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6 min read

Cost of living crisis: faith and food banks combine to tackle destitution and its causes

The Trussell Trust wants food banks in its network to reduce the need for their services. Robert Wright finds out why the trust regrets they still distribute so much food.

Robert is a journalist at the Financial Times.

 

A man stands in front of a food bank's shelves of cereals and boxes labelled by foot type.
Howard Wardle at Eastbourne's food bank.

When Howard Wardle was making plans to set up a food bank in Eastbourne, in East Sussex, he received little support from his fellow church leaders. Speaking in the industrial estate warehouse that has been the food bank’s headquarters since 2017, Wardle recalls how at a meeting called to discuss the idea he largely encountered bafflement. At the time, Wardle was pastor of the town’s Community Church. 

“They said, ‘There isn’t a need in the town – you’re wasting your time doing it’,” Wardle says of the meeting in 2011. 

Wardle nevertheless received encouragement from Eastbourne’s Citizens’ Advice Bureau, from the major of the local Salvation Army congregation, the local authority’s social services – and the Trussell Trust, the UK’s largest organiser of food banks. The food bank, of which Wardle is now chief executive, last year handed out 280,000 meals. 

Yet for Wardle and the Emma Revie, the Trussell Trust’s national chief executive, it is a matter of regret that its members are distributing so much food – organisations affiliated with the Trussell Trust handed out 2.99mn parcels in the year to March 2023. The figure was a 37 per cent increase on the year before, a rise largely down to the cost of living crisis started by the spikes in energy and food prices following Russia's full-scale invasion of Ukraine in February 2022. 

“It’s incredibly worrying and upsetting that so many people – more people – are having to come to food banks,” Revie says. 

Workers at the Eastbourne Foodbank and others nationally are following a strategy of campaigning for policies that seek to ensure no one needs to seek emergency food support. They also employ staff who help clients to navigate the benefits system, prepare for work or take other steps to find a permanent solution to their problems. 

“We were absolutely resolute that enough is enough. We needed to do whatever we needed to do to reduce the number of people needing to come to food banks.” 

Emma Revie

The Trussell Trust centrally provides organisational support for affiliated food banks but deliberately does not undertake functions such as purchasing food. 

Revie says it adopted the strategy of trying to put itself out of business five years ago, after experiencing significant growth in demand for its services. The trust was founded in 1997 in Salisbury by Carol and Paddy Henderson, a Christian couple. Christian principles have been core to the trust’s operations ever since. 

“We reached a decision point where we either had to accept that this situation was likely to increase and would always be needed or we had to decide that that was not acceptable and change the way we thought about our work,” Revie says. 

The trust recognised how inadequate food parcels were to the fundamental needs that member food banks were seeing among clients, she adds. 

“The reason people are coming to food banks is they don’t have enough money to afford the essentials,” Revie says. “They know it’s not going to put credit on the gas meter. They know it’s not going to pay for school shoes.” 

The organisation had to decide whether it accepted as inevitable that so many people needed its services or would reorient itself towards working to end that need, she adds. 

“We were absolutely resolute that enough is enough,” Revie says. “We needed to do whatever we needed to do to reduce the number of people needing to come to food banks.” 

“We’re not just here to get people on benefits. If we think they can work, we try to encourage people to get into work.” 

Robert Crockford

In Eastbourne, the strategy of reducing dependence on food banks has been in place from the start, according to Wardle. 

“When we started, we felt it was one thing to have a food bank giving out food but another to have people not need to come to food banks,” he says. 

After receiving some grant funding, the food bank took on staff to help clients to resolve their financial problems and ensure they were receiving all the welfare benefits to which they were entitled. 

“We built a welfare benefits team, a debt team and a medical benefits team so that we could help clients,” Wardle says. 

Robert Crockford, the food bank’s senior advocacy officer, says he helps food bank clients to navigate issues such as the two-child limit and the overall benefits cap that restrict the amount benefits recipients can receive. 

