, by means of a fictional intercepted correspondence of diabolical counsel from a senior devil to an apprentice devil, seeks to show what the temptation of our souls looks like through the eyes of demons. Bruce L. Edwards suggests that “Screwtape’s timeless brilliance lies in depicting the everyday and showing how from a demonic point of view, the devotion and care Christians show to their fellow men and women, mirrors of the love God has shown to them, is unfathomable to the desperately lost and unreflectively wicked”. 

“Why does God bother about such a crowd of undesirables? The angel’s writing is the lens through which I uncover the absurdity of God’s relationship with them.” 

With these ongoing debates in mind, I asked Papadopulos where he thought The Infernal Word sits in relation to this diabolical heritage and how the book interacts with it. He responded by saying that: “This rebel angel is concerned with the Biblical narrative and what it discloses of God and of God’s relationship with humanity. He is not principally a tempter (as was Screwtape); nor is he a tragic hero plotting his revenge (as was Milton’s Satan); he is instead something of an investigative journalist – an armchair general, commentator, and amateur theologian, keen to ascertain why on earth God seems so keen on the creation that so regularly lets him down. He is also a realist: he harbours no illusions about the place of his kind in God’s economy. The cross was Christ’s decisive victory – the rebels have been beaten.” 

This represents a key difference between Papadopulos’ protagonist and Lewis’ Screwtape. As Edwards notes: “Screwtape never understands why the Enemy [God] loves the patient [human beings], even to the point of giving up His life for another. This is not even ponderable for Hell-bent or Hell-bound dwellers, who are the ultimate egotists and self-aggrandizers.” This difference of approach also raises a question as to why Papadopulos’ protagonist is undertaking his investigation. As he recognises Christ’s decisive victory on the cross, what purpose is served by his investigation? That question takes us to the heart of the book’s purpose which is also linked to the challenges it provides to some accepted narratives of the faith. 

We do know, however, why Papadopulos began the book. His ministry, prior to Salisbury, included time as Vicar of St Peter’s Eaton Square, London, and at Canterbury Cathedral as Canon Treasurer and Director of Initial Ministerial Education for the Diocese. The Infernal Word began as addresses preached on Good Friday in those earlier settings. Good Friday, of course, is the moment in the Christian story when the Devil appears to have won. So, I asked Papadopulos what was it about Good Friday that inspired him initially and which called his rebel angel into being: “The devil did not win on Good Friday, and he knows he did not win! Christ’s faithfulness sees to that. But - stuck for a sermon when serving as a parish priest I tried preaching from the vantage point of faith’s opponent - as a devil. Arriving in Canterbury, and needing a theme/motif for a Good Friday Three Hours Devotion, I remembered the experiment, and wrote the series from that vantage point. It obviously needed to culminate with the crucifixion, and that event’s location on a hilltop prompted the addresses which preceded it.”  

Writing in the rebel angel’s voice allowed him to have fun while, at the same time, compelled him to work out what faith in God really means to him. He says he has always been more interested in questions than answers and that posing difficult questions identifies the real issues. As a result, I asked what it is about testing or exploring faith in this way that enables the essence or the essential to be identified: “The barrister’s skill is identifying the right questions, and that part of my formation lives on in me, jostling with the faith that has been real since I was very young. Theology is faith seeking understanding – the book is an account of faith in which sharp questions are posed, to which (ultimately) a fairly simple ‘answer’ is offered. But that’s in the Epilogue and I wouldn’t want to give it away! Asking questions is not something for people of faith to be afraid of – but we do have to have trustworthy places to ask them and to receive answers. My dearest hope is that a reader might identify with some of the questions posed in The Infernal Word, and find answers that are at least coherent and perhaps compelling.”  

