Explainer

Creed

Distraction

19 June 2023

8 min read

How to escape 'the sole cause of unhappiness'

Our capacity to distract ourselves from the bigger questions is nothing new. Born 400 years ago this month, Pascal noted something similar and that got him thinking. Graham Tomlin tells his story.

Graham Tomlin

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

An engraving of Pascal's showing him raising an eye brow.

Blaise Pascal almost raises an eyebrow at today's distractions.

Clermont Auvergne Métropole, Bibliothèque du patrimoine, GRA 6025, via Wikimedia Commons

A recent survey of belief in Britain yielded a confused result. Belief in God has declined, yet belief in the afterlife has risen. People are less likely to see themselves as religious, and don’t pray much, yet continue to trust religious organisations. We are caught between belief and unbelief.

A guide to our times might just be found in one of the greatest geniuses of the modern world, born 400 years ago this year – on 19th June. Blaise Pascal died before he reached the age of 40, and lived much of his life in chronic sickness, but in less than four decades he became one of the most famous and celebrated minds in France, conducting ground-breaking scientific experiments in a range of fields of physics, laying the foundations of probability theory, building one of the very first functioning calculating machines - a precursor to the computer, playing a key role in a start-up company which provided one of the first urban public transportation systems in Europe, and writing one of the great classics of satirical French literature – the Lettres Provinciales.

Yet he is best known today for a book that he never finished.

The thoughts

Pascal was born into a well-to-do middle class French family, the son of a tax official in the civil service. Although his mother died while he was still a toddler, his father recognised the extraordinary talent of his young son and decided to home-school him along with his two sisters. Theirs was a fairly conventional Catholic family and yet in time they came under the influence of an intensely devout movement in 17th century French religion, the Jansenists. Taking their name from a Belgian Bishop, Cornelius Jansen, their world-denying piety and ongoing feud with the powerful Jesuits made them a controversial group in the landscape of French religion at the time.

Blaise himself had a somewhat distant relation to the Jansenists, being much more interested in his investigations into physics, geometry and mathematics that began to raise eyebrows all over Europe. That was until a dramatic event on the 23rd November 1654. Not much is known about this life-transforming experience, but for two dramatic hours late that evening, Pascal experienced a profound encounter with the God who had always been vaguely in the background of his life but not a compelling presence.

The change was radical if not total. He didn't give up on the life of the mind, but instead started to think deeply about how to change the minds of the many cultured despisers of religion he had come to know through his scientific researches and through his exposure to the fashionable salons of Parisian life.

As various thoughts on this project occurred to him, he began to write them down on scraps of paper. Some were brief enigmatic sentences that clearly made sense to him but to no one else; others were a paragraph outlining a radical thought; some were longer, more reasoned pieces, carefully developing an argument. He died before he was able to finish this great Apology for Christianity and left behind a haunting, tantalising collection of fragments, which were collected together by a group of friends after his death and published as the Pensées de M. Pascal sur la Religion et sur Quelques Autres Sujets – or Pascal’s Pensées, for short.

Pascal had a problem in trying to do this. He knew from his own experience that piling up arguments as to why God might exist, or that you should think about God once in a while, don’t get you very far. They tend to produce at best a lukewarm, distant kind of religion that is more of a burden on the soul than a liberating presence, the kind of passive, slightly reluctant faith that he had held until that dramatic November night. They also point you towards the wrong God, the ‘God of the philosophers’ as he described it in his famous phrase, a God who is the logical conclusion of an argument rather than a living, breathing, haunting presence, both majestically distant and yet hauntingly present at every moment. He also knew that you can't manufacture profound experiences of the presence of God such as had happened to him. It was at the heart of St Augustine’s teaching, as conveyed through Jansenism, that only God's grace can shift the stubborn human heart, kindling in it a love for God that until that point was impossible to imagine, let alone experience.

Pascal was fascinated by our capacity to distract ourselves from the bigger questions of life and death. Is there a God? Who am I? Which religion is true, if any of them? What happens after our brief lives are over? If we are a tiny speck of life on a tiny insignificant planet within the vast expanses of space that were beginning to be discovered at the time, what possible significance can we have? How do you explain the monstrous contradiction of human beings who have the capacity for compassion, understanding and greatness and yet also for cruelty, bestiality and shame?

