God owes us nothing

Reflect on gifts given and received at Christmas, and spot the key to a whole lot of wisdom.

Graham Tomlin

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A large stone house is wrapped in a red ribbon and bow.

Howard Dickins, CC BY 2.0, via Wikimedia Commons.

One of those difficult Christmas Day moments is opening a present from someone, only to realise you forgot to get them something. Or the reverse – expecting a present, but not getting it. It leaves you feeling awkward. Like you owe them something. Or they owe you.

The familiarity of the Christmas story also plays into this. We know how it goes. God gives us the baby Jesus. He does it every year. If he didn’t we’d feel short-changed. After all, life is hard sometimes, and, surely, God owes us something.

God Owes us Nothing. This is the title of a book by the philosopher Leszek Kolakowski. The book is actually about Blaise Pascal and the way the Catholic Church rejected the legacy of the great St Augustine when it rejected the Jansenist frame of mind in the seventeenth century, but that's by the by. What got me thinking again is the title: God Owes us Nothing. It's a powerful thought, maybe on first sight depressing, but the more I have thought about it, the key to a whole lot of wisdom.

If God owes me something and he doesn't provide it, I lose faith in God. Our natural cry 'it's not fair' when something bad happens to us reflects this same basic idea – that we somehow deserve fairness or justice.

Kolakowski's point is that this is essentially the insight at the heart of the Augustinian tradition in Christianity, something that runs through much mediaeval thought, to the Middle Ages, through Luther, Calvin and then on to Pascal and beyond.

If God owes me something – happiness, wealth, health or whatever, I will naturally feel short-changed if I don't get it. You regularly hear stories of people who believed in God, until a friend got ill, or died, or they encountered tragedy in the raw, or experienced the aftermath of an earthquake, a war or a tsunami, or encountered real suffering and 'lost their faith'.

I suspect this kind of thing happens because deep down we think that God owes us something, and if God doesn't give it, then the problem is with God – either that he is unkind, or simply doesn't exist. God should step in every time we make a bad choice, or someone else does, because, basically, he owes us. If God owes me something and he doesn't provide it, I lose faith in God. Our natural cry 'it's not fair' when something bad happens to us reflects this same basic idea – that we somehow deserve fairness or justice.

'Gifts' make us grateful, always delighted with the new things that come, and a bit more philosophical about the stuff we lose.

To begin however from the perspective that God owes us nothing – that we have no rights over him, no claim on him, means that everything we do get comes as a gift – as a sheer delight, something to be deeply grateful for. Every breath, friendship, act of kindness, chocolate, football, mistletoe, wintry walks on bright December days – all these are gifts not rights. It suddenly turns everything about my life from something I feel I have right to, and moan mercilessly about if I lose it, to something that is a true surprise.

To that extent the Dawkins atheist brigade have a point – we should not think the universe is made for us, or that we are any more than specks of life on a distant planet, and we should give up our delusions of deserving divine intervention when things go a bit wrong. The essence of Christian faith is the faith that although we should not expect to receive any divine favours, the surprise is that we do receive so much from the hands of God. Despite our insignificance, we have been privileged by God to play a key role on this planet of reflecting his image to the rest of creation, caring for it on his behalf. We do often enjoy gifts of health, laughter, sport, music, shelter etc., and these are neither random accidents of a faceless universe, nor things we have a right to expect because of our inherent deserving, but gratuitous, free gifts from the heart that beats behind it all. And most of all, we are given the gift of Christ as a brother, a friend and a rescuer.

It is so much better to view everything as unexpected and gratuitous gift than as a right. 'Rights' make us grasping, holding onto things and insisting on them – they centre life around me and what I deserve. 'Gifts' make us grateful, always delighted with the new things that come, and a bit more philosophical about the stuff we lose. In the Christian life, if I think God owes me something, then grace and mercy will not seem a miracle to me at all – after all, it's only what I deserve. If God owes us nothing, his grace, the gift of Jesus, the Holy Spirit, his provision of my needs are all miracles, things I don't deserve and thus to be given thanks for with a constant sense of wonder and amazement.

As you look around the living room post-Christmas at the gifts you have been given, whether wanted or not, try to think of them as given from people who owed you nothing, yet gave you something. And then think of everything you receive each day as pure, surprising, delightful gift. And then take that into the new year. It might lead to a truly thankful and (relatively) more carefree life. It is perhaps the key to happiness.

Article

Belief

Creed

20 August 2024

4 min read

We’ve been seeking that festival feeling for millennia

Why else do we endure discomfort, queues, and sleep deprivation?

