Article
Ageing
Creed
Politics
Providence
5 min read

Did God tell Joe Biden to stand down?

His story teaches us to listen a little more intently to what comes our way.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

President Biden, at his desk after announcing his decision.
Biden reflects after announcing his decision.
The White House.

Joe Biden has finally quit. After weeks of resistance to the clamour of Republican voices telling him to withdraw from the race to be re-elected, he finally gave in and pulled out. A tweet was followed by a press conference where a stiff and weary looking Biden told the world that his campaign for a second term was over.  

Just a few weeks ago, when asked if he would step down, he had said that “If the Lord Almighty comes down and tells me that, I might do it." Joe Biden is a man of faith. And so, it was a strange kind of prayer - perhaps just a throwaway line intended to reassert his determination to stand - but it raises an intriguing question. Did the Lord Almighty do just that? 

I'm not sure what President Biden had in mind when he raised this possibility. Perhaps he envisaged some disembodied voice from the clouds, like Moses on Mount Sinai, booming out a personal message that it was time to step back? A vivid dream where God appeared to him? Maybe he was looking for mysterious handwriting on the wall, as happened to the Babylonian King Belshazzar? Was Joe waiting for something similar on the wall of the Oval Office as he drank his morning coffee? 

As far as we know, none of those things took place. What did happen was more mundane. Struck down with COVID, holed away with his family and key advisors he was presented with evidence that there is no way he could beat Donald Trump and so he decided to pull out. 

God normally speaks to us through ordinary human Interaction, through commonplace events that might happen to everyone. 

Perhaps when most people think of God speaking, they have in mind a kind of Monty Python booming voice from the clouds, a message that is inescapably and undoubtedly divine. Yet the evidence of Christian history and the testimony of numerous Christians throughout the world and previous centuries suggest that that kind of communication is vanishingly rare. God usually delivers his message through more ordinary methods – so ordinary that it is very easy to miss it. In fact, the most definitive time God spoke to the human race, it wasn't in a booming voice from the skies, but in the words of a scruffy looking Jewish rabbi who looked as human as the rest of us. 

Despite the mediaeval imagery, Jesus did not walk around with a golden halo around his head that served as a sign saying, ‘this is the Son of God!’ It was quite possible to meet Jesus, listen to him speak, even shake his hand, and entirely miss the fact that you were speaking to God.  

As the early Christians thought through their Christology, in other words their understanding of how God and humanity came together in the person of Jesus, the main conclusion was that Christ’s divine nature did its work through, rather than apart from his human nature. It is not that some of his actions and words were divine (for example miracles, inspired teaching etc.) and some human (eating, sleeping and asking for directions) but rather that both human and divine natures were involved in all that he did - the human nature passively allowing itself to be the vehicle through which God did his work. So that when you met Jesus you could see God working perfectly through a human being in the way that we were always meant to.  

For those who had the eyes to see it and the ears to hear it, although he looked and spoke just like an ordinary human, Jesus was far more than that - he was the one through which God definitively spoke to the human race. 

All that suggests a very different way of God speaking to us. God normally speaks to us through ordinary human interaction and through commonplace events that might happen to everyone.  

Joe's story perhaps teaches the rest of us to listen a little more intently to what comes our way. 

So, when Joe Biden started to listen to the voice of his family and friends rather than stubbornly persisting with his doomed attempt to be re-elected, perhaps his secret prayer was being answered? Perhaps the Lord Almighty was telling him to step down, through the very ordinary voices of his friends and advisers. How do we know it was God? As I've argued elsewhere, in the question of whether God saved Trump from an early death, we can only definitively tell when God has intervened while looking backwards. Looking back on the past few weeks and months, might this be a case where we can begin to say with some confidence that Joe Biden was listening to the one voice that could have told him to step back? 

It sounds like he obeyed unwillingly. In his speech from the Oval Office, he continued to claim that he deserved a second term (does any leader in a democracy deserve election? Is it not always a gift and a privilege?) He continued to proclaim a rather fantasy-laced vision of the USA: “we are the United States of America and there is nothing beyond our capacity”, claiming the limitless power of his nation at a time when he should have been more aware of his own limits and finitude. 

But maybe we all do that from time to time. Let us give credit where credit is due. He did finally, reluctantly, perhaps grudgingly, listen to the voice of the Lord Almighty telling him to quit.  

Listening for the voice of God is an art and not a science. Wisdom comes to us usually through very ordinary human means and it takes a lifetime of listening, reading of Scripture, discerning the difference between the kind of thing God would say - which is the kind of thing Jesus would say - and the things that he wouldn't. Joe's story perhaps teaches the rest of us to listen a little more intently to what comes our way, to hear when God might actually be speaking to us - through the ordinary events and voices that surround us every day. 

Review
Art
Character
Creed
Easter
Suffering
5 min read

Why sculpt the face of Christ?

In Nic Fiddian Green’s work we feel pain, strength, fear and wisdom.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A man looks up a shaft of light that illuminates him and a crucifix higher up a wall.
I Accepted, 2025.
Richard Foster.

