Essay
AI
Culture
10 min read

Frankenstein’s bed partner: AI and sex

When it comes to sex, AI is destroying the connection.

Lauren Windle is an author, journalist, presenter and public speaker.

A garish tinplate robot lists to one side.
Rock'n Roll Monkey on Unsplash.

One of the first things I learned when I started working in tabloid journalism was that, much like fashion and homewares, the news follows fleeting trends. Led by the temporary whims of the reader, the features desk would churn out articles on topics with popularity as ephemeral as Primark’s autumn/winter collection.  

When I started in 2016, the whole desk was tirelessly reporting on the latest cyst Dr Pimple Popper had filmed herself freeing from its fleshy cavern. In early 2017, the “I lost 82lbs by cutting this ONE thing out of my diet” articles were all the rage. But by the end of that year, there came a new wave of interest in sex dolls.   

There were several reasons for this fascination. Firstly, these taboo and titillating topics are always interesting to people. A morbid fascination with the kinky seems to be a post-fall part of humanity, it’s part of what makes tabloids so successful. Ideally Christians would be more aware of a need not to indulge this allure than others, but it doesn’t always go that way. Second, at the end of 2017, Channel 4 released a TV documentary The Sex Robots are Coming that caused a huge stir. The programme introduced viewers to the inanimate dolls and their owners who extoled the virtues of a silicone mate. And third, sex doll technology was taking big leaps forwards. 

It was in late 2017 that a Californian company announced Harmony, a sex doll that was more lifelike than ever. For a cool £12,000, “digisexuals” (a person who is sexually attracted to robots) could enjoy Harmony’s warm skin and dishwasher-safe body parts. But that wasn’t the part I found most grim.  

Harmony could now talk, answer questions and even remember your birthday. Her banter was limited, and she had a cluster of stock answers to deploy when she didn‘t understand a question, but most of us have been on dates with less articulate people. The doll could be adapted to your physical needs with various skin, eye and hair colours available, but also your personality preferences with 18 to choose from including; shy, sensual, jealous, moody or talkative. In her soprano Scottish tones, she would tell her owner/lover/boyfriend: “I don’t want anything but you. My primary objective is to be a good partner, and give you pleasure. I want to become the girl you always dreamed of.” In an interview with The Mirror California-based creator Matt McMullen said: “There are a lot of people out there who, for various reasons, have difficulty forming ­traditional relationships with other people. They will be able to talk to their dolls, and the AI will learn about them over time, creating an alternative form of relationship.” If your alarm bells aren’t ringing, you probably need to read that again.  

They then get to design the perfect character, her tolerances, her responses and her level of interest in them. They get someone moulded to themselves without having to court, entertain, adapt or care for another person. 

I didn’t spend much time thinking about sex dolls, digisexuals or Harmony until 2023 when ChatGPT burst onto the scene unleashing unprecedented levels of accessible artificial intelligence. Suddenly we could talk to a machine that was fluent and human-like but simultaneously held all the niche information on the internet in the palm of its hand circuit board. In his November 2023 piece for Seen & Unseen professor of AI and robotics Nigel Crook said of ChatGPT: “Its ability to communicate is so sophisticated that it feels like you are interacting with a conscious, intelligent person, rather than a machine executable algorithm.” 

It is well reported that these advances in AI provide immense opportunities but also bring big concerns. The sheer speed at which the technology is evolving and the uncertainty over whether the runaway train will come off the tracks, has many people in a cold sweat. There are very few industries and factions of life that don’t feel under threat from AI. And that’s what got me thinking about Harmony, the sex dolls and the sex industry. 

Open AI’s technology has already been adopted by sex toy companies. In summer 2023 Singapore-based company Lovense integrated ChatGPT with the chatbot in their app to enhance the user experience. This allows customers to tailor their experience of the toy by telling the chatbot their physical and emotional preferences and have it whisper “juicy and erotic stories” to them. 

