Column
Comment
Gaza
Israel
Middle East
4 min read

“Sometime the killing just has to stop”

Simple calls for peace are often against the grain of power, observes George Pitcher. Many still yearn for it, even when faced with complexities and impossibilities.

George is a visiting fellow at the London School of Economics and an Anglican priest.

A dove stands on a concrete block wall.
A dove rests on a wall in Gaza, 2021.
براء حبوش on Unsplash.

I admire my friend Clive Stafford Smith for two principal reasons. He’s a demon pace bowler for my Vicar’s XI cricket team. And, as a lawyer, he has dedicated his career to defending prisoners on death row. I’m not sure whether batsmen or US attorneys find him the more threatening. But I know I’d want to have him on my side, whether on the pitch or in court. 

We always have to be careful how we describe people these days. I nearly wrote that Clive is an atheist; more accurately he is an unbeliever. He’s certainly pleased to have God on his side if it means appealing to the Christian conscience of jury members in a capital trial.  

But it’s two very ordinary comments that I remember from hanging out with him, which come to mind now as we witness the hatred of war in the Middle East and which evoke words spoken to me by the principal of my theological college some years ago:  

“Be very careful to notice, George, where you encounter the Christ.”  

Meaning that it won’t necessarily be among the pious, the faithful and the churched. 

The first was a comment I heard Clive make in an interview:

“It’s always been a rule of my life that if someone is being hated, you have to get between the hated and the hater.” I have tried, when I can, to stand in the corner of what we might call the “hatee”.  

The second was a phrase spoken by an actress in a play that arose from Clive’s work with the charity he co-founded, Reprieve. It’s a monologue comprising the story and the court evidence given in the US by Lorelei Guillory, whose six-year-old son Jeremy was taken and murdered by Rick Langley.  

Lorelei visited him in jail and subsequently appeared as Clive’s witness to plead that Langley be spared the death penalty. Her breathtaking words of explanation, which have stayed with me since, were simple:  

“Sometime the killing just has to stop.” 

It’s the simplest words that cut through the political noise and sophistry. I believe the voices of western powers should be calling for, insisting upon or even demanding a ceasefire between Israel and Hamas in Gaza. Our Church leaders have done so. But these voices are called naive or simplistic or disloyal, or worse. 

In the UK, London Mayor Sadiq Khan has called for a ceasefire, pitching him against his political party leader Sir Keir Starmer. Khan is a Muslim – again, let’s be careful to note where we encounter the authentic voice of peace. Conservative minister Paul Bristow has been sacked by the government for calling for a ceasefire, while prime minister Rishi Sunak continues to mouth that “Israel has a right to defend herself.” 

So, the call for peace, against the grain of power, comes from across the political spectrum. Against it are the claims of naivety and disloyalty, which state that the situation is far too complex for peace or that Israel must be left to its own self-determination.

Faced with complexities and impossibilities, both these writers seem to conclude, almost in prayer, with a yearning for peace 

But even here the runes read for ceasefire. Take two recent and prominent commentators on the conflict, again from across the political spectrum. And, again, we must be careful, in this febrile climate, how we describe people. These are not Jewish commentators, so much as columnists who happen to be Jews. 

One, Jonathan Freedland in the Guardian, writes a superb piece that this isn’t about Team Palestine versus Team Israel and picking which is wrong: “Israeli novelist and peace activist Amos Oz was never wiser than when he described the Israel/Palestine conflict as something infinitely more tragic: a clash of right v right.” His pay-off is devastating: “There are no winners – only never-ending loss.” 

The other, Daniel Finkelstein in The Times, writes equally soundly that foreign observers, calling for ceasefire, fail to understand Israel’s roots. He cites 1958’s blockbuster novel-to-movie Exodus to posit that Khan’s call for a ceasefire “was not merely wrong, not merely absurd… it was utterly pointless.” 

Yet he concludes with a quote from Exodus’s final scene beside an Arab and Israeli grave:  

“... the dead always share the earth in peace. And that’s not enough. It’s time for the living to have a turn.” 

Then Finkelstein’s own pay-off:  

“May it come to pass.” 

Faced with complexities and impossibilities, both these writers seem to conclude, almost in prayer, with a yearning for peace. It’s difficult to see how that peace comes without ceasefire. 

I’ve referenced a Muslim and Jewish voices so far. What of the third Abrahamic faith, the Christian voice?  

One hopes it joins the others, with the old hymn’s still, small voice of calm. It has to call for ceasefire. Because as my friend Clive puts it, we have to get between the hated and the hater. And as Lorelei said, sometime the killing just has to stop.  

Article
Character
Comment
Film & TV
5 min read

Traitors reflects an age of deceit and disappointment

Behind the game play, we're yearning for authenticity and connection.

Alex Stewart is a lawyer, trustee and photographer.  

A montage shows a Scottish castle, the host of the V show the Traitors and a dark scary scene.
BBC.

‘What a tangled web we weave when first we practise to deceive.’ 

