Article
Creed
Trauma
5 min read

The tale as old of time

There is no fairy tale that resolves the suffering of women but there is another side to their stories of violence and anonymity, Claire Williams reflects.

Claire Williams is a theologian investigating women’s spirituality and practice. She lecturers at Regents Theological College.

A woman stand beside a busy road with her back to the camera. There is a red sky behind her.
Florian Kurrasch on Unsplash.

From accusations of assault by celebrities to the murder of a teenage girl on her way to school, and the discussion on television about feminists and their lack of sexual appeal - we have had our fill recently of stories of trauma and violence done to women. These events are brutal interruptions to the lives of women whose futures have been changed, or even stopped, by these terrible acts. It is a story that we read in the news over and over again. It is also an ancient story, of women who are mistreated by men in power over them. It is the tale as old as time. When we tell these tales we anonymise women, for their own safety and privacy, but also lock them in their story. They are, to those of us who read or hear about it, only the tale of violence, we see nothing else about them. 

We feel our past in our bodies, we know ourselves in our bodies and these feelings and knowings are part of the story that remains untold, that isn’t understood by anyone.

In one ancient telling in the bible, there is a story of a woman who is cast out, loses position, hope for the future, agency and bodily autonomy. Hagar was a servant in the household of Abraham. She was an Egyptian and therefore of a different ethnicity to her master and his wife, Sarah. Hagar, as a servant, had no choices in life and would do what she was told and when she was told. So, when she was commanded to become Abraham’s wife in order that he might have a child with him, she had no choice at all. In the bible there are stories of   Abraham and his quest to have a son and heir when Sarah had been unable to conceive. It was indeed Sarah’s idea. Hagar underwent what could be described as a rape and a forced pregnancy. Perhaps unsurprisingly, Sarah and Hagar fell out. Hagar ran, she ran away from the cruel treatment of her mistress and the violence perpetrated unto her and into the wilderness. Hagar’s story is out of time with our own stories yet has resonance none the less because of her subjugation, the violence done to her and the consequential fear and fleeing. I wonder as I read about Hagar, what she looked like, or what her other stories are. What did she like to do? What had her hopes been for the future? But Hagar, is unseen by us, apart from the stories of violence done to her. She is unseen like the women who are raped, stabbed, assaulted, followed, catcalled, touched and upskirted. For these unseen women, stories are all that remain. 

Telling of the stories isn’t enough. With violent, or emotional, trauma, words are only some of the message. We feel our past in our bodies, we know ourselves in our bodies and these feelings and knowings are part of the story that remains untold, that isn’t understood by anyone. The loneliness from being unknown is bone deep. That nobody understands is part of the horror of the traumatic injury. Hagar’s story does help us here. Twice Hagar runs into the wilderness to escape from Sarah and Abraham. When she is there, she expects to die. After her child is born, she puts him away, under a bush, so that she doesn’t have to watch him die. Both times in the wilderness, where she is away and hidden there is one who sees her and acts. The first time, so the bible tells us, Hagar is met by an angel in the wilderness who speaks to her and promises her the future we assume she has lost, Hagar identifies her visitor as from God – the first person to do so. In response to God seeing her, she sees God. She is not anonymous to God. The second time, as she lays down to die, God provides not only hope but water and we learn that she has a future with her son.  

The story of Hagar is told still, as a reminder that God sees. This does not mitigate the harm that is done to women, nor use it for higher purposes. However, we only know a small part of these stories, these terrible accounts of horrors, God holds their entire stories together.  

There is no fairy tale that resolves the suffering of these women in the stories, either the ancient story or the most recent ones. Male violence against women is repetitive and so far, little abating it. I do not offer a solution to why these terrible things happen to women, why they continue to happen even though millennia separate Hagar from today. Nonetheless, despite the uncertainty that surrounds the traumas wrought upon women in situations such as above there is another side to the story of violence and anonymity, that is of a hope in God who sees the women and offers a future.  

