Explainer
Belief
Creed
2 min read

Living the life unprovable

You can’t avoid orienting your life by commitments that you can’t prove. Philosopher Barnabas Aspray asks why belief matters.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A person walks past a multi-coloured wall of graffiti with the word 'believe' in the centre of it.
Ran Berkovich on Unsplash.

Western Europe is weird. You may not think so if you’ve lived there your whole life. But if you’ve ever travelled anywhere else, you might notice a few oddities.  

One of the strangest things about Western Europe is that it’s the only place in the world, at any point in time, that thinks of itself as ‘secular’, i.e. mainly non-religious. Everywhere else throughout history, people have not only been religious but have held religion as the most important framework for understanding reality. For them, the physical world is not all that exists, and the physical world did not cause itself. Something beyond the physical world must be responsible for it, and the ultimate source of meaning, value, and truth can only be found in that ‘beyond’. 

Most things that matter can’t be proven

Religious commitments can’t be proven. But then, most things that matter can’t be proven. Your political views, your most significant life choices, what you think most worthwhile and admirable – none of these things are open to scientific proof. You can’t avoid orienting your life by commitments that are unproven and unprovable. The question is: what unproven commitments are you going to hold?  

That’s why belief matters. Belief means becoming conscious of the principles that guide our behaviour – and then articulating them. A religion is simply an organised system of beliefs and practices that finds ultimate meaning in its bond to realities beyond the physical. The word ‘bond’ matters here. It is a translation of the original meaning of the Latin word religio which meant ‘to bind’.  

The fundamental principles of Christian belief can be found in an ancient text called the Nicene Creed. This creed was written during a time when Christianity was struggling to define itself in contrast to many competing religions and philosophies. Ever since then, it has been seen as the definitive articulation of what it means to believe in Christianity.  

The DNA of belief

The technical word for the Nicene Creed is ‘dogma’. But let us not be misled by that word. These days being ‘dogmatic’ can mean having a stubborn attitude that flatly refuses to question or debate some tightly held opinion. It can also conjure up images of people being kicked out of their communities for denying or questioning it. ‘Dogma’ is not a word that denotes open mindedness, humility, or inclusiveness. But in fact, dogma is just the DNA of a religion or belief system, the essential features that make it what it is. Atheism also has dogma. An atheist may, of course, start to believe in God. But if they do, they may not continue to call themselves an atheist. Similarly, a Christian may question the Nicene Creed. But they must be clear that what they are questioning is Christianity itself, and if they lose belief in any part of it, they are thereby abandoning the Christian faith. 

Nobody can avoid living their life by unprovable and unseen principles. You can avoid becoming aware of them, but why would you want to do that? They are the lens through which you view the world and they affect every decision you make. For that reason alone, the Nicene Creed, as one of the available lenses, is worth a look.  

Article
Belief
Culture
Music
5 min read

How Mumford and friends explore life's instability

Communing on fallibility, fear, grace, and love.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A bassist hauls a double bass of its base as he plays it.
Daniel Boud/x.com/mumfordandsons.

“Serve God, love me, and mend” must rank as one of the more unexpected openings to a hugely popular album in the history of rock ‘n’ roll. A quote from Shakespeare’s Much Ado About Nothing, it introduces us to the potent mix of Shakespearean and Biblical allusion and imagery to be found on Mumford and Sons debut album Sign No More.  

Sigh No More, both as song and album, begins with confident assertions of faith then moves into acknowledgement of human fallibility and prevarication summed up in the Shakespearean phrase that “Man is a giddy thing” before asserting that love does not enslave but is freeing, enabling those who know it to become the people they were meant to be. The song ends with a prayer to see the beauty which will come when the protagonist’s heart is truly aligned with love. Throughout the album, the overriding concern is that personal fallibilities and fears – the darkness within – will prevent grace from having its full effect and the beauty of alignment with love from being fully realised. 