Jamie Mulvaney

Jamie is Associate Minister at Holy Trinity Clapham, London.

A singer on a stage holds out his arms to conduct the crowd.

Chris Martin enchanting Glastonbury.

Raph_PH, CC BY 2.0, via Wikimedia Commons.

Why do we go to festivals? It was something I contemplated at 4am while trying to stop a marquee from setting sail into the air during a quintessentially English late July storm. Thankfully we pinned it down, but sometimes it seems we can't get a handle on something until it's been taken away from us. Lockdown allowed us to indulge in some soul-searching about our appetite for summer festivals. A Department of Digital, Culture, Media and Sport select committee survey of 36,000 people showed that what people most missed about festivals during the pandemic was 'the atmosphere'. The atmosphere, much like that airborne marquee, is something difficult to put your finger on, but whatever it is, you do want to soak it up.

So, what contributes to that ‘atmosphere’? Harry van Vliet from the Amsterdam University of Applied Sciences compared over 20 studies into motivations for festival-going. He distilled them into: escape, family togetherness, socialisation, and novelty. Other researchers, such as Rippen and Bos, cite realising significance, giving meaning and giving shape, and deploying, developing and maintaining competencies. As abstract and ethereal as our motivations are, at festivals we want to ram the tent peg into the ground, staking the opportunity to escape or to imagine the future. Why else would you endure discomfort, questionable cuisine and sanitation, queues and sleep deprivation? We endure little inconveniences because we have bigger thirsts.

Then there's the gap between what people hope to get out of a festival and what the organisers are aiming for. Spare a thought for those who booked onto the FYRE Festival, which promised ‘a new type of music festival that would ignite the energy and power of its guests’. Instead, they ignited fury, lawsuits, and six years in prison for the founder. The driver here was greed. If festivals are an immersive experience, what the festivalgoers unsuspectingly immersed themselves in was the sad fruit of that particular rotten orchard. Instead of the gourmet meals and luxury villas, the staff ate sandwiches in styrofoam boxes and guests who’d spent up to $100,000 to attend fought over a limited number of mattresses and tents. One legal document from a guest claimed guests were lured into ‘a complete disaster, mass chaos and post-apocalyptic nightmare’.

The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

We know if we’ve immersed ourselves in something more hopeful. I’ve spoken to several people who’ve been to Taylor Swift gigs, all still ‘buzzing’. Cities and countries keep reporting the bounce, the economic uplift they’ve all experienced from a Swift visitation. Deep down, at concerts and festivals alike we all probably know that we’re not there to ignite the energy and power of us as the guests, but to spectate the energy of the maestro at work. They are the ones who plumb the depths of creative introspection for us. They are the ones who concoct, via musical alchemy and a large support team, something reaching transcendence. If we can immerse ourselves in that, then, however fleetingly, all the inconvenience will have been worth it.

Festivals, therefore, are a pick-n-mix of artistry that we can come up close to. And therefore, the thought goes, their creative genius. Which is almost as elusive as the atmosphere of an immersive festival itself. Elizabeth Gilbert, the author of Eat, Pray, Love, says it was a mistake when we placed the human at the centre of the universe, and the pressure that comes from having to be a creative genius. In her 2009 TED Talk she spoke about Socrates believing he had a daemon that spoke to him, and the Romans believed that they had a ‘sort of disembodied creative spirit’ called a genius. The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’

But what if the founder of the FYRE Festival was actually right? What if the guests themselves at festivals have energy and power, and not just Chris Martin? Millenia ago, this idea was once also floated at the festival of tabernacles, or Sukkot, where the Israelites made a pilgrimage to the Temple in Jerusalem and would camp in tents for seven days.

The gospel writer John says that Jesus spoke to whatever it was people had pitched up tents by the temple for:

‘On the last and greatest day of the festival, Jesus stood and said in a loud voice, ‘Let anyone who is thirsty come to me and drink. Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.’

John goes on to explain that ‘By this he meant the Spirit, whom those who believed in him were later to receive. Up to that time the Spirit had not been given, since Jesus had not yet been glorified.’

Where the Holy Spirit had previously been given to specific people, for specific times and purposes, including creativity, here the Holy Spirit was promised to anyone who would believe in him. And as well as their own fulfilment, the divine creative energy would flow through them to others.

More than a mere atmosphere or nebulous spirit, Jesus claims to be one with the creative energy who hovered over the waters at the start of the Bible, the dwelling place at the end of the Bible where God will be with his people, and drove a stake, or a cross, into the ground to enable this to happen.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’