Article
Creed
Wisdom
7 min read

Forgotten wisdom

In all the shifting sands of time and culture, Graham Tomlin draws attention to a source of wisdom that served our ancestors in the past and might do again in the future.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A stone church and tower emerge from the hillside with the sea in the distance.
St Enodoc's Church emerges from the ground.
Malcolm Etherington, Geograph, via Wikimedia Commons.

Most summers we go on holiday to Cornwall in the west of England. One of our favourite walks is across a rather smart seaside golf course, with manicured greens, tidy fairways and well-dressed golfers. Just behind the 11th tee is something you don’t usually expect to find on a golf course: a church. It’s a tiny place, with a small crooked spire and a low slate roof, built of ancient stones weathered by centuries of wind and saltwater. The inside smells of damp hymnbooks and a faint whiff of candle wax, a few memorials to villagers who drowned in the seas nearby, and usually, some flowers carefully placed to give the building a sense of life and colour. Its origins go back 1500 years, supposedly built on the site of a cave where an early Christian hermit called Enodoc used to live and pray.

 

Built near a beach, over the years, wind-driven sand has built up banks around the church which give it the appearance of sitting in a large hole. In fact between the 1500s and the 1800s, the church was virtually buried under sand dunes. During those years, the vicar and the parishioners could only enter the church through a gap in the roof. In 1864, the church was dug out and restored, and it still holds services to this day, as golfers wend their way past, cursing after another missed putt. 

'The buildings kept standing through winter storms, mounting sand dunes, reformations, civil wars and revolutions.'

Year after year for fifteen centuries, people have gathered in that building to pour out their hopes, fears and dreams to God in prayer; husbands and wives made life vows to each other, baptised their children around the small worn font; people took bread and drank wine at the rickety wooden altar and buried their dead in the graveyard surrounding the building. Some of those people had the fierce, intense, focused faith of the hermit who originally prayed on the site. Others had a more uncertain faith that flickered rather than burned brightly, but still was a guiding light for their life.  Meanwhile, the buildings kept standing through winter storms, mounting sand dunes, reformations, civil wars and revolutions, and provided a continuity that held together the changing fortunes and moods of that local community for a millennia and a half. 

 

Walking past this minor architectural miracle, I’ve often asked myself the question why people bothered to build a church in such a remote and awkward place, and why such efforts have been made to maintain this tiny structure, which can only seat around 40 people even when jam-packed full.  

'This building stood, and stands, for a way of life, and a view of the world that sustained people.'

The answer is that this building stood, and stands, for a way of life, and a view of the world that sustained people in small communities like this, and countless larger ones – towns and cities - for around 2000 years. And it’s not just here. Wherever you go in Europe, when you enter a town or village, somewhere in the heart of that community will be a church. Some are grand, opulent affairs, built by some local grandee eager to show off their devotion, or sometimes, let’s be honest, their wealth. Others, like the one in the golf course, are small, humble, ramshackle structures, lacking in any great architectural merit, but whose stones  breathe the love and devotion of the generations for whom that building was the anchor of their lives, the place where life began and ended, and where most significant events were commemorated in between.   

 

These days, many of these churches are struggling to stay open. Regular churchgoing has dropped off in many parts of Europe, and many of these village churches in particular are slowly decaying. It’s partly a result of the general decline in community activities - political party membership has declined significantly, many local pubs and cinemas have closed, and people don’t join things as much as they used to.  But at the same time, many people no longer believe what their ancestors did, and so church seems a strange blend of general niceness with some religious mumbo-jumbo that doesn’t really make much sense anymore. Yet many people still celebrate significant life events in churches. Despite the decline in regular church attendance, most people still want weddings in churches, many get their babies baptised, and ask the local vicar to conduct the funerals of their loved ones.  There is still something - a sense that these places, and the connection with transcendence that they offer - are places you go to at moments of extreme joy or sadness. 

