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War & peace
5 min read

After the anniversary

Ukrainian musician Lyuba Reznichenko reflects on the war’s anniversary and on the aid given in so many ways. Interview by Peter Robertson.

Peter Robertson is Christian Aid's senior humanitarian journalist.

A woman sits on a chair in a field holding a large stringed musical instrument.
Lyuba Reznichenko playing her bandura.
Christian Aid.

Christian Aid first met Lyuba Reznichenko in July 2022 after the then-25-year-old had fled her home, and her studies at the music academy in Dnipro, for a remote village in western Ukraine. She was sharing a bungalow with three families, including a friend from her church in Dnipro.

Her parents, brother and three sisters were still in Kherson, under Russian occupation - they were safe but Lyuba could not get to them. She spoke about her worries and said she missed playing music but was enjoying the nature around her.

I caught up with Lyuba, in Lviv, via a Zoom interview. She updated us on the liberation of Kherson but explained her parents were under constant shelling from the Russians.

Lyuba plays the bandura – the national instrument of Ukraine. Her father advised her to take her bandura with her when she escaped, so if she ended up with nothing, she could still busk. She has since staged performances in Lviv city centre to raise people’s spirits and talked about how emotional people get: “They all want peace and victory,” she said.

She also spoke about her faith, the work she has been doing helping refugees and the support she received from Christian Aid’s partner, Hungarian Interchurch Aid.

Lyuba said when she looks back at the past year, she gets frustrated:

“It sometimes feels like I am ready to succumb to all that. But I understand that we cannot do that. We must hope, we must pray. I do believe that God will help us and victory will be ours.”

What was your life like before the war?  

I was studying at the Music Academy in Dnipro. Before that, I went to see my parents in Kherson during the New Year holidays… I was planning to go visit them again in March, but 24 Feb changed everything. I was in Dnipro and my entire family was in Kherson.  

What did you feel when you learnt about the Russian invasion on 24 Feb?  

Like the majority of Ukrainians, I started getting phone calls at 4am from my friends who were saying: “get up, the war has started.” It was horrible, I was very scared as we heard the first air raids and explosions. Horror is the only thing I remember about that day. 

What happened next?  

I stayed in Dnipro until mid-March. To avoid plunging into panic and depression and as a believer, I will be honest with you, I prayed a lot. I do believe that God supports, protects and helps. The church I used to go to opened a centre for the first wave of refugees from Kharkiv and Zaporizhzhya regions. As my own family was in the area under occupation and I could not do anything to help them, I decided to start helping those refugees.  

Then I learnt of an opportunity to evacuate to western Ukraine in March, I grabbed it. This is how I ended up in Transcarpathian Region. 

What’s your experience of interaction with Christian Aid?  

I stayed with a very kind and hospitable family in a village there. They have many children and helped other refugees and I helped them every time I could. Then, in May I learnt of the Hungarian charity HIA, Christian Aid partner, and registered with them… 

They supported me financially. As a student, I did not have any means. I could not ask my parents for helps as they were living under occupation and banks did not work there… 

How did you stay in touch with your family?  

It was a very difficult situation. There have been protracted periods, like a week, two weeks and a half, when I could not get in touch with them as there was no phone connection, no internet in Kherson. I was horrified by the news I read: a strike here, an explosion there. I was thinking about my family all the time.  

But there were moments when I could reach them on a chat app. The connection was bad, but still, and when you hear the voice of your nearest and dearest, that’s a great relief… 

How is your family now? 

Kherson was liberated on 11 November… But then the situation only deteriorated because the Russians were shelling it from the right bank almost non-stop. My parents tell me that it is going on almost without interruptions.  

When did you move to Lviv and return to Dnipro? 

At the end of August, I moved to Lviv where I met other believers who were actively involved in charity work. I worked with them, too. We staged performances in the city centre. I played bandura and sang patriotic songs to raise people’s morale.  

