Essay
Belief
Creed
8 min read

Questioning the question

Seemingly rational questions can suck the oxygen from the room. Andrew Steane was in such a room when it happened.

Andrew Steane has been Professor of Physics at the University of Oxford since 2002, He is the author of Faithful to Science: The Role of Science in Religion.

A modern staging of King Lear has the cast across the page. King Lear is front of stage gesturing while the others look on
A 2012 production of King Lear at Hamburg State Opera.
rinkhoff-Moegenburg, professional photographers from Lüneburg, CC BY 3.0, via Wikimedia Commons

We all know that asking questions is important. Asking the right questions is at the heart of most intellectual activity. Questions must be encouraged. We know this. But are there any questions which may not be asked? Questions which should not be asked?  

Many a young adult might instinctively say “no: never! All questions must be encouraged!” but when invited to think it through, they will come to realise that there is a little more to it than that. There are, for example, statements which present themselves in all the innocent garb of questions, but which smuggle in nasty and false assertions, such as the phrase “why are blond people intellectually inferior to dark people?” There are questions which mould the questioner, such as “will I feel better if I arrange for this other person to be silenced?”  

Questions can serve horrible purposes: they can focus the mind down a channel of horror, such as, “what is the quickest way to bulldoze this village?” Even more extreme examples could be given. They make it clear that not all statements that appear to be questions are primarily questions at all, and not all questions are innocent.  

Every question is a connector to all sorts of related assumptions and projects, some of them far from morally neutral. 

On reflection, then, it becomes clear that every question you can ask, just like every other type of utterance you can make, is not a simple self-contained thing. Every question is a connector to all sorts of related assumptions and projects, some of them far from morally neutral. This makes it not just possible, but sometimes important and a matter of ethics and duty, not just to refuse to answer, but to raise an objection to the question itself. More precisely, one objects to the assumptions that lie behind the question, and which have rendered the question objectionable. 

“Have you stopped beating your children?” 

“Tell me, my daughters … which of you shall we say doth love us most?” 

“How do you reconcile your rationality with your religious faith?” 

In all three cases the question is itself faulty. It is at fault because it has brought in an unjustified and untrue assumption. Such questions have no answer except to object to such assumptions and try to help the questioner see the situation more truthfully.  

In the first case, if the question is pressed, and I am hauled up before the judge in a court of law, then I will protest, with a clear conscience and as forcefully as I can, that I never did beat my children in the first place and therefore the question is itself at fault. (Such a question is like the unethical practice called “leading the witness” which a good judge will rule out of order in a court of law.) 

The second example is the question asked by King Lear in Shakespeare’s play. The play revolves around the fact that Lear has misunderstood the very nature of love. The one who loves him best will not, and cannot, reply in the way he anticipates. His daughter Cordelia chooses largely silence, and to show her love by her behaviour.  

The third question is the one that prompted this article. I have been asked it, either explicitly or implicitly, many times. Every time I have been aware that the very atmosphere of the question has prejudged the issue. It is like being asked whether you have stopped beating your children.  

To be fair, it is not as bad as the children example, but I use the comparison to help the reader get some sense of the issue. In the case of faith and reason, for any reasonable person, no reconciliation is required because their faith was never divorced from their rationality in the first place. Rather, the two have walked along together, each moulding the other from the start. Being asked to explain this is like being asked to explain that you are honest.  

This is not to say that a dishonest or confused person might well have cognitive dissonances - muddles and inconsistences between what they tried to trust and what they had sufficient reason to believe. So, they would have some intellectual and spiritual work to do. And none of us is perfectly honest and clear-headed so we all have some learning to do. But most of us are not starting out from a place of complete dishonesty or contradiction. In particular, our scientific understandings and religious commitments are not pulling in different directions, as the dubious question seems to assume they are. Rather, the deeper our understanding of each, the deeper our appreciation of their roles as two aspects of a single dance becomes.  

I recall clearly a discussion with a friend by the side of a football field where our children were playing in a match. The subject turned to religious matters and, with a view to briefly describing his position, my friend said he based his conclusions on reason, and then gestured to some vague idea that I had something else called faith. The obvious implication was that his conclusions had a basis in reason and mine did not. This was not argued or demonstrated; it was the very starting-point of the way he thought the conversation should operate. This floored me. What could I say? It was like being told you are a sub-species, some sort of childish person who does not appreciate reason and therefore should shut up while the adults are talking. (It was also a bit like an amateur wrestler thinking he could advise Muhammad Ali on how to box).  

