Article
Culture
Politics
4 min read

Shall the tyrants win?

Understanding Navalny's death.

Michael Bird is Deputy Principal at Ridley College in Melbourne, Australia. 

Flowers and notes of condolence for Alexander Navalny lie in a pile.
Commemorations of Alexei Navalny, Berlin.
Nikita Pishchugin on Unsplash.

Russian Opposition leader Alexei Navalny was murdered in prison. Precisely how he died, we do not know. But many have wondered whether his death signals the end of organized opposition to Putin’s regime in Moscow. 

Navalny was famous as an anti-corruption and pro-democracy activist. He survived a Novichok poisoning attempt in 2020, then, after recuperating in Germany, decided to return to Russia a short time later. Once back in Russia, he was soon arrested, sentenced to 19 years in a penal colony inside the Arctic Circle, and then – as we now know – murdered. 

The torrid history of Russia as an empire and the violence of Putin’s regime against its own people make one wonder if any democratic and liberal resistance is futile. 

On hearing of the death of Navalny, I watched the documentary about his life’s work, how despite harassment, murder attempts, and imprisonments, he tried to bring freedom and democracy to Russia. This was always going to be an uphill battle since Russia or parts thereof have been a dictatorship since the defeat of the Tatars in 1480. Moscow. Its Russian lands have been ruled by the Tsardom of Russia (1547), the Russian Empire (1721), the Union of Soviet Socialist Republics (1922), and the Russian Federation (1991). Despite a brief flirtation with democracy in the 1990s, Russia returned to its de facto state as a military dictatorship when Putin took power in a bloodless coup in 2000. Since then, whether as prime minister or president, Putin has increasingly locked Russia under his iron grip and become increasingly hostile towards the west and western notions of liberalism.  

Putin’s regime is known for its brutality, from the Salisbury poisonings against Sergei and Yulia Skripal back in 2018, to the gunning down of Russian defector Maxim Kuzminov in Spain a few days after Navalny’s death.  

The torrid history of Russia as an empire and the violence of Putin’s regime against its own people make you wonder if any democratic and liberal resistance is futile. 

As King Theoden in the Lord of the Rings says when his people faced annihilation by an army of Orcs, “So much death, what can men do against such reckless hate?” 

God’s promise of the believer’s resurrection is not pious longing, but a political doctrine.

But Navalny had an answer, it was to tell the truth, even if that cost him, even to the point of being willing to lay down his life for others. These things came directly from Navalny's Christian faith. 

Navalny, during his show trial in 2021, stated:  

“The fact is that I am a Christian, which usually sets me up as an example for constant ridicule in the Anti-Corruption Foundation, because mostly our people are atheists, and I was once quite a militant atheist myself,” Navalny said, “but now I am a believer, and that helps me a lot in my activities because everything becomes much, much easier.” 

Navalny claimed that he was especially motivated by the words of Jesus: “Blessed are those who hunger and thirst for righteousness, for they will be satisfied”. 

Death is the tyrant’s ultimate weapon to terrorize, to force people to suffer in silence, to make them accept enslavement and despotism as normal and unchangeable. But the promise of resurrection means that God intends to undo whatever the tyrant does. The worst of evil is no match for resurrection. The goodness of God’s power and the power of God’s goodness always defeats death. God’s promise of resurrection is not pious longing, but a political doctrine, the hope for creation to be renewed, powers to be reconciled, and all things to be put to rights. 

Faith in God’s life-giving power is our defiance against evil powers, “against the leaders, against the authorities, against the powers that rule the world in this dark age, against the wicked spiritual elements in the heavenly places”, as St Paul writes. And defiance is contagious. 

When evil men hunger for power, Christians are called to thirst for righteousness, as Navalny did.  

Putin is not the only brutal dictator on the scene. There is the communist leader Xi Jinping (China), the socialist dictator Nicholas Maduro (Venezuela), the military council led by Min Aung Hlaing (Myanmar), the Shia theocrat Ali Khamenei (Iran), or the kleptocracy of Manasseh Sogavare (Solomon Islands). Then there is the danger of Christian Nationalism that also looms in the winds of Hungary and the USA. Yet the Christian faith teaches us that every Caesar, Tsar, King, General, and President who sets themselves up as an invincible and infallible icon of power will see their icon smashed eventually. Like the statue of Ozymandias in Shelley’s poem, irrespective of what depths of horror despots attain, not matter how much they self-aggrandize, their reign will one day be no more than a “shattered visage” at the feet of Jesus. 

This is the truth that Jesus spoke to Pilate, what Paul said to Herod Agrippa II, and what courageous Christians like Navalny say today.

In the face of tyranny and terror, what is to be done? We can cherish Navalny’s memory, pray for his work to continue. But above all, we take solace in the fact that Jesus says, “Here on earth you will have many trials and sorrows. But take heart, because I have overcome the world”. 

That is not a dream or a distant hope, it’s a promise, a promise we make good with  prayers, protests, energy, and efforts to build for the kingdom of Christ, to prepare the earth for the day when tyrants, terror, and tears are no more. By doing such things, we in effect erect a billboard saying, “The powers will be pacified, the lost will be found, the darkness will be cured by light, the world’s injustices will be undone, and God’s love will reign supreme.” 

