Article
Change
Freedom of Belief
7 min read

How an oppressed people are finding a home in Britain

While repression continues in their homeland, Iranian converts to Christianity are building communities in the UK. Robert Wright meets with them.

Robert is a journalist at the Financial Times.

 

Community members celebrate at lunch in a church hall
Community members celebrate at lunch.
Jonathan Samadi.

On the first Saturday each month, in the basement of St Luke’s, an Anglican church in Earl’s Court, west London, a group of around 20 people gathers to go through the familiar rituals of the church’s Eucharist – or holy communion – worship service. Led by a priest, the group sing praise songs before preparing for communion. The pattern has been honed by millennia of Christian tradition. 

Yet, while the service’s structure and rhythms would be familiar to any regular Church of England worshipper, the liturgy is entirely in Farsi, the language of most of the 88mn people of Iran. The organisers of such a service would risk imprisonment if they mounted such a service in Iran for people who, like most of those at the Earl’s Court service, were born in that country as Muslims and converted to Christianity. 

The group is one of a growing number in Iran as well as the UK and other countries catering to Iranian Christian converts. While the exact number who have changed religion is unclear, an estimate used by the British government says there are at least hundreds of thousands in Iran and possibly more than 1mn. The number compares with an estimate of just 500 Christians in the country in 1979, when a revolution led by Shia Muslim clerics installed a government determined to rule the country according to a highly conservative interpretation of Islam. 

The rapid growth is partly a reflection of the growing, widespread discontent within Iran with the clerical regime’s hard-line rule and its strict interpretation of Islam, according to Margaret Walsh, a Roman Catholic nun based in Birmingham. Walsh, who for many years worked with Iranian converts and other people seeking asylum, founded St Chad’s Sanctuary, a church group that works with people in Birmingham seeking asylum. 

Iranians’ unhappiness has been highlighted by the outbreak of widespread, large anti-government protests following the death in September last year of Mahsa Amini, a 22-year-old Kurdish-Iranian woman arrested by morality police for breaching religious rules by covering her head inadequately.

'She subsequently sought asylum after Iranian security forces raided her parents’ home seeking information about her.'

Walsh says Christianity provided some of those she met with “an alternative to the regime”. 

“This was a way that they could protest by embracing Christianity and rejecting Islam,” she says. 

In the UK, however, converts have faced scepticism, especially after Emad Al Swealmeen, an Iraqi man who converted to Anglicanism in 2015, died in a botched, Islamist-style bombing attempt outside Liverpool women’s hospital in November 2021. The incident prompted a Home Office official to tell the Times that many would-be refugees from Muslim countries sought to “game” the asylum system by converting to Christianity. 

Jonathan Samadi, an Iranian-born Church of England priest who is leader of the Persian Anglican Community in the Church of England’s London diocese, acknowledges some converts are insincere. Samadi, who oversees the Earl’s Court congregation as well as serving as a vicar in Staines, in Surrey, says some people disappear from church once they have been granted refugee status. 

Nevertheless, while he hesitates to give precise numbers, he insists that there is also a significant, large-scale spiritual movement under way. 

“I’ve seen hundreds and hundreds of migrants converting to Christianity over the years and remain faithful disciples and Christians,” Samadi says. 

The converts and those who work with them, meanwhile, tend to stress the vividness of the spiritual experiences that prompted them to become Christians. Many testify that helped them to withstand sometimes harsh treatment at the hands of the Iranian authorities. 

One member of the Earl’s Court congregation, who gives her name only as Marta, describes how she faced academic sanctions after becoming a Christian while studying medicine in Isfahan, one of Iran’s centres of clerical conservatism. She left to study in the UK after her parents grew worried about her safety. She subsequently sought asylum after Iranian security forces raided her parents’ home, in the city of Shiraz, seeking information about her. 

Other converts tell stories of fleeing police raids on house churches or even periods of imprisonment for converting to Christianity or proselytising – both regarded as serious crimes under Iran’s Islamic legal code for people born Muslim. 

Marta insists the difficulties only deepened her commitment. 

“I relied more on Jesus,” she says. 

At the heart of many of the converts’ accounts is a sense of disenchantment with Islam as practiced in Iran. They say they have found far greater satisfaction in Christianity. 

Samadi, the priest, recalls how a conversation with a Christian friend while he was studying in Armenia prompted him to start reading the New Testament. 

“After Chapter Six of the Gospel of Matthew – the sermon on the mount – I could really see how much God is on my side,” Samadi says. “The whole sermon on the mount, the values of God and his kingdom, were very refreshing for me.” 

'She fainted after realising it looked exactly like the building in her dream.'

Marta, meanwhile, says that, after an ethnic Armenian friend suggested she try going to church, she had a dream in which Jesus spoke to her directly. When she followed His direction and went to her friend’s Armenian Orthodox Church, she says she fainted after realising it looked exactly like the building in her dream. Churches serving traditionally Christian communities, such as Armenians, are allowed to operate in Iran, while the authorities treat harshly anyone proselytising Muslims. 