Martin Luther once said that “The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn” while Thomas More wrote, “The devil…that proud spirit…cannot endure to be mocked.” Papadopulos’ talk of having fun while writing in the rebel angel’s voice reminded me that creatives from Lewis to Bono have utilised this approach, so I asked whether it one he also endorses: “The rebel angel targets humanity and specifically ‘the Christians’. They are the object of his unremitting scorn and the source of his perpetual puzzlement – why does God bother about such a crowd of undesirables? The angel’s writing is the lens through which I uncover the absurdity of God’s relationship with them.” 

Mountain-tops, as significant places of encounter with God, become important in providing a structure for his book: “The choice of mountain tops was actually triggered by the need to end on one (if Golgotha counts as a mountain top). As that was the destination, I looked for precursors and, of course, there are plenty – from Ararat onwards. I could have picked a different theme: Biblical encounters in cities, or beside water. But mountains serve the purpose, as they do throughout Scripture, as places of encounter between the human and the divine.” 

I ended our conversation by asking in what ways the book challenges the accepted narrative of faith by providing a fresh perspective on familiar Biblical stories and why that is needed: “I hope the book is profoundly orthodox, but it poses some of the questions about faith that have fascinated me and that I believe fascinate others. Because it’s narrated by a rebel angel it can dare to be irreverent and occasionally downright rude. Don’t we always need fresh perspectives on the tradition? That’s what keeps it alive. It was the quest for a fresh perspective that first pushed me in the rebel angel’s direction when I was stuck for a sermon.” 

 

The Infernal Word: Notes from a Rebel Angel is published by Canterbury Press.

 

Essay
Belief
Creed
16 min read

The eclipse of Christianity and what it means

Reversing spiritual climate change.

Rupert Shortt is an author, biographer and journalist.  

A star burst of light appears to emanate from the eye of a man's head in silhouette.
Gabriel Barletta on Unsplash

The mainstream Churches are faltering – or even at risk of dying out – in their Western and Middle Eastern heartlands. Surveys confirm that only a minority of people in a country such as Britain now claim Christian allegiance. The pattern is being matched in neighbouring societies.  

At the same time many opinion formers preach secularist ideology with a self-confidence shading into dogmatism. Others, unsure of their moorings, feel some residual attachment to spirituality, while being sceptical about the existence of God and other articles of belief.    

Yet, the wisdom taught by the church to its followers, and that is available to wider society, remains intellectually robust, as well as inspiring a transformative global presence. In a major and wide-ranging international study – both a report on the unsettling consequences of secularisation and a defence of a creed too often belittled by its opponents – Rupert Shortt outlines Christianity’s fading profile in the present, but also argues compellingly that Europe’s historic faith remains critical to the survival of a humane culture. 

Where is the world when it comes to explaining what it believes?  ‘Are we secular, Christian or Pagan?’, asked theologian Graham Tomlin, after analysing the Paris Olympics. Is one way of thinking about ourselves about to be eclipsed? 

***

The philosopher Charles Taylor has distinguished between three kinds of secularism. One involves a whittling away of the religious presence in public life. The output of a public service broadcaster such as the BBC reflects this tendency. Secularism can also be seen in a decline of personal religious practice, often coextensive with a retreat from community into individualism. This move has deeper historical roots. Compare, for instance, Bach’s pietistic audiences in Leipzig during the second quarter of the eighteenth century with the Viennese concertgoers reacting as individuals to Beethoven’s music several generations later. Taylor’s third form of secularism rests on the decline of Churches and other faith groups as sources of norms governing personal conduct.  

That Christians are troubled by all three kinds is obvious enough. They should also assume their share of the blame. The Church has plainly fed disillusionment or scepticism at times. But alternative visions should also face scrutiny.  

‘Type one’ secularism amounts to telling people of faith that they are free to believe and practise if they choose, but that their convictions must be entirely transcendent and not at all immanent. In other words, religion is acceptable as an eccentric private hobby because both type one and type two secularism involve seeing communities of spiritual conviction in these patronising terms.  

