Column
Culture
Politics
4 min read

After Angela: why Christian Democracy still works

Feeling somewhat labelled, George Pitcher unpacks why Christian Democracy still appeals to him, even in the UK, and explores its philosophical roots in the breathless thought of Jacques Maritain.

George is a visiting fellow at the London School of Economics and an Anglican priest.

A politician stands a labelled lectern speaking and gesticulating with a hand.
Angel Merkel, addresses her political party.

When I’m accused of being a “leftie” in the predominantly Conservative area of East Sussex in which we live – though there are signs of automatic Tory support fragmenting – I usually reply that actually I’m a Christian Democrat. 

At one level, this is a case of simple literal determinism: I’m a Christian and a democrat. Tick. But Christian Democracy is more complicated than that – not least because its continental European iteration was built on the re-building of a pan-national concord after the Second World War and the establishment of the European Union, a narrative from which the UK has largely excluded itself.  

Former German chancellor Angela Merkel’s Christian Democratic Union (CDU) was a paragon of this ideology, growing out of the re-unification of Germany that began in 1989. It’s unlikely that her political ideology would have prospered in Britain. 

The so-called three Fs of social conservatism are family, faith and flag. I sign up to the first two. But not the nationalism of the third. Here, I’m squarely in Christian Democrat territory. 

It’s that ideology that appeals to me. Essentially, Christian Democracy is rooted in an attempt, since the 19th century, to reconcile Catholic social teaching with democracy and capitalism (tick, again). In that context, it combines left-wing economics with social conservatism. 

I awoke with a start some years ago with the realisation that I’m socially conservative. My divergence from my socially liberal friends had been so gradual as to be imperceptible. But here I stand, I can do no other.  

I oppose assisted suicide – a liberal standard – not, as I’m accused, because of some vague commitment to the sanctity of life but because I believe there’s extreme moral jeopardy in the state endorsing in its legislature that some lives are not worth living. I believe that same-sex unions should be blessed in Church (and I have done so), but I also believe that’s a definitional difference from marriage as celebrated in church. 

The hard right uses woke as a term of abuse when all it really means to many of us is being "awake" or "quite nice". By this ascription, for instance, someone who holds that refugees should be treated with dignity can be described as woke. But I also believe that a male cannot become a woman – and be recognised by the state as such – simply by declaring that he is so. Nor do I think that history can be judged by contemporary mmores,and I find cancel culture abhorrent. That makes me anti-woke in some circles. 

By these criteria, I’m socially conservative. So be it. The so-called three Fs of social conservatism are family, faith and flag. I sign up to the first two. But not the nationalism of the third. Here, I’m squarely in Christian Democrat territory. 

As for a social economy, I believe in a state big enough to provide free health care at the point of delivery, education as a right and not a privilege and a welfare state robust enough to support the marginalised and vulnerable – in scriptural terms, “the poor”. Again, that’s Christian Democracy, at least as Merkel might understand it. 

But ideologies need ideologues and Christian Democracy’s problem in the UK is that we have not too few, but too many and too varied.

All of which will guide my vote this year’s general election. There won’t be a CDU on the ballot paper and, even if there were, our ridiculous first-past-the-post electoral system mocks our democracy. When the Liberal Democrats struggle to maintain a toehold in parliament, despite being a widely credible alternative in many Tory seats, what chance for a more esoteric political initiative? 

An argument may be mounted that with the Church of England established in law, 26 bishops sitting in the legislature of the House of Lords as a consequence, and the head of state as the Church’s supreme governor, Christian Democracy is already pretty well served in the UK. 

Wisely, British Christian Democrats have endeavoured over the past three decades and more to be a movement within politics, rather than a political party (though no disrespect is intended here to the Christian People’s Alliance). This is Christian Democracy as an idea, rather than a voting option. 

For this idea to have traction, it needs a political ideology, which may or may not be along the lines of the one I’ve adumbrated. But ideologies need ideologues and Christian Democracy’s problem in the UK is that we have not too few, but too many and too varied. So it may be as well to look to a contemporary historical leader of thought. 

The nearest thing that European Christian Democrats have to a uniting figure is the French Catholic philosopher Jacques Maritain, who died in 1973. To read Maritain at length is to leave one breathless with anticipation for what could be. 

An albeit dangerous summation of Maritain is that he calls the West to a “New Christendom” that defines the state not by Christian faith, but attempts to define our faith through a secular prism, to make it active in the public square. 

