Review
Culture
Easter
Resurrection
6 min read

Cinematic Passions

Gibson, Darbont, Pasolini, Eastwood and Scorsese all feature in priest Yaroslav Walker’s top five Good Friday movies.
A haggard Jesus is looks ahead during the night.
Jim Caviezel in The Passion of the Christ.
Newmarket Films.

Good Friday is a tough day for a Christian. It is a day of weeping and mourning; of venerating the Cross and meditating on the terrible reality of Christ’s tortuous death. It is an annual memorial service for a loved one, and the pain and grief is never made any easier because the reality of the Cross is fresh and relevant and immediate in the life of the believer: it is a moment that transcends time and space and is as real this year as it was in the thirty-third and final year of Christ’s life. It is also traditionally a day of intentional and serious fasting - mainly a diet of water and weeping for me. So, by the evening you’re wiped out and just want a bit of rest, perhaps relaxing in front of a film; that is certainly how I feel. Yet every Christian wants to spend the day focused on the Passion of Jesus, so not just any old film will do - it ought to be a film that allows us to keep Jesus’s sacrifice in mind. Below are my top five tips for a Good Friday evening watch… popcorn to be eaten plain, or salted with tears if you must! 

5 - The Passion of the Christ

The obvious choice. Controversial upon release for its depiction of the Temple hierarchy and the bloody violence with which it depicts Christ’s scourging and Crucifixion, it lives now in a certain ignominy. I would argue it deserves a reappraisal. Gibson is a solid director, takes the work seriously, and gives us a good-looking film. Jim Caviezel gives a terrific central performance (that makes you think he deserved a better career for the last twenty years), and all the cast put in good turns. However, it's the interpretation of the meaning of the death of Christ that intrigues me. When it first hit the screens, some saw it as a bloody expression of the view that Jesus dies to appease God’s wrath. Yet Gibson carefully intersperses scenes of the Last Supper with the scenes of torture, makes Satan a demonic inversion of the Madonna and Child, and constantly makes clear that it is the power of love and not anger or cruelty that is conquering the world. It is brutal and horrific (and so in fifth place) - but so is capital punishment… so maybe we need to endure it. In this film you can find many nuances of the Christian idea of love and redemption and salvation etched upon the screen. 

4 - The Shawshank Redemption 

An man stands in the rain, topless, with face and arms raised in celebration.
Tim Robbins in The Shawshank Redemption.

A less obvious choice, and a film in which there is no vicarious death, but bear with me. Frank Darabont's epic drama sees Andy Dufresne (Tim Robbins) locked up for a crime he did not commit. Over the decades he learns how to navigate the dangers of prison life, makes friends and enemies, and becomes implicated in a great web of corruption. His great supporter and confidant is ‘Red’ (Morgan Freeman), who is the only man in Shawshank Prison who will admit his murderous guilt. This is one of those films that it's hard not to love, and you’ve probably seen it so many times before that it is the cinematic equivalent of a comforting takeaway. Under the surface of some terrific performances, masterful direction, and a heart-tugging score, the film is full of Christian themes. The innocent man punished for the sins of another, the death of Andy’s ego as he learns to find purpose in improving the lives of his fellow inmates, the dark powers of corruption brought to justice, and a man descending in the very bowels (the right word if you know the escape scene) of hell and emerging clean and reborn. Its aged beautifully, and inaugurated the Freeman voiceover as a staple of cinematic culture. 

3 - The Gospel According to St Matthew 

Jesus carries a cross over his shoulder while Roman soldiers wearing armour look on
Enrique Irazoqui in The Gospel According to Matthew.

Approved by the Vatican and made by a director in his prime wrestling with his faith, Pasolini’s masterpiece is a sumptuous black-and-white exploration of the life of Christ. The entire film is saturated with the sense of living in the poverty of first-century Palestine. Static close ups jump-cutting between one another disorient the viewer and give the impression that the supernatural is taking over the world we are seeing. It is hardly dynamic by the standards of a modern Passion film, but this is to its great benefit. Pasolini lends the film an Italian neo-realist flair that makes it seem almost like one is watching a documentary. The great joy of The Gospel is that it is a telling of the full Gospel, rather than the Passion in isolation. We see Jesus grow into manhood and into ministry, we see the shocking impact of his radical teaching, we see the conspiracy, and so when the Crucifixion of Jesus does happen it is remarkably impactful while also seeming ‘right’. We see how such a Gospel of radical devotion to God and love of neighbour does terrify a world that thinks in terms of power, and we see the great victory that the Cross really is.

