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Faith
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Shining light on the census

Exploring census maps on religious affiliation, Jonathan Moules finds out why it is a flawed measure of a country’s faith
Image overlooking London
East London, St Katherines Docks are just to behind Tower Bridge.
Benjamin Davies via Unsplash.

Faith by definition is meant to transcend reason. But the success of St Paul’s Shadwell, a 350-year-old Anglican church that regularly draws in several hundred worshippers each Sunday in an East London neighbourhood with one of the largest Muslim populations is at first glance a mystery up there with the concept of an all-seeing three-in-one god. 

SPS, as the congregants call it, serves a parish where 78 per cent of those responding to the 2021 Census of England and Wales identified as Muslim. And yet the church has a membership close to 300 people. Last November, its bonfire night party in the churchyard attracted over 1,100 people, although there was undoubtedly a draw given that the hamburgers, hot chocolates and sparklers attendees could enjoy were given away for free. 

The 2021 Census has been a landmark document for several reasons, including for the first time a question enabling people to identify as trans. But one of the biggest headlines it has gained has been its finding that for the first time a minority of people in England and Wales (46 per cent, down from 59 per cent in 2011) now identify as Christian, alongside a significant increase in those identifying as having no religion (37 per cent, up from a quarter decade before) and a smaller rise among other faiths. 

How does this marry with the success of a church like SPS? 

The first thing to say is that London provides something of an exception to the national trend of declining religious observation.  

A report last year from the Church of England revealed that between 1987 and 2019, the number of people regularly attending a CofE church in England and Wales on a Sunday morning fell from around 1.2mn to 679,000. But over the same time period, the number of churchgoers in the Diocese of London increased, albeit slightly. 

One of key reasons for London’s success is that it has been a significant beneficiary of a process of restoring the life of existing parishes, called church planting, where larger feeder churches send ordained leaders and up to 100 of their membership to either restart or bring new energy to an existing congregation. This happened to SPS 18 years ago, transforming a congregation of 12, at risk of having to close because of the lack of funds, first to 100 and then to its current size, all the more amazing because SPS has itself “planted” half a dozen other churches in other East End Anglican churches and parishes further afield. 

There is another, more significant, reason why the Census is a flawed measure of the country’s faith. The question being asked was never meant to measure either people’s belief or their practice - the reason that so many people turn up at SPS and other churches around the country each Sunday. 

What the Census organisers at the Office for National Statistics wanted to do was to measure religious affiliation. The reason they ask about affiliation rather than belief or practice is that a key point of the Census is to guide government spending on healthcare, education and social services. In this context, religious affiliation is a helpful guide to personal circumstances in a similar way to age, gender and ethnicity. In fact ethnicity and religious affiliation are often tightly linked, as is the case in Tower Hamlets’s Bangladeshi families, who make up almost the entire Muslim population of the borough. 

One useful addition to the 2021 Census is an interactive map relating to the question of religious affiliation, in which you can drill down to clusters of streets to see how your nearest neighbours self identify. 

My streets, in the middle of Tower Hamlets, buck the borough trend with 44 per cent of the Census respondents identifying as Christians. We have the good fortune to know a lot of our neighbours, perhaps because we live so close together in tightly knit terraced streets. From that group, I know a lot that would call themselves Christian although few attend church each week like us. We also share a street with several Muslim families, all British Bangladeshis, others who would definitely put themselves in the atheist category, a Sikh family and a former banker who is a member of a dwindling Jewish congregation in one of the last synagogues in Stepney.  

Playing with the ONS Census map, the division of faith in Tower Hamlets closely resembles class divisions within the borough. The pockets of families linked to the East End’s white working class past, on the east and west side of the Isle of Dogs, or the upper middle class people who moved into the luxury flats around St Katharine Docks when Docklands was first being redeveloped in the mid 1980s, are all places where Christian affiliation bumps around the 50 per cent mark. 

As well as boasting the country’s largest Muslim population, Tower Hamlets is also the fastest growing and the youngest (with an average age of 31 and a half) local authority in England and Wales. Many of these are the children of British Bangladeshi families, together accounting for about two thirds of the pupils in Tower Hamlets state schools. However, the young demographic also includes the so-called millennials, who have been attracted to the East End both for its vitality and its relatively affordable central London housing, and are the first generation to associate on a significant scale with being atheist. 

What all of this shows is that while statistics are an essential part of understanding, we also need to understand what exactly is being measured as well as the limitations of that data. 

One of the great unknowns about what data we have is how many people have started to think a lot harder about where they stand on the faith affiliation scale. 

The question “what is your religion?” was only added to the Census in 2001, when 72 per cent of the population identified as Christian. No one then realistically thought that this figure was a true guide to the beliefs of the nation, and it seems that since then a lot of people have thought harder about the subject and perhaps been a bit more honest about where they stand in terms of living out a faith. 

Not only is 23 years a blink of an eye in the long history of human belief systems, it is probably not long enough for society to come to terms with where it is with faith. 

