Podcast
Atheism
Culture
Re-enchanting
S&U interviews
1 min read

Re-enchanting... new atheism

Co-host Justin Brierley becomes the guest on this episode of Re-Enchanting. Regular co-host Belle Tindall is joined by Bishop Graham Tomlin, as they and Justin explore what happened to the new atheism movement. 

Nick is the senior editor of Seen & Unseen.

A seated man talks to someone out of shot and gestures his hand out towards them. a microphone is on the table.

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Richard Dawkins and the new atheists began a popular anti-God movement in the mid 2000s. But why did the movement sputter out? And could we be seeing the start of a new conversation on God?

Re-Enchanting co-host Justin Brierley becomes the guest in this edition of the show as Belle Tindall and Graham Tomlin interview him about his new book 'The Surprising Rebirth of Belief in God: Why new atheism grew old and seclar thinkers are considering Christianity again.'

For the book: https://justinbrierley.com/the-surpri...

There’s more to life than the world we can see. Re-Enchanting is a podcast from Seen & Unseen recorded at Lambeth Palace Library, the home of the Centre for Cultural Witness. Justin Brierley and Belle Tindall engage faith and spirituality with leading figures in science, history, politics, art and education. Can our culture be re-enchanted by the vision of Christianity?

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Podcast
Books
Culture
Film & TV
Podcasts
Seen & Unseen Aloud
1 min read

Seen & Unseen Aloud: new episode

C.S. Lewis' storytelling, Shardlake, and the mistakes that set us apart.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

Two men in Tudor clothing converse in a street
Shardlake, left, played by Arthur Hughes.

In the second of our Summer episodes, Simon Horobin unpacks CS Lewis's assertion that great stories allow ideas to be experienced rather than merely thought about; James Cary explores the Disneyfication of the Monasteries in Shardlake and Sylvianne Aspray asserts that it's our mistakes that set us apart from the machines.