Some people, it seems, are not cut out to be liars. I felt for Freddie, one of the last contestants to survive on The Traitors, who found out the hard way. A fumbled recounting of a fabricated conversation with fellow Traitor Minah was enough to seal his fate, and soon he too was banished from the castle. The sad irony was that until his last-minute recruitment as a Traitor, Freddy had in fact been a Faithful for most of the show, insistently proclaiming his innocence and now cruelly denied his chance of vindication. But that’s all part of the game: shifting identities and alliances mean nothing is at it seems, and trusting is fraught with risk.  

Part of the success of The Traitors is that it has very successfully tapped into a pervasive national mood: the feeling that we are constantly being deceived, misled, spun or manipulated. This is hardly surprising. Trust in politicians and institutions is at an all-time low, eroded by scandals, misinformation and truth dodging. From the Post Office and the contaminated blood scandals to the manipulation of unpalatable facts to the non-apologies of the guilty, the British public has become increasingly sceptical of those in power.  

The 2024 British Social Attitudes survey, conducted by the National Centre for Social Research, revealed that public trust in the UK's system of government has reached a record low, while a similar survey by the OECD reported that only 27 per cent of people in the UK reported high or moderately high trust in government, well below the OECD average of 39 per cent.   

But it’s not just politicians and institutions that we distrust. The new world of deep fakes, misinformation, and AI-generated content seems also to have had a corrosive effect on our ability to trust one another.  A recent CREST Insights report indicates that only 41 per cent  of respondents now trust their neighbours, while the Edelman Trust Barometer tells us that this distrust has, for some, moved from resignation to outright hostility, with one in two young adults approving of hostile activism as driver of change - including attacking people online and intentionally spreading disinformation.  

With this backdrop, it is hardly surprising that the contestants of The Traitors are susceptible to high levels of paranoia, and see Machiavellian deceit and betrayal as their only way to survive and have any chance of winning.   

But the human cost of betrayal is high and psychologically taxing. The constant need to fabricate stories, remember lies, and manage the stress of potential exposure requires huge cognitive and emotional effort. The effects are tangible as the contestants suffer variously from anxiety, paranoia, and emotional exhaustion.   

Meanwhile the building paranoia is stoked by regular invocations of the dark supernatural as cloaked figures and effigies shift the atmosphere from wink murder to The Wicker Man, and Claudia presides over proceedings with the authority of a pagan high priestess. Even the game operates within a quasi-religious framework of sin, confession, and punishment. Players who lie and deceive will eventually face judgment, from their fellow contestants and the millions watching at home

What appeared to be crocodile tears turned out to be genuine tears of despair as the demands of the game took its toll on her conscience and integrity. “I hate it. I hate how I was.” 

Although everyone knows it’s just a game, the prolonged deception has real world repercussions that continue beyond the show's end.  Many of the contestants struggled to reintegrate into their daily lives, facing challenges in rebuilding trust with loved ones and grappling with their actions during the game. The vicar, Lisa, told of the discomfort of having to explain away her absence on the show as a ‘retreat’, while the winners, Jake and Leanne, both said how difficult it had been to adjust post-show, pointing to a lingering paranoia and the strain of having to keep their victory a secret. 

And yet, while betrayal and deceit define the show, it is often the genuine friendships and moments of trust that resonate most. Few will forget the ‘mother to mother’ pact made by Frankie and Leanne in the kitchen and the emotional final banquet when the suspicion and distrust were briefly lifted. Behind all the game playing, the yearning for authenticity and connection as an antidote to isolation could not be suppressed. 

There are also inspiring moments of hope, vulnerability and redemption. Alexander, the charming diplomat, tells his heartfelt story about his late brother, who had developmental disabilities, which prompted his fans to donate over £30,000 to Mencap. Jake, who suffers from cerebral palsy, overcomes great odds to become one of the winners, and Leanne and Charlotte open up about their struggles to conceive. Each contestant had a back story that humanised them. Even the aloof high priestess herself shed tears, albeit in unaired footage, over her contestants’ traumas.  

But it was Charlotte’s struggles that I found most inspiring. As the final Traitor, she seemed at first to relish her role with a very convincing series of lies, even turning on her fellow Traitor Minah. But it became apparent towards the end that, inside, she was in turmoil. What appeared to be crocodile tears turned out to be genuine tears of despair as the demands of the game took its toll on her conscience and integrity. “I hate it. I hate how I was,” she said later. “I felt so cruel. How I had to be to stay in the game – it was an immense pressure.”   

Catharsis, when it came, was through forgiveness, especially from Frankie, the contestant who perhaps more than any other had reason to be hurt by Charlotte’s betrayal; they had after all been best friends within the confines of the castle. Charlotte later admitted to badly needing her forgiveness, which gracious Frankie was only too happy to give.  

In an age of deceit and disappointment, Charlotte’s honesty, vulnerability and willingness face up to her actions and be reconciled with her victims, rather than justify them or offer a hollow non-apology, and Frankie’s willingness to forgive - offer us the hope that there can be a way out of the doom loop of deceit and broken trust.   

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