 

Those people in the past were not stupid. Christian faith held together communities and whole nations across Europe for centuries, not because nobody thought hard about it, but because it gave a framework for living that made sense to people, and enabled them to manage and make sense of their lives. It met the needs of the simplest villagers and the most sophisticated and intelligent philosophers. Of course today we are much more technologically advanced and scientifically knowledgeable than they were. However we still look into a dark night sky and marvel at our smallness in a vast universe just as they did; we still cry agonising tears when we lose our friends and family, or when a relationship breaks up, just as they did; we too ask questions about the meaning of life, freedom, suffering, just as they did. The science may have changed, but human nature does not change that much. The questions we ask are remarkably similar to the ones that our ancestors struggled with in the past. 

 

To get a sense of the sheer power of the Christian story, and the way in which it shaped the lives of millions, just walk into any art gallery, and look at just about any section before the 18th century.  Many of the paintings and sculptures will be direct references to the stories of the Bible, and even the ones that aren’t often have all kinds of subtle references to Christian  belief hidden deep within. Or take time to wander around one of the many mediaeval cathedrals that are dotted around biggish cities across the continent, and ask yourself why people designed structures that they knew they would never see because they took more than a lifetime to build. 

 

We have laid aside this heritage in a comparatively short period of time. People in the west often look to eastern traditions, mainly Buddhist, whether of the full-on type, or the gentler forms of mindfulness, because they seem to offer a pathway to peace and tranquillity as well as a faint whiff of the exotic and tantalising. And yet right under our noses lies a deep well of wisdom that inspired our greatest architecture, our finest works of art, and our most soaring and spine-tingling music, and, to those who have discovered it, still claims to offer peace of heart, a sense of fulfilment and meaning, and an unshakeable underlying note of joy to life.  

 

The problem is that we haven’t really found anything to replace it. As Julian Barnes wrote,  in the first line of his book on death, Nothing to be Frightened of:

“I don’t believe in God, but I miss him.” 

Our world has changed a great deal - in fact it doesn’t just change, but changes more quickly as each decade succeeds another. However in quite properly leaving behind some of the things our ancestors took for granted, such as slavery or the inferiority of women, we have at the same time lost hold of the central story that gave meaning to the lives of countless people who went before us, and which could still make sense of our lives today.  Like the proverbial baby and bathwater, in moving on from the old, we have left behind something immensely valuable which could make all the difference to our lives today.

The well-known author C.S. Lewis once said:

“I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.”

Christianity, like any other creed, makes sense, not just on its own terms, but if it makes sense of everything else. Christianity offers a kind of counter-cultural wisdom to many of the things we take for granted in our world, things which if we carry on living that way, will destroy us and this precious planet which is our home. It offers a way of life that is much richer, fuller, more disturbing, costly yet utterly worth living – a life where, like that ancient Cornish saint, and those who worshipped in the building named after him, we learn the most fundamental skills about how to live together in a world we did not make.  

Article
Creed
Death & life
Easter
Film & TV
9 min read

Harry Potter and the mysteries of death

Horcruxes and our digital consciousness

Jonathan is a priest and theologian who researches theology and comedy.

Hermoine rests her head on the shoulder of Harry Potter.
Harry and Hermione at the grave of his parents.
Warner Bros.

A couple of years ago I had a conversation with some friends that has stuck with me. One of them is a palliative care doctor, and we were discussing medical trends which seek the extension of life at all costs. My friends are Jewish, and we as were comparing religious notes, it was unsurprising that they asked me: "well what do Christians think about death?" 

I replied, without really thinking: "Well, death is the enemy that is defeated." Somewhat to my surprise, their response was quite negative. "Oh, I don't like that idea. That pushes us towards denying our mortality, and trans-humanism, and the inability to let aged relatives go. We need to become better at welcoming death, at recognising it as part of our humanity." 

And as I groped to try and explain why that wasn't quite what I meant, the best analogy I could find for articulating what Christians think about death came from Harry Potter. And in the years since that conversation, it is still the best analogy that I can find to talk about mortality. 

So, here is the version of what I wish I had said. 

