We’re ignoring Nigeria's hellish underbelly

Why the West averts its gaze from anti-Christian violence there.

Chris Wadibia

Chris Wadibia is an academic advising on faith-based challenges. His research includes political Pentecostalism, global Christianity, and development.

A burnt out motor cycle and car stand amid charred debris in a dusty compound.

Burned vehicles after Good Friday raid on April 7, 2023, in Ngban, Benue state, Nigeria.

Justice, Development, and Peace Commission.

Moments ago a Christian was killed in Nigeria—again. For the 100 million Christians living in Nigeria, news of brutal murders of their fellow worshippers has become commonplace. Every day 14 Christians in Nigeria die because of their faith. Nigeria is a land of extreme paradoxes known for many things. It’s one of the world’s leading oil producers. It’s home to the globally popular Afrobeats music scene. Its distinguished citizens include director-general of the World Trade Organisation Ngozi Okonjo-Iweala, president of the African Development Bank Akinwumi Adesina, Deputy Secretary-General of the United Nations Amina Mohammed, and former president of the International Criminal Court Chile Eboe-Osuji, just to name a few. Its global diaspora of 17 million consists of Nigerians working in positions of power in virtually every industry imaginable. From banking, finance, and tech to professional sports, higher education, healthcare, culinary arts, and consulting, there is not a single major industry in the world whose list of leaders does not include a Nigerian name.

But just as every coin has two sides, so does Nigeria. Nigeria's story is incomplete without explaining its hellish underbelly. Well over 60 per cent of Nigeria's population, or at least 133 million of its citizens, live in a state of multidimensional poverty. The vast oil wealth generated by its oil industry only benefits a minuscule sliver of its elephantine population.

Nigeria is the global leader in anti-Christian violence. Since 2009, over 52,000 Christians have been killed in Nigeria by Islamist extremists. In the last 15 years, over 18,000 churches and 2,200 schools in Nigeria have been set on fire. Open Doors, a charity whose mission focuses on providing support to persecuted Christians globally, estimates that 90 per cent of murders targeting Christians across the world in 2022 took place in Nigeria. Islamist extremists killed at least 145 Nigerian Catholic priests in 2022 alone.

Anti-Christian violence is evil just like antisemitic and Islamophobic violence are both evil.

For people enjoying religious freedom in Europe and the United States, violence against Christians feels like a thing of the past. The concept of anti-Christian violence in the West triggers thoughts of Europe's religious wars in the 16th, 17th, and early 18th centuries, or The Troubles between Protestants and Catholics in Northern Ireland in the 20th century.

However, the scale of anti-Christian violence in Nigeria puts it in a league of its own. In the West we take for granted the freedom of religion because we have had it for so long. It is human nature to take for granted the aspects of life we have grown most accustomed to. Ongoing war between Israel and Hamas has reignited in Western public debate the pervasive, threatening existence of antisemitism and Islamophobia in Western societies.

But why has the consistent, monstrously murderous Christophobia in Nigeria that has unfolded in the last two decades not cemented its place within Western public discourse? Do Christians in the West only demand action when White Christians get murdered? Are 52,000 brutal, gory killings of Black Christian bodies in Sub-Saharan Africa not sufficient reason for the powers that be in global Christian society to mobilise their vast political, military, and economic resources to intervene, protect, and bring peace?

Christians running for their lives in Nigeria are as much part of the bride of Christ as Southern Baptists sipping sweet tea in Alabama on a Sunday afternoon.

Violence against Christians is not a thing of the past. It is as real a phenomenon today as it has ever been. Few states in the Majority World have developed for themselves a reputation for institutional ineptitude and malfeasance more so than Nigeria. Solutions for ending Nigeria's anti-Christian violence will not come from the Nigerian state. Instead, they must come from the religious sector, civil society, foreign governments, and private actors. Anti-Christian violence in Nigeria is not motivated solely by extremist Islamist zealotry, albeit the influence of this element certainly plays a part. Poverty, competition for scarce resources, and relative deprivation along with educational underdevelopment and political profiteering on the heel of Christophobia are collectively responsible for these violent acts.

In Christian theology, Jesus Christ has a bride; this bride is the church, or all who believe in Christ and follow his teachings. Christians running for their lives in Nigeria are as much part of the bride of Christ as Southern Baptists sipping sweet tea in Alabama on a Sunday afternoon, Anglicans enjoying a Sunday roast, or Pentecostals in São Paolo playing football on the beach after a midweek worship service. The killing of one Christian in Nigeria is an assault on the 2.4 billion Christians living across the world. Christ has only one bride, and He lovingly cares for each member of His bride equally, overwhelmingly, and powerfully.

