Article
Comment
Identity
Romance
5 min read

Celibacy, the Pope and the dating app

There’s a desperate need for a new sexual revolution.

David is a postdoctoral research fellow at Oxford University’s Theology and Religion faculty.

An advert on a Underground platform shows a person next to the slogna: Thou shalt not give up on dating and become a nun.
Bumble's controversial ad campaign.

Recent news has sparked a furore over celibacy, and, as I will explain, the need for a new sexual revolution. Feminist theologian, Sarah Coakley, points to in her book, The New Asceticism, points to why we need this new sexual revolution

“the problem with desire is that it has become so heavily sexualised in the modern, post-Freudian period as to render its connection with other desires (including desire for God) obscure and puzzling.”  

A glance at the media on both sides of the Atlantic provides evidence. Senator Tim Scott’s singleness is derided on the US news cycle, and London Underground adverts for dating app Bumble undermined the choice to be a nun or make a vow of celibacy. 

For decades, the bowdlerised notion that Freud saw celibacy as a form of suppression, has created a deeply damaging myth that if you are not having sex, you are not just repressed, you are not even human. In its inaner, but still hurtful forms, if you are celibate, you are not trustworthy, a repressed pervert, or worse, worthy of being socially excluded. Of course, bad celibacy has had terrible results in and outside the Church, but so has bad marriage, and yet we do not treat the married or marriage this way. 

You would expect to turn to the Roman Catholic, Anglican or mainline churches for a nuanced and profound contradiction to a culture obsessed with what they see merely as a ‘lack of sex.’ Instead, the Pope was recently reported to have made the comment that there was already too much “frociaggine” in some seminaries. The Italian word roughly translates as “faggotness”. Matteo Bruni, the director of the Vatican’s press office stated: “As he [the Pope] has stated on more than one occasion, ‘In the Church there is room for everyone, everyone! Nobody is useless or superfluous, there is room for everyone, just the way we are.’” 

“The Pope never meant to offend or to use homophobic language, and apologises to everyone who felt offended [or] hurt by the use of a word,” Mr Bruni concluded in the Vatican statement. 

The Pope has made other comments about celibacy, dissuading gay people from entering the priesthood just on the basis of sexual orientation. It is hard to argue that this is anything but discrimination. If the Pope wanted LGBTQI+ people to inhabit a traditional ethic, then provide a way constructively for them to do so.  

This billboard ad reveals a culture which is erotically moribund and which has lost the fact that love is inevitably sacrificial in nature.

Now to turn to the dating app world, Bumble, aware of the new rise of singleness and celibacy (around 51 per cent of the American population is single), particularly among young women, struck out against this choice with controversial adverts. 

This billboard ad reveals a culture that is erotically moribund and which has lost the fact that love is inevitably sacrificial in nature. My heart sank as I saw this billboard on the Underground. As someone who wrote their doctorate on celibacy, and has chosen to be dedicated to a love greater than sex and marriage, and who chose to be consecrated and vowed to celibacy, I felt angry at the notion that my choice, and that of millions of people, was derided as fanciful. This felt like another chip off the liberal project that I want to believe in of true diversity of opinion, and a shared city and society.

However, the value of sacrificial love at the bedrock of late modern and post-secular society was revealed as still as powerful as ever with Bumble receiving a wide response of outrage, and the marketing manager responsible being subsequently fired. 

If we are to love someone, we must learn to deny choices and narrow our field of volition where we choose them over other pressing concerns. 

In reading this I felt that some justice had been served. I could not escape the words of Pope Benedict XVI : “When Jesus speaks in his parables of the shepherd who goes after the lost sheep, of the woman who looks for the lost coin, of the father who goes to meet and embrace his prodigal son, these are no mere words: they constitute an explanation of his very being and activity. His death on the Cross is the culmination of that turning of God against himself in which he gives himself in order to raise man up and save him. This is love in its most radical form.”  

For a moment, this radical love reflected in a healthy, non-repressive celibacy, which gives itself up for God and the other, and marriage as its sacrificial counter-part, was vindicated and, for a moment, was given the value it deserves, and which Bumble, and even at times, that God’s own church, have betrayed. 

If we are to love someone, we must learn to deny choices and narrow our field of volition where we choose them over other pressing concerns. Such a view of love has been lost both inside and outside the Church. 

Only a new asceticism, as Sarah Coakley avers, can purify “desire in the crucible of divine love, paradoxically imparting true freedom through the narrowing of choices.” 

The fact we have gained such an impoverished ascetical or moral imagination for our loves does not bode well for how not just single people, but all people can flourish. A life of flourishing which does not involve sexual acts or in which a love beyond sex can be expressed in friendship speaks to a hope beyond sex and marriage, without which the human heart will remain restless and unsatisfied.  

