Essay
Culture
Freedom of Belief
Islam
Middle East
8 min read

Inside one of the world's great pilgrimages

Invited to experience Arbaeen, a vicar ponders its perpetual lament.

Andrew Thompson MBE is an Anglican priest who served in Kuwait and the United Arab Emirates.

A black clad pilgrim squats and holds his head on the side of a desert road as other pilgrims walk along.
Mhrezaa on Unsplash.
Mhrezaa on Unsplash.

A few months ago, an estimated 20 million pilgrims travelled to the city of Karbala in Iraq. Many were on foot, walking days from cities like Najaf, Basra, Baghdad and even from neighbouring countries. Imagine the population of London and Birmingham deciding to walk from their city to Leicester cathedral to pray. I am not talking thousands here; I am talking millions. Picture being a member of the cathedral staff as they manage the flow of several million people turning up at the entrance to pray, to push them in and to push them out as a never-ending stream of people continues to pour in.  This was my experience of the Arbaeen – part of a great Shi’a pilgrimage. 

The Al Khoei Foundation, an Iraqi religious charity based in London, had invited me to travel to Iraq. There I joined the pilgrims for a brief part of the Arbaeen (an Arabic word meaning fortieth) and to participate in a conference looking at the impact of Imam Hussein’s life in today’s world. I flew into Baghdad knowing very little about the Shi’a and their beliefs. 

In Iraq I saw pilgrims of all ages, genders, able and disabled all walking the same roads, at all hours of the day. I witnessed thousands of volunteers, lining the route offering free food, drinks, and a place to sleep ranging from open tents to their own homes. Hospitality is rendered as a sacred duty to complete strangers.   

I spent a couple of nights walking from midnight to 4am on the road from Najaf to Karbala.  During countless encounters with pilgrims from all over the world, one question was continually asked of me. “Why does the media in the west not report on this event?” After all it is one of, if not the biggest, annual pilgrimages in the world. There is one bigger event, a Hindu festival in India, but that only takes place every three years. When I asked my fellow sojourner what they would like me to take back from the Arbaeen, the answer was invariably the same. “Tell them what you have seen and experienced here”. 

In a sea of black clad Muslims who were displaying zeal and fervour in intense displays of physically punitive rituals, I felt safe, welcomed, and even honoured wherever I went. I was wearing my white robes as a priest which made me stand out from the crowd and often as people passed me by, they would stroke or touch my shoulder as a way of receiving baraka or a blessing from the priest. For, as I learned later, the Christians have a role in the story of Karbala, which for the Shi’a made the story complete when they see a Christian priest among them on this sacred occasion. 

The Arbaeen is an event in which millions of Shi’as relive and remember the martyrdom of Imam Hussein who was killed in a battle at Karbala. This takes place on the fortieth day after the battle was fought following the example of the women of Hussein’s family who returned after captivity in Damascus to lament the loss of their loved ones. 

This event is vital in comprehending the split between the two biggest schools of Islam, the Sunni, and the Shi’a. The conflict was triggered by the death of Prophet Muhammad and the question of who would succeed in leading the Islamic empire next. There were those who saw the vacancy needing to be filled by an elected leader who met the criteria of capability and spirituality. Others saw the vacancy as belonging to the prophet’s kin. This would start with Ali, the Prophet’s cousin who was married to Fatima, the daughter of the Prophet Muhammad.  

Among those killed, were two Christians who chose to take their stand with Imam Hussein in recognition of his evident spirituality.

After Ali was assassinated as the fourth Caliph (the Caliphs were seen as the undisputed leaders of the Muslim world), Hasan his eldest son became the perceived spiritual leader of the Islamic faithful. Unfortunately, the third Caliph Uthman, had already appointed his successor Mu’awiya who established headquarters in Damascus. This became a time of empire building and Mu’awiya was quickly seduced and corrupted by the trappings of power. The stage for conflict between the Uthmanic regime and the family of the Prophet was set. Assassinations and scandalous behaviour by imperial successors led to the faithful looking to Imam Hussein to take a stand. 

Hussein responded. Against all advice, he set off to recruit an army who would take on the Uthmanic empire now led by Yazid. It did not end well. After a series of betrayals, Hussein was reduced to a band of 72 men facing an army of 30,000 troops sent by Yazid.  The massacre took place in Karbala, a dusty desert outpost south of Baghdad. The only survivors were the women, including Zaynab, the sister of Hussein and granddaughter of the Prophet. Hussein was beheaded and his body was desecrated by horses trampling his body front and back.  While his head was carried off to Damascus in triumph, the rest of Hussein’s body was buried where he was slain. 

Among those killed, were two Christians who chose to take their stand with Imam Hussein in recognition of his evident spirituality. A Christian priest demanded the honour of guarding the decapitated head of Hussein overnight in which he reports a divine light emanating through the bandages which wrapped Hussein’s head. 

In many ways I felt the Shi’a faith resembled a perpetual Good Friday lament with no resurrection waiting around the corner.