The two-child limit stops parents from receiving child benefit for any more than two children if the additional children were born after 2017. The benefit cap - £283.71 for a single person living outside Greater London – was introduced in 2013. It limits the total amount a person or family can receive from the system. 

Crockford explains that he seeks to help clients to explore whether they count as disabled, a carer or have some other status that might enable them to receive higher benefits. 

The group also works with People Matter, a charity that helps to prepare people for work. 

“We’re not just here to get people on benefits,” Crockford says. “If we think they can work, we try to encourage people to get into work.” 

Revie bemoans the overall inadequacy of the benefits system, pointing out that many recipients of Universal Credit – the main income-support benefit for most people who are unemployed or on low incomes in the UK – cannot afford food. 

“When almost half the people on that benefit are unable to afford food, something systematically is failing,” she says. “So do you tackle the symptoms or do you tackle the actual problem?” 

That emphasis on tackling problems is clear at another food bank affiliated with the trust – in Kingston, on the south-western edge of London. 

Ian Jacobs, director of Kingston Foodbank, says his organisation works closely with Citizens’ Advice to try to develop permanent solutions for people seeking help. 

“We do deep-dive investigations into people’s circumstances to try to see if we can get more money into people’s pockets,” he says. 

Kingston Foodbank currently operates six foodbank centres and one pantry, where referred clients can select and buy reduced-price food. Jacobs says he would like one day to reverse the proportion, so that it operates six pantries and one food bank. 

Jacobs, a member of the Doxa Deo Community Church, an independent evangelical church, also makes it clear that many volunteers are working at the food bank out of Christian conviction. 

“We’re always open to pray with clients,” he says. 

Revie says the trust is “deeply rooted” in the local churches. 

“Many of our volunteers and staff are motivated in the work that they do by their Christian faith,” she says. “Our values of community, compassion, dignity and justice are deeply rooted in the Christian faith.” 

Revie points out that the trust was founded by Christians and that its network grew through approaches by individual churches to the trust. 
"We as an organisation work with people of all faiths and none and we certainly support people of all faiths and none," she says. "But we are deeply rooted in the local churches and many of our volunteers and staff are motivated in the work that they do by their Christian faith,” she says. 
Faith has a "very special role to play" in the trust's work, Revie adds. 
 “Our values of community, compassion, dignity and justice are deeply rooted in the Christian faith," she says. 

“We don’t believe there should be food banks in today’s society,” Jacobs says. “That’s why we do all the extra work to make sure people aren’t dependent on the food bank.” 

Article
Art
Faith
Music
5 min read

Music and religion belong together

The connections between music and faith and the mystery within.

After 15 years as a lawyer in London, Oliver is currently doing a DPhil at the University of Oxford.

A pianist plays in the foreground and a seated singer gestures with eyes closed behind
Rachel Chaplin accompanies Evi Dobner.

J.S. Bach, Handel, Haydn, Mozart, Beethoven, Bruckner, Elgar. The list could go on and on. That is – a list of composers and musicians who wrote music for and played music within the Church. The roots of Western classical music are in the church, as Jeremy Begbie shows in his book Resounding Truth. In fact, it was only relatively recently that ‘popular music’ meant music outside of the Church. The Church has been a great sponsor of the arts throughout modern history, not least in the great Michaelangelo. It is time for that sponsorship of human creativity, in all its forms, to return (see the Renaissance project of Wycliffe Hall, Oxford, for a new initiative on precisely this).

Why is it, though, that music and religion can sit so closely alongside one another? And why, in this day and age, might it be time for the two to reconnect?

For all its form and structural devices, there will always remain a horizon of mystery about music. Roland Barthes called music a field of signifying and not a system of signs. In other words, even in its most programmatic examples, music-as-sound has a kaleidoscopic range, which refuses to be pinned down to one meaning or another. This is why Friedrich Schleiermacher in the nineteenth century found music so useful in the elaboration of his religious idea of Gefühl – an inward yearning and feeling, or, as he also called it, the intuition of the universal. And it is for this same reason that Karl Barth in the twentieth century, a passionate listener to Mozart, was so cautious of using music constructively within his theological system.