What about the questions which betray assumptions which are themselves questionable, but which we don’t recognise as such, because of the assumptions of our culture and the intellectual habits it promotes?

Now we have arrived at the point of this article, which is not, I will admit, the general issue of questioning the question, but the specific issue of religion and rationality. I want to focus attention on where the issue of questioning the question really lies. The issue is not, “are there questions which are objectionable?” (we already settled that). Nor is it, “let’s have some intellectual amusement unpicking what is objectionable about some ill-posed question which we find it easy to tell is ill-posed.” No, the heart of this issue is: what about the questions which betray assumptions which are themselves questionable, but which we don’t recognise as such, because of the assumptions of our culture and the intellectual habits it promotes? 

For example, where do you start in response to a question such as “how do you reconcile science and religion?” 

I think you start by pointing out that if one has a healthy version of both then they are not estranged in the first place.  

In order to show this, the discussion has to unpack the difference between a valid and invalid grasp of the nature of scientific explanation, and the difference between healthy and unhealthy religion. It will also include some effort to clarify what a person means by the term ‘religion’. The discussion may include some consideration of the history of science, and the lived experience of a research scientist. It should also bring in the brave efforts of reformers down the ages to realise fairer forms of human society. 

In the room when it happens 

But in order for this discussion to get going, there has to be some oxygen in the room. I have been in rooms where the question, “how do you reconcile science and religion?” has made me feel every bit as queasy as the “beating your children” one. The hollow feeling of having been pigeonholed before you can open your mouth. The feeling of being in the presence of people whose mental landscape does not even allow the garden where you live. The feeling of being treated like a mental underling - it is all there.  My reaction is strong because rationality is a deeply ingrained part of my very identity. It is every bit as important to me as it is to the self-declared ‘rationalists’, so that to face a presumption of guilt in this area is to face a considerable injustice.  

On the other hand, religion is a broad phenomenon, having bad (terrible, horrendous) parts and good (wonderful, beautiful) parts, so the question might be a muddled attempt to ask, “what type of religion is going on in you?” It still remains a suspicious question, like “are you honest?” but in view of the nastiness of bad religion, perhaps we have to live with it. Perhaps we should allow that people will need to ask, to get some reassurance, and to help them on their own journey. But we can only make a reply if the questioner does not come over like an inquisitor who has already made up their mind. The question needs to be, in effect, “I realise that we are both rational; would you unpack for me the way that rationality pans out for you?”  

We all go forward in our lives with some sort of reliance on the ultimate well-spring of reality, whatever that is. We can’t do anything else.

Faith, in its healthy forms, is a kind of willingness. It is a willingness based on a combination of suggestive evidence, value, and lived experience. We all go forward in our lives with some sort of reliance on the ultimate well-spring of reality, whatever that is. We can’t do anything else. The faith which is called religious may include willingness to acknowledge this ultimate well-spring of reality in personal terms. We may express gratitude, for example, and objection, and we may ask for forgiveness or renewed hope. We thus behave in ways which cannot be addressed to a machine or a mere set of principles, worthy though those principles might be. When discussing science and religion we need the questioner at least to be open to the idea that this willingness can be a thoroughly rational willingness. It can be as subtle and deep as great poetry, not just shallow and thoughtless like greetings-card doggerel. Its relation to reason can be compared to the attitude we adopt when we recognize other humans as agents with aspirations and their own concerns. That is, it is in tune with reason, not unreason, but it is larger than reason. It is larger in the sense of richer, engaging more not less of us, as the arrival of the Nimrod movement in Elgar’s Enigma Variations is larger than a single melody.  

This article is a re-write based on one originally written in 2014 for the OUP blog. 

Review
Awe and wonder
Creed
Easter
Film & TV
5 min read

Heading Home: a pilgrimage that breaks out beauty along the way

We can learn a new language together as we travel.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A shaft of light from an opening in a dome lights a cross on a pedestal.
Church of the Holy Sepulchre.
Kieran Dodds.

This film, this pilgrimage, this story begins in Jerusalem in the rotunda of the Church of the Holy Sepulchre with its Aedicule, a small chapel, containing the tomb from which Jesus rose.  

Jesus' resurrection was revolutionary because it is the first fruits of a wider resurrection into a new heaven and a new earth, the new Jerusalem, where all that is harmful on earth is transformed into eternal glory and beauty. 