This is the story that the Shi’a recalls during the Arbaeen pilgrimage. It is a massive outpouring of grief for the martyrdom of Hussein who is seen as sacrificing his life for the sake of preserving the message of Islam. It was a way of remembering the betrayals, the injustice, the impossible odds at which Hussein refused to be intimidated. The story of Hussein provokes a blend of guilt, sorrow, admiration, and a determination of his followers to not betray him or his ideals.  This is expressed in ritual lament. The self-flagellation, the head and chest beating which so often alarms and disturbs a western audience is the Shi’a way of processing these intense emotions. The closest thing I have experienced to anything like this in my own Christian tradition is the Good Friday ritual. In many ways I felt the Shi’a faith resembled a perpetual Good Friday lament with no resurrection waiting around the corner. With no such reassuring good news in their religious narrative, I found myself admiring their resilience and faith, that there is meaning in their suffering. 

 

When was the last time my personal faith mobilized me to go on an arduous journey? 

Indeed, they have suffered. There was the brutal persecution under Saddam Hussein, the tragic and senseless Gulf war between Iran and Iraq, massacres by ISIS and Al Qaida. Thousands died. Posters of the young men who were martyred line the highway from Baghdad to Basra.  

I was taken to visit the Ayatollahs in their meeting rooms; I came face to face with the intimidating, black-turbaned men who I had seen on media, who never seemed to smile.   I came to understand this when I saw the nonstop stream of broken and hurt people who visited them, seeking their wisdom during pain and suffering. I saw a weeping mother who had lost her child to illness find comfort in the ministry of the Ayatollahs who offered her scripture and prayers. Their serious demeanors gave weight to a theology of suffering which was lived and experienced daily. 

Our dialogue with one another varied from the cut and thrust of competing understandings on the role and identity of Jesus, through to agreeing on the importance of interfaith dialogue. 

I was taken to visit the shrines of the Imams in Karbala, Najaf and Baghdad and on each occasion, I was blown away by the scale and the beauty of them.  One shrine could hold 200,000 worshippers at any one time. It was a glittering palace of polished mirror and marble. In this place, thousands of people were fed and watered, and had a place to sleep if they needed to. In terms of capacity and practical hospitality, these shrines made St Paul’s Cathedral in London look small and sterile. 

I returned to London deeply challenged by the spirituality and faith of the Shi’a.  When was the last time my personal faith mobilized me to go on an arduous journey? To walk miles in punishing heat and be utterly dependent on the kindness of strangers? Somehow, I cannot imagine it. 

Learn the story of Imam Hussein, and celebrate that in this epoch-making battle, Christians were there, taking a stand in the face of tyranny and corrupt empire. 

I was introduced to Imam Hussein, a figure who had always been on the periphery of my knowledge, but who came into sharp focus on this trip. The language used by the Shi’a to refer to Hussein evoked comparisons with the language used by Christians of Jesus. For example, Hussein was often referred to as the ‘light of the world’, a ‘gateway to heaven’ and even ‘saviour’. I recognized the faith and hope in them, mirrored in my own beliefs in Jesus Christ. 

One thing is for certain, I will always have something to talk about with the Shi’a whenever I meet them. When I tell Shi’a in London, I have been on the Arbaeen, they light up, and very quickly we connect deeply through our spiritual experiences. 

For Christians in the West, I would encourage them to talk to the Shi’a about pilgrimage, sacrifice, and faith. Learn the story of Imam Hussein, and celebrate that in this epoch-making battle, Christians were there, taking a stand in the face of tyranny and corrupt empire. 

After decades of war, terrorism and persecution, the Shi’a are finally emerging into a world of increasing stability. There was evidence of a renewed confidence in their future, as witnessed in the building of new hotels, homes and hospital renovations. They are proactively reaching out to other religious communities and exploring new alliances for a future in which they can feel safe and prosper. 

Will the current conflict in the Levant derail these ambitions?  

One abiding memory is of a young child, standing with her family in the streets of Karbala at 4am. She was handing out bottles of water to the swarming pilgrims and crying out the blessings of God as they passed by.  Indelibly imprinted in my mind was her expression of joy in serving her people. I pray that her future will be marked by peace and freedom from fear. 

The Arabeen.

An elderly couple with rucsacks walk along a dusty road on pilgrimage
Review
Culture
Film & TV
Monsters
5 min read

Here’s what Death of a Unicorn gets very wrong

‘The unicorn was a Christ-allegory’ and other lies.

Iona is a PhD candidate at the University of Aberdeen, studying how we can understand truth. 

A tapestry depicts a unicorn resting within a fenced enclosure.
The Unicorn Rests in a Garden (from the Unicorn Tapestries).
Public domain, The Met Museum.

I don’t do horror or gore. And yet, I just saw the gory creature feature comedy horror Death of a Unicorn. I have not seen such a clichéd movie in a very long time (probably since Don’t Look Up…). Death of a Unicorn gives us a strained father-daughter relationship, the artsy young girl with silver rings on every finger and dyed hair, cartoonishly evil rich people, their creepy but stupid blonde son, the put-upon butler… and… the unicorn. However, the biggest cliché of them all is perhaps the desperate attempt to subvert expectations and tell a new story about a familiar trope… and failing.  