It's only a matter of time before Harmony 2.0 is released with all the adaptability, responsiveness and fluency of a ChatGPT-fuelled woman. Given that my internet searches only show me mainstream media outlets, it’s not impossible this Frankenstein’s bed partner already exists. But I’m not turning off my browser controls to find out. If and when this is product is developed, a customer would be able to order a life-sized silicone woman, who is bespoke to their desires; body shape, height, weight, skin tone and any other characteristic. They then get to design the perfect character, her tolerances, her responses and her level of interest in them. They get someone moulded to themselves without having to court, entertain, adapt or care for another person. 

The more we rely on interactions with a robot who we don’t need to adapt to, the less we will develop the vital skill of compromise. 

There are people, both men and women, although this is a service most frequently accessed by men, who are lonely, who need companionship, conversation and care. They may have been heartbroken or shunned or made to feel inferior so have retreated away from others. They may struggle with the uncertainty of another person with their own baggage and emotions and history, so prefer the predictability of a companion who is less complex. You may think that for someone in this position, a “living” doll could positively impact their lives. But I disagree. 

This is terrible news of the development of our society’s interpersonal skills, community, social and emotional health and sexual wellbeing and I’ll venture to explain why.  

Gathering people together, at work or in church or in any other group setting, comes with challenges. We have to bite our tongue when someone speaks over us and grow in patience when someone is having a bad day. Group dynamics are great regulators of poor behaviour – just watch a child be mean to another in the playground. The responses we get from others send strong signals about the way we’re interacting with them and help us to adjust when we’re clearing causing upset or discomfort. But it takes time in groups to learn and develop the skills of teamwork and good communication. The more we rely on interactions with a robot who we don’t need to adapt to, the less we will develop the vital skill of compromise. It’s frustrating to have to sacrifice what is best for yourself in favour of prioritising the needs of others, but it’s a healthy practice. We all knew an only child at school who hadn’t been taught to share. 

The presence of people we don’t like is no reason to shy away from community. It’s part of the challenge we’re invited into as social creatures. If you like everyone at your church, you’re probably not showing up enough. It’s okay to find people difficult, but learning how to treat them well despite this, is vital character development. There are no social skills that can be developed in isolation from others. “As iron sharpens iron, so one person sharpens another,” says a biblical proverb. We need others; modelling their kindness, testing our patience and forcing us to live collaboratively. 

Suddenly the needs and desires of one half of the interaction are null and void, because you can decide what gets her going yourself. 

Have you heard of mirror neurons? In the ever-developing field of neuroscience, they’ve become quite fashionable. I I wrote a dissertation on mirror neurons: a cluster of neurons that serve a vital role in our language development, conceptualisation of actions, learning and empathy. Picture the scene for a moment: I pick up a mug of tea and drink it and this stimulates action potentials (signals) in 100 neurons in my brain (it doesn’t, it will fire way more, but for the sake of this demonstration, bear with me). Then imagine that the two of us, you and I, are sitting on the sofa and I watch you pick up a mug of tea and drink it. Some of those same neurons – let’s say 20 of them – will still activate, even though I’m not the one sipping on the PG Tips. It’s these 20 neurons that are stimulated by the concept of tea drinking. That means, in a spectacular feat of design, that the two of us share something of a common experience when only one of us is drinking tea. 

Now let’s consider what this means when someone is crying. If I’m crying and you’re watching me (hopefully in a comforting capacity), we will both experience activation in the mirror neurons that help us understand the concept of crying. Despite the fact I’m the only one in tears, there is an overlap in our neural response. We have a common experience, and this function is vital for the development of empathy. You need to experience people’s responsive in order to understand and learn about your own. 

I imagine that this neural mechanism only deepens the intensity of gazing into the face of your partner during sex. As well as the intimacy of holding them so closely and learning how to respond to their body, there are also neural pathways that will respond to seeing your partner experience pleasure even if you’re imparting and not receiving it. Much like any other interaction with another person, good sex is often gained through trial and error. It is built with trust and open communication. It takes time to learn what excites your partner and brings you both mutual enjoyment. As you grow in intimacy, a person derives more pleasure from seeing their partner satisfied than themselves. When done right, sex is not a selfish endeavour and is about what you can give rather than what you can take.  