In other words, a time is coming, and now is already burgeoning like a breaking dawn, when Navalny’s thirst for righteousness will be more than satisfied. 

  

Michael Bird is Deputy Principal at Ridley College in Melbourne, Australia. Together with N.T. Wright he is the author of Jesus and the Powers: Christian Political Witness in an Age of Totalitarian Terror and Dysfunctional Democracy published by SPCK and Zondervan. 

Review
Care
Community
Culture
Film & TV
5 min read

Amandaland's portrayal of falling social standing is spot on

What happens when motherhood is no longer rich, powerful, and terrifying.

Beatrice writes on literature, religion, the arts, and the family. Her published work can be found here

On the sidelines of a pitch a well-dressed mum hands a coat to a sceptical looking mum beside her.

Nobody likes mums. Not really. We talk about our kids all the time, we’re bossy, we’re interfering, we’re no fun. The stereotypes abound. Not even mums like other mums. We should help each other, but we often end up mercilessly judging each other instead. If you work, you’re a cruel, neglectful mother; if you’re a stay-at-home mum, you’re lazy, weak, and probably boring.  

Even worse than being disliked, though, is not being taken seriously. I thought motherhood would bestow a certain level of respect, a kind of admission, from society at large, that if you can keep a human being alive – let alone several – you must be somewhat competent at least. I can now see that’s only the case in older motherhood, once your children are grown up and you can prove to the world that you did, in fact, do a good job of raising them. Before then, while your kids are still loud toddlers or moody teenagers, being a mother is a decidedly low-status affair.  

That’s exactly what Amandaland, the new Motherland spin-off, gets right. In Motherland, the original show, the character of Amanda is a confident, terrifying alpha mum, a modern anti-heroine and a foil to the frazzled, overwhelmed protagonist Julia. As a stay-at-home mum, Amanda holds on to her high social status by a combination of displaying her husband’s wealth and a careful strategy of putting other mothers down at every possible occasion. 

By the end of Motherland, however, Amanda is lost: she opens and very quickly closes a lifestyle shop, she’s about to lose her house in the divorce, and her ex-husband is about to remarry. She’s not quite so terrifying anymore; she’s more human, more fragile. Her insecurities begin to show. 

It’s only in Amandaland, however, that her alpha-mum persona fully breaks down. She’s had to downsize and – gasp – move from Acton to a less affluent part of London; her ex-husband is refusing to pay for their kids’ private school or for her car; she has no career and no prospects. While materially still more privileged than many, in the eyes of society she’s lost any claim to admiration.  

As she meets a host of mums and dads from her kids’ new school after her move, it’s obvious that Amanda is trying to conceal this drastic change. She refers to all the furniture which she’s hording from her old, much bigger house – in her mother’s garage – as ‘curated items from my style archive’. When her mother nudges her to get rid of said ‘curated items’ in the school’s car boot sale, she deflects by declaring, in a suitably dramatic way, ‘I’m so ready to streamline all these investment pieces’. In the next episode she starts showing off, at her kids’ football practice, that ‘this big-shot interiors firm just begged me for a meet at their flagship store’. What she means is that she’s got a job interview at a kitchen and bathroom showroom. Which job she does get, by the way, and proceeds to refer to it for the rest of the show as her ‘collab’.  

I said that nobody likes mums. I should have said, more accurately, that most people don’t find caregivers interesting. 

There’s a reason Amanda speaks in cringeworthy euphemisms half of the time, and it’s not because she delights in being irritating. It’s because she’s feeling the full force of her fall in social status. We can judge her for being shallow enough to care about wealth and appearance so much. But it’s impossible for me not to feel an enormous amount of sympathy for her. I know what it’s like to see someone’s gaze at a social event drift away as you mention that you’re a stay-at-home mum. I know the agonizingly overnice look that often meets you when you say you’ve been trying to get back to work after having kids.  

And to be clear, I’ve been referring to ‘mothers’ throughout, but consciously being perceived as low status is an experience common to all primary caregivers. In Motherland, Kevin, the stay-at-home dad of the group, was often mocked and dismissed as insignificant for looking after his two daughters full time. I said that nobody likes mums. I should have said, more accurately, that most people don’t find caregivers interesting.  

There are two ways to respond to the plain fact that caregiving is seen as low status and low value, and Amanda learns both over the course of the show. The first is to realise we have an innate value that cannot be determined by social approval. We must become comfortable with being sneered at; there’s no way around it. Without spoiling what happens in later episodes, Amanda does grow in virtue by valuing status less and less, eventually rejecting the opportunity to return to wealth and high status for the sake of her family and her own integrity. 

The second way is to find fellowship. The friendships which Amanda forms, especially with the wonderful Anne, also an original Motherland character, are what save her from herself in the end. Anne and the other parents show her that they, at least, don’t care that she’s no longer rich, powerful, and terrifying. They chip away at her armour until she realises that she doesn’t need to be adored in order to be loved.  

We cannot control how people perceive us, but we can control how we respond. At the beginning of the show, Amanda’s response to the challenges of motherhood was to sink into self-absorption. In the end, she’s redeemed by the kindness of her friends. Motherhood will, perhaps, always be a thankless, low status job. But it’s also, and will always be, an irreplaceable one.  

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