Then I returned to Dnipro to complete my studies… I continued cooperation with this organisation there… We were quite active there, too. We toured the region with performances, I played bandura a lot.  

What is people’s reaction to your performances?  

The reaction is abundant. People do react to my songs. They cry, too. They become very emotional. They all want peace and victory.  

What do you feel about the first anniversary of the war? 

It is all very difficult. When it all started, there was hope that it would end in a week or two. And then a month passed, another… Still there was hope that it will just come to an end.  

When I look back at the year, I just become frustrated. It sometimes feels like I am ready to succumb to all that. But I understand that we cannot do that. We must hope, we must pray. I do believe that God will help us and victory will be ours.  

What do you think about the UK charity organisations helping Ukrainians? 

First, I want to thank you from the bottom of heart for supporting us all this time. This is an awful situation and many Ukrainians need help. Especially those living in eastern Ukraine, in hot spots, which have seen fierce fighting, the newly liberated territories where people have no place to live, where they lost loved one… Those people need more support.  

I would like to say that more aid is directed there. Still, it is impossible to live there. It is not safe at all because of the non-stop raids and explosions. Those people who evacuated to the west of Ukraine need help. But they sometimes cannot get it because all the attention is focused on the east.  

So if you can it would be good to distribute all the assistance among those staying in the east and those who moved here, to the west.

Review
Culture
Music
Race
6 min read

Beyoncé’s breaking barriers

Cowboy Carter sees the star crack her whip in the temple of the music industry.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

Side by side, two rodeo riders on horses trot toward the camera. One is Beyonce, the other a cowboy
Beyoncé at the Houston Rodeo.
Beyoncé.com

I sometimes wake up in a cold sweat with flashbacks of one terrible swimming lesson at school. I had accidentally forgotten to forget my kit, so was forced to face not only the freezing water, but the spouting of ignorant prejudice from my teacher.  

“Kandiah, you’re useless,” he said, as I heaved myself out of the pool at the end of the lesson. “Although I guess it’s not your fault you can’t float like the white children. Your bones are heavier. Look at the Olympics – you never see black and Asian swimmers, do you?” 

I opened and closed my mouth a few times, like the fish out of water I suppose I was, but inside I was seething.  

Being told I couldn’t do something made me all the more determined to do it. Back in I jumped.  

Last week, in another splash aimed at proving people wrong, Beyoncé’s magnificent album “Cowboy Carter” became the first album by a black woman to top the country charts. 

On her Instagram feed she said: “the criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me.” 

It was a brave move. Back in 2016, she had received heated and hate-filled reactions when she performed her song Daddy Issues at the 50th Country Music Association Awards with the country music group Chicks, formerly known as the Dixie Chicks. Many country music fans were outraged, calling it an act of cultural appropriation. One response on social media put it starkly: “SHE DOES NOT BELONG!!”.  

But as a Texan who had been brought up around country music, Beyoncé disagreed. She would spend the next five years planning her response. Cowboy Carter proves her country credentials beyond all doubt. It’s not only about the music. It also does three important things that show the world what can be done when faced with barriers of prejudice and ignorance. 

She honours the past

The album is clearly an act of tribute to trailblazing country artists before her. Beyoncé included notable guest appearances and feature tracks and took the unusual step of sending flowers to all who had inspired her.  

Beyoncé sent flowers to Mickey Guyton, the first black female artist to be nominated for a Grammy Award in the Country category. She also sent flowers to K. Michelle and featured Tanner Adell, Brittney Spencer and Reyna Roberts on the Cowboy Carter track Blackbird, a song that Paul McCartney wrote as a response to the case of the Little Rock Nine, a group of African-American schoolchildren initially barred from attending a previously racially segregated school in Arkansas. It took the direct intervention of then President Dwight Eisenhower in 1957 to make it possible for these children to attend their school. She also included guest appearances from country music royalty Dolly Parton and Linda Martell, who both introduce songs on the album. Dolly’s introduction to Beyoncé’s reworking of Jolene is particularly poignant: “Hey Queen B it’s Dolly P”.  