2 - Gran Torino 

An older man kneels over in anguish, a window casts light and shadow over him.
Clint Eastwood in Gran Torino.

Clint Eastwood playing a role of a lifetime, and teaching us what loving one’s neighbour really looks like… what more could you want. Eastwood plays Walt: a widower, and veteran, a retired blue-collar worker, and an inveterate racist and tobacco user. Walt is embittered and alone, disgusted by the state of his Detroit neighbourhood, which has morphed from an all-white working-class community to a mainly Asian community blighted by gang violence. One night Walt saves his young neighbour from a forced gang initiation, and grudgingly becomes a mentor and quasi-father-figure to the boy, and soon his sister. Walt has no desire to connect with the world outside, but does so out of a sense of discipline and duty, and this is an excellent corrective to modern sentimental notions of love. On the Cross, Christ performs the most perfect act of love, offering forgiveness even to his executioners… it is unlikely that in that moment Jesus liked them. In the Gospel narratives Jesus is often frustrated to the point of anger, with the stubbornness of his hearers, and the lack of understanding of his disciples. Jesus doesn’t always like them, but he does love them. In the climactic scene of the film Walt resolves to make a great sacrifice to protect his community - a community he doesn’t really like anymore. This is real love, the love of the Cross. It does not emanate from fleeting and flighty emotionalism, but from a tremendous act of dedication and will. Eastwood gives us a great Good Friday lesson in love, and his performance is superb. 

1 - The Last Temptation of the Christ 

Jesus, scared and wearing a crown of thorns, looks directly into the camera.
Willem Dafoe in The Last Temptation of Christ.

My number one pick is a mammoth of visual spectacle and a roller-coaster of emotions. Martin Scorsese has always been fascinated with the Catholic faith that he can’t quite embrace, and many of his most interesting and personal films have had the Christian narrative of redemption woven through. In 'Temptation' he tackles the subject head on, and gives us a religious epic to rival any Charlton Heston flick. Willem Defoe is a lean, wild eyed, and manic Jesus - plagued by doubt and anxiety and horrific migraines that could be demonic…or they could be God. Scorsese and Defoe work together to present the ministry of Jesus in very human terms. Christ is a psychologically complex man who is struggling to cope with his mission in a world that is so very broken. Much like Pasolini’s Gospel, this is a film that takes the supernatural seriously. Nothing is ever just what it is. There is no weather event or vision or animal encounter that is not suffused with eternal meaning. The film touches on every emotion: from furious anger, to heart-rending sadness, to uproarious laughter (to this day I can’t see a priest friend of mine without shouting ‘Judith’ and bursting into laughter). The closing acts of the film allow us to see just what Christ was sacrificing on the Cross - not just the life he had led, but the life he could have led. Christ is tempted to the very end, with the worst psychological torment possible, and still he remains faithful to the end. Scorsese may not know exactly where he stands before God, but he was graced with the talent to give the world a remarkably evocative take on the Passion of Jesus. 

Article
Assisted dying
Care
Culture
Death & life
8 min read

The deceptive appeal of assisted dying changes medical practice

In Canada the moral ethos of medicine has shifted dramatically.

Ewan is a physician practising in Toronto, Canada. 

a doctor consults a tablet against the backdrop of a Canadian flag.

Once again, the UK parliament is set to debate the question of legalizing euthanasia (a traditional term for physician-assisted death). Political conditions appear to be conducive to the legalization of this technological approach to managing death. The case for assisted death appears deceptively simple—it’s about compassion, respect, empowerment, freedom from suffering. Who can oppose such positive goals? Yet, writing from Canada, I can only warn of the ways in which the embrace of physician-assisted death will fundamentally change the practice of medicine. Reflecting on the last 10 years of our experience, two themes stick out to me—pressure, and self-deception. 