In many Mumford and Sons songs such personal instability is the problem to be resolved; “Man is a giddy thing”, “Why do I keep falling?”. Their search is often for the relationship or place that will provide stability:  

I can't say, "I'm sorry," if I'm always on the run 

From the anchor (‘Anchor’) 

‘Roll Away Your Stone’ describes the darkness within as a God-shaped hole filled with false gods: 

See you told me that I would find a hole 

Within the fragile substance of my soul 

And I have filled this void with things unreal 

And all the while my character it steals 

but this is not how life has to be: 

It seems that all my bridges have been burned 

But, you say that's exactly how this grace thing works 

It's not the long walk home 

That will change this heart 

But the welcome I receive with the restart 

Lead singer and songwriter Marcus Mumford knows how this grace thing works because, on the one hand, his parents founded the Vineyard Church UK and Ireland meaning he grew up in the context of grace and, on the other, he seems to have experienced grace personally in relation to the sexual abuse he suffered as a child (which was not experienced in his family or his church). In ‘Grace’ from his self-titled solo album he contrasts grace, flowing like a river, with the experience of acknowledging the abuse he endured and the healing for which he prays. 

Such biblical allusions and references abound in the songs of Mumford and Sons, as is also the case with some of those with whom they performed, supported or inspired. The Nu-folk movement of which the Mumford’s were part, began at a club called Bosun’s Locker in Fulham. There, with the likes of Laura Marling, Noah and the Whale, and others, their musical journey commenced. Noah and the Whale’s first album Peaceful, the World Lays Me Down featured philosophical rumination on a par with that of Sigh No More including lines such as: 

Oh, there is no endless devotion 

That is free from the force of erosion 

Oh, if you don't believe in God 

How can you believe in love?          

Following the closure of Bosun’s Locker, Ben Lovett from Mumford and Sons, with others, set up Communion Records, a network of musicians, songwriters, industry and music fans who all share a common philosophy and set of ideals. Among the artists supported by Communion have been Bear’s Den and Michael Kiwanuka. 

Bear’s Den is one of several bands, which also included Dry the River, that have used religious and spiritual symbols in their songs. Andrew Davie from Bear’s Den has said: “I wouldn't say I'm particularly religious, but I was brought up going to church every Sunday, I studied a bit of religion in school and just from going to Sunday school, it's almost that I know the stories so well, that I find it a cool way of telling more modern and more nuanced stories about my own life. As a backdrop to that I find it just constantly helpful and it's quite a powerful way to talk about things. It adds weight to me.” Similarly, Matthew Taylor of Dry the River said of the theological imagery in lead singer Peter Liddle’s songs: “It’s always been a tool for Peter I think, to use the imagery you’re talking about, to add weight to what he’s writing about. It’s rich imagery, and the ideas are ones that people can relate to easily, if there’s that familiarity there.” Both recognise, as do Mumford and Sons, the continuing power of Christian ideas and imagery and their resonance for young people. 

Michael Kiwanuka was surprised that his early song about faith ‘I’m Getting Ready’ was enthusiastically released first as the title song of an EP from Communion Records and then by Polydor as a single from his debut album Home Again. Kiwanuka, who is married to Christian singer Charlotte, has consistently expressed aspects of his faith through songs like ‘Love and Hate’, ‘One More Night’, ‘Solid Ground’, and ‘Floating Parade’. Alexis Petridis has noted that Kiwanuka sees more people searching for a belief system: “Having a faith in things now is, I think, a lot more acceptable, whatever faith it is. There’s no dogma, necessarily. We’re connected by the struggles we have and I think that’s what I’m singing about – being a human being and trying to overcome, which is what we’re all doing in a way.” 

Whether opening up space for bands to utilise the power of Christian imagery in their songs or enabling singers with a Christian faith to be heard on mainstream labels, Mumford and Sons, by example and support, have created opportunities for faith to be explored and appreciated. The response to their music, its themes, and those of artists with whom they connect, seems to reflect a growing openness to spirituality and faith. As they sang, together with Pharrell Williams, on ‘Good People’, “Welcome to the revelation”. 

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