Explainer
Biology
Creed
5 min read

Here's what Matthew Parris gets wrong on science disproving religion

Religion is not a by-product of evolutionary goals. Andrew Davison argues that our mental lives are more than a maelstrom of urges.

Andrew works at the intersection of theology, science and philosophy. He is Canon and Regius Professor of Divinity at Christ Church, Oxford.

A man covered in dried and caked mud stands and looks to the side, a steel chain is draped from his shoulders.
Man, experimental.
Mahdi Bafande on Unsplash.

In a provocative recent column, the opinion writer Matthew Parris tells us that science has disproved religion. That’s quite a claim to make in 1,100 words, settling a debate that goes back decades. (‘Decades’, I write, not ‘centuries’, as historians have discredited the idea of some perennial conflict between science and religion.) 

Parris’s argument is admirably clear: evolution has given us brains, which leaves them hardwired for evolutionary goals, and religion is simply a by-product. Evolution made us servile and grateful, so we imagine a God to thank and obey. ‘A driving need has always been felt by millions for a God-related hypothesis’, he writes. However, ‘today in the 21st century there’s an answer’: one that Charles Darwin ‘could have begun’ and which ‘we can complete’, thanks to the science of genetics.  

If our mental lives were really no more than a maelstrom of evolutionary urges, we couldn’t have a sensible conversation about brains and evolution, never mind religion and gratitude. 

I happily agree that our minds evolved; I don’t concede that means we can only think evolutionary thoughts. According to Parris, ‘once you accept that survival, procreation and teamwork are what natural selection has equipped us for, every human impulse is explicable in those terms.’ But are they? Take the example of procreation. Nothing about my life has been particularly geared in that direction, nor perhaps has that of Parris, but we both live using the brains evolution gave us.  

That’s because the evolutionary advantage comes from having flexible, ambidextrous minds. Natural selection has given us brains like Swiss Army knives, instruments that can do many things. Not just one. We survive better because we can think about many things in many different ways. 

It also seems that evolution has given us minds that are free. That’s somewhat disputed among philosophers and neuroscientists, and we certainly don’t know how freedom might emerge, but it’s not obviously false that it has. 

Evolution has given us minds that can track reality, minds that can respond to what we find around us broadly and freely. There’s no denying the role of desires and drives in shaping our thoughts and decisions. It’s just that neither drives nor desires necessarily overthrow our reason, at least not most of the time. The history of thought – especially at its most impressive moments – shows us people trying to think as clearly as they can, whether as philosophers, scientists, theologians, historians, or whatever. By and large, they succeeded. 

In fact, the claims that Parris makes requires us to believe that evolution has given us brains that are reasonably good at latching onto reality, brains that can think about all sorts of things in a generally accurate way. If our mental lives were really no more than a maelstrom of evolutionary urges, we couldn’t have a sensible conversation about brains and evolution, never mind religion and gratitude. 

Attempts to reduce our mental and social lives to evolutionary forces are also challenged by the slow pace of evolution. Widespread disbelief in God is a recent phenomenon, even then only in the West, and even there not overwhelmingly. It’s all very new by evolutionary standards. Our recent ancestors were generally devout, our contemporaries less so. That can’t be about genes, since genes hardly change at all over the span of mere centuries. 

Nor, to take up a couple of other points from Parris’, does recent history make it so clear that we’re genetically programmed to be grateful or obedient, given how quickly attitudes have changed on those matters of late: far faster than any genetic change would allow. ‘Natural selection has designed us to seek and serve structures of authority, to command and be commanded’, he writes, ‘and to find meaning, purpose and satisfaction in service to something (or someone) greater than ourselves. We are bred to bend the knee.’ If so, our genes have started doing a remarkably poor job of that, all of a sudden. 

Perhaps the most we can say is something like this: (1) our genes (allegedly) predispose us to belief in God, as some sort of irrational urge, (2) this enthralled such unfortunate figures such as Thomas Aquinas, René Descartes, Isaac Newton, James Clerk Maxwell, Edith Stein and Elizabeth Anscombe, but (3) newspaper columnists and other public intellectuals are now, by Herculean effort, suddenly able to break free from those unconscious genetic forces and see clearly for the first time. Perhaps, but I’m not convinced.  

There’s little that isn’t enriched when explored in an evolutionary light. But we do evolution no favours, nor science more generally, by taking it as the arbiter of truth in every realm of thought. 

Parris brings his column round to the theme of gratitude, writing that ‘not believing in a God to thank does not blunt my regular and strong feelings of generalised gratitude… I say “thank you”, knowing perfectly well there’s nobody to whom my thanks are directed.’ He thinks that we are hard-wired for gratitude, which leads to religiosity, as an invalid assumption.  

G. K. Chesterton followed a similar line of thought in his book Orthodoxy, but I found it more convincing than Parris does, writing that the world bears the character of a gift, and a gift implies a giver. What Chesterton wrote towards the beginning of the twentieth century burst out again in French philosophy at the century’s end. 

There’s a school of philosophy (phenomenology) that likes to start its thinking from what it is like to perceive phenomena, and for the world to ‘appear’ to us. In France, phenomenologists started saying that one of the most fundamental characteristics of how reality appears is as something given to us. Along Chesterton’s lines, that made some of these writers really quite religious. I’m not saying that Jean-Luc Marion, Jean-Louis Chrétien, Michel Henry, or Jean-Yves Lacoste automatically trump Matthew Parris, but they do suggest that an argument from givenness to gratitude to God isn’t simply foolish.  