The song Jolene sticks faithfully to the guitar riff from the original, but the words and the tone of this song are completely different. Dolly’s original Jolene was begging another woman not to take her man from her. But Beyoncé will have none of that. She is full of threat and menace:

“I’m warnin’ you, don’t come for my man… don’t take the chance because you think you can.”  

As Beyoncé pays her dues to the greats that have gone before, she also offers a very different picture. She can recognise the past, and yet not be imprisoned by it. She can appreciate those who have laid the foundations for a new era, unbound by cruel stereotypes.  

She challenges the present 

We don’t have to look far to see the way that western society is splintering. It is becoming harder to find common ground, harder to move from one tribe to another.  Beyoncé’s album is political in that it is deliberately breaking down a wall and smashing a division. She refuses to accept that there are no-go areas for people of colour. The album feels like Beyoncé’s famous baseball bat from Lemonade, but this time it isn’t smashing cars, but preconceptions and prejudices instead. 

There’s anger in this record. The first song is “American Requiem” and includes the line:  

“They used to say I spoke ‘too country’./ And the reaction came,/ said I wasn’t country ’nough / If that ain’t country / I don’t know what is?” 

Full of confidence and rage she asks over a bed of country music guitar chords:  

“Can you hear me? / Can you stand me?”  

Beyoncé does not disguise the ironies. The fresh anger and challenge weaves into classic forms and tropes of country music. The artist that some wanted to exclude from the genre tops the charts. The pop icon becomes an iconoclast.  The smashing of divisions makes way for the building of something new.   

She opens a door for the future

It is within living memory of many that black people were prohibited from sitting at the front of a public bus or drinking from the same water fountain as white people. Beyoncé’s Cowboy Carter is not just a smash hit it is a smash down of the boundaries of genre that had excluded her and others. With this boundary smashed the opportunity is opened for others too.  

For example, there was a recent stand-out performance at the Grammy awards watched by millions around the world – the duet between the country star Luke Combs and Tracy Chapman. Luke, a young white man, is part of a new generation of country singers with a huge following. The legendary black artist Tracy Chapman recently turned 60. The joyful performance was particularly touching as the two of them looked genuinely delighted to be singing together. The video went viral and lead to a huge uplift in Chapman’s sales. The song Fast Car rocketed to the top of the charts some 36 years after it was first released.  
 
Cowboy Carter is Beyoncé using her voice and talent to push back against prejudice and push forward to a new era. She is cracking her whip in the temple of the music industry. She is driving out those who have commandeered the space that rightly belongs to those from any and all backgrounds.  She is righteously angry at the injustice. She is declaring that country music be reclaimed as a meeting place for all nations to enjoy.  

When Jesus unleashed the whip against the tables of the moneychangers in the temple who were excluding the non-Jews the space rightly belonged to, he fiercely declared: “My father’s house is to be a house of prayer for all the nations.” He was not only breaking the barriers of the past but ushering in a new future, a future where everyone could gather together before God on equal footing. Jesus would eventually die on a cross to ensure this free access to God was available to everyone - wherever they were from, whatever they had done and whatever they looked like.  

I welcome this album by Beyoncé in that spirit of challenging prejudices, breaking down barriers, and clearing the decks for a new future equally available to all.  

If only I could have whipped myself into shape, I believe I could have been the Cowboy Carter of the swimming world forty years ago.  

 

Beyoncé in her own words

“Ain’t got time to waste, I got art to make/ I got love to create on this holy night/ They won’t dim my light, all these years I fight.”  

16 Carriages 

“Say a prayer for what has been / We'll be the ones that purify our father's sins / American Requiem / Them old ideas (yeah) / Are buried here (yeah) / Amen (amen) 

 Amen