The seeds of faith were sown in the life of Nic Fiddian Green by his father. As he has explained recently, he “was shown a way and a faith, and an understanding around the faith of Christianity, in the way my father lived”. 

Later, his wife-to-be, Henrietta Hutley, asked him to help create Stations of the Cross for the Wintershall Estate in Surrey where, today, The Nativity and the Life of Christ are regularly performed. Henrietta’s father, Peter, wrote and brought The Passion of Jesus to Trafalgar Square, while her mother, Anne, had the vision for the Stations of the Cross project after a life-changing visit to Medjugorje. 

Fiddian Green says that “The Face of Christ has been with me for over 40 years” and that he has “searched for His face through my art as part of my spiritual journey, and also in the work of many others – especially Renaissance artists like Giotto, Piero della Francesca and Michelangelo”. 

Fiddian Green, who is internationally celebrated for his monumental equine sculptures, has created a deeply personal and spiritually resonant exhibition entitled The Face of Christ. The exhibition features 20 new sculptures including works in bronze, copper, lead, marble, plaster, and silver, together with a series of drawings. The exhibition ranges from the Nativity to the Resurrection but focuses primarily on the crucifixion.  

The exhibition is deeply personal for Fiddian Green because it is informed by the harrowing encounters he had with an array of life-threatening illnesses a few years ago. These caused an obvious and honest creative re-assessment and it is from these experiences that a stronger, deeper and more contemplative vision has emerged. One that permeates the new work via modes of stillness and reflection.  

The Face of Christ offers a profoundly meditative engagement with the image of Christ, capturing a sense of serenity, resilience, and transcendence in bronze and stone. In these works, he shows us how his spirit and his faith help him triumph over the physical as he explores the enduring power of faith, suffering and redemption. In the eyes of his work, we feel pain, strength, fear, wisdom and more as he asks questions of the viewer that leave a powerful and spiritual resonance. 

Fiddian Green says: “These works are a reflection of my journey of faith. I have come to find that His power to elevate us underpins everything I strive to do and The Face of Christ is an attempt for me to convey in my work all that He conveys in my heart. Christ gives me the key, but will I open the door…?” 

While the exhibition focuses on the crucifixion and the face of the crucified Christ, the expression on Christ’s face is generally one of peace, rather than pain. In part, this is because many of the heads of Christ included are images of Christ resting in death prior to the resurrection. The brokenness that the crucifixion brought is shown in these images through damage to the body of Christ, as opposed to the expressions on his face. This is most powerfully the case with ‘Broken for You’, a bronze crucifixion sculpture where Christ’s torso, as well as being scarred by a long spear-like fissure, has also been fractured with the two parts fused together using brace brackets. Similar fissures appear on other of the crucifixion sculptures but ‘Broken for You’ goes furthest in graphically showing the pain Christ endured on our behalf. 

It seems to me that Fiddian Green could go further in revealing the horrors that Christ endured and that his love of Renaissance art with its focus on beauty and balance might hold him back in this regard. Another artist to have regularly depicted the Crucifixion in images shown in mainstream galleries in recent years is Peter Howson, whose images of the crucifixion are much more expressionist graphically capturing the depth of pain that Christ endured. Fiddian Green’s drawings, more than his sculptures, tap into the sense of pain endured, particularly ‘This Storm will Pass’, a partial image of the face of the crucified Christ which in its frenetic pencil-marks and incomplete state speaks particularly powerfully. 

Fiddian Green, by contrast, primarily gives us a sense of the peace that he receives from Christ on the face of Christ. ‘I Forgive’, a bronze head of the crucified Christ depicts the love with which Christ looks on us as he endures the cross. ‘Christ is Laid to Rest’ is a huge head encircled by a crown of massive spikey thorns with green verdigris overtones suggesting the sweat and blood of anguish which has led to the completion of purpose that Christ finds in death. ‘Peace’, a plaster sculpture of Christ’s head, is also redolent of the supreme achievement of the cross; ‘It is finished’, meaning that all his work is complete and done, enabling him to rest and enabling us to enter rest.  

In these images, Fiddian Green is reading back into the events of the crucifixion the outcomes that it gains for us and showing, in his Christ figures, the peace that he personally finds in the love and forgiveness which overflows from the crucified Christ to each and every human being throughout time and history.  

Fiddian Green writes of having “been given materials to use by the God of heaven and earth” – those materials of the earth that he uses in his sculptures – and says that “it is my hope that some of these pieces may rest and resonate with those who see it; that they may find a deep connection by gazing on the works which takes the eye, the heart and the soul to the One who helped me create them”.  

While Lent, Holy Week and Easter are often times when art is offered to enable us to walk in the footsteps of Christ it is not common for commercial galleries to specifically invite meditation on these events, so don’t miss the opportunity for contemplation that the Sladmore Gallery is providing through this exhibition. 

 

The Face of Christ, 10th April – 2nd May 2025, Sladmore Gallery, London.