As to the question of how secularism fills the hollowed-out public square: opponents of ‘public’ religion have little follow-up to Taylor’s third category. This means that their stance can appear self-contradictory as well as essentially negative. To say ‘No one must assert that their views are normative’ – is itself to make a normative statement. Matters appear murkier still on closer inspection. While presenting itself as a beneficial negative grand narrative, secular rationalism finds itself in an uneasy and unresolved relationship with postmodernism, exponents of which dangerously and/or tediously assert ‘alternative’ facts (Donald Trump) or ‘my truth’ (the Duchess of Sussex). If even an atheist standard-bearer such as Nietzsche predicted that the death of God would spawn nihilism and totalitarianism, then Western society may be in far greater peril than is generally supposed. Perhaps – as Rabbi Jonathan Sacks warned – spiritual climate change should be ranked alongside the environmental crisis.   

In demanding that marriage be consensual, the medieval Church also created a climate in which audiences would later sympathise with Romeo and Juliet’s urge to wed against their parents’ wishes.

Little wonder, then, that Christianity is regularly endorsed by the uncommitted as well as by believers, owing to the social blessings that accrue from it. I am not here referring only to goods generated by the prison chaplain or the soup-kitchen convenor or any number of other figures motivated by their faith to minister among the outcastoutcasts. There are also big social trends that we can be barely conscious of, if at all.  

Two simple examples do duty for a bigger picture.  

An important source of our beliefs about individual freedom dating from well before the eighteenth century is the ecclesiastical ban on cousin marriage, which nourished a more trusting world view opposed to clannishness and thus to xenophobia. In demanding that marriage be consensual, the medieval Church also created a climate in which audiences would later sympathise with Romeo and Juliet’s urge to wed against their parents’ wishes.  

Or think of Milton. His defence of free speech, and even his anticipation of the principles of the American Declaration of Independence, are all present in Paradise Lost through the model it offers of genuine mutuality and rational conversation, even against the background of hierarchy and patriarchy.  

Christianity served as midwife to advances including the scientific revolution, egalitarianism and democracy; theology fleshes out political accounts of the good life. These, too, are themes with many variations. Both on conceptual grounds and for reasons linked to their rootedness in communities at every social level, the Churches are better placed to diagnose deeper causes and richer solutions when deploring evils such as high inequality.  

These causes include the decline of working-class men’s wages (the husband-to-wife income ratio correlates strongly with marriage and divorce rates), the bad side of the sexual revolution (married parents are on balance a huge advantage to children and should preferably be the norm), and prohibition (tighter controls on activities including gambling and drug-dealing are usually effective disincentives).  

 

Just as capitalism cannot survive without trust and honesty, so individual freedom cannot last without some internalised moral order. 

Christians and people of Christian heritage also have especially strong grounds for resisting free markets red in tooth and claw. It comes as no surprise that movements including Blue Labour and Red Toryism – along with their counterparts in Continental Europe – do not just present morally charged economic visions.  

They also draw explicitly on Catholic Social Teaching. Even Margaret Thatcher’s biographer Charles Moore lamented capitalism’s failings as far back as 2011: ‘A society in which credit is very restricted is one in which new people cannot rise. How many small businesses could start or first homes be bought without a loan? But when loans become the means by which millions finance mere consumption – that is different. And when the banks that look after our money take it away, lose it and then, because of government guarantee, are not punished themselves, something much worse happens. It turns out – as the Left always claims – that a system purporting to advance the many has been perverted in order to enrich the few.’ 

Moore’s words are quoted in a very valuable essay by Ed West, a Christian conservative whose importance partly derives from his being justly critical of the Tory party. He grants that individualist conservatism, like capitalism, prizes freedom. Yet it was always dependent on established moral codes, and especially Christianity, to encourage good behaviour by force of example. Just as capitalism cannot survive without trust and honesty, so individual freedom cannot last without some internalised moral order. Modern Toryism’s failure is reflected in the appeal to some of atheistic libertarianism, whose exponents envisage ‘a moral bubble which they expect nothing but self-interest to fill’. West draws a piquant lesson. ‘[I]nstead, as we have seen in recent years, once the Church is undermined, the state soon becomes a Church.’ 