The Church of the Holy Sepulchre holds that vision within its walls, a vision that was then transported throughout the world through pilgrimage and creatively replicated in other locations so that all who entered their local church or cathedral would be transported through art and architecture to the New Jerusalem.  

US philanthropist and author Roberta Ahmanson thinks that American Protestants, in particular, have neglected this story because of the Reformation's preference for word over image. As a result, in 2022, she gathered an eclectic group of Christian college presidents, church pastors, and Christian creatives taking them on a pilgrimage from Jerusalem to London via Italy and Aachen while filming their responses to the visual history of the New Jerusalem as found in the churches they visit. In their two-week journey, the group cover almost 2,000 years of church art and architecture. 

Ahmanson explains that this search for the reality of the Kingdom of God as it is to be realised in the New Jerusalem at the end of time did not mean that pilgrims were to abandon the world. On the contrary, she says, "their job was to serve this world to make it more like the heavenly home where their ultimate citizenship lay." That remains the aim of this art and architecture as:  

“By studying the nature of that promised place, as artists and architects and writers of the past have sought to express it, we are schooled to live lives of wholeness and beauty right here on earth. The longing for beauty is ultimately a longing to be Home, to be in the place where we are whole.” 

The beauty of the churches visited on this pilgrimage provided a vision of the New Jerusalem to those who entered in order that they took that vision into their everyday lives when they left. Along the way, the pilgrims on this trip learnt how artists, architects and theologians worked in parallel for many centuries – from Saint Augustine’s vision of a New Jerusalem to Dante’s admonitions about the Last Judgment. 

The film combines scenes of beautiful interiors with explanations of their significance from Ahmanson and others, plus it shows the reactions of various of the pilgrims as they allow their sense of wonder and understanding of Church history to be expanded. David and Joy Bailey, founders of Arrabon which cultivates Christian communities to pursue healing and reconciliation in a racially divided world, are two of those to have spoken about the impact the trip had on the group of pilgrims.   

Joy said: “Everybody was very literate coming from these strong traditions of faith being either oral or written but to see it so visually impacting, it was breaking us all open and trying to find language for that took the entire trip.” David suggested that: “What the trip was helping you to see was this deeper rootedness, this long tradition that, I think, could actually be very helpful for us today because some of the things that were there were the understanding of humanity as plain on the outside and beauty on the inside, the glory that comes with the inward journey that reflects on Heaven as it is on Earth.”  

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience 

As we travel further from Jerusalem in the film, we are surprised to find that the template of the Holy Sepulchre continues to inspire and shape the experience of pilgrims. Ahmanson explains that: “In churches across the old Roman Empire, from Africa and Palestine to the furthest reaches of Britain, liturgy was created to tell the story and to bring the spaces alive in the telling. Pilgrimages to Jerusalem and later to Rome and then to the tomb of Saint James in Spain became a kind of geographic liturgy. When the trip became too long or … too dangerous, believers found alternative destinations. Across the continent, from Magdeburg in Germany and Constance in Switzerland, to Bologna and Pisa in Italy and London and Cambridge in England, round churches or smaller models replicating the Church of the Holy Sepulchre became pilgrim destinations.” 

Re-enacting, revisiting and reinhabiting Christ's journey to the cross and the meaning of his resurrection remains central to Christian experience, particularly during Lent and Holy Week. Walking labyrinths, Palm Sunday processions and Passion dramas, praying the Stations of the Cross, washing feet on Maundy Thursday, sharing a Passover meal, the Good Friday three-hour devotional, and the Dawn Eucharist on Easter Day are among the many ways Christians continue to follow in the footsteps of Jesus while remaining where they are during this most special season.  

Many of these practices provide the opportunity to go on pilgrimage while remaining at home. Just as with images of the New Jerusalem brought from Jerusalem to the churches of Europe, so with, for example, the practice of praying the Stations of the Cross which originated in medieval Europe when pilgrims were unable to visit the Holy Land, so instead “visited” the Holy places through prayer.  

The film, and other creative off-shoots including exhibitions of photographs from the pilgrimage taken by Kieran Dodds and performances by spoken word poet Street Hymns (one of the pilgrims), with his fellow poets Hanna Watson, Jasmine Sims, and Lo Alaman, in response to images of the New Jerusalem, provide viewers with a similar opportunity to experience, reflect and pray. The aim of all these initiatives is, as Ahmanson explains, what has always been the aim; “to serve this world to make it more like the heavenly home” where our ultimate citizenship lies, and to do so by “creating beauty in buildings and art and music and serving the suffering and those in all kinds of need”. 

 

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