Review
Culture
Film & TV
Hospitality
4 min read

The Paddington paradox

With a tip of his hat, he brings a trace of grace to every life he touches.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

A cartoon bear, wearing a blue duffel coat and red hat, rests his arms on a rock against a mountainous background
Paddington ponders Peru.
StudioCanal.

It appears that Paddington, the nation’s favourite unaccompanied asylum-seeking bear, has finally been issued with a British Passport, 66 years after stowing away on a boat from South America and two years after eating marmalade sandwiches with Queen Elizabeth II on her Platinum Jubilee.  In the brand-new film Paddington in Peru, we discover what happens when he uses his passport to return to his country of birth to visit his old Aunt Lucy.  

Will Paddington be reunited with the kind-hearted bear who brought him up after he was orphaned in an earthquake? Where will this leave the Brown family, who have been fostering him for the best part of seven decades? Indeed, where will it leave the rest of us who have embraced Paddington as one of our own? Will Paddington even return to 32 Windsor Gardens, London? 

It is not only his address and passport that evidence Paddington’s Britishness. This bear, who has captured the hearts of children and adults alike, has become as quintessential a British icon as Harry Potter and James Bond. This despite his Latino heritage, his status as an unaccompanied asylum-seeking bear, as well as his vast array of cultural faux pas. His earnestness, modesty, curiosity and unfailingly polite manners more than compensate, it seems, for his frequent dramatic mishaps and his uncertain immigration status.  With a tip of his hat, he brings a trace of grace to every life he touches – from refuse collectors to antique collectors, from convicted criminals to window cleaners.  Everywhere he goes chaos is met by kindness, compassion and positive transformation. 

Paddington seems to typify the best of what Britain stands for. Everything about his story is a celebration of the power of British hospitality. His creator, Michael Bond CBE, was inspired by the incredible hospitality of the people of wartime Britain who gave sanctuary to evacuee children in the Blitz as well as the families that provided loving homes for Jewish children fleeing the Nazis via the Kinder Transport in 1939. He once told a reporter: 

“We took in some Jewish children who often sat in front of the fire every evening, quietly crying because they had no idea what had happened to their parents, and neither did we at the time. It’s the reason why Paddington arrived with the label around his neck”.   

Aunt Lucy in the first Paddington movie makes this connection most clearly. She reassures Paddington who is nervous about what awaits him at the end of his dangerous journey, saying:  

“Long ago, people in England sent their children by train with labels around their necks, so they could be taken care of by complete strangers in the countryside where it was safe. They will not have forgotten how to treat strangers.” 

Despite the xenophobia that frequently comes across in our media, there are many Great British people who haven’t forgotten how to treat strangers. 

I wish I was as confident as Aunt Lucy about our country’s memory. When I watch the news and hear the anti-immigration rhetoric from some of our politicians, I fear that too many people in Great Britain have forgotten how to treat strangers.  

The Bible recognises the enormous potential for amnesia on this issue.  In its first five books there are no less than 36 reminders to welcome the stranger: hospitality was always supposed to be a priority of personal and national identity. Later on in the Bible we are shown what this looks like by Jesus, who welcomed the sort of strangers nobody else had time for – the poor, the downcast, the marginalised, the vulnerable, the sick, the homeless, the forgotten, the unpopular and the ethnically suspect. Finally, towards the end of the Bible there is another reminder in the book of Hebrews:

“Don’t forget to welcome strangers.” 

Despite the xenophobia that frequently comes across in our media, there are many Great British people who haven’t forgotten how to treat strangers. Tens of thousands of families have made rooms available to Ukrainians fleeing war over the past three years. Churches and charities and communities and schools and workplaces seem to have a wonderful habit of embracing those who are different, or who need a helping hand.  

This is what I call the Paddington Paradox: despite all the talk of tightening our borders, and reducing immigration, despite a summer of racist riots and yet another spike in hate crime cases, despite growing pressures on limited housing supply, and cost-of-living-related struggles, we love to think of our country as a hospitable one. We celebrate the welcoming of strangers – from the Kinder Transport to the Homes For Ukraine scheme. One of our most beloved national treasures is an asylum-seeker, albeit also a fictional bear.  