That future we discover does not retreat from the misery of the past but moves on through it. 

These women are not unknown, their stories, which are acts of resistance to the violence that was perpetrated upon them, are known to God. With telling and retelling of the stories of women we testify to their story and acknowledge it. There is hope in this situation, a promise that those who come to Jesus can find rest, that they will not feel condemned or ashamed in his presence and that there is the possibility of hope and wholeness in the face of such devastating actions of humanity. This can seem trite and it does not offer a sticking plaster solution to the problems of great trauma, but rather a God who, in Jesus, is a witness to the pain and the hurt and one who offers peace, who sees the women at the heart of these stories of terrible violence and who knows them. The promise of the future is that every tear will be wiped away, that when the final plans of God are enacted on earth there will be a world where there is no longer violence and the long-lasting pain, injury and horror will be removed.  

The God who knew Hagar and the anonymous women who report sexual violence today, also knows the end of their story, and that end is hopeful, even if it doesn’t feel that way yet. Ultimately, God intervenes for Hagar. She is cast out, she expects she will die and potentially see her son lost too. Hagar, who names God is in return named by God, ‘Hagar’ he says as he ushers her into a future,  

‘get up, hold your boy, I will make him into a great nation’.  

That future we discover does not retreat from the misery of the past but moves on through it. We leave Hagar with her fully grown son, both thriving in the wilderness with Hagar arranging his marriage. I picture her, a matriarch in her own right, with her son, not overcome by violence anymore. 

 

This reading of Hagar is from the work of Dr Eve R Parker in her forthcoming contribution to ‘Theologies from the Inside Out: Critical Conceptions of Pregnancy and Birth’ ed. Karen O’Donnell and Claire Williams, SCM forthcoming 2024. 

Article
Belief
Creed
Monsters
5 min read

Which dragon does St Michael need to slay today?

Explore the cultural impact of the dragon killer.

James Cary is a writer of situation comedy for BBC TV (Miranda, Bluestone 42) and Radio (Think the Unthinkable, Hut 33).

A patch depicting a angel in armour, wielding a sword, on camoflague uniform.
Thomas Tucker on Unsplash.

St Michael is everywhere. But only if you have eyes to see him. He’s probably somewhere in your town. He may even be hiding in your wardrobe in one of your jumpers. Retailer Marks and Spencer trademarked the ‘St Michael’ brand in 1928. It was inspired by their best-selling hosiery brand – St Margaret. The name Michael came from the founder of M& S, Michael Marks. But the logo they used, a winged angel holding aloft a sword, was a reference to the archangel St Michael mentioned in the Bible. 

Even in the pages of that book, however, St Michael is a little elusive, being named only a handful of times. Perhaps that was his mystique. Less is more. But whatever St Michael was doing worked really well in the Middle Ages. A tradition arose around him, culminating in a feast day known as Michaelmas on 29th September. This feast day had extra significance as it become a ‘Quarter Day’. 

 In days gone by, the year was divided into four, bookended by quarter days. Michaelmas was one, at least in England. The next is Christmas Day, followed by Lady Day (March 25), and Midsummer (June 24).  Rents were traditionally due on quarters days. Legal and financial contracts were to be settled. Michaelmas was particularly associated with the domestic servants moving around. You will hear it referred to Michaelmas along those lines in Chapter One of Pride and Prejudice

Dragon sightings may have declined sharply since the seventeenth century, but they have come roaring back in the last few decades. 

Many schools called their autumn term ‘Michaelmas’. Mine did, although no-one ever explained what it meant. As schools began to dominate British life, the calendar year ceased to be broken into four but three. Now our lives are regulated by school holidays, ‘back to school’ days and half term, when it is traditional to double the cost of your holiday rental. Christmas remains. Lady Day morphed into the end of the tax year. (I’m sure the Virgin Mary would be thrilled). And Midsummer Day has vanished almost completely. 

