Essay
Christmas culture
Creed
6 min read

The deep changes Christmas drives

From Longfellow’s deep peals of the bells, to Dickens’ Scrooge, to the miracle of No Man’s Land becoming common ground, conversions begins with Christmas.

Jared holds a Theological Ethics PhD from the University of Aberdeen. His research focuses conspiracy theory, politics, and evangelicalism.

A abstract image of red people-like shapes against a red background
Jr Korpa on Unsplash.

It was 1914, Christmas on the Western Front. Here, from trenches scarring the Belgian countryside, echoed not the sound of war, but carols—the song of soldiers, bold, vibrant, and clear.  

Not every sector heard the sound. But Ernie Williams, of the 6th Battalion Cheshire Regiment, did. Across his sector, he heard a chorus of German carols converge with English. Even more miraculous: both sides emerged into No Man’s Land, shaking hands, taking pictures, exchanging gifts—enemies who, just hours earlier, were trading hot lead, now kicking a football back and forth.  

The miraculous ceasefire was, at the time, both a media spectacle and a propaganda nightmare. The Daily Mirror published private letters from the front with details for a captivated public. The military high commands from both Christian nations worked to censor the story. The images of enemies together contradicted propaganda carefully crafted to demonise one other.  

The men prosecuting the war from desks believed this epidemic of goodwill could extinguish fighting spirit. But they could never deny that at the front, one sector of No Man’s Land had been converted into common ground. Enemies met as converted men, if only for a moment—converted to a wider way of seeing and being, alive with possibilities for peace.  

For a moment, enemies became what they really were, brothers—in defiance of their own Christian nations. This is, for us, a clear line of sight into the marked difference between the Spirit of Christ and the semblance that is Christendom. A Christmas conversion if there ever was one.  

Scrooge has always pointed modern people towards Christmas conversion and its deeper economy, away from the business of bottom line towards brotherhood. 

But this conversion on No Man’s Land makes the “Believe!” sign hung atop Macy’s Department Store in New York City seem shallow. The M&S Christmas advert, trite. Yet these are the conversions we know, the ones we experience year and year, season after season, without much consent or choice. It’s a manufactured conversion, not towards the brotherhood of humanity, but to the bottom line. Our coffee cups, converted from drab white to ruby red. Commercial jingles add sleigh bells. In all kinds of ways, daily life converts us towards a season of consumption called Christmas.  

But who denies this? I’m stating the obvious: capitalism, materialism, consumerism. Every -ism a shoddy container of Christmas Spirit. We know this truth. We make it the moral of our stories. We’re moderns after all.  

Grateful as ever to the Dickens, our benefactor of Christmas. Scrooge has always pointed modern people towards Christmas conversion and its deeper economy, away from the business of bottom line towards brotherhood. This deeper economy of concrete choice and the reality of conversion came straight from the mouth of Marley’s ghost, framed by an epiphany of regret: 

“Mankind was my business. The common welfare was my business; charity, mercy, forbearance, and benevolence, were, all, my business. The dealings of my trade were but a drop of water in the comprehensive ocean of my business!” 

The gap between knowledge and wisdom, theory and experience, is widest at this point. We thrill ourselves to watch Scrooge find that “everything could yield him pleasure”—like the Christmas morning churches with bells “ringing out the lustiest peals he had ever heard. Clash, clang, hammer; ding, dong, bell. Bell, dong, ding; hammer, clang, clash! Oh, glorious, glorious!” But is this our conversion? 

From the deep peals of the bells, to the new man Scrooge, to the miracle of No Man’s Land becoming common ground, these are a fragmentary glimpse into the conversion that begins with Christmas but also outlasts it.

If we’re honest, perhaps the bells of churches don’t always resound in our ears with hope, glad tidings, and peace. Our eyes and ears are on Ukraine, Israel, Gaza, Myanmar, on a world teetering, careening, towards another Christmas of contradiction—songs of peace on earth in a world at war with itself. In this chaos, church bells—if they’re heard at all— can be heard as a mockery of suffering, a maligning of the oppressed, a fanciful hope in a violent world. 