“When I woke up and opened up my eyes, I saw lots and lots of Armenian ladies around me and they tried to pray for me,” Marta says. 

Marta says she subsequently started reading the Gospel of John and was immediately struck by the first verse – “In the beginning was the Word, and the Word was with God, and the Word was God”. 

“It was very, very amazing and I felt really, really moved by that verse,” Marta says. 

'They were also disturbed by the harsh punishments, including executions, meted out to dissenters.'

A similar disillusionment with Iran’s state religion motivates many asylum-seekers who convert after leaving Iran for non-religious reasons, according to people who work with the group. Brother Benedict, a monk in the Anglican Society of St Francis, who accommodated some Muslim convert asylum-seekers when he lived in north-east Leeds, says that many were disillusioned by how women were treated in Iran. They were also disturbed by the harsh punishments, including executions, meted out to dissenters. 

“This made them question their faith,” Benedict recalls. “Many of them were Muslim in name only. Many of them were recommended by a friend when they came to the UK, ‘You go to a church’.” 

Benedict stresses that he sought to avoid rushing into steps like baptism, trying to ensure that converts were sincere and understood the step’s significance before they underwent it. Others working with converts say they take a similarly cautious approach.  

Margaret Walsh introduced a ceremony of Christian initiation for converts, allowing them to make a public sign of commitment before they were ready for the more rigorous process of undergoing baptism. 

Benedict would nevertheless sometimes go to asylum tribunals and other court hearings with converts to testify to their being regular church attenders. 

“The important thing for us was that they had a relationship with Jesus Christ,” Benedict says. “That was the fundamental thing. Although I was going to the court with many of them, that wasn’t really the purpose of the church. The purpose was to give them a good foundation in the Christian faith.” 

Yet, however robust their new faith, there remain considerable challenges for Iranian converts who have fled to the UK. Marta, who left Iran in 2008, has only just received her full qualification to serve as a doctor in the UK. Marta, who is 40, has resumed her medical career, working as a general practitioner in Oxfordshire. Her younger brother, Simon, 37, who converted separately and fled to the UK after a short period of imprisonment, is still learning English in the hope of resuming his medical career. 

Samadi has a vision that Farsi-speaking believers will support each other as the community puts down deeper roots. 

“I’d like to see a network operating and connecting them together,” Samadi says. 

Brother Benedict says help from local, English-speaking congregations will be critical to supporting Iranian converts as the asylum process moves them to different parts of the UK. 

“I’d like to say many more need support from English congregations but I think it needs a bit more encouragement,” he says. 

'Life in the UK remains a second-best compared with an eventual return to Iran.' 

Yet, for Samadi, life in the UK remains a second-best compared with an eventual return to Iran. Like many other converts, Samadi hopes that the current pro-democracy protests could eventually bring about the transformation in the country necessary to allow that. 

“For those Christians I’ve served in the UK, I think their intention and their dream is to see people in Iran can worship God in freedom, without fear of persecution and being interrogated or deprived of their freedom and rights,” Samadi says. 

The “dream”, Samadi goes on, is to be able to return to Iran to worship in freedom with the Christians who remain in the country. 

“For all those Christians, the whole intention is one day they can share the gospel freely and worship freely with all those who are Christians,” he says. 

Review
Culture
Music
Race
6 min read

Beyoncé’s breaking barriers

Cowboy Carter sees the star crack her whip in the temple of the music industry.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

Side by side, two rodeo riders on horses trot toward the camera. One is Beyonce, the other a cowboy
Beyoncé at the Houston Rodeo.
Beyoncé.com

I sometimes wake up in a cold sweat with flashbacks of one terrible swimming lesson at school. I had accidentally forgotten to forget my kit, so was forced to face not only the freezing water, but the spouting of ignorant prejudice from my teacher.  

“Kandiah, you’re useless,” he said, as I heaved myself out of the pool at the end of the lesson. “Although I guess it’s not your fault you can’t float like the white children. Your bones are heavier. Look at the Olympics – you never see black and Asian swimmers, do you?” 

I opened and closed my mouth a few times, like the fish out of water I suppose I was, but inside I was seething.  

Being told I couldn’t do something made me all the more determined to do it. Back in I jumped.  

Last week, in another splash aimed at proving people wrong, Beyoncé’s magnificent album “Cowboy Carter” became the first album by a black woman to top the country charts. 

On her Instagram feed she said: “the criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me.” 

It was a brave move. Back in 2016, she had received heated and hate-filled reactions when she performed her song Daddy Issues at the 50th Country Music Association Awards with the country music group Chicks, formerly known as the Dixie Chicks. Many country music fans were outraged, calling it an act of cultural appropriation. One response on social media put it starkly: “SHE DOES NOT BELONG!!”.  