Given the title of the film, one would be forgiven for assuming that unicorns play a significant role in it. One would be mistaken. The conceit of killer-unicorn is a fun one. I wish the film had played with it more. Instead, the unicorns themselves barely feature and are not particularly interesting or subversive. The perception of the unicorn that is put forward by the characters likewise is trite and tired.  

The film features another classic scene: the ‘plucky young woman digs out her laptop and falls down a google rabbit hole to research paranormal/fantastical phenomenon’. In her research Ridley comes across a set of medieval tapestries depicting a unicorn hunt. These tapestries do exist in real life and are indeed now housed at The Met. The Met’s fictional website in the film informs Ridley that the fifth tapestry in the series ‘The Unicorn Surrenders to a Maiden’ only survives in fragments (true) and that scholars believe the missing part of the tapestry most likely showed the unicorn going on a murderous rampage (very much not true). From this, Ridley deduces that, since unicorns do indeed appear to be real, the warnings of old ought to be heeded. In the film, Ridley is proved right, the unicorns do turn out to be murderous monsters out for the blood of those who would abuse the remains of their dead foal.  

While the real Met website does indeed show us the torn tapestry, it features no such conjecture about the gory violence the unicorn might have inflicted prior to being subdued by the maiden.  

In one of her desperate attempts to reason with the megalomaniacal pharmaceutical tycoons, Ridley slips in a sentence about the unicorn serving as an allegory for Christ. This is a claim that is repeated all across the internet in various fora, fan sites, even some old scholarship. But that is exactly what this theory is: outdated scholarship… mixed with a healthy (unhealthy?) dose of paternalistic attitudes towards the past and half-misremembered folklore about Christian symbolism. It is true that medieval art is rich in symbolism. It is also true that medieval European cultures were deeply steeped in Christian religious traditions. However, as Barbara Drake Boehm writes in her recent book on the tapestries ‘the Cloisters Hunt for the Unicorn tapestries have … fallen victim to a tendency to perceive Christianity in every stitch’. The fact that one of the hunters has a scabbard that invokes the ‘Queen of Heaven’ (the Virgin Mary), or that another carries rosary beads, are most likely simply indicative of the fact these were common items ‘within the majority-Christian society in which the tapestries were created’. (A Blessing of Unicorns, The Metropolitan Museum of Art, 2020).

This contrived and at the same time lazy interpretation speaks of a deeply patronising and arrogant attitude to the past. 

One doesn’t need a degree in art history to figure out that such an allegorical relation would make no sense either. If the unicorn was representative of Christ and the hunt of his Passion, why does the unicorn fight back? If the untouched maiden in whose lap the unicorn reposes is the Virgin Mary, mother of Christ, why does she help the hunters trap and kill the unicorn? The tapestry that supposedly shows the unicorn resurrected and at peace in its captivity does not even appear to belong to the same narrative as the other tapestries. And why would a resurrected Christ-figure be shown in supposed captivity?  

This contrived and at the same time lazy interpretation speaks of a deeply patronising and arrogant attitude to the past. ‘Ah, well, back then they were all religious fanatics that believed in silly things like Jesus and unicorns.’ The implication being that in our modern, enlightened state we couldn’t possibly be accused of believing in silly simplistic mythical accounts of the world… Yeah. Not only is this of course false, it also distract from the very real things we could learn from the past.  

The film in the end wants to have it both ways. It wants to ridicule medieval people (based on lazy stereotypes) as well as perpetuating some of the most backward attitudes woven into the tapestries. So, what is the real true meaning of the tapestries and of unicorns? I don’t know. I can’t offer ‘real true’ interpretations (because they don’t exist). What I can offer is a careful and close engagement.  

What strikes me about the myth of the unicorn is what the unicorn does stand for. Over the centuries the unicorn has been used as a symbol for purity, innocence, humility, and sometimes fertility. In medieval poetry the (male) bard would often cast himself as the unicorn, beguiled by his beautiful lady, desiring nothing more than to rest his head in her lap. Little of this particular metaphor has survived into the modern pop-culture. What seems to have survived is the strong connection with young virgins. This particular trope features heavily in the film too though the film makers attempt to gloss over the sexual implications of ‘virgin’ by speaking only of ‘maidens’ (which still means the same thing but doesn’t have the same sexual baggage for modern ears).  

Now, that is indeed an interesting aspect worth unpacking. Why is it that unicorns are so attracted to young women who have not had sex? Why the obsession with virginity and the implied association that – for a woman! – having sex sullies something pure? What does it mean that both the hunters in the tapestries and the rich people in the film use a woman’s body and sexuality to trap the unicorn and commit their violence? Where’s the film that deals with those questions? Until they make that one maybe I’ll stick with My Little Pony, I’m told that has significantly less disembowelment.  

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