Even in its most programmatic examples, music-as-sound has a kaleidoscopic range, which refuses to be pinned down to one meaning or another.

In that sense, music is well placed to carry the new wave of Christian apologists like Elizabeth Oldfield, James K.A. Smith, or even this website, seeking a new direction away from rationalism and clever abstract truth-claims. God is both more real, and more mysterious than that. Music, in fact, can lead the way for language itself. To release language from the captivity of pointing to apparently clear and obvious truth is a distinctly Christian move. After all, we remember that truth is not what a rationalist, or an empiricist, or a logical positivist would want, but is a person, Jesus Christ. And language, like music, can embrace such a mystery. The word ‘God’, as the theologian Gerhard Ebeling once wrote, brings to utterance the mystery of reality. To refer to God is the most pure possibility of language. It affirms the presence of what is completely hidden. “To speak about God”, Ebeling continued, “means to speak about reality as a whole and therefore to speak about humanity, who is exposed to reality as a whole. Conversely, to speak about God is to deny that one can speak about the world as a whole as such, by speaking only about the world, or that one can speak about humanity as such at all by speaking about nothing other than humanity.”

Whilst music without words, then, has often been assumed to be the most numinous, there is no reason why music with words should be any less numinous. Language paired with music knows a not-just-of-this-world reality. Even the most didactic settings in church hymn books engage right-brain activity, shape the memory, and therefore contribute to life formation. Ignoring that function in the shrunken assumption that the goal is simple mathematical truth is a form of sub-human, less-than-creation, folk-lore.

The word ‘God’, as the theologian Gerhard Ebeling once wrote, brings to utterance the mystery of reality. To refer to God is the most pure possibility of language. It affirms the presence of what is completely hidden.

We must celebrate, then, a whole new generation of composers who have written glorious music for Church choirs setting texts from the Bible, amongst them, Sir James MacMillan, Judith Weir, Cheryl Frances-Hoad, Arvo Pärt, Alexander and Joanna Forbes L’Estrange, and Deborah Pritchard.

And to their number, we can also now add a professional oboist, Rachel Chaplin, whose beautiful new album ‘Music from an Inner Space’, seeks to guide the listener into religious contemplation. This is an account where words and music both contribute to create a space for contemplation and prayer.

The words are most often taken from the Psalms, given stunning new accounts in these compositions for strings, trumpet, piano and soprano voice, but also in the composer’s own settings such as the remarkably poignant See Him. Psalm 51 is rendered with a bubbling brook of cleansing water rather than the deathly painfulness of Henry Purcell’s setting. A short verse from Psalm 23, ‘he leads me beside quiet waters’, manages both to be consoling and to feel unsettling, urging the listener into a new and uncomfortable space. Like a tree gives Psalm 1 one of its best-ever accounts, with a confidence, a liveliness, and a sense of purpose normally missed.

The simplicity of the vocal settings, combined with the immense skill of the accompanying players, promises for this music to be heard more widely, and reconstructed in different contexts, private and public, within and without the church. What’s more, the care of the musical curation is matched by the composer’s sourcing of paper for the liner notes, artwork for the album cover, and accompanying beeswax candle, specially designed for the album. Listening should not just be on the go. Listening should go with what Charles Taylor would call attention: stopping, lighting a candle, and breathing, still, for more than the length of time it takes to boil a kettle.

Many of us enjoy listening to music of all kinds. Most of us recognise feelings and emotions which appear to go beyond the data and push notifications which the world loudly proclaims to us. Choosing contemplation and prayer over production and wealth-creation can usher us into a form of life which is more human. Music and religious feeling were made for each other.

You can catch Rachel and the group performing the album at the Greenbelt Festival on 24 August 2024.
More details at www.rachelchaplinmusic.com