As Pope Benedict XVI states in his essay, Deus Caritas Est: “God is the absolute and ultimate source of all being; but this universal principle of creation—the Logos, primordial reason—is at the same time a lover with all the passion of a true love. Eros is thus supremely ennobled, yet at the same time it is so purified as to become one with agape.” Our society, from Pope Francis all the way to Bumble needs a new sexual revolution, which sees that sex is a clue to this deeper love of God for which we were created and which beckons us as with a faithfulness and passion no other lover can provide. 

Review
Culture
Film & TV
Romance
8 min read

Meet our top 5 rom coms for Valentine's Day

Love is the core of every truly good sweeping story.
A couple sit at a table in a diner talking intensely.
Castle Rocl.

1. The Apartment

Billy Wilder’s directorial tour-de-force is a timeless classic – proof for the sceptical that black-and-white films lose nothing in their monotone. Comedy legend Jack Lemmon plays C.C. "Bud" Baxter, an office worker who desperately seeks preferment. He impresses his superiors by allowing them to use his Upper West Side apartment to entertain their mistresses away from the gaze of their wives. He is also desperately seeking love, in the person of elevator operator Fran Kubelik. The only problem is that she is spoken for – she is the mistress of the big boss. Baxter juggles his ‘apartment schedule’, the disapproval of his neighbours, and his sorrow at seeing Fran slip away. 

The script is the perfect combination of laughs and smiles. The performances are excellent, especially Lemmon’s balletic physical comedy (the spaghetti strained through a tennis racket scene stays with me like an old friend). The message is important: love hurts. The film resonates just as much now, in our world of HR and workplace boundaries, as it did then. Baxter, and ESPECIALLY Fran, are victims of those with power; except they don’t use violence or coercion to exert their control, they use the promise of acceptance, of love. Love is not a trifling emotion, as some of the most vapid frippery of Valentine’s Day may suggest, but the deepest motivation a human being can have – look at what Jesus does out of love. It is a dangerous thing when treated as instrumental and disposable, and can yield terrible and tragic results if abused. Thankfully, The Apartment ends on a note of hope and expectation…but it really has you on the edge-of-your-seat up until the end, and gives you and new appreciation for the sanctity of romance and love.  

2. Notting Hill

We had to have a Richard Curtis pic – I’m a patriot after all! Naturally Four Weddings is excluded because of that one…appalling…unforgivable line…OF COURSE ANDIE MACDOWELL NOTICED THAT IT WAS RAINING! 

Anyway. Notting Hill is such a lovely and gentle film. Hugh Grant is effortless as divorced and timid bookseller William Thacker. His life is comfortable yet a little empty, with his only real company being his unspeakable lodger Spike – Rhys Ifans in a career-defining role. His life is turned upside-down when Hollywood superstar Anna Scott (Julia Roberts) enters his shop, leaves, and then has him spill orange juice all down her front. Romance develops between the two but is continually stalled by the very different worlds they inhabit: Thacker lives a quiet life in Notting Hill, and Scott is a globe-trotting paparazzi-magnet who cannot seem to keep any aspect of her stage-managed life private. I won’t go into anymore of the plot, as you’ll know it even if you haven’t seen the film…it’s a National Treasure by now. 

The wonderful message of this film, other than London property prices were ludicrously generous back in the day, is that love is a feeling and a force that can cross any boundaries. This is a modern-day quasi-Romeo and Juliet: two people from seemingly incompatible worlds allowing their love to break down barriers and overcome obstacles…except here we have a happy ending! Love is the greatest leveller this world knows (there is no Jew nor Greek, slave nor free, man nor woman) – it is the equaliser of the human experience and fount of understanding, empathy, and mercy. 

3. Knocked Up

I’m afraid we move to less elevated fare and instead begin the descent into puerility. One can expect nothing less from director Judd Apatow, who has made his name by combining the compulsory schmaltz of a rom com with the sweary gross-out humour of our less-civilised age. Nevertheless, this film has real merit.  

Katherine Heigl is Allison Scott, an ambitious reporter for an entertainment news channel. She goes out to celebrate her well-earned promotion, has a little (or a lot-tle) too much to drink, and ends up having a one-night stand with aspiring internet celebrity pornographer Ben Stone (Seth Rogen). Their dalliance leads to the inevitable – pregnancy. Allison finds herself in the invidious position of having dinner with Ben, to inform him of her maternal state, only to realise that she finds him repulsive. He is everything she isn’t: she is ambitious, organised, and stable, while his greatest achievement is a collection of bongs and a potential website detailing moments of on-screen nudity. They are chalk-and-cheese…and yet they both decide to try and make their lives compatible to raise their child together. 