As he also notes, the state alone cannot reduce inequality in the absence of greater social capital – a commodity discussed at length in Robert D. Putnam’s bestseller Bowling Alone. West concludes that unless we see a growth in social capital, ‘in the levels of community involvement, in social trust, in virtuous, selfless behaviour – in short, in relationships – inequality will continue to remain high. As Britain has become more individual-obsessed, as institutions such as the family, the Church, the nation and, though conservatives are reluctant to include them, trade unions have become weaker, this reduction in social capital has disproportionately harmed the poor.’ The same applies to other Western societies of course.  

West doesn’t just flag up the undoubtedly grave social problems caused by mass fatherlessness. He also emphasises the converse: that contemporary economies make it increasingly difficult for the proverbial ‘working man’ to support a family. The period known in France as les trente glorieuses (1945–75) was well known for exponential economic growth. That time has passed. A jettisoning of state socialism in China and India since the 1980s inevitably means that the centre of economic gravity has shifted back towards Asia for the first time in 500 years. This in no way discredits West’s message, however.  

A more than simply ‘cultural’ Christian commitment could include the following additional elements. There is never going to be a point at which active church members can stop thinking, praying and acting for justice. A follower of Christ must be abidingly restless at some level. After making himself a thorn in the flesh of the Third Reich, the Protestant giant Karl Barth said that Christians are always going to be unreliable political allies. In other words, they will want to confront the powers that be with awkward questions and should never feel happy about signing up to a complete package. A preacher I once heard put it as follows. ‘At the end of the day, what matters most is that sense that the deepest reality in social life boils down to some fundamental issues. Are we acting as a society, as individuals, out of a love of self that leads to forgetting God, or love of God that leads to forgetting self?’ 

The Church is therefore not a triumphant illustration of what it looks like when social and cultural challenges are resolved. Rather, he added, it is an illustration of what it’s like when people turn to the big questions we confront again and again in repentance and trust, ‘and try to live out a life in which we’re not constantly at war with one another, individually and collectively, and are looking for what it is that we can recognise as allowing us to flourish side by side under the God whose concerned love is for all of us.’ 

To me, this freedom of conscience and speech is perhaps the greatest benefit of Western civilisation. It does not come naturally to man. It is the product of centuries of debate within Jewish and Christian communities. 

 

Ayaan Hirsi Ali

Granted the viability of these reflections, it is perhaps less surprising than may at first appear that the Somali-born ex-Muslim and feminist campaigner Ayaan Hirsi Ali should have announced in late 2023 that she now counted herself a cultural Christian. Made public in an article for the UnHerd website, the move was nevertheless eye-catching given Hirsi Ali’s past status as an ally of Richard Dawkins and other New Atheist campaigners. She posed two questions. ‘What changed?’ and ‘Why do I call myself a Christian now?’ Her answers are worth setting out at some length.   

Part of the answer is global. Western civilisation is under threat from three different but related forces: the resurgence of great-power authoritarianism and expansionism in the forms of the Chinese Communist Party and Vladimir Putin’s Russia; the rise of global Islamism, which threatens to mobilise a vast population against the West; and the viral spread of woke ideology, which is eating into the moral fibre of the next generation. 

We endeavour to fend off these threats with modern, secular tools: military, economic, diplomatic and technological efforts to defeat, bribe, persuade, appease or surveil. And yet, with every round of conflict, we find ourselves losing ground. We are either running out of money, with our national debt in the tens of trillions of dollars, or we are losing our lead in the technological race with China. 