St Michael had a good run. He had been a wildly popular figure from Anglo-Saxon times and Michaelmas a firm fixture in the calendar. Many churches founded in that period were named after him. Over 800 of those churches dedicated to St Michael remain in England, scattered across the counties. (I walked around one on Sunday afternoon in East Coker, Somerset where the ashes of TS Eliot have been interred.) Only the Virgin Mary, St Peter and All Saints are more popular in the church dedication charts. 

In short, St Michael was a big deal. Why? Because he was a dragon killer. 

In fact, Michael was not just ‘a killer of dragons’ but ‘the killer of the dragon’. That dragon is the silver-tongued serpent, Satan himself. The final reference to Michael in the Bible reads thus – and yes, it sounds better in the King James Version: 

And there was war in heaven: Michael and his angels fought against the dragon; and the dragon fought and his angels, and prevailed not; neither was their place found any more in heaven. And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world: he was cast out into the earth, and his angels were cast out with him.  

 St Michael is the defeater of evil itself. This is a comforting figure when boatloads of Vikings could appear in your shire at any minute in order to destroy, steal, rape and pillage. The fact that these longboats had a dragonhead on the prow served only to reinforce this image that the enemy were representatives of Satan himself.  

Dragon-slaying was a staple of heroic tales. Beowulf naturally fights a dragon. Merlin is mixed up with a dragon called Kilgharrah. There are also dozens of accounts in which dragons are slain, often presented in a prosaic and serious way, like a report of pest control. Not far from me in the woods near Wells, the Bishop Jocelyn killed a dragon in 1320s. The latest account like this is in 1614 , reporting a “strange and monstrous serpent” living in St Leonard’s Forest near Horsham in Sussex “to the great annoyance and diverse slaughters both of men and cattle, by his strong and violent poison”. 

Dragon sightings may have declined sharply since the seventeenth century, but they have come roaring back in the last few decades. Dragons are everywhere. Our TV screens are constantly invaded by insatiable fire-breathing serpents. Bookshops bulge with titles about dragons. 

When you see those efficient, bloodthirsty killers jumping off their dragon-headed longboats, good and evil don’t seem like relative concepts. 

Has the time come for St Michael to return? Surprisingly not. 

St Michael has not been summoned because he is a dragon killer, and we don’t want to kill dragons. Not anymore. We want to tame them. We want to understand them. We want to harness their power. 

That’s what happens in Game of Thrones. Daenerys Targaryen wishes to assert her claim to the throne of the Seven Kingdoms of Westeros using the dragons that she has hatched. But can she use those dragons to bring about justice or ‘the greater good’ without being consumed by them or becoming dragon-like herself? It is an eternal question, played out in the Cold War with nuclear weapons and in Middle Earth with a powerful ring. 

We are seduced by the allure of the dragon all too easily. It’s there at the very beginning of Western Culture in the Bible: Eve is approached by a persuasive snake who tempts her to eat from the Tree of the Knowledge of Good and Evil. She falls for it. But throughout the Bible, the one blamed for the sin is not Eve, but Adam. 

But how is it Adam’s fault? Adam failed to give the serpent the Archangel Michael treatment. Adam should have killed the serpent or chased it out of the garden. He didn’t because, well, things were just starting to get interesting. And the rest is theology. 

St Michael is the extinguisher of evil. But we don’t want to destroy evil. We just want to see it diminished. A bit. In fact, the talk of Good and Evil is rather embarrassing. We don’t do Good and Evil. We do ‘values’. We don’t condemn sins. We seek to re-educate those with ‘anti-social behaviours’. 

We have the dubious luxury of speaking this way because we aren’t about to be attacked by Vikings any times soon. When you see those efficient, bloodthirsty killers jumping of their dragon-headed longboats, good and evil don’t seem like relative concepts. Evil is very real. That’s when you might need some clean pairs of Marks and Spencer’s famously excellent underwear. 

Scroll the news and you will find that millions around the world live with the reality of Viking-like terror right now. For them the virtues of St Michael might be more apparent.