It's not a clever film, and the laughs are all guilty guffaws at over-the-top toilet humour, but it does have heart. It is the story of two people who don’t find love in a glance across a crowded room, or through a shared interest, but through a shared struggle. It is the story of two people who learn through difficulty, pain, and self-sacrifice what it means to live for another; even if that other person is yet to be born. At the centre of this film – after digging through tranches of (apparently hilarious) excrement – is the message that love is not instantaneous or easy, but something that is worked towards and maintained through giving up one’s own wants and pleasures for the good of another. I wonder which two-thousand-year-old story embodies this theme? 

4. The Princess Bride

The phrase ‘cult-classic’ might as well have been invented to describe this film. It is a mad-cap tale incorporating piracy, palace intrigue, and a giant. I…I…I can’t even try to give a plot synopsis. It goes all over the place, as if it where story-boarded by an over-imaginative seven-year-old who’s been given a surfeit of sugar (sorry William Goldman). The humour, essential for the ‘com’ to the ‘rom’, is more-often-than-not accidental, but humour there is in spades. Its silly, and its sweet, and its certifiable…but it works. 

What puts The Princess Bride in my Top 5 is the epic sweep of the film. I’m pretty certain it didn’t intend to be a rom com, but I count it as one, and so it is the only rom com that manages to also be a mythopoetic tale. Perhaps Shrek is in the same league…but I can’t forgive the sequels and the overuse of Eddie Murphy. The Princess Bride is a wonderful reminder that love is a great, epic, poetic, mythic, legendary force in the world. Love has started and ended wars, it has rewritten the tablet of history over and over again, and is not a ‘story’ that can be confined to a ‘meet-cute’ between two unreasonably attractive people in a New York coffee shop – it is the very language of reality, and so is the lens through which we must view not only ourselves and our immediate loved ones, but the whole of the universe and the whole of human history. Love is the core of every truly good sweeping story – especially that story that begins with the loving creation of heaven and earth, their salvation in the love of the Cross, and their reconstitution as the New Heaven and New Earth where love of God is the primary vocation of all. 

AAAAAND…it starts and ends with Peter Falk as a grandfather lovingly telling this story to his sick grandson…the heart melts… 

5. When Harry Met Sally…

In the kingdom of rom-coms Nora Ephron is the Empress to whom all others bow, and this is her greatest conquest! When Harry Met Sally… is epic in its sweep, but in a very different way to The Princess Bride. It is epic in that it is a love story that takes over a decade to play out. Harry Burns (Billy Crystal) and Sally Albright (Meg Ryan) meet by chance in 1977. Serendipity is at work: he is dating her best friend, and so, as a matter of convenience, the two share a car to journey from Chicago to New York. As in many rom coms their personalities couldn’t be more different, and although they share chemistry, Sally chafes at Harry’s confident assertion that men and women cannot be friends. The journey ends unhappily, and the two have no intention of every meeting again. 

Five years pass and the pair find themselves on the same flight. Serendipity strike again when Harry learns that Sally is dating his neighbour. The chemistry is sparking reactions, but when Harry suggests they become friends Sally declines, citing his previous assertion about male/female friendship. 

Another five years pass – and so a serendipitous meeting is in the diary – and there is a chance meeting in a bookshop. Both are now single and have faced the sting of love lost. They strike up a friendship. The friendship matures and deepens, and those around them can see that they are falling in love, yet their determination to be friends leads them to have romantic attachments to other people. This falls apart after a night of high-emotion and comfort turns into amorous passion. Their friendship is seemingly ruined, and both miserably start to live like without the other. 

UNTIL… 

On New Year’s Eve 1988 Harry realises that he cannot be whole or happy without Sally and runs to find her at a party, to declare his love for her in the greatest speech in rom-com history! The cinema cheers! What makes When Harry Met Sally… dear to my heart is that seeming serendipity I keep mentioning, because it teaches us a vital lesson about love. There is no true chance, no true serendipity in love. Love is the very glue that binds all creation together. The Scriptures, the great mystics of the faith, the very person of Jesus Christ, teach us that God is love and that this love is all and is in all. There is no coincidence in love – love really is what makes the world go round. In the end, just as Harry and Sally seemed destined to be together, we are destined to be united with God in love. 

I started this list a little sceptical and burnt-out with the romance of Valentine’s Day. Having reengaged with these five films I am revivified and reconverted to the great name of love. Love drives us, heals us, and ultimately embraces us in eternity. What a wonderful legacy for St Valentine to have.

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