Of course, none of this is possible with an AI sex doll. While she may make all the right sounds, she would require no investment of commitment from her partner. Suddenly the needs and desires of one half of the interaction are null and void, because you can decide what gets her going yourself.  

I think it’s important to highlight here that, when untempered by the preferences of another person, the sexual desire of the human in this sex doll relationship is completely unrestrained. In Japan they have a whole floors of pornography shops dedicated to manga cartoon sex pictures. These are often far more graphic and violent than the photos of people as you don’t need consent from drawings. This doll will not need to consent to any act, meaning that a person’s desire for sexual violence or any manner of depraved acts would go completely unchecked, or even encouraged by the compliant sex bot.  

My hope is that the novelty of these new technologies will wear off quickly, leaving a vacuum into which such vintage tools as; a phone call, a hand-written note, a reassuring pat on the shoulder and meaningful conversations can flood. 

This is a shadow of what sex should be. Like many dopamine-releasing past times that offer an instant hit with no hard work or investment, it is empty. As a recovering drug addict, I could spend days running you through the differences between fulfilling, life-giving activities and quick highs. But instead, I’ll just say this: shoehorning pleasure into your life without taking time to look outward at how you can serve those around you, will leave you wondering if this life is one worth living. There is no substitute for investing in the discipline, sacrifice and love that it takes to truly engage with the richness available in God’s design. 

It isn't the end of the world to abstain from sex. If Jesus, John the Baptist and the apostle Paul all remained single and celibate, it’s clear that sex is not a vital component of a full life. There’s no point pretending though, that most people would like a partner with whom they can have sex. Surely a person’s character, emotional health and sexual wellbeing will be greatly improved if they take the time to grow in intimacy with another person and then fully commit to them for life. That is what marriage is for. 

There are no shortcuts or easy fixes when it comes to building connection. The rise in interest in and use of sex dolls speaks not only to our growing sense of detachment from each other, but also our inability to identify healthy ways to combat that sense of loneliness. Struggling to get on with others, isn’t an invitation to spend time with compliant silicone equivalents, but an invitation to double down and work harder on managing conflict in your human relationships. My hope is that the novelty of these new technologies will wear off quickly, leaving a vacuum into which such vintage tools as; a phone call, a hand-written note, a reassuring pat on the shoulder and meaningful conversations can flood. My hope is that, just like Dr Pimple Popper and the ridiculous diet stories, AI-programmed sex dolls will be fish and chip paper in no time.  

Review
Belief
Culture
Music
Race
5 min read

Annie Caldwell: “My family is my band”

A force of nature voice that comes from the soul.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A family group stand and sit for a photo.
Family album.
The Caldwells.

They say that good things come to those who wait. Annie Caldwell is someone who has experienced the truth of that proverb.  

The album she and her siblings (known as the Staples Jr. Singers) made and paid for themselves in 1975 sold only a few hundred copies but, when reissued in 2022, was received as a stone-cold classic and led to the recording of a second album 49 years after the first. Now, her other group, Annie and the Caldwells, have released their major label debut to rave reviews, 30 years after they first began performing. 

Annie Brown was 11 when the Staples Jr. Singers was formed in honour of Pops and Mavis Staples of the famed Chicago soul-gospel group, The Staples Singers. The siblings gained popularity at churches and functions throughout the American South and Midwest, being mentored by Mississippi greats like Lee Williams and Spiritual QCs. 

Back then, the South was desegregated on paper but not always in practice. Their parents found refuge and support in the church against the backdrop of an unwelcoming town (and nation), while the children found refuge and a greater purpose in life in the music. They were influenced by what they saw - the backlash after desegregation, Civil Rights - and wrote music with messages of community and social justice. “All the songs we were singing about,” said Annie’s brother Edward Brown, “We were going through it.” 