The Harry Potter books have many themes, but above all they are about death. That may sound unlikely for a series of books apparently aimed at children, but the evidence stacks up... 

The main character is an orphan, and the majority of people he comes close to will die across the seven books. (Now seems as good a time as any to mention that the rest of this article will basically all be spoilers, so maybe stop now if you've been putting off reading the books for the last 20 years. I'm also going to assume you are at least reasonably familiar with the plot). 

Harry's life is defined by the death of his parents and his own close shave with mortality as a baby, and as the books continue the body count gets almost ludicrously high. 

Indeed, the author J.K. Rowling has said that Harry is "the prism through which I view death in its many forms." 

Unsurprisingly, given how central the theme is, there is a certain amount of explicit reflection on death, even if it is somewhat vague. Thus, we find that: "to the well organised mind, death is but the next great adventure." Dying hurts not at all, but is "quicker and easier than falling asleep." Those who die can "go on," perhaps by "boarding a train." 

If all of this sounds a touch sentimental and the sort of thing that might appear in bad funeral sermons, it is paired with descriptions of grief that are visceral and deeply moving. (I may have cried more than once whilst doing the "research" for this article). 

But where the discussion of death gets really interesting, at least to me, is in the plot, and the metaphysics that underpins it. By metaphysics I just mean the whole picture of the structure of reality that makes the world of Harry Potter work. 

And in this metaphysics we find that death is indeed an enemy. This becomes clear partly through the sheer excruciating depiction of loss that runs through the books - how could something that causes this much pain be anything but an enemy? - but in book seven it is also made explicit. 

In one of my favourite moments of the whole series, Harry stands before his parents' gravestone, and reads the epitaph: 

'"The last enemy that shall be destroyed is death"... A horrible thought came to him, and with it a kind of panic. "Isn't that a death Eater idea? Why is that there?" 

"It doesn't mean defeating death in the way the Death Eaters mean it, Harry," said Hermione, her voice gentle. "It means... you know... living beyond death. Living after death."' 

In Harry and Hermione's reaction to the quote on his parent's tombstone we find that there are multiple ways for death to be an enemy. 

The Deathly Hallows sounds eerily like a current technological advancement: the rising trend of griefbots.

Book seven, in fact, presents three ways to defeat death, and they are highly illuminating. 

Firstly, there are Horcruxes. This is Voldemort's project for immortality: the division of his soul via murder and the darkest magic, and the implantation of those parts of the soul into objects which guarantee that, even should he die, he will live on.  

This is, I think it's fair to say, not a vision of the death's vanquishing which the books present as appealing - Voldemort is the darkest wizard of living memory, and the creation of his Horcruxes takes him deeper into evil than anyone has ever gone. Yet it has strange parallels to various current attempts at death defiance. Dividing your soul up and placing it in objects sounds pretty similar to me to uploading your consciousness into a computer. 

Now I'm not saying that all transhumanists are evil wizards whose projects rely on murder, but I do wonder if the same impulse lies behind Horcruxes and downloaded consciousness. 

There is, in both, the same fear of death, the same refusal to accept that my life might end. And there is the same default assumption that the body doesn't really matter - that the centre of my being is somewhere else, and that I can separate it from this inconvenient vessel which is so subject to injury and decay. The inevitability of bodily death is acknowledged, but life can go on even if my body fails, because I can place myself into objects. What matters is my consciousness, and that can be made eternal. 

The second option is a little more complex: the Deathly Hallows. These are three strange, mysterious objects, possession of which promises to make the bearer "master of death." The wand that gives murderous power. The stone that brings back the dead. The cloak that conceals. 

The Hallows dress up their promise in esoteric garb - they offer a quest for the initiated that requires a certain embrace of mystery, and they certainly seem friendlier than Horcruxes, since no one has to die to make them.  

But in the end, as Dumbledore admits, they are not really that different from the Horcruxes, for those who seek them also respond to the temptation to defy death, just like Voldemort. And if Horcruxes are about preserving the soul in the face of the inevitability of bodily death, the Hallows tease the possibility of avoiding death altogether, through the exercise of power. 