This week is my foster son’s birthday and so I am taking him and some of his friends to the cinema to see Paddington in Peru. To my surprise nearly all his friends’ parents have asked to come too! We are all looking forward to seeing how Paddington and the Brown family fare as they make a perilous journey on a small boat into the Amazon rainforest, and are forced to rely, once again, on the kindness of strangers.

Article
Belief
Culture
Film & TV
4 min read

Hollywood’s streaming hope, here’s why

Today’s darker world of turmoil has viewers seeking solace.

Nathan is a speaker and writer on topics related to faith, life and God. He lives near Seattle, Washington. His writing is featured frequently in The Seattle Times. nathanbetts.com

An actor dressed in an ancient Middle Eastern way is filmed by a large camera.
Filming The Chosen.
Angel Studios.

Whatever you think of Christianity, just skimming the streaming options on Amazon or Netflix tells you that Christianity is by no means in decline; if anything, as one recent article in The Economist reads, it “is having a moment.” 

Amazon Prime’s House of David, Netflix’s Mary, and the series The Chosen are a few of the streaming options mentioned in The Economist article titled “Christian entertainment has risen”, which also notes the approximate 280 million people viewership worldwide of The Chosen

Sure, not all of these shows are the highest in production quality and they don’t necessarily garner great reviews across the board. House of David, the article cites, has been described as “wooden and cheap-looking, humourless and dull.” Negative comments have been shared about other Christian films as well ranging back to Mel Gibson’s The Passion of the Christ

Yet, with all the mixed reviews of the various Christian streaming options available today, I could not help but wonder exactly why has there been such an uptick in Christian films and shows.  

There are two reasons hinted at in the article that stood out to me. The first thought revolves around the need for faith. The second is hope.  

At one point, the writer observes that the surge in biblical films is not necessarily a sign that Hollywood has now seen the light as much as it is indicative of the fact “that the world right now feels very dark.” People are searching for some light. The head of the Wonder Project, the independent studio that made House of David, adds: “Today people want to watch things that ‘restore faith’”. 

Personally speaking, I have lowered my intake of news over the last year primarily because I found that it either gets me down or increases my anxiety levels. The decision to tune out news outlets felt like the wise choice in limiting the ambient angst in my life. As I have shared this with friends, I have found that I am not alone in this; not by a long shot. 

Yet, with all the gloomy news we see around us, I’ve come to believe that even in our age of cynicism and scepticism, we still want to trust in others, our friends, our spouse, our leaders, and dare I say, God. 

The common thread among the surge of Christian television shows and films is that they present a world we want to live in. They are telling stories that involve redemptive endings; massive themes are covered, ranging from temptation and forgiveness, humility over pride, healing of wounds, and perhaps greatest of all, life after death. I wonder if one of the reasons we are attracted to these shows is the fact that they carry narratives that speak to the very core of who we are, who we struggle to be, yet who we want to become. They present a world of pain, struggle, turmoil, and darkness that also includes healing, strength, peace, and light. In a word, they fill us with faith. 

The Economist writer adds that “in a saturated streaming market, these films and shows are offering that most of Christian values—hope—to their makers.” Speaking now as a person living in America where the daily news cycle consistently offers us some type of disaster to digest, I find myself paying close attention to any possible signs of hope, and that includes the shows I stream.   

The more I live, the more I realize that every one of us is trying to figure out how to live in a battlefield of different pressures and struggles presented to us in life 

Not too long ago, I got into an unexpected conversation involving faith with the person who cuts my hair. Midway through the haircut, she told me that she and her husband were going to church that weekend. From our conversation, I had gathered that she was not religious at all so I gently asked her why they were going to church. Her voice slowed down and got shaky. She moved the scissors away from me. She then looked at me through the mirror and said, “My husband and I just had a baby and life has been very stressful. We are not sure we are going to make it. We are going to church because we need something to hope in.” 

The more I live, the more I realize that every one of us is trying to figure out how to live in a battlefield of different pressures and struggles presented to us in life. The question has always been, “How is it possible for us to live and perhaps even flourish in this type of world?” The ubiquitous nature of entertainment options available to us in our technological age might be unique to us, perhaps. But what is not new is our desperate need for faith and hope to sustain us. The rise in Christian entertainment reminds us of this truth.  

We might not need Amazon Prime video or Netflix to survive in this world, but the offering of faith and hope found in the films and storytelling within those streaming services are the exact ingredients we need to live. When you think about it like that, it’s easy to understand why Christian entertainment is indeed having a moment.