Explainer
Belief
Creed
2 min read

Living the life unprovable

You can’t avoid orienting your life by commitments that you can’t prove. Philosopher Barnabas Aspray asks why belief matters.

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

A person walks past a multi-coloured wall of graffiti with the word 'believe' in the centre of it.
Ran Berkovich on Unsplash.

Western Europe is weird. You may not think so if you’ve lived there your whole life. But if you’ve ever travelled anywhere else, you might notice a few oddities.  

One of the strangest things about Western Europe is that it’s the only place in the world, at any point in time, that thinks of itself as ‘secular’, i.e. mainly non-religious. Everywhere else throughout history, people have not only been religious but have held religion as the most important framework for understanding reality. For them, the physical world is not all that exists, and the physical world did not cause itself. Something beyond the physical world must be responsible for it, and the ultimate source of meaning, value, and truth can only be found in that ‘beyond’. 

Most things that matter can’t be proven

Religious commitments can’t be proven. But then, most things that matter can’t be proven. Your political views, your most significant life choices, what you think most worthwhile and admirable – none of these things are open to scientific proof. You can’t avoid orienting your life by commitments that are unproven and unprovable. The question is: what unproven commitments are you going to hold?  

That’s why belief matters. Belief means becoming conscious of the principles that guide our behaviour – and then articulating them. A religion is simply an organised system of beliefs and practices that finds ultimate meaning in its bond to realities beyond the physical. The word ‘bond’ matters here. It is a translation of the original meaning of the Latin word religio which meant ‘to bind’.  

The fundamental principles of Christian belief can be found in an ancient text called the Nicene Creed. This creed was written during a time when Christianity was struggling to define itself in contrast to many competing religions and philosophies. Ever since then, it has been seen as the definitive articulation of what it means to believe in Christianity.  

The DNA of belief

The technical word for the Nicene Creed is ‘dogma’. But let us not be misled by that word. These days being ‘dogmatic’ can mean having a stubborn attitude that flatly refuses to question or debate some tightly held opinion. It can also conjure up images of people being kicked out of their communities for denying or questioning it. ‘Dogma’ is not a word that denotes open mindedness, humility, or inclusiveness. But in fact, dogma is just the DNA of a religion or belief system, the essential features that make it what it is. Atheism also has dogma. An atheist may, of course, start to believe in God. But if they do, they may not continue to call themselves an atheist. Similarly, a Christian may question the Nicene Creed. But they must be clear that what they are questioning is Christianity itself, and if they lose belief in any part of it, they are thereby abandoning the Christian faith. 

Nobody can avoid living their life by unprovable and unseen principles. You can avoid becoming aware of them, but why would you want to do that? They are the lens through which you view the world and they affect every decision you make. For that reason alone, the Nicene Creed, as one of the available lenses, is worth a look.  

Snippet
Art
Belief
Creed
2 min read

The young art critics looking for answers

Whether whacking sculptures or asking questions, there’s a lack of pretence.
A large outdoor sculpture of a round child-like head sits on a dark plinth.
Yoshitomo Nara, Ennui Head.
Freize Art Fair.

Children will always tell you what they think about a piece of art. 

London recently hosted the Freize annual art fair. It’s where galleries sell contemporary art and old masters. Alongside the ticketed fair, there was a free public art installation of sculpture in Regent’s Park. 

The “public-ness” of the art is crucial here. While the major art fairs around the world primarily attract those “in-the-know” - the experienced gallerists, art journalists and wealthy buyers - the installation in the park attracts a wider range of Londoners. They are the art curious who aren’t committed enough to buy a ticket, the young families looking for free Saturday activities, and those who wandered into the park unplanned, perhaps on their way to a picnic or frisbee toss, all come to grapple with the art before them. 

Stood in front of one sculpture, comprising tree bark branches rising into the mythical face of a sea creature, a child remarked “that’s too scary” to her mother. Elsewhere in the park, children ran up to the works, giving bronze pieces anything from a playful tap to an aggressive bang to hear what sound it would make. They wandered up to brightly coloured pieces, quickly walked past things they didn’t like, and always spoke their mind. “That’s too scary.” 

The brutal honesty of children is not a contemporary phenomenon formed by permissive parenting self-help books or new-age educational theories. Even in ancient times, children were known for their lack of pretence. 

In the Bible’s book of Matthew, Jesus was approached by a group of parents and their rambunctious children.  When his disciples tried to rebuke them, Jesus said, “Let the little children come to me, and do not hinder them, for the kingdom of heaven belongs to such as these.”  

It is the same lack of pretence that causes children to run up to sculptures and whack them to see what noise it makes and that caused the children to run up to Jesus. Children aren’t scared to “miss the point,” they look for answers and vocalise their confusion to anyone willing to listen. 

Anyone who walks into one of London’s typical “white cube” galleries can sense a real exclusivity in the art world. Even those on the inside can fear taking a dislike to a piece they’re meant to like. Or worse, not understanding a piece everyone is speaking about. For some, religion can feel similar. 

But God doesn’t call us to have the right opinions. Creation is not a test to be answered correctly or an art investment to weigh the risks of. The Christian view of the world is far closer to children wandering along that Regent’s Park sculpture trail. We are called to explore, to know what we don’t know and to try, in humility, to look for the answers. The end of our lives won’t bring a group of high-minded gallerists checking to see if we have informed opinions or good connections. It will bring a God excited to show us the work of his hands, welcoming all in to share in its glory.