Article
Creed
Sin
4 min read

No mercy on the Megabus

Why is sin such a sickly, sticky thing in the human heart?

Jenny is training to be a priest in the Church of England. She holds a PhD in law and previously researched human rights issues in extractive industries.

An upset man holds his hands on his head as he misses a bus.
Nick Jones/Midjourney.ai

“I’m begging you, I’m begging you,” pleaded the passenger. His two large suitcases lying around him, the Nigerian man knelt on the pavement outside the Megabus station. The bus driver stood surly-faced, arms crossed. The passenger’s jacket was ripped where the driver had shoved him off the bus. The passenger had one too many bags; he had not read the Terms and Conditions on his ticket.  

The man groaned – “I must get to Heathrow, I have a flight to catch! I’m willing to do anything – to pay for an extra ticket, to pay the extra bag fee, I have money, see?” He showed the driver his wallet pleadingly, demonstrating his possession of several bank cards.  

A few concerned passengers stepped off the bus. “We don’t have a bag in the hold; we’re happy for this man to have our space.” Another person said, “I booked a ticket but my friend didn’t come – there’s a whole seat’s worth of luggage space available in the hold.” Yet the bus driver would not budge. Even though Megabus has an excess baggage policy, it was down to the driver’s discretion. The driver alone had the power of life and death, to say “yay” or “nay” – to restore a man’s dignity or completely ruin it, along with his jacket.  

As the minutes ticked on, other passengers began to get irate with the Nigerian man – “just buzz off mate, you’re making us late!” “You should have read the rules!” “You’re making the bairns on the bus cry!” Stony faces pressed against the window as the man knelt on the pavement. Even those who had tried to help him left him in the harsh hands of the bus driver and his colleagues, tiny kings in a kangaroo court. For the bus driver, there was no backing down – he was pacing, sweating and red-faced, repeating over and over again to himself his side of the story. And in the end, we left the Nigerian passenger in the heartless hands of bus bureaucracy, wiping our hands of the injury done to him – “we tried.”  

How mucky and murky the human heart can be. 

The whole experience on the Megabus that day left me feeling sick. We all like to think of ourselves as decent folks, as long as we do our “bit”. But on that bus I realized the difficulty: what is “my bit”? Who decides what is “enough”? How quickly a petty issue of baggage can descend into a power play. How quickly do ordinary nice people become a mob when they are outraged or inconvenienced. How mucky and murky the human heart can be. 

The only word that feels strong enough to me to describe this condition is “sin”. This word may sound like a relic of a bygone Britain, but I think it’s as relevant as ever. It’s a serious word, loaded with a sense that the things we do mean more than we know. Sin suggests that I am accountable for how I treat people – not just to my own perception but some higher standard that safeguards the dignity of all human beings. Christians believe that it is God who safeguards our humanity, who sets the standard for how we should and should not treat others. We are accountable “vertically” – to God – as well as “horizontally” to each other.  

It seems to me that “sin” is not a laundry-list of rules but more like a tangled knot of slippery threads – I can’t see where it begins and where it ends, in my own heart or in the world at large. The Christian Eastern Orthodox tradition often likens sin to sickness or a dis-ease of the soul; it infects our reasoning, our emotions and our actions. And that’s why the hurt and pain we cause each other is so “sticky” – no one is left untouched by the effects of the damage we cause each other.  

It was quite clear to me that there were some “sins of deliberate fault” on the Megabus that day – the bus driver’s behaviour was patently unfair and verging on abuse. But I would say sin also flourished in the self-defending logic of the passengers who just wanted to stay in their lane, and for the Nigerian chap to stay in his. Don’t bother me, with your problems. I look after me, you look after you. There were sins of ignorance too – I felt this sick sense in my stomach as the bus pulled out of the station that there was more I could have done, but I didn’t quite know what. All I know is that every person needed mercy on that Megabus, whether we knew it or not. Ironically, the Nigerian man was the most innocent of all.

Article
Creed
Eating
2 min read

Fremans and foretelling

Dune's world can help us understand messiahship.

Jessica is a Formation Tutor at St Mellitus College, and completing a PhD in Pauline anthropology, 

A bearded older man looks up to a younger man looking into the distance
Timothée Chalamet plays Paul Atreides and Josh Brolin his mentor Gurney Halleck.

As I entered Holy Week, I entered the cinema to watch Dune 2. A less conventional pilgrimage to begin Holy Week. Sci-fi as a genre doesn’t tend to grab my attention, but the interest in this film captivated me. When I saw Dune’s first episode, to my shame, I fell asleep. So, I was hoping for more from the second, and it did not disappoint.  

I sat watching the film on 70mm IMAX, with the direction by Denis Villeneuve and the accompanying score by Hans Zimmer. I was overwhelmed by their music, visuals, and storytelling. The story of Dune, based on a novel by Frank Herbert, follows the protagonist Paul Atreides, a messianic figure on the desert planet of Arrakis. A phrase repeated throughout the film stood out to me: “as it was written". In Dune *spoiler alert*, the protagonist, Paul, is depicted as a Messiah, although sometimes it is unclear whether he believes that himself. He is aware of the prophecy surrounding this foretold figure: “Lisan al Gaib” and plays into them to win the favour of those in the Fremen community following him. The Freman, the people of Arrakis, are in despair and desperate for a saviour to fulfil their abandoned hope. When they see Paul work wonders and fulfil the prophecy, they repeat the phrase “as it was written”, sometimes in quite comedic fashion. In the film, we often see Paul manipulate these foretellings so people will see him as their messiah, even if he is not. 

As it is Holy Week, this got me thinking about how we can know that Jesus is the true Messiah, not just one who knew of the Prophecies to become it. I’ve always found C. S. Lewis's framework helpful in understanding who Jesus is: was he a lunatic, liar or Lord? Was Jesus a crazy figure or simply a liar who fooled people into thinking he was God? Or was he who he said he was? Lord. As I pondered this in Holy Week, one confession from the Gospel of Mark offers helpful framing as to how we know that Jesus is God and the true Prophet who fulfils the meaning of “as it was written”.  

The confession of the Roman Centurion in the Gospel of Mark depicts the proclamation of who Jesus was as he sees Jesus dying on a cross and says, “Surely this man was the Son of God”. The Roman Centurion was an outsider, not one who would have been familiar with the ways Israel, or the prophecies of the Messiah foretold. It was not the disciples of Jesus who were first to confess, but a Roman guard, the last person you’d think would be ready to acknowledge that Jesus was God – and yet, he is the first to understand who Christ is. The Son of God.  

In Dune, only those within the Freman community were able to identify a Messiah. But in the Gospels, we have a confession of one who stands outside the community—an outsider, a hardened soldier. This disclosure witnesses to who God is—not as a made-up figure or pseudo-messiah but as the one foretold—the one who comes to turn despair into hope, mourning into joy, and death into life–as it was written