The wand gives the power of invincibility and conquest: the avoidance of death through the murder of all who might threaten to kill. 

The cloak gives the power to hide, to keep out of trouble, to evade death by escape. 

And the stone? The stone overcomes the loss of death by bringing its victims back, by refusing to accept that those we love might leave us.  

Again, the Deathly Hallows sounds eerily like a current technological advancement: the rising trend of griefbots. There is the same attempt to respond to grief by clinging to simulations of those whom we mourn, and the same despair at the end of the line. For the dead do not belong with the living, we are told, and legend has it the first owner of the stone was driven to suicide. 

The Hallows attempt to deny death through power, and this is why Dumbledore found them so alluring, and so destructive: they promised to wind back his own loss while giving him the victory he thought would give his life meaning. 

And yet, in reality, even when Harry unites them all, they don't give what they promise. Indeed, they only work to their full power when they are used for humbler ambitions: to hide friends from danger, to perform wondrous magic without boasting in the glory of the wand, or to face death with the comforting presence of those who have gone before. 

For the stone only becomes available to Harry when he finally embraces the third way to defeat the death. The way his parents believed in.  

Death, in the Potter books, is defeated by dying. Or perhaps more specifically, by dying for love - love of children, love of friends, love of a world gone tragically wrong.  

Harry's mother protected her son from dying multiple times, through the power of her sacrificially loving surrender. Dumbledore, in a complex way, protects Malfoy and saves the Elder Wand from Voldemort, thereby protecting the whole wizarding world, through his voluntary death. Even Snape, in the bitterest and most twisted story of them all, ends up giving Harry what he needs to win and finding a measure of redemption, in and through his own murder. 

And, in the climax of this long, convoluted story, Harry avoids death by going willingly to die. Because he loves his friends. Because he hates others dying for him. Because he recognises the terrible duty he faces, the terrible path Dumbledore has laid out for him, and he loves too much to run. 

Voldemort is wrong. Love does conquer death. 

The parallels to the Christian vision of death are stark. The quote on the tombstone which sparks these reflections for Harry (and for me) is in fact from the Bible. "The last enemy that shall be defeated is death" is a profoundly Christian idea. 

Yet my friends were right to react negatively to what they thought I meant by death being an enemy. 

For, just like the good guys in Harry Potter, Christians have traditionally been suspicious of attempts at immortality on our own terms. The Bible, I would suggest, knows nothing of a technological defeat of death, whether through downloading our consciences, or radical life extension, or technologies of power. Death cannot be staved off by any of our own work. 

But this does not mean that death is a good thing, simply a part of human existence which we would do well to welcome and learn to get along with (though I do think we would do better to think about death more, and be more honest about its existence).  

Death is an enemy. It is the final enemy. We are right to rage against it. To grieve those whom we lose. To feel its existential weight. 

Yet, perhaps paradoxically, we should not fear it. For death is an enemy that has been vanquished, but vanquished through Jesus' death.  

Immortality is not, for Christians, something we achieve, but something that is given to us. We believe in the Saviour who dies, and who rises again, and in whose resurrection, as strange as it may sound, we also will be raised. Death is defeated by love, but it is not our love, it is God's love for us. 

This gift, according to the early Christian writers, can only be received by going through death, not by avoiding death. Indeed, Paul's letters, which make up most of the New Testament, are full of the insistence that the pattern of Christian life is always death first, then life. Death in baptism, to new life in Christ. Death to sin, to life in freedom. Bodily death, to bodily resurrection. 

And so, what I should have said to my friend, is that Hermione is right. Death is the final enemy to be defeated, but this does not mean the ways of the Death Eaters. It does not mean projects of immortality, whether rooted in science, or a mystery cult, or power over others. 

Rather it means it life after death - a life that is given to us, by our saviour who has been through death and defeated it. 

Death is the enemy but it is not our enemy to defeat. That victory was won for us, on Easter Sunday 2000 years ago, in a cemetery near Jerusalem, when Jesus rose again. 

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