The more interesting figure is still the growth in church attendance in London - no doubt driven by people coming to the capital from around the world as well as the church planting movement. Bums on seats is still a flawed guide, but still probably the best one in terms of understanding where the British public are at when it comes to faith. 

Review
Culture
Faith
Music
5 min read

Faith, hope and FOMO

Missing out on seeing her favourite band's first live gig provides Mica Gray a lesson in doubt and faith.

Mica Gray is a wellbeing practitioner working in adult mental health. She is training to be a counselling psychologist.

A singer stands beside musical instrument behind pink frosted glass on the front of a stage.
SAULT's first gig.

The morning found me sat upright at my work desk between two tasks. One half of me was talking to my colleague and the other was debating the ticket prices on my computer screen. My favourite music group SAULT had just announced their first ever live show and I was one of the lucky ones who had managed to fight through the ticket queue to get to the point of purchase. The group had put out nine studio albums in the past four years and had never given a single interview nor put out a piece of promotional material that would reveal their identities. I was excited like so many others to finally get a glimpse behind the veil.  

The only problem was that the ticket price was high. Yes, it was my favourite band, but they had never done a live show before. How could I be sure it would be worth the expense? Across social media others were expressing similar doubts. SAULT had never played a live show before. The venue they’d chosen was an abandoned IKEA - hardly the Roundhouse or the Royal Albert Hall. There would be no alcohol at the venue, how were gig goers supposed to have fun? Given that the band's lyrics often focus on spiritual themes, and that high ticket price, was this another case of a religious group trying to financially exploit their followers. While SAULT have not professed to be a Christian band, a lot of their lyrics focus on spiritual themes and reference God as Lord. The show itself was called ‘Acts of Faith’ after all. By the time I had deliberated and decided that I would take the chance and get the tickets they were gone. The show had sold out. 

Three days later, footage from the show began to circulate online. Videos revealed elaborate stage designs, dance sequences, choir performances, a full orchestra, exhibitions, fashion shows and so much more. Testimonies flooded the timeline with “it was the show of the year” being a common refrain. Many of the doubters came back to say how wrong they were, how the show was worth so much more than the price. How the artists behind SAULT were seasoned professionals and this was anything but an amateur performance. How the venue was perfect, and any other place would not have worked. How the lack of alcohol didn’t matter because there was such a ‘heavenly’ atmosphere. 

Scrolling through all the content I realized how perfect the title ‘Acts of Faith’ was for this show. Were there was no assurance that the cost of the show would be worth it, it would have been an act of faith to trust the artists and buy those tickets anyway. It would have been an act of faith to trust their choice of venue, of making it an alcohol-free event. I imagine it would’ve been an act of faith for the artists themselves too - an act of faith to step out and produce such an elaborate show for the first ever live event. An act of faith to pour all their effort into it without any experience to say that it would work out the way it did.

Those SAULT fans who saw the doubts and uncertainties and still decided to act in faith were able to witness something magical. 

As I watched this all unfold, I couldn’t help but think of how much courage it takes to step out in faith in these ways. As a trainee psychologist, my studies tell me that faith is a subset of hope. One which is associated with positive mental health and wellbeing, resilience, coping with anxiety and healthy relationships. Faith tends to have an additive impact on our lives.  

Doubt on the other hand, is a protective mechanism that helps us to minimize risk so that we can preserve ourselves, others or our resources. Doubt often works by integrating our past experiences into our present. For instance, those who shared their doubt about the quality of SAULT’s first live show did so for good reason. Many first artist shows are underwhelming for fans. Spiritual leaders and groups have exploited followers in the past. An old IKEA hasn’t historically been the best venue for esteemed musicians. On that evidence, attending the show seemed like it would have just been a loss. However, what actually happened was quite the opposite. Those SAULT fans who saw the doubts and uncertainties and still decided to act in faith were able to witness something magical. It reminded me of John, one of the followers of Jesus, who wrote: ‘blessed are they who have believed but not seen’. Sometimes, we want to see the evidence of our faith so that we can believe we have good grounds on which to make a decision, and that is wise. But sometimes, faith asks us to go beyond our wisdom, to go beyond our lived experiences and to be open to something new that we haven’t seen yet. 

Of course, not all acts of faith work out the way that SAULT’s first show did. Sometimes we step out in faith and rather than having our hopes realized, we are met with disappointment. We are met with our fears coming true and met with risks that become real losses. Though those moments can be deeply painful, we can at least be glad that we had the courage and ability to hope at all. Those moments remind us that sometimes the act of faith is the end in itself, they remind us that it is not about the reward of faith, but about keeping the flame of hope alive underneath it. 

 Though I won’t be able to look back years from now and say I was at SAULT’s first show as I would’ve liked to - thanks to the password I couldn’t recall, I can look back and say that morning where I was sat at my desk between the faith and doubt taught me a valuable lesson: faith is not the absence of doubt, but the ability to see beyond it - to choose beyond it. In 2024, I think that’s a lesson worth holding on to.