Review
Belief
Books
Culture
Music
1 min read

Belle and Sebastian's suffering singer on the struggle and the hope

On the edge of ‘Nobody's Empire’: something good will come.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A singer, wearing a hat, pulls his head back holding a note, and a mic.
Stuart Murdoch performs, St. Paul, Minnesota, 2024.
Andy Witchger, CC BY 2.0, via Wikimedia Commons.

Nobody's Empire: A Novel is the fictionalised account of how Stuart Murdoch, lead singer of indie band Belle and Sebastian, transfigured his experience of Myalgic encephalomyelitis/chronic fatigue syndrome (ME) through faith and music.  

The book has two Belle and Sebastian songs as its keystones. The first, ‘Nobody's Empire’, gives the book its title and is a description of how it feels to have ME: 

‘I clung to the bed and I clung to the past 

I clung to the welcome darkness 

But at the end of the night there's a green green light 

It's the quiet before the madness’ 

Murdoch has been living with ME since the 1980s and is an outspoken advocate for those who have the condition. His experience, as described in ‘Nobody’s Empire’, has been that ‘We are out of practice, we're out of sight / On the edge of nobody's empire’. That is also the experience of Stephen, the central character in Nobody’s Empire, a music loving romantic in Glasgow in the early 1990s who has just emerged from a lengthy hospital stay having been robbed by ME of any prospects of work, a social life or independent living. In Glasgow, he meets fellow ME strugglers who form their own support group and try to get by in life as cheaply and as painlessly as possible.  

As the story progresses, he finds he has the ability to write songs and wakes to the possibility of a spiritual life beyond the everyday. Later, he leaves Glasgow with his friend Richard in search of a cure in the mythic warmth of California. Because Murdoch is fictionalising his own experience, Nobody’s Empire offers its readers compelling insights into the experience of ME, particularly the experience of having the condition in the early days when it was little understood. He writes, too, with an engaging ingenuous and childlike curiosity about life and his own experiences. 

Nobody’s Empire adds to the conversation about what faith means to rock’s stars.

The second song ‘Ever Had a Little Faith?’ is included towards the end of the novel as one of the early songs written by Stephen. This song, in which the line ‘Something good will come from nothing’ is repeated, is actually an early Belle and Sebastian song that was only recorded for a later album Girls in Peacetime Want to Dance. It is a song that was inspired by a sermon preached by Rev John Christie, Minister at Hyndland Parish Church in Glasgow, the church Murdoch attends. He has said of the song: "The sentiment was based on a sermon that our then minister, John Christie, preached about simply getting through a dark night, and the hope of morning."  

This Easter morning sense that good will come from the nothingness of being on the edge of nobody’s empire is an experience of transfiguration. Revd Sam Wells, Vicar of St Martin-in-the-Fields has preached perceptively on prayer in terms of incarnation, resurrection, and transfiguration. The prayer of incarnation is a prayer for God to be with us in our difficult circumstances. The prayer of resurrection is a prayer for God to change and fix our difficult circumstances. Then, in response to a possible situation of need, Wells says of a prayer of transfiguration:  

“God in your son’s transfiguration we see a whole new reality within, beneath and beyond what we thought we understood. In their times of bewilderment and confusion show my friend and her father that they may find a deeper truth to their life than they ever knew, make firmer friends than they ever had, find reasons for living beyond what they ever imagined and be folded into your grace like never before. Peel back the beauty and strength of their true humanity, transform and transfigure from this chaos and pain something new, something good, something of life.”   

This is where Stephen’s story and Murdoch’s experience takes us as there is no fix for ME, as for many other health conditions or disabilities, and Stephen/Murdoch ultimately has no desire to be fixed, as ME becomes an important part of identity for them. Instead, Nobody’s Empire takes us up the mountain through Stephen and Richard’s California experiences, as was the case for Jesus and his disciples at the Transfiguration, so we can see beyond and come to know a deeper reality. As Wells puts it, the prayer of transfiguration is to “Make this trial and tragedy, this problem and pain a glimpse of your glory, a window into your world, where I can see your face, sense the mystery in all things, and walk with angels and saints.” 

Faith has featured compellingly in a significant number of relatively recent books by rock stars including, among others, Surrender by U2’s Bono, Walking Back Home by Deacon Blue’s Ricky Ross, and Faith, Hope, and Carnage, the record of conversations by Nick Cave and the journalist Sean O'Hagan. Murdoch’s Nobody’s Empire adds to the conversation about what faith means to rock’s stars and how that is expressed through their music but offers an alternative take both as fiction and as a story in which faith and music combine to transfigure life and ME in ways that enable good to come from nothing: 

“Do you spend your day? 