Anti-Christian violence is evil just like anti-semitic and Islamophobic violence are both evil. Western media’s reluctance to report about these murders and offer platforms to activists, clerics, and stakeholders whose voices can help galvanise support for ending this violence cannot be separated from irreducibly influential Western religious gazes that dehumanise and deprioritise the lives, experiences, and sufferings of non-White Christians globally. Until anti-Christian violence in Nigeria comes to an end, the collective dignity of Christians worldwide will remain tainted by a scourge those with power are too apathetic to eradicate.

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Faith

15 August 2024

4 min read

Faith is no longer a dirty word in publishing

Sarah Perry’s comments suggest a reawakening of concern for its observation.

George Pitcher

George is a visiting fellow at the London School of Economics and an Anglican priest.

A woman being interviewed gestures with a hand in front of her

Sarah Perry.

Waterstones.

If there’s one thing anyone who has ever written a novel can’t stand, it’s having to congratulate a successful novelist. So, it’s through gritted teeth that I warmly welcome the words of Sarah Perry (The Essex Serpent) that religious faith is ceasing to be a subject of embarrassment in published fiction.

It’s about time. Perry told the Edinburgh International Book Festival that, for her latest book Enlightenment, she was asked to put in more theology: “I assumed that everybody knew what the doctrine of predestination meant.” Bless.

The cause of my pathetic envy as I applaud her is that I had my first (and, to date, only) novel published in 2017, to almost universal disinterest. I like to tell people that it was well received – all three people who actually read it said they enjoyed it and only one of them was a family member. It actually did a bit better than that, but you get my drift.

It was an unashamedly religious psychological thriller, titled A Dark Nativity. Brace position, here comes a one-sentence synopsis: The narrator, Reverend Natalie Cross, is a frustrated former aid worker who undertakes a mission to Israel, is kidnapped and held hostage, murders her way to freedom, discovers she was the victim of an Anglo-American plot, wreaks her terrible revenge and (spoiler alert!) gives birth to a son of uncertain paternity.

See what I did there? As well as the latter-day Nativity resonance, thematically I was interested in what redemption looks like in Israel and Palestine. I know, I know – but even I thought it would be distasteful to try to cash in on what’s happened there since.

Enough of the plug for a seven-year-old novel. My point is that its religious themes actively militated against it at the time. Novels addressing Christian faith (or any other kind) occupied a particular publishing niche – a harsher word might be ghetto. To try to break out of it was pointless. The great Christian novelist Penelope Wilcock told me (very kindly) that my book was too religious for the secular market and too secular for religious readers.

Perry’s observation that faith is no longer a dirty word in publishing might yet suggest a reawakening of serious concern for its observation.

The restricted area to which religion was confined had its stylistic rules. There was the cathedral close romp, which authors such as Catherine Fox had made their own. The vicarly whodunnit (lately updated by Reverend Richard Coles). Magic realism with its daemons and Philip Pullmans. And anything, in the wake of Dan Brown’s The Da Vinci Code, involving ancient plots that might make a movie, with hooded figures walking in slo-mo through cloisters.

Vicars had to be evil or silly. I may be both those things at times, but I’d like to think there is other stuff going on here for cultural exploration. My narrator, Nat Cross, was driven, often funny and more than a little mad. So like a lot of Anglican clergy.

If she’s right – and I very much hope she is – it’s why what Perry has to say is so hopeful. Because it begins to suggest that religious faith is slowly beginning to be accepted back into polite society. Whisper it softly, it might even become a cultural norm. If Richard Dawkins can describe himself as a “cultural Christian” and the historian Tom Holland, in his book Dominion, can claim that Christianity is the entire foundation of western civilisation, then there is everything to play for. And, indeed, write for.

It’s not as if cathedral frolics and the revelation of Jesus’s wife in Leonardo’s Last Supper was anything other than a fictional diversion of post-modernism. Religion and specifically Christianity had been a staple of the novel in English.

I hesitate to mention their names in the same column as the authors above (including me, most obviously), but Graham Greene’s exposition of Catholic guilt in The End of the Affair and Evelyn Waugh’s of the impossibility of moral reformation in Brideshead Revisited are probably the best religious novels of the twentieth century.

Further back towards the birth of the English novel, the Reverend Edward Casaubon in George Eliot’s Middlemarch is perhaps the most tragic portrait of a clergyman who is neither evil nor silly. He stand as a warning from history to today’s Church of England.

And it’s to that, the established Church, that Perry’s remarks ultimately turn our attention. We’re told that there has been a five per cent spike in church attendance recently, but that of itself isn’t sufficient to suggest a renaissance in our religious culture. Our arts and culture will only ever really reflect what we care about.

Perry’s observation that faith is no longer a dirty word in publishing might yet suggest a reawakening of serious concern for its observation. If so, that’s good news for the religious, as well as for religious authors. And I might just get a sequel out of it.