But as a Texan who had been brought up around country music, Beyoncé disagreed. She would spend the next five years planning her response. Cowboy Carter proves her country credentials beyond all doubt. It’s not only about the music. It also does three important things that show the world what can be done when faced with barriers of prejudice and ignorance. 

She honours the past

The album is clearly an act of tribute to trailblazing country artists before her. Beyoncé included notable guest appearances and feature tracks and took the unusual step of sending flowers to all who had inspired her.  

Beyoncé sent flowers to Mickey Guyton, the first black female artist to be nominated for a Grammy Award in the Country category. She also sent flowers to K. Michelle and featured Tanner Adell, Brittney Spencer and Reyna Roberts on the Cowboy Carter track Blackbird, a song that Paul McCartney wrote as a response to the case of the Little Rock Nine, a group of African-American schoolchildren initially barred from attending a previously racially segregated school in Arkansas. It took the direct intervention of then President Dwight Eisenhower in 1957 to make it possible for these children to attend their school. She also included guest appearances from country music royalty Dolly Parton and Linda Martell, who both introduce songs on the album. Dolly’s introduction to Beyoncé’s reworking of Jolene is particularly poignant: “Hey Queen B it’s Dolly P”.  

The song Jolene sticks faithfully to the guitar riff from the original, but the words and the tone of this song are completely different. Dolly’s original Jolene was begging another woman not to take her man from her. But Beyoncé will have none of that. She is full of threat and menace:

“I’m warnin’ you, don’t come for my man… don’t take the chance because you think you can.”  

As Beyoncé pays her dues to the greats that have gone before, she also offers a very different picture. She can recognise the past, and yet not be imprisoned by it. She can appreciate those who have laid the foundations for a new era, unbound by cruel stereotypes.  

She challenges the present 

We don’t have to look far to see the way that western society is splintering. It is becoming harder to find common ground, harder to move from one tribe to another.  Beyoncé’s album is political in that it is deliberately breaking down a wall and smashing a division. She refuses to accept that there are no-go areas for people of colour. The album feels like Beyoncé’s famous baseball bat from Lemonade, but this time it isn’t smashing cars, but preconceptions and prejudices instead. 

There’s anger in this record. The first song is “American Requiem” and includes the line:  

“They used to say I spoke ‘too country’./ And the reaction came,/ said I wasn’t country ’nough / If that ain’t country / I don’t know what is?” 

Full of confidence and rage she asks over a bed of country music guitar chords:  

“Can you hear me? / Can you stand me?”  

Beyoncé does not disguise the ironies. The fresh anger and challenge weaves into classic forms and tropes of country music. The artist that some wanted to exclude from the genre tops the charts. The pop icon becomes an iconoclast.  The smashing of divisions makes way for the building of something new.   

She opens a door for the future

It is within living memory of many that black people were prohibited from sitting at the front of a public bus or drinking from the same water fountain as white people. Beyoncé’s Cowboy Carter is not just a smash hit it is a smash down of the boundaries of genre that had excluded her and others. With this boundary smashed the opportunity is opened for others too.  

For example, there was a recent stand-out performance at the Grammy awards watched by millions around the world – the duet between the country star Luke Combs and Tracy Chapman. Luke, a young white man, is part of a new generation of country singers with a huge following. The legendary black artist Tracy Chapman recently turned 60. The joyful performance was particularly touching as the two of them looked genuinely delighted to be singing together. The video went viral and lead to a huge uplift in Chapman’s sales. The song Fast Car rocketed to the top of the charts some 36 years after it was first released.  
 
Cowboy Carter is Beyoncé using her voice and talent to push back against prejudice and push forward to a new era. She is cracking her whip in the temple of the music industry. She is driving out those who have commandeered the space that rightly belongs to those from any and all backgrounds.  She is righteously angry at the injustice. She is declaring that country music be reclaimed as a meeting place for all nations to enjoy.  

When Jesus unleashed the whip against the tables of the moneychangers in the temple who were excluding the non-Jews the space rightly belonged to, he fiercely declared: “My father’s house is to be a house of prayer for all the nations.” He was not only breaking the barriers of the past but ushering in a new future, a future where everyone could gather together before God on equal footing. Jesus would eventually die on a cross to ensure this free access to God was available to everyone - wherever they were from, whatever they had done and whatever they looked like.  

I welcome this album by Beyoncé in that spirit of challenging prejudices, breaking down barriers, and clearing the decks for a new future equally available to all.  

If only I could have whipped myself into shape, I believe I could have been the Cowboy Carter of the swimming world forty years ago.  

 

Beyoncé in her own words

“Ain’t got time to waste, I got art to make/ I got love to create on this holy night/ They won’t dim my light, all these years I fight.”  

16 Carriages 

“Say a prayer for what has been / We'll be the ones that purify our father's sins / American Requiem / Them old ideas (yeah) / Are buried here (yeah) / Amen (amen) 

 Amen