It’s what Longfellow heard, an American contemporary of Dickens, during the American Civil War. Longfellow wrote the poem that would become a classic carol, 'I Heard The Bells on Christmas Day' in 1863, at the fever pitch of the war. At the time, a war that was only magnifying personal tragedy and crisis. He was both grieving the death of his wife while trapped in an excruciating period of waiting, to learn whether his wounded son, an officer in the Union, would live or die.  

As he wrote, Longfellow found in himself the reality that disillusionment had given way to despair, 

And in despair I bowed my head; 
"There is no peace on earth," I said;  
"For hate is strong, 
And mocks the song 
Of peace on earth, good-will to men!" 

We talk of Scrooge being damned at Christmas, less so of disillusionment and despair. But even so, despair rises like a tide in us. A cynicism confused with honesty, drawn out by the gravity of seemingly unrestrained cycles of violence, chaos, and evil. 

Whether we be damned or despairing, we need conversion. And it’s here where we meet that truly decisive question: converted to what exactly? What draws us up out of damnation or despair? What sort of conversion turns No Man’s Land into common ground, enemies into a carolling chorus of converted men? 

We see a glimmer as Longfellow goes on, 

Then pealed the bells more loud and deep: 
"God is not dead, nor doth He sleep; 
The Wrong shall fail, 
The Right prevail, 
With peace on earth, good-will to men.” 

From the deep peals of the bells, to the new man Scrooge, to the miracle of No Man’s Land becoming common ground, these are a fragmentary glimpse into the conversion that begins with Christmas but also outlasts it. It is the mystery and meaning and majesty at the heart of everything, incarnation: God With Us.  

God’s solidarity with the weak is revealed in his becoming weak. His identifying with us as the demonstration of his love for us. His rejection by us never canceling out his love and its endless desire for reconciliation with us. These endless dimensions of incarnation, of an intrusion that startles the status quo, elicits nothing short of conversion. 

Conversion is the only way to see and savour Christmas. A change marked by an expansive opening of wider vistas, a new way of seeing and living, the ushering in of new possibilities, of shattering the fatalities and necessities that claim to define and determine our lives, that keep us from changing since “that’s just the way things are.”  

All this from a Jewish baby—not a precept, proposition, or program, but a person—born under the rule of Herod and Augustus, a person in whom our hopes and fears in our waitings and longings collides. He forever tells the truth that it is not the high command of Christian nations or the glitz of luxury that builds common ground, but the weakness of God, a God in a cradle in the world that is no man’s land. This person is the mystery and meaning and majesty that creates the common ground where enemies are made brothers, the person in whom God and man commune with peace on earth, good will to men. 

Article
Belief
Biology
Creed
5 min read

We’re gonna need a bigger ontology

Orca attacks prompt questions about being.
A boat holding a camera crew drifts next to a whale fin.
Filming Shetland's orcas.
BBC.

In May 2023, British sailor Iain Hamilton was aboard his yacht in the Strait of Gibraltar when it was set upon by a pod of five orcas who succeeded in biting off both rudders, leaving him with no means of steering his boat back to shore. These enormous killer whales could have destroyed the small boat in its entirety, rounding off their escapades by making a quick lunch of Hamilton and his crew. But instead, they seemed content to merely play with the small vessel, pushing it around “like a ragdoll” for a while, before swimming away to find their next meal elsewhere.  

How do we explain such behaviour? Environmentalists have been quick to suggest that the orcas are demonstrating their frustration with the human race – carrying out revenge attacks on those callous two-legged beings who overfish their waters and pollute their habitat. Other commentators propose a less anthropocentric view. One leading zoologist, Mark Cowardine, attributes the whales’ behaviour simply to play, “Boisterous play, yes, by animals weighing up to six tonnes, but nothing more sinister than that.”  