But we can’t fight off these formidable forces unless we can answer the question: what is it that unites us? The response that ‘God is dead!’ seems insufficient. So, too, does the attempt to find solace in ‘the rules-based liberal international order’. The only credible answer, I believe, lies in our desire to uphold the legacy of the Judeo-Christian tradition. 

That legacy consists of an elaborate set of ideas and institutions designed to safeguard human life, freedom and dignity – from the nation state and the rule of law to the institutions of science, health and learning. As Tom Holland has shown in his marvellous book Dominion, all sorts of apparently secular freedoms – of the market, of conscience and of the press – find their roots in Christianity.

Hirsi Ali had had an epiphany around the centenary of Bertrand Russell’s ‘Why I Am Not a Christian’, a lecture later published under that title. 

 I have come to realise that Russell and my atheist friends failed to see the wood for the trees. The wood is the civilisation built on the Judeo-Christian tradition; it is the story of the West, warts and all. Russell’s critique of . . .  contradictions in Christian doctrine is serious, but it is also too narrow in scope. 

For instance, he gave his lecture in a room full of (former or at least doubting) Christians in a Christian country. Think about how unique that was nearly a century ago, and how rare it still is in non-Western civilisations. Could a Muslim philosopher stand before any audience in a Muslim country – then or now – and deliver a lecture with the title ‘Why I am not a Muslim’? In fact, a book with that title exists, written by an ex-Muslim. But the author published it in America under the pseudonym Ibn Warraq. It would have been too dangerous to do otherwise. 

To me, this freedom of conscience and speech is perhaps the greatest benefit of Western civilisation. It does not come naturally to man. It is the product of centuries of debate within Jewish and Christian communities. It was these debates that advanced science and reason, diminished cruelty, suppressed superstitions, and built institutions to order and protect life, while guaranteeing freedom to as many people as possible. Unlike Islam, Christianity outgrew its dogmatic stage. It became increasingly clear that Christ’s teaching implied not only a circumscribed role for religion as something separate from politics. It also implied compassion for the sinner and humility for the believer. 

Yet I would not be truthful if I attributed my embrace of Christianity solely to the realisation that atheism is too weak and divisive a doctrine to fortify us against our menacing foes. I have also turned to Christianity because I ultimately found life without any spiritual solace unendurable – indeed very nearly self-destructive. Atheism failed to answer a simple question: what is the meaning and purpose of life? 

Christianity’s radical reservation about ‘the world’ of ‘principalities and powers’ springs from a sense of chronic brokenness in the human condition.

Many assumed that Hirsi Ali’s move amounted more to an acknowledgement of Christianity’s role in securing social progress than an acceptance of the Nicene Creed – though the situation is evidently dynamic. She also writes of learning about the faith bit by bit as she attends church Sunday by Sunday. In any case, although some more orthodox figures responded a bit sniffily to the article, ‘cultural’ Christianity has a long history. Churchill is well known for describing himself as a flying buttress – namely supporting the structure from outside. His leanings are widely copied.  

Since her move towards cultural Christianity, Hirsi Ali has started attending church regularly and was recently baptised.* Like other Christians, then, she may now want to push a bit further. The grounds for doing so are philosophical as well as theological. Philosophical, because conserving the Judeo-Christian cultural inheritance should not be confused with ancestor worship. These traditions can and should be justified as expressions of our truth-tracking pursuit of the good, the true and the beautiful. I follow a line extending back to St Augustine and beyond in giving a Christian framing to these Transcendentals. We are naturally not obliged to do so. Latter-day Platonists and perhaps Stoics will share a commitment to allied metaphysical principles. What certainly does remain necessary, however, is a commitment to objective standards of reference, side by side with a universal idiom for articulating them.  

