Article
Change
7 min read

What a campfire encounter teaches about making enemies and building empathy

Crossing divides in the most unexpected circumstances, Jer Swigart shares an extraordinary encounter that brought questions about friends, enemies and how far his empathy could stretch.

Jer Swigart is the co-founder of Global Immersion, a peace-making training organization in North America. He is a Senior Fellow of the Dietrich Bonhoeffer Institute.

a group of people crowd round a campfire backlighting them in silhouette.
Around a campfire.
Joris Voeten on Unsplash

This article was first published on the Difference blog of the Reconciliation Leaders Network. The network was established as part of the Archbishop of Canterbury’s Reconciliation Ministry.   

In her book, Shalom Sistas: Living Wholeheartedly in a Broken World, my dear friend, and peacemaking conspirator, Osheta Moore defines enemy as anyone or any group that exists beyond the reach of my empathy. 

I don’t like the idea that I have enemies. I prefer to congratulate myself for crossing divides into transforming relationships with those who have been marginalized by power. I certainly don’t like her suggestion that there are people or groups of people that exist beyond the reach of my empathy. For it asserts that I play a role in constructing my enemies and that, as john a. powell argues, my “circle of human concern” is far too small.  

Not long ago, I was confronted by both my expertise in constructing enemies and the limit of my empathy’s reach. 

I had been shot twice by non-lethal rounds while holding a non-violent line between protestors and law enforcement. 

It was the early months of the COVID-19 pandemic and a time saturated with upheaval. Migrant and refugee communities were disproportionately impacted by the pandemic. The Black lives of Ahmaud Arbery, Breonna Taylor, and George Floyd had been prematurely extinguished by White vigilantes and law enforcement. A next racial revolution was at hand, and I was privileged to be a part of political advocacy efforts, direct non-violent action, and creative civil disobedience. I had been shot twice by non-lethal rounds while holding a non-violent line between protestors and law enforcement with fellow clergy, giving me a tangible experience of absorbing state-sanctioned violence on behalf of those who have been for generations.  In local protests, White militia groups would regularly descend in acts of intimidation with diesel trucks, offensive flags, and guns. 

While I was contending with those disadvantaged by inequitable uses of power, I didn’t realize that I was fabricating a new enemy. 

After months of this, I and my family were fatigued and in dire need of a change of scenery. So, we loaded up our camper and embarked upon an off-the-grid adventure in the wild wonderland that is U.S. America’s Pacific Northwest. We set up camp next to a high-alpine lake and were thrilled to have the entire place to ourselves. My enthusiasm waned as the sound of a diesel engine drew near to our camp. My joy evaporated when an enormous truck towing a camper trailer, stickered with brash political statements, parked right next to us

In my mind, our tranquility had been invaded by folks of the other political persuasion who clearly had no regard for the unknown dangers of COVID-19. Without even seeing their faces, I concluded that these were the ones who stood on the side of the very injustice I was fighting against. 

In my daughter’s mind, we had some new neighbors to build relationships with. 

For hours, the five of them built friendships while I deepened my fabricated narrative about who these people were and why they were parked right next to us. 

Within moments, she introduced herself and volunteered to organize a water adventure with her brothers and their two kids. For hours, the five of them built friendships while I deepened my fabricated narrative about who these people were and why they were parked right next to us

I’d like to say that we crossed over to their camp and introduced ourselves, but I can’t. Rather, it was the two adults from their camp that crossed over to ours. They wanted to meet the parents of the extraordinary young woman who lived with such relational intention. 

As they drew near, my fabrications seemed to be confirmed. Both of them wore t-shirts plastered with American flags, guns, and imagery that boasted their preference for law enforcement over Black lives. His and her lower lips bulged with wads of tobacco and they both wore handguns on their hips. They introduced themselves and proceeded to rave about my daughter…which softened my heart toward them. 

While in conversation, I could sense that he was evaluating my camp. Eventually, he shared his two observations. First, he saw my bow. I had recently taken up archery with the intention of learning how to hunt for elk in the forests of my homeland. I liked the idea of ethically harvesting meat for my family and knew that I needed a lot of practice in order to be successful. I had brought my bow with me so that I could practice and he indicated that he had brought his bow as well. Second, he saw that I had an insignificant amount of firewood for the length of time we’d be camping. With a grin, he declared that he hadn’t brought any firewood. Then, after motioning to the fallen trees around us, mentioned that he had a chainsaw instead. 

I invited him to shoot his bow with me. He offered to cut more firewood for us. A nominal invitation and the offer of generosity sparked an uncommon friendship that is transforming me. 

Our families spent the weekend together, sharing meals, extended fireside conversations, and wilderness adventures. We shot arrows at targets and I heard tales of his elk-hunting adventures. At the conclusion of our not-so-solitary camping trip, I asked him if he’d be willing to teach me how to hunt elk. He responded with an emphatic “Yes!” and invited me to join him in the woods one month from then. 

Thirty days later, the two of us met in what seemed to be the fusion of a mythical jungle with a magical pine forest. It was dark and steep and the brush was impossibly thick. For hours, we hiked together up and down mountains: he was the teacher, and I was the student. That evening we found ourselves around another fire, preparing our food together yet again. 

With our meal plated, he opened our next conversation with this: “So, I’ve been researching you online.” He proceeded to share with me that he had seen images of me in protests and war zones, with political leaders, movement leaders, and faith leaders. He had read many of my reflections about peace and justice and saw that I had even written a book about it. He closed with, “I gotta know. What are you?! FBI? CIA?” 

I didn’t perceive his question as a threat, but rather, as a next invitation.

After a good laugh, I explained more about who I am, what I do, why I do it, and how my faith is the fuel behind all of it. As I did, it dawned on him that I represented those on the other side of his political and ideological persuasion. At one point he leaned back from the fire, his 9mm pistol glistening with its reflection, and declared to me that he was an avowed Three Percenter

In the U.S., Three Percenter is a term utilized by White militia groups based on the myth that only three percent of settlers were willing to pick up arms and fight for independence during the Revolutionary War. It is a designation for those who are willing to pick up arms again when they sense that their rights and advantages are being tread upon. 

After his declaration, he asked, “Is that going to be a problem?” 

I didn’t perceive his question as a threat, but rather, as a next invitation. I understood him as wondering aloud if the divide between his ideology and mine was too expansive for us to continue building a friendship. 

I responded with this: “Your convictions and the way they shape your life are different from my convictions and the way they shape mine. Yet I sense that we both wonder if bridging the gap between us into a friendship is better than remaining enemies on opposite sides. For us to do so would likely make ours among the most uncommon friendships in the Pacific Northwest. I’m in if you are.” 

With a nod, he leaned back in and we finished our dinner, reflecting on all that we had experienced that day. With the rise of the sun, we were back on the trails, but the conversation had shifted. He began to open up his life to me with surprising vulnerability and I did the same. We began to recognize that what we shared in common far outweighed our differences. As the miles grew, so too did the reach of my empathy. 

Three years later, our friendship continues to deepen and it’s transforming me. I find myself reflecting frequently on Jesus’ revolutionary teaching on enemy-love. I’m inspired by the notion that Jesus was the only one who ever took us beyond convenient understandings of neighbor-love to love of enemy. I’m learning that in order to love my enemy, I must first understand my enemy. To do so requires that I confess my efficiency at fabricating enemies, lament the limits of my empathy, and dare to cross over any divide equipped with curiosity and compassion.

Review
Culture