I particularly like the way this is described by American theologian William T, Cavanagh: “[T]his means in effect that there is trash to be picked up, businesses to be run, wars to be fought. These things are not our ultimate end, but neither are they simply cut loose from any spiritual significance.” 

If we’re able to unpack that sense of purpose, then just maybe we can approach an election with this unifying political slogan: Vote Christian Democrat. 

Article
Character
Culture
Film & TV
Music
4 min read

Love is all you need. Really?

We want to feel the main character energy of each of the Beatles

Jamie is Vicar of St Michael's Chester Square, London.

Four actors dressed in black stand together
The new cast.
Neal Street Productions.

One of the joys of moving into central London is the nostalgia. You can 'remember' anything in London, but for a Beatles fan like me (one year I was in the top one per cent of listeners globally on Spotify - impressive, I know - and it was before I had kids), the aesthetic of central London is deeply connected to the fab four. I'm aware it's not Liverpool but look what London has to offer fans of the fab four.  Abbey Road’s crossing, the rooftop performance in Savile Row, or the amount of time the fab four spent just here for the famous launch of Sgt Pepper. Walking around these streets with my headphones in, it's impossible not to smile at music that is faultlessly happy-making. 

Sir Sam Mendes, however, is taking the immersive Beatles experience to a whole new level. Four coordinated films will be released in 2028 in a stunning act of ambition and delayed gratification. Mendes' production company says it will be the first 'bingeable theatrical experience.' 

Now that the cast have been revealed, lots of questions remain: How long will the films be? Will they all be released at exactly the same time? Will there be Lord of the Rings viewing marathons? By the way - did you hear about the failed pitch for a Lord of the Rings film starring John as Gollum, Paul as Frodo, George as Gandalf and Ringo as Sam? We've missed that particular masterpiece, as Tolkien turned it down, as did Stanley Kubrick for that matter. The man it did fall to, Peter Jackson, recently also released a Beatles television experience in Get Back. Even for Beatles diehards like me I've not made it through all 468 minutes. But I saw enough to see Shakespeare being written. 

Screenwriter Peter Straughan (Wolf Hall, Conclave) said that the different script writers for the not-so-imminent upcoming four films were "firewalled off from each other", so we receive four takes truly inhabiting the shoes of each protagonist. Band members wanting their own 'main character energy'? Surely not! 

Only Mendes knows how the films will tie together. "Each one is told from the particular perspective of just one of the guys," Sir Sam told CinemaCon in Las Vegas on Monday. "They intersect in different ways - sometimes overlapping, sometimes not." 

"They're four very different human beings. Perhaps this is a chance to understand them a little more deeply. But together, all four films will tell the story of the greatest band in history." 

An omnipresent director still has infinite attention for each one us within a grander narrative arc. 

Lennon and McCartney are undeniably geniuses. But with the Beatles, they were always greater than the sum of their parts. Even the songs that were solos were credited to Lennon/McCartney. Their solo works, no disrespect, never quite reached the dizzying heights of their collective efforts. 

But a biopic for each bandmember is a terribly 2020s take. We want to feel that main character energy pulsing through our veins. While we want to feel part of something bigger, we want to feel that our lives are unique and distinct, not derivative (the latter not being a problem for The Beatles). 

But a quartet of films, "challenging the notion of what constitutes a trip to the movies", harmonising in new ways (remind you of anything as subversive and groundbreaking?) provides an utterly lovely step-change in cinema. There's been no shortage of Beatles biographies and films, but this new concept comes closer to art imitating life. Our lives have to be lived independently, but are somehow made more meaningful and rich in connection and collaboration with others.  

The philosopher Tom Morris wrote: "There are two striking human passions, the passion for uniqueness and the passion for union. Each of us wants to be recognised as a unique member of the human race. We want to stand apart from the crowd in some way. We want our own dignity and value. But at the same time, we have a passion for union, for belonging, even for merging our identities into a greater unity in which we can have a place, a role, a value.” 

Can those passions be held in tension? The Christian faith, while commending us to be outward-focused, does more than polyphonic films. It says that each of us are worthy of our own 'cinematic events'. Yes, we mightn't have started living until we have broken free from our own confines to the concerns of broader humanity, as Martin Luther King said, but an omnipresent director still has infinite attention for each one us within a grander narrative arc. 

All you need is love, they sang. But that love needs the perfect perspective of someone else. 

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