I still remember quite distinctly the day that it dawned on me that the moral ethos of medicine in Canada was shifting dramatically. Traditionally, respect for the sacredness of the patient’s life and a corresponding absolute prohibition on deliberately causing the death of a patient were widely seen as essential hallmarks of a virtuous physician. Suddenly, in a 180 degree ethical turn, a willingness to intentionally cause the death of a patient was now seen as the hallmark of patient-centered doctor. A willingness to cause the patient’s death was a sign of compassion and even purported self-sacrifice in that one would put the patient’s desires and values ahead of their own. Those of us who continued to insist on the wrongness of deliberately causing death would now be seen as moral outliers, barriers to the well-being and dignity of our patients. We were tolerated to some extent, and mainly out of a sense of collegiality. But we were also a source of slight embarrassment. Nobody really wanted to debate the question with us; the question was settled without debate. 

Yet there was no denying the way that pressure was brought to bear, in ways subtle and overt, to participate in the new assisted death regime. We humans are unavoidably moral creatures, and when we come to believe that something is good, we see ourselves and others as having an obligation to support it. We have a hard time accepting those who refuse to join us. Such was the case with assisted death. With the loudest and most strident voices in the Canadian medical profession embracing assisted death as a high and unquestioned moral good, refusal to participate in assisted death could not be fully tolerated.  

We deceive ourselves if we think that doctors have fully accepted that euthanasia is ethical when only very few are actually willing to administer it. 

Regulators in Ontario and Nova Scotia (two Canadian provinces) stipulated that physicians who were unwilling to perform the death procedure must make an effective referral to a willing “provider”. Although the Supreme Court decision made it clear in their decision to strike down the criminal prohibition against physician-assisted death that no particular physician was under any obligation to provide the procedure, the regulators chose to enforce participation by way of this effective referral requirement. After all, this was the only way to normalize this new practice. Doctors don't ordinarily refuse to refer their patients for medically necessary procedures; if assisted death was understood to be a medically necessary good, then an unwillingness to make such referral could not be tolerated.  

And this form of pressure brings us to the pattern of deception. First, it is deceptive to suggest that an effective referral to a willing provider confers no moral culpability on the referring physician for the death of the patient. Those of us who objected to referring the patient were told that like Pilate, we could wash our hands of the patient’s death by passing them along to someone else who had the courage to do the deed. Yet the same regulators clearly prohibited referral for female genital mutilation. They therefore seemed to understand the moral responsibility attached to an effective referral. Such glaring inconsistencies about the moral significance of a referral suggests that when they claimed that a referral avoided culpability for death by euthanasia, they were deceiving themselves and us. 

The very need for a referral system signifies another self-deception. Doctors normally make referrals only when an assessment or procedure lies outside their technical expertise. In the case of assisted death, every physician has the requisite technical expertise to cause death. There is nothing at all complicated or difficult or specialized about assessing euthanasia eligibility criteria or the sequential administration of toxic doses of midazolam, propofol, rocuronium, and lidocaine. The fact that the vast majority of physicians are unwilling to perform this procedure entails that moral objection to participation in assisted death remains widespread in the medical profession. The referral mechanism is for physicians who are “uncomfortable” in performing the procedure; they can send the patient to someone else more comfortable. But to be comfortable in this case is to be “morally comfortable”, not “technically comfortable”. We deceive ourselves if we think that doctors have fully accepted that euthanasia is ethical when only very few are actually willing to administer it. 

We deceived ourselves into thinking that assisted death is a medical therapy for a medical problem, when in fact it is an existential therapy for a spiritual problem.

There is also self-deception with respect to the cause of death. In Canada, when a patient dies by doctor-assisted death, the person completing the death certificate is required to record the cause of death as the reason that the patient requested euthanasia, not the act of euthanasia per se. This must lead to all sorts of moments of absurdity for physicians completing death certificates—do patients really die from advanced osteoarthritis? (one of the many reasons patients have sought and obtained euthanasia). I suspect that this practice is intended to shield those who perform euthanasia from any long-term legal liability should the law be reversed. But if medicine, medical progress, and medical safety are predicated on an honest acknowledgment about causes of death, then this form of self-deception should not be countenanced. We need to be honest with ourselves about why our patients die. 