In the room

These are all big questions on which our eternal destiny depends, and so should occupy our minds day and night, and yet we have a remarkable capacity to distract ourselves from thinking about them. Silence and inactivity are unbearable to us and so we fill our time with (in his day) hunting, cards, conversation, tennis. As he put it, “the sole cause of a man’s unhappiness is that he does not know how to stay quietly in his room.” He would have marvelled at our age with Twitter, TikTok, 24-hour TV and the myriad ways we find to divert ourselves during the most fantastically distracted age there has ever been.

And so Pascal tries to unsettle his reader, trying to stir up the instinct to consider deeper questions. Yet he still knows that even when we do start thinking about these things, we get muddled. Is there a God? Religious people say Yes; Atheists say No. Pascal knows enough of science to know that it is not capable of adjudicating on such questions, that evidence of miracles or biblical prophecies are ambiguous, and certainty is impossible to find. So what do you do when you're intrigued by religion but there isn't enough evidence to push you across the line to be a Christian? When one moment you're convinced God is real, but the next you doubt the whole thing?

Maybe you give up on it - get back to scrolling through TikTok videos, watching the football on TV, musing over Harry and Meghan? Yet Pascal says you can't just do that. You have to live your life as if there is a God and you need saving, or as if there isn't, and you don’t. And you and I will face the consequences of that choice after our lives are over, one way or the other.

This is where one of Pascal's most distinctive moves comes in. Among his sophisticated friends, were many who spent hours betting. Pascal had already done a playful bit of work working out the odds on certain bets, and what the likelihood was all victory and defeat in an uncompleted game – for cricket fans, a kind of early Duckworth-Lewis method for gambling with dice.

The wager

Pascal’s argument runs like this: If you were strictly speaking betting rationally on the odds, then you’d always bet on God. If you bet on God not existing, and there is no life after this one, and you’re right, you don’t gain a great deal – just a few brief years’ pleasure while you’re young and fit enough to enjoy it. But if you bet on God existing, and there is a life beyond the here and now, and you end up being right, you stand to gain a huge dividend – eternal happiness in the presence of God – all this for the sake of a tiny stake – a life of discipline and self-denial for a few years here on earth. So looking objectively and rationally at the odds on offer here, a betting man or woman would always bet on belief. But Pascal knows that we don’t think that way. Why? It’s not because we are being rational; it’s because belief is inconvenient, we would rather there was no God, it costs too much, and we just don’t want to believe.

So if the evidence is inconclusive, and you're aware that your own motives are mixed, then what do you do? Pascal thinks we are creatures formed by habit. So his advice is to start living as if it's all true even if you're not sure whether it is. Wise people in the past “behaved just as if they did believe, taking holy water, having masses said and so on….” Start practising the habit of daily prayer to God even if you're not sure whether he's listening or not. Start treating each person you meet each day as if they're not just another inconvenience in your path but someone precious, loved by God and created in his image. Start going to a church regularly meeting with other Christians for that kind of mutual strengthening of faith that only being with others can bring. Take the bread and wine of Holy Communion as if they really are the gift of Christ’s presence to you. And see what happens.

Start living

Pascal reckons, sooner or later, as had happened to him and countless others, belief will surely follow behaviour. Start living as if it is true and slowly (or perhaps dramatically) you will realise not only that it is true, but that it brings far more joy and delight than you ever thought possible.

T.S. Eliot once wrote:

“I can think of no Christian writer… more to be commended than Pascal to those who doubt, but have the mind to conceive, and the sensibility to feel, the disorder, the futility, the meaninglessness, the mystery of life and suffering, and who can only find peace through a satisfaction of the whole being.”

If we live in a culture that profoundly doubts God, yet which at the same time longs to find happiness, then perhaps Pascal is just the kind of guide we need.

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Comment

Paganism

Sport

28 July 2024

8 min read

Paris 2024 and Christianity’s opening ceremony

A subversive Olympic opening relies on Christianity’s own beginnings.

Tim May

Tim is an associate vicar of King’s Cross Church (KXC), a London-based Anglican church.

A painting of the Last supper showing Christ and the disciples at a table.

da Vinci's Last Supper.

Public domain, via Wikimedia Commons.

The opening ceremony of the 2024 Paris Olympic Games, held on the River Seine, has unsurprisingly caused controversy. Such moments, where one nation through pageantry and spectacle performs itself to all others, never fail to draw comment. The 2024 ceremony has drawn various detractors, not least those claiming the ceremony was an “attack on Christianity.”