And the foundations are theological, because Christianity is not ethics misleadingly encased in archaic myth. It is about faith and hope in a journey from exile through a wilderness to springs of living water. Karl Barth’s political stance sketched above is biblically based. Christianity’s radical reservation about ‘the world’ of ‘principalities and powers’ springs from a sense of chronic brokenness in the human condition, and the corruption of even our noblest ideals. In short, we are marked by original sin, which in turn generates a quest for healing that is re-presented in liturgy. The Sermon of the Mount stands out for me with particular force here. In David Martin’s unpacking of it, Jesus preaches against a horizon of beatitude and promise. The sermon ‘asks how you stand, how you are placed when it comes to receiving, giving and making gestures of reconciliation and inclusion’. Right at the heart of Christian belief stands ‘the blood offering of the Blood Donor, and our loving communion with the Donor.’ Like all pastors worth their salt, Martin brought out the importance of Trinitarian as well as incarnational belief. In holding that the source of all created reality is itself an eternal exchange of mutual self-giving, Christians can infer among much else that differences need not lead to conflict or antagonism but can coexist in harmony and find expression in creativity. 

Perhaps the most searching response to Ayaan Hirsi Ali came from Jacob Phillips in The Critic magazine. Aged 25, he converted to Christianity soon after the turn of the millennium while working in the City of London. His office ethos amounted to ‘rough-edged Thatcherism’ – the aim was to make as much money as possible in the shortest possible time. Phillips’s colleagues read Zoo and Nuts  (then very popular but now defunct lads’ mags), while ‘popular culture had begun slipping into a level of pornification impossible to imagine just a few years previously’. Employees would disappear into toilet cubicles to snort drugs on Friday afternoons.  

Leaving the office to attend Mass during the lunch hour – as Phillips did regularly after his reception as a Catholic – thus felt counter-cultural. ‘Mammon lay slain’ at the church door. ‘In the first few minutes kneeling in the pews, there’d be a radical decentring of all the values the world held dear. I’d return to work feeling reorientated by the uncontrollable centre of human life – the miracle of being restored to our origin out of nothing, after accepting the dereliction and dismay of the world.’ 

Christian radicalism continues to exert a strong pull on Phillips.

‘I read “when Christ calls a man, he bids him come and die” from Dietrich Bonhoeffer, or St Theresa of Lisieux saying, “I desire only to suffer and be forgotten.” As my colleagues raged through the City’s bars on Friday nights, I would pray a line from Psalm 88: “You have taken away my friends, and made me hateful in their sight.”’

He quit his job a year later to study for a degree in theology.  

The move felt more subversive then than it might do in the 2020s. Churchgoers themselves – not just practitioners of civic religion, but also some members of an older liberal generation probably too accommodating of secular fashions – can be among those most surprised to discover the continuing potency of gospel teaching. Like Martin, Phillips sees that the civilisational benefits of Christianity are only by-products (albeit important ones) of faith itself.  

Faith is . . . uncontrollable, and it is just as active in despair and dereliction as in the moments of great historical achievement. If your Christianity promises to improve life in a worldly sense, it probably isn’t that Christian. 

The apostles didn’t lay down their nets to become fishers of self-fulfilment. The mystics didn’t emaciate themselves through fasting to defend our freedom of speech. The martyrs didn’t die for the good educational outcomes of stable families. At the centre of anything purporting to be Christian must always be the . . . disruptive reality of lives being lived, and societies being led, in ways which are not of our choosing.

These thoughts can be put in a nutshell, as well as endlessly elaborated. The brief version should include an avowal that our lives have a telos or goal. Christianity’s eclipse matters because the Church is the sturdiest vessel for the preservation of values without which civilisation will perish. And because Christian teaching goes further in maintaining that our human search for love and joy is at one with the order and purpose of the world as God’s creation.  

Janet Soskice, one of my wisest teachers and a thinker to rank alongside Taylor, sums these thoughts up memorably with the simple comment that Dante was right. ‘In the end,’ she adds, ‘it is love which moves the Sun and the other stars, and which draws us on in our social and moral lives. We just need to be able to see it.’