There has also been self-deception about whether physician-assisted death is a form of suicide. Some proponents of assisted death contend that assisted death is not an act of deliberate self-killing, but rather merely a choice over the manner and timing of one's death. It's not clear why one would try to distort language this way and deny that “physician-assisted suicide” is suicide, except perhaps to assuage conscience and minimize stigma. Perhaps we all know that suicide is never really a form of self-respect. To sustain our moral and social affirmation of physician-assisted death, we have to deny what this practice actually represents. 

There has been self-deception about the possibility of putting limits around the practice of assisted death. Early on, advocates insisted that euthanasia would be available only to those for whom death was reasonably foreseeable (to use the Canadian legal parlance). But once death comes to be viewed as a therapeutic option, the therapeutic possibilities become nearly limitless. Death was soon viewed as a therapy for severe disability or for health-related consequences of poverty and loneliness (though often poverty and loneliness are the consequence of the health issues). Soon we were talking about death as a therapy for mental illness. If beauty is in the eye of the beholder, then so is grievous and irremediable suffering. Death inevitably becomes therapeutic option for any form of suffering. Efforts to limit the practice to certain populations (e.g. those with disabilities) are inevitably seen as paternalistic and discriminatory. 

There has been self-deception about the reasons justifying legalization of assisted death. Before legalization, advocates decry the uncontrolled physical suffering associated with the dying process and claim that prohibiting assisted death dehumanizes patients and leaves them in agony. Once legalized, it rapidly becomes clear that this therapy is not for physical suffering but rather for existential suffering: the loss of autonomy, the sense of being a burden, the despair of seeing any point in going on with life. The desire for death reflects a crisis of meaning. We deceived ourselves into thinking that assisted death is a medical therapy for a medical problem, when in fact it is an existential therapy for a spiritual problem. 

We have also deceived ourselves by claiming to know whether some patients are better off dead, when in fact we have no idea what it's like to be dead. The utilitarian calculus underpinning the logic of assisted death relies on the presumption that we know what it is like before we die in comparison to what it is like after we die. In general, the unstated assumption is that there is nothing after death. This is perhaps why the practice is generally promoted by atheists and opposed by theists. But in my experience, it is very rare for people to address this question explicitly. They prefer to let the question of existence beyond death lie dormant, untouched. To think that physicians qua physicians have any expertise on or authority on the question of what it’s like to be dead, or that such medicine can at all comport with a scientific evidence-based approach to medical decision-making, is a profound self-deception. 

Finally, we deceive ourselves when we pretend that ending people’s lives at their voluntary request is all about respecting personal autonomy. People seek death when they can see no other way forward with life—they are subject to the constraints of their circumstances, finances, support networks, and even internal spiritual resources. We are not nearly so autonomous as we wish to think. And in the end, the patient does not choose whether to die; the doctor chooses whether the patient should die. The patient requests, the doctor decides. Recent new stories have made clear the challenges for practitioners of euthanasia to pick and choose who should die among their patients. In Canada, you can have death, but only if your doctor agrees that your life is not worth living. However much these doctors might purport to act from compassion, one cannot help see a connection to Nazi physicians labelling the unwanted as “Lebensunwortes leben”—life unworthy of life. In adopting assisted death, we cannot avoid dehumanizing ourselves. Death with dignity is a deception. 

These many acts of self-deception in relation to physician-assisted death should not surprise us, for the practice is intrinsically self-deceptive. It claims to be motivated by the value of the patient; it claims to promote the dignity of the patient; it claims to respect the autonomy of the patient. In fact, it directly contravenes all three of those goods. 

It degrades the value of the patient by accepting that it doesn't matter whether or not the patient exists.  

It denies the dignity of the patient by treating the patient as a mere means to an end—the sufferer is ended in order to end the suffering. 

 It destroys the autonomy of the patient because it takes away autonomy. The patient might autonomously express a desire for death, but the act of rendering someone dead does not enhance their autonomy; it obliterates it. 

Yet the need for self-deception represents the fatal weakness of this practice. In time, truth will win over falsehood, light over darkness, wisdom over folly. So let us ever cling to the truth, and faithfully continue to speak the truth in love to the dying and the living. Truth overcomes pressure. The truth will set us free.