Podcast
Culture
S&U interviews
4 min read

My conversation with... Paul Kingsnorth

Re-enchanting... Nature. Belle TIndall reflects on an infectious conversation with Paul Kingsnorth, the celebrated author, poet and environmentalist. Finding him a particularly enjoyable guide through the daunting landscapes of belief, environmentalism and AI.
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What would you get if you were to combine a weighty appreciation for the beauty and power of nature with an unexpected conversion to Orthodox Christianity, topped off with an unwavering aversion to smartphones?  

Well, you would get something resembling a Paul Kingsnorth.  

Paul is an award-winning poet and a best-selling author of both fiction (including the Buckmaster Trilogy: Wake, Beast and Alexandria) and non-fiction (including Real England, Confessions of a Recovering Environmentalist and his ongoing Sub-Stack series: Abbey of Misrule). He is, and always has been, an advocate for treating the natural world as if it were far more than a machine to be used or a resource to be obtained. Such behaviour is, according to Paul, nothing short of sacrilegious. As well as an enchantment with what he can see and sense in the natural world, he also has a long-standing fascination with all things mystical. He is, much to my own delight, somewhat of a real-life Gandalf the Gray. If it were not for his London accent, he could easily belong in the pages of Tolkien’s literary world.  

And just one final thing to note about Paul Kingsnorth, since 2021 he has been horrified to find himself a Christian.  

‘…in the end I just thought oh, maybe I’m a Christian. Damn.’ 

Well, actually, that’s unfair of me to say. It’s obvious when talking to Paul that the horror quickly dissolved, and wonder and awe became its swift replacements. But nevertheless, initially he could have rivalled C.S Lewis for the title of ‘the most reluctant convert in all of England.’ As tempted as I am, Paul tells his own story so powerfully (both in his writing and in our conversation for the Re-Enchanting Podcast), that I shan’t even attempt to tell it for him here.  

But what I will say, is that we need people like Paul: the eccentrics, the contemplatives, the fearful, the awe-filled, the critics, the mystics. They're essential. 

The actress Jennifer Coolidge, in her Golden Globes acceptance speech for her (unforgettable) performance in the show White Lotus, paid tribute to its creator, Mike White. It was an oddly insightful tribute. She said,

‘if you don’t know about Mike White, this is what you should know – he’s worried about the world. He’s worried about people. He’s worried about friends that aren’t doing well. He’s worried about animals…’

and she continued gushing in this vein while the camera panned to Mike weeping in the audience.  

As I was recording this particular episode of Re-Enchanting and listening to Paul talk, Jennifer’s speech kept playing in my mind. After approximately one hour in his company, I can’t claim to know Paul Kingsnorth well, but what I do know of him makes me want to pay a similar tribute:

‘if you don’t know about Paul Kingsnorth, this is what you should know – he’s worried about the world…’

And, just as Jennifer Coolidge seemed to be towards Mike White, I found myself profoundly thankful that he is.  

There was nothing nonchalant about our conversation with Paul, deep fascination seems to be his signature disposition towards most things, and perhaps therein lies the source of so much worry. When one is deeply fascinated or emotionally invested, assured of meaning, or perhaps even continually in awe of something; how can worry for its welfare not also be present? To worry about something is to care, it is to render it worthy of your worry, and Paul seems to render us all worthy of his. Why? Well, in his words, because

‘if God is an artist, which I think he is, then nature is his artwork. And we’re a part of it too, incidentally. We’re natural too.’

Therefore, the fact that we seem to have lost sight of this, and subsequently fractured our relationships with each other, with the natural world, and with God, is a crisis of the most spiritual proportions. And Paul cares. 

I feel it is at this point that I must offer a disclaimer: my conversation with Paul Kingsnorth was a delight. It was, to borrow a familiar phrase, re-enchanting and I enjoyed it to no end.  

While it is true that he leads us into some weighty topics (the terrors of AI, the disaster of being so divorced from the natural world, the problems woven into the very make-up of our society), he is a particularly enjoyable guide through what can be daunting landscapes. He may have an eye for detecting doom, but he seems to do so with a personable lightness. Like I say, he’s Gandalf, just without the staff.  

 It also helps that alongside a diagnosis, he so enthusiastically offers up what he believes to be a cure,  

‘The more you have to answer these questions: what is a human? What is nature? What is the world? The more people will be ready for actual, serious, Christianity again. Full-strength Christianity. Not the weak version, the real thing. And I think that’s starting to happen, I can feel it.’  

Paul’s episode of Re-Enchanting is well worth an hour of your time, his infectious fascination with all things nature is worth infinitely more.  

Review
Belief
Culture
Music
Race
5 min read

Annie Caldwell: “My family is my band”

A force of nature voice that comes from the soul.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A family group stand and sit for a photo.
Family album.
The Caldwells.

They say that good things come to those who wait. Annie Caldwell is someone who has experienced the truth of that proverb.  