Second guessing faith 

Looking for a way 

To live so divine 

Drop your sad pretence 

You'll be doing fine 

You will flourish like a rose in June 

You will flourish like a rose in June 

Ever had a little faith? 

Ever had a little faith?” 

  

 

Nobody’s Empire: A Novel, Stuart Murdoch, Faber & Faber, 2024.

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Article
Belief
Creed
4 min read

Why news of the ‘Quiet Revival’ needs taking with a pinch of salt

When Christianity becomes cool, it has a tendency to lose its soul.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

An ancient salt shaker sits next to a pile of crushed rock salt.
Out of the salt shaker.
Jonathan Tame on Unsplash.

Mark Twain, that purveyor of slanted wisdom, was wary of data. "Figures often beguile me," he wrote, "particularly when I have the arranging of them myself; in which case the remark attributed to Disraeli would often apply with justice and force: 'There are three kinds of lies: lies, damned lies, and statistics.'" 

Now whether Disraeli ever said this is a moot point. The quotation has been attributed to figures as various as Walther Bagehot, Arthur Balfour and the Duke of Wellington. Either way it has gone down in history as expressing a certain strand of suspicion when it comes to statistical analysis of the future. 

This phrase came to mind this past week when reading The Quiet Revival, a study conducted by the Bible Society that suggests that the long story of church decline in England and Wales is over. It claims that church attendance has risen by 50 per cent over the last six years and particularly young adult men are increasingly turning to the Church, especially to the Roman Catholic and Pentecostal versions of it. 

The report been hailed and celebrated by Christian commentators, perhaps in a spirit of relief, thankful for some good news against the background of months of dreary and gloomy news of resigning Archbishops, looming splits in the church over sexuality and the ongoing seemingly inevitable process of decline. 

Now I don't for a moment mean to doubt the results of the survey. Or to get all Scrooge-like at the findings. For those of us who have been part of the church for years it is indeed welcome news and a cause for some cautious optimism. It always lifts the spirits a little to feel that others see what you see, and you're not whistling in the dark when it comes to continuing to believe. ‘Revival’ is perhaps too ambitious a word to use right now. It would need a lot more hard evidence from bigger surveys and more observable results to deserve such a designation. But there do seem to be straws blowing in the wind, perhaps the first signs of a refreshing breeze which might yet sweep away some of the shadows of sceptical unbelief. 

The appeal of Christian faith is precisely the fact that it's not based on how many people believe it. 

Yet forgive me if I take all this with a pinch of salt. The popularity of Christianity has always waxed and waned throughout the last two thousand years. There are times when it has been the flavour of the month - or the century - such as when it started to become the official religion of the Roman Empire 300 years or so after the time of Jesus. Yet popularity brings its dangers. When Christianity becomes cool, it has a tendency to lose its soul, its radical nature diluted by the flocks of people drawn to the cross as a kind of fashion accessory. At other times it has dwindled to a few hardy souls braving it out, like the eleven fearful disciples huddling together in Jerusalem, looking for an escape route after the execution of Jesus, or the tough, rugged Christians who carried on praying during years of persecution, often paying for their faith with their lives.  

Christianity’s claims to truth are not dependent on a referendum. For us Christians, our faith remains true whether or not people believe it. The fact that more people may be going to church now than a few years ago doesn't make the Christian faith any more or less true. I've never taken the predictions of the church's demise too seriously. Which is why I'm not one for putting out the bunting when the predictions go the other way.  

This why it seems to me that, like Mark Twain, believers in Jesus ought also to be a little sceptical of statistics. Numerical projections and probability theory have their uses in trying to spot social trends, but they don't have much bearing on questions of truth. After all, statistical analysis of what tends to happen to dead people would never have predicted the Resurrection. 

The appeal of Christian faith is precisely the fact that it's not based on how many people believe it. It centres on an event where the eternal became temporal, where God entered into human history in the shape of a Galilean rabbi. It therefore transcends time and space, opinion polls and surveys. It gives a confidence rooted not in the swinging mood of public opinion, up one minute and down the next, but instead something lasting, permanent and reliable.  

So be glad, if you want, at the prospect of a coming renewed wave of faith. But don’t be fooled into thinking this proves anything. As Jesus once said: “Do not rejoice at this, that the spirits submit to you, but rejoice that your names are written in heaven.” 

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