Evolution is fascinating and important. There’s little that isn’t enriched when explored in an evolutionary light. But we do evolution no favours, nor science more generally, by taking it as the arbiter of truth in every realm of thought. 

Evolution can tell us a great deal about nature and humanity, but there is growing resistance among scientists towards doing that in a way that elides detail or simplifies into oblivion. Moving from explaining to explaining away is a good sign that science is no longer being used responsibly.  

There is an evolutionary dimension to religion. But supposing that evolution explains religion, so that you no longer have to think about religious claims on their own terms, is no more rigorous that supposing that the evolutionary basis for smell means that nothing has a scent. 

Review
Awe and wonder
Creed
Easter
Film & TV
5 min read

Heading Home: a pilgrimage that breaks out beauty along the way

We can learn a new language together as we travel.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A shaft of light from an opening in a dome lights a cross on a pedestal.
Church of the Holy Sepulchre.
Kieran Dodds.

This film, this pilgrimage, this story begins in Jerusalem in the rotunda of the Church of the Holy Sepulchre with its Aedicule, a small chapel, containing the tomb from which Jesus rose.  

Jesus' resurrection was revolutionary because it is the first fruits of a wider resurrection into a new heaven and a new earth, the new Jerusalem, where all that is harmful on earth is transformed into eternal glory and beauty. 

The Church of the Holy Sepulchre holds that vision within its walls, a vision that was then transported throughout the world through pilgrimage and creatively replicated in other locations so that all who entered their local church or cathedral would be transported through art and architecture to the New Jerusalem.  

US philanthropist and author Roberta Ahmanson thinks that American Protestants, in particular, have neglected this story because of the Reformation's preference for word over image. As a result, in 2022, she gathered an eclectic group of Christian college presidents, church pastors, and Christian creatives taking them on a pilgrimage from Jerusalem to London via Italy and Aachen while filming their responses to the visual history of the New Jerusalem as found in the churches they visit. In their two-week journey, the group cover almost 2,000 years of church art and architecture. 

Ahmanson explains that this search for the reality of the Kingdom of God as it is to be realised in the New Jerusalem at the end of time did not mean that pilgrims were to abandon the world. On the contrary, she says, "their job was to serve this world to make it more like the heavenly home where their ultimate citizenship lay." That remains the aim of this art and architecture as:  

“By studying the nature of that promised place, as artists and architects and writers of the past have sought to express it, we are schooled to live lives of wholeness and beauty right here on earth. The longing for beauty is ultimately a longing to be Home, to be in the place where we are whole.” 

The beauty of the churches visited on this pilgrimage provided a vision of the New Jerusalem to those who entered in order that they took that vision into their everyday lives when they left. Along the way, the pilgrims on this trip learnt how artists, architects and theologians worked in parallel for many centuries – from Saint Augustine’s vision of a New Jerusalem to Dante’s admonitions about the Last Judgment. 

The film combines scenes of beautiful interiors with explanations of their significance from Ahmanson and others, plus it shows the reactions of various of the pilgrims as they allow their sense of wonder and understanding of Church history to be expanded. David and Joy Bailey, founders of Arrabon which cultivates Christian communities to pursue healing and reconciliation in a racially divided world, are two of those to have spoken about the impact the trip had on the group of pilgrims.   

Joy said: “Everybody was very literate coming from these strong traditions of faith being either oral or written but to see it so visually impacting, it was breaking us all open and trying to find language for that took the entire trip.” David suggested that: “What the trip was helping you to see was this deeper rootedness, this long tradition that, I think, could actually be very helpful for us today because some of the things that were there were the understanding of humanity as plain on the outside and beauty on the inside, the glory that comes with the inward journey that reflects on Heaven as it is on Earth.”  

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience 

As we travel further from Jerusalem in the film, we are surprised to find that the template of the Holy Sepulchre continues to inspire and shape the experience of pilgrims. Ahmanson explains that: “In churches across the old Roman Empire, from Africa and Palestine to the furthest reaches of Britain, liturgy was created to tell the story and to bring the spaces alive in the telling. Pilgrimages to Jerusalem and later to Rome and then to the tomb of Saint James in Spain became a kind of geographic liturgy. When the trip became too long or … too dangerous, believers found alternative destinations. Across the continent, from Magdeburg in Germany and Constance in Switzerland, to Bologna and Pisa in Italy and London and Cambridge in England, round churches or smaller models replicating the Church of the Holy Sepulchre became pilgrim destinations.” 

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience, particularly during Lent and Holy Week. Walking labyrinths, Palm Sunday processions and Passion dramas, praying the Stations of the Cross, washing feet on Maundy Thursday, sharing a Passover meal, the Good Friday three-hour devotional, and the Dawn Eucharist on Easter Day are among the many ways Christians continue to follow in the footsteps of Jesus while remaining where they are during this most special season.  

Many of these practices provide the opportunity to go on pilgrimage while remaining at home. Just as with images of the New Jerusalem brought from Jerusalem to the churches of Europe, so with, for example, the practice of praying the Stations of the Cross which originated in medieval Europe when pilgrims were unable to visit the Holy Land, so instead “visited” the Holy places through prayer.  

The film, and other creative off-shoots including exhibitions of photographs from the pilgrimage taken by Kieran Dodds and performances by spoken word poet Street Hymns (one of the pilgrims), with his fellow poets Hanna Watson, Jasmine Sims, and Lo Alaman, in response to images of the New Jerusalem, provide viewers with a similar opportunity to experience, reflect and pray. The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”. 

 

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