The phenomenon of whales attacking boats is not new. Herman Melville’s magnum opus Moby Dick (published in 1851) is a fictional tale of one such encounter, inspired in part by the real-life sinking of a ship, The Essex, during a whale attack in 1820. However, there appears to have been a surge in such incidents in European waters over the past few years – more than 500 orca attacks were recorded between 2020 and 2023 alone. It is thought to be largely the same pod of whales who are responsible, but scientist fear that other pods are beginning to learn the behaviour.  

This raises the question: at what point should humanity intervene to prevent the spread of knowledge? Theoretically, it would be possible, to isolate the ring leaders and remove them from whale ‘society’ (send them to ‘whale jail’ if you like). And, let’s be honest, in previous generations, trophy hunters would have blithely exterminated the troublesome pod without a second thought. But we live in more enlightened times, wherein we respect nature’s right to be protected from human interference.  

The whale world has its own language, with distinct dialects, and is even thought to have culture, including celebration of life events and rituals for grieving the death of a family member.

On the other side of the globe, this right has even been enshrined in law. Pacific Indigenous leaders from the Cook Islands, French Polynesia, New Zealand and Tonga have agreed a treaty that officially recognises whales and dolphins as having legal personhood. The Whanganui River in New Zealand is also recognised as a “legal person” – a move intended both to enact reparations for the damage done to the river by European settlers, and to protect it from any future harm by the human race.  

A being that is recognised as having legal personhood is one which has “rights and duties itself and which can enforce these rights against other legal persons.”   So far so good for a river, which is vulnerable, not sentient, and certainly needs protecting from our shocking ability to exploit and pollute the natural world. But what can we say about whales and dolphins? Unlike the river, they are sentient. The whale world has its own language, with distinct dialects, and is even thought to have culture, including celebration of life events and rituals for grieving the death of a family member. With such obvious evidence of moral intelligence, should we be considering the ‘duties’ inherent to a whale’s legal personhood, as well as the rights? 

The whales still seem to be communicating the same message: our ocean is vast, and we can make you humans feel your tininess in it. 

In parts of the Hebrew Bible, animals are already described as having personhood. In the creation story both humans and animals are described as having nephesh – a Hebrew word that is sometimes translated as ‘soul’, and which indicates certain aspects of what it means to be sentient and have a moral conscience. Intriguingly, God seems to employ this sentience – at times employing animals to communicate with humans.  

One famous example even includes a whale. When the runaway prophet Jonah was thrown from a ship into the ocean, we are told that God directed a large fish to swallow him up, and after three days return Jonah to dry land to continue the work to which God has asked him to do. In another example, when the donkey of the prophet Balaam was being unfairly beaten, the Bible records that the donkey turned and said to his master, “What have I done to you, that you have struck me?”  

It is clear that some of the biblical writers believed that God could and would use animals to communicate with the human race, either through their behaviour or even through direct speech. Therefore, these orca “attacks” make me wonder if God may still be doing so today. Whilst both humans and animals are described as having nephesh in the creation story, the story does then go on to distinguish humans as having ‘dominion’ over the created order. The idea of what it means to have ‘dominion’ has been interpreted differently through the centuries of Christian thought. In the time of Moby Dick, when the fashion for trophy hunting and taxidermy was at its height in the western world, dominion had a feel of superiority and dominance to it. These days, it is more common to hear ‘dominion over creation’ described in terms of responsible stewardship and care.  

But whilst human culture has changed (arguably for the better) it is noticeable that between Moby Dick’s time and now, the whales still seem to be communicating the same message: our ocean is vast, and we can make you humans feel your tininess in it. The temptation is there for us to intervene, to prevent these boisterous orcas from perpetuating their violent behaviour. This would serve to silence the voice that reminds us, uncomfortably, of our fundamental human vulnerability on the ocean. But perhaps we should not be too hasty. We cannot know if, inherent to the personhood of whales, they have a ‘duty’ to keep us in our place. Perhaps it is even their God-given call to behave in a way that reminds us that creation is ultimately, untameably, wild. Listening carefully, we might yet discover that God is speaking to us in whale song.