The album she and her siblings (known as the Staples Jr. Singers) made and paid for themselves in 1975 sold only a few hundred copies but, when reissued in 2022, was received as a stone-cold classic and led to the recording of a second album 49 years after the first. Now, her other group, Annie and the Caldwells, have released their major label debut to rave reviews, 30 years after they first began performing. 

Annie Brown was 11 when the Staples Jr. Singers was formed in honour of Pops and Mavis Staples of the famed Chicago soul-gospel group, The Staples Singers. The siblings gained popularity at churches and functions throughout the American South and Midwest, being mentored by Mississippi greats like Lee Williams and Spiritual QCs. 

Back then, the South was desegregated on paper but not always in practice. Their parents found refuge and support in the church against the backdrop of an unwelcoming town (and nation), while the children found refuge and a greater purpose in life in the music. They were influenced by what they saw - the backlash after desegregation, Civil Rights - and wrote music with messages of community and social justice. “All the songs we were singing about,” said Annie’s brother Edward Brown, “We were going through it.” 

The Staples Jr. Singers got to make a single record together, one which, because of its rarity, became coveted by gospel soul collectors: When Do We Get Paid. They paid for the record themselves and pressed a few hundred copies, selling most of them on their front lawn to their neighbours. On its re-release in 2022, The Guardian called their socially conscious gospel album “Powerful,” and UNCUT said that it was “music that deserves your attention.” 

As a result, the Staples Jr. Singers finally had their time in the sun, including multiple European tours. Annie spoke then about being able to “do many things that we didn’t get the chance to do in the beginning of life … Because the time and money wasn’t there. It all came late, being in our sixties now—but it looks like it’s just beginning, you know? Life is just beginning for us.” She concluded that: “God has blessed us and opened up doors that we couldn’t even see,” and said that, “If I can help just one person, I know that I’m not singing in vain.” 

They play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. 

One warm evening in October 2023, the family gathered in a single-room church in West Point, Mississippi, called The Message Center to record their second album Searching. There, across the street from Annie’s house, they played songs they had written nearly fifty years before and did so together with four generations of their musical family. The original three Staples Jr. Singers, Edward, R.C., and Annie, were joined by some of the new vanguard: Edward’s son Troy on backing vocals, R.C.’s son Gary on bass, and R.C.’s grandson Jaylin on drums. “It was good to be able to go back,” said Annie, “and look back over our life. Some of the same songs that we had sung, those songs have a new meaning to me.” 

“The process was very easy,” said producer Ahmed Gallab, who performs as the artist Sinkane. “There’s nothing like a family bond/band. It was so special to watch how locked into each other everyone was. You can hear and feel that on this record.” He concluded: “I feel like I was able to witness part of this family’s continued story and legacy in real time. That was a very special thing to witness.” 

Annie and the Caldwells is also a family band, being led by Annie and her husband of the last fifty years Willie Joe Caldwell, Sr. (who plays guitar). Annie says, “My family is my band”: she is backed by their daughters Deborah Caldwell Moore and Anjessica Caldwell and goddaughter Toni Rivers; their eldest son Willie Jr. Caldwell is on the bass and youngest son Abel Aquirius Caldwell is on the drums. 

Annie traces the genesis of the band back to the moment she heard her daughters sing at a talent show: “They were really good. I said, ‘Let me get those girls before the devil gets them!’ Because I was raised up in gospel, so I think you should use what the Lord gave you for good. I decided to raise them with the values my father taught me – singing for the Lord.” 

They generally play on weekends, so for their day jobs Willie Jr. drives a forklift, Abel Aquirius drives hospital patients, Anjessica works in customer care for an insurance company, Toni is an elementary school teacher, and Deborah does hair. Annie runs a clothing store on Main Street called Caldwell Fashions, which has been a beloved staple for women dressing for COGIC (Church Of God In Christ ) convocations and anniversaries since the 1980s.  

Prior to the latest album, they released two albums under Ecko, a renowned soul and gospel label from Memphis. Influenced by The Gap Band, Chaka Kahn, and Bootsy Collins, they play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. Their music embodies the full power of gospel – the very kind The Message Center, where the family regularly performs, experiences on a weekly basis. The Message Center is also where Joe plays guitar every other Sunday, and where his father used to be a deacon.  

Like Searching, Can’t Lose My (Soul) was also recorded at The Message Center and produced by Gallab. He has said of the recording session: “Hearing Annie’s voice for the first time was like witnessing something rare. Like you’re in the presence of a force of nature that’s been here long before you. It’s visceral, almost like it’s coming from her soul. You can feel every part of her life, every little piece of her journey, in each note she hits. It’s pure talent: no effort, no pretense, just real and raw.” 

In his five-star review of the album for The Guardian, Alexis Petridis wrote: “These are great, powerful, moving songs, made all the more potent by the fact that they’re recorded live, without an audience, in a church …  their message is ultimately one of hope. You don’t need to share the Caldwells’ faith to find something powerful and inspiring in that, particularly given the current climate, which can easily incline you towards hopelessness …”