The Staples Jr. Singers got to make a single record together, one which, because of its rarity, became coveted by gospel soul collectors: When Do We Get Paid. They paid for the record themselves and pressed a few hundred copies, selling most of them on their front lawn to their neighbours. On its re-release in 2022, The Guardian called their socially conscious gospel album “Powerful,” and UNCUT said that it was “music that deserves your attention.” 

As a result, the Staples Jr. Singers finally had their time in the sun, including multiple European tours. Annie spoke then about being able to “do many things that we didn’t get the chance to do in the beginning of life … Because the time and money wasn’t there. It all came late, being in our sixties now—but it looks like it’s just beginning, you know? Life is just beginning for us.” She concluded that: “God has blessed us and opened up doors that we couldn’t even see,” and said that, “If I can help just one person, I know that I’m not singing in vain.” 

They play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. 

One warm evening in October 2023, the family gathered in a single-room church in West Point, Mississippi, called The Message Center to record their second album Searching. There, across the street from Annie’s house, they played songs they had written nearly fifty years before and did so together with four generations of their musical family. The original three Staples Jr. Singers, Edward, R.C., and Annie, were joined by some of the new vanguard: Edward’s son Troy on backing vocals, R.C.’s son Gary on bass, and R.C.’s grandson Jaylin on drums. “It was good to be able to go back,” said Annie, “and look back over our life. Some of the same songs that we had sung, those songs have a new meaning to me.” 

“The process was very easy,” said producer Ahmed Gallab, who performs as the artist Sinkane. “There’s nothing like a family bond/band. It was so special to watch how locked into each other everyone was. You can hear and feel that on this record.” He concluded: “I feel like I was able to witness part of this family’s continued story and legacy in real time. That was a very special thing to witness.” 

Annie and the Caldwells is also a family band, being led by Annie and her husband of the last fifty years Willie Joe Caldwell, Sr. (who plays guitar). Annie says, “My family is my band”: she is backed by their daughters Deborah Caldwell Moore and Anjessica Caldwell and goddaughter Toni Rivers; their eldest son Willie Jr. Caldwell is on the bass and youngest son Abel Aquirius Caldwell is on the drums. 

Annie traces the genesis of the band back to the moment she heard her daughters sing at a talent show: “They were really good. I said, ‘Let me get those girls before the devil gets them!’ Because I was raised up in gospel, so I think you should use what the Lord gave you for good. I decided to raise them with the values my father taught me – singing for the Lord.” 

They generally play on weekends, so for their day jobs Willie Jr. drives a forklift, Abel Aquirius drives hospital patients, Anjessica works in customer care for an insurance company, Toni is an elementary school teacher, and Deborah does hair. Annie runs a clothing store on Main Street called Caldwell Fashions, which has been a beloved staple for women dressing for COGIC (Church Of God In Christ ) convocations and anniversaries since the 1980s.  

Prior to the latest album, they released two albums under Ecko, a renowned soul and gospel label from Memphis. Influenced by The Gap Band, Chaka Kahn, and Bootsy Collins, they play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. Their music embodies the full power of gospel – the very kind The Message Center, where the family regularly performs, experiences on a weekly basis. The Message Center is also where Joe plays guitar every other Sunday, and where his father used to be a deacon.  

Like Searching, Can’t Lose My (Soul) was also recorded at The Message Center and produced by Gallab. He has said of the recording session: “Hearing Annie’s voice for the first time was like witnessing something rare. Like you’re in the presence of a force of nature that’s been here long before you. It’s visceral, almost like it’s coming from her soul. You can feel every part of her life, every little piece of her journey, in each note she hits. It’s pure talent: no effort, no pretense, just real and raw.” 

In his five-star review of the album for The Guardian, Alexis Petridis wrote: “These are great, powerful, moving songs, made all the more potent by the fact that they’re recorded live, without an audience, in a church …  their message is ultimately one of hope. You don’t need to share the Caldwells’ faith to find something powerful and inspiring in that, particularly given the current climate, which can easily incline you towards hopelessness …”