You might remember the masterful opening to the London 2012 games. Director Danny Boyle’s theatrical spectacle told a symbolic story of nationhood. By depicting the bucolic, the industrial, and the NHS, he considered the UK in both dark moments and at its brightest. With a great exhibition of British humour, James Bond appeared to parachute out of a helicopter with HRH Queen Elizabeth II, while Mr Bean entertained the whole wordlessly through sardonic single-finger piano playing.

Widely held to be a creative triumph, Boyle was preceded by the Beijing Olympics where its opening ceremony, CGI fireworks put to one side, wowed the world with unprecedented size and scale, reminding us that we live in an era of Chinese power.

Tokyo 2021, delayed by a year due to the Covid-19 pandemic, involved 1,800 drones filling the skies – a faultless demonstration of a technological age where Japanese engineering has been indispensable.

The sporting side of things was easily forgotten as we witnessed an emphatically kitsch depiction of French history and culture.

In 2024 Paris, the weather was perhaps the greatest focus of attention, which suited the British commentary perfectly. We Brits surely are the world experts in making light-entrainment out of describing rain. Soggy athletes sailed the Seine on a variety of uninspiring looking barges. Sanguine but soaked, the athletes dutifully waved and smiled; adorned not in gold, silver or bronze but flimsy ill-fitting plastic ponchos.

Overshadowing this athletes’ parade were the creations of theatre director Thomas Jolly, mastermind of the whole ceremony. Boldly deciding to choose the city as a stage, rather than make use of the conventional choice of a stadium, the sporting side of things was easily forgotten as we witnessed an emphatically kitsch depiction of French history and culture.

Although the weather somewhat thwarted proceedings, it was the content of the performance that drew criticism.

Far-right politicians decried Jolly’s offering as a violation of French nationhood. Conservative pundits focused their criticism on Jolly’s elevation of LGBTQIA+ culture.

Christian commentators have, with various degrees of rancour, condemned a strange scene where Leonardo da Vinci’s famous painting of the Last Supper was subverted by a pastiche of ostentatiously queer characters. At the centre of which was not Jesus Christ but a robust-looking figure resembling Lady Liberty.

Elon Musk spoke up in protest too, posting that it was ‘extremely disrespectful to Christians.’ Full-throttled cries of blasphemy resound, and probably for good reason. What we witnessed was Christ being usurped and replaced by the insurgency of self-expression and the currently sacred idea of diversity and inclusion.

Ahead of the ceremony, Jolly told British Vogue about the heart behind his creation: “there is room for everyone in Paris. Maybe it’s a little chaotic, it’s true, but that allows everyone to find a place for themselves.” The opening ceremony will be a success, Jolly says, “if everyone feels represented in it.”

I guess this isn’t the case for the thirty per cent of the world who would identify as Christian. That’s because every family and flavour of Christianity would recognise that Holy Communion, the central act of Christian Worship for 2000 years, the institution of which is depicted in da Vinci painting, was being publicly and globally vandalised.

When Christianity becomes moral wallpaper to an entire civilisation and its culture, it unsurprisingly becomes a target for satire.

How can we make sense of this moment? Is there anything more for the Christian to contribute other than indignation or outrage?

Whenever something like this occurs it reminds me of the central role Christianity has played in Western culture. The intelligibility of the ceremony’s controversial scene rests on the idea that da Vinci’s painting is a globally recognised symbol. Otherwise, we would have just been watching a really strange dinner party with no food. But with Da Vinci’s famous painting in our mind the subversive power of Jolly’s scene hits hard.

The view, popularised by the historian Tom Holland among others, would go as far as to suggest that Christianity’s effect on Western culture is so pervasive that even moments of protest and subversion, as we saw in the Paris ceremony, are cultural phenomena inherited from the Protestant Reformation. Regardless of how far you agree with Holland’s thesis, Jolly's subversion only makes sense because of the dominant role Christianity has played in shaping the western imagination, and that is a position of latent power that should cause pause for reflection.

I’ve read half a dozen articles from a certain sort of right-wing journalist who parrot thoughts like, “they wouldn’t do that with the Quran”. That might be right, but it fundamentally misses the point. Blasphemy, let’s say, in Iran, would certainly not involve the Last Supper.

The scene made sense only because of Christianity’s now diminishing position of power but it's a position of power, nonetheless. When you align Jesus Christ with the status quo, with the corridors of power, when Christianity becomes moral wallpaper to an entire civilisation and its culture, it unsurprisingly becomes a target for satire. Especially for anyone or any group that feels persecuted or marginalised. I’m not for a moment defending what Jolly did but trying to understand why it happened.

The last supper, the meal Jesus shared with his friends the night before his crucifixion, was the opening ceremony of Christianity.

The kind of cultural power Christianity has had in the West comes at the cost of clarity because Christianity was itself originally a counterculture. Crucifixion, a supreme act of imperial domination, became the foundation of Christian thought and ultimately its greatest symbol. The original Christian movement was seen itself to be blasphemous for contradictory reasons by both the Jewish and Roman religious leaders of the time.

The fundamental difference between Christianity and merely holding conservative values that should not be transgressed, is God. It was genuine belief in Jesus Christ as the long-awaited messiah of the Jewish people and the Saviour of the whole world - a belief that led his first bedraggled and bewildered disciples to live in such radical and counter-cultural ways that many were killed by the Roman Empire.

It is right for his followers today to speak up and say how wrong it is when the special and sacred things he did for them are yet again trampled on in public, but it's also worth remembering that’s how the story started - with Jesus’ body brutalised and broken. That somehow, in moments like this, we miss the power of Jesus when we simply defend him on grounds of “decency” and “respect.” Instead, if we return to the original events themselves, Jolly’s depiction, in its mockery and subversion, actually reveals the power of The Last Supper.

Da Vinci’s painting was not intended for a gallery but was originally painted on the wall of a fairly obscure monastery, transported to a gallery years later to become primarily art, it is more a foundational aid to the faithful to remember the original events Da Vinci is depicting.

The last supper, the meal Jesus shared with his friends the night before his crucifixion, was the opening ceremony of Christianity. Every time a Christian takes Holy Communion - the central act of Christian worship for over 2,000 years - they remember the opening ceremony where:

“Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, “Take and eat; this is my body.” Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you. This is my blood of the covenant, which is poured out for many for the forgiveness of sins”

The most peculiar part of the opening ceremony of Christianity - more peculiar than any sight we saw last night - is the presence of Judas. The biblical accounts describe Jesus’ knowledge of Judas’ intentions to betray him to the Romans, and yet Judas is still welcome to the table. If there’s space for Judas, then there is space for all of us. The opening ceremony Christianity cannot be remembered without the presence of Judas the betrayer, and Peter the coward or Thomas the doubter. The great irony and the big mystery of the Christian Faith is that you can’t out-sin grace. You can mock it and subvert it, but Christ died for the ungodly.

Last night’s scene doesn’t come close to the original events. Not only was Jesus betrayed by his friends, he was then tortured, humiliated and executed publicly in just about the most excruciating way humans have devised. That was blasphemy of another level, but it was also victory because God was choosing to love inclusively beyond any human metric.

Tom Holland may be right that no part of western culture has escaped Christian influence, but I want more than a little downstream influence.

This means that there’s nothing more inclusive than the opening ceremony of Christianity and yet, at the same time, nothing more exclusive. It is not us who provide the food but God. In Jolly’s performance, the Last Supper scene was concluded by the French actor Philippe Katerine, emerging painted head to toe in blue. Whilst this bearded smurf caused baffled sniggers across the planet, Katherine was apparently representing Dionysius, The Greek god associated with wild drunken parties. The food on offer by Jolly is wild desire and self-expression. In Christianity the food is God himself, his body and his blood. God’s love is given not simply expressed, even to those who will betray him.

Moments like this will become harder for Christians to navigate. It feels like just as a wave of secular liberalism wants to finally vanquish the power position Christianity has painted for centuries, a new conservative vanguard of resistance is rising to protect or enrol it for its own means. From the mouth of Modi or in Trump’s tirades, a new religiously armed populism is raging. Tom Holland may be right that no part of western culture has escaped Christian influence, but I want more than a little downstream influence.

Take us back to the opening ceremony, to the foundation of Christian faith. Take us to the waterfall, where the torrent flows straight down from the mountain, and save us from the slow-moving sludge of the wide river downstream. Take me back to the opening ceremony of Christianity. To the table where God welcomes a Judas like me, to the meal where the master became a servant and washed his followers' feet. Take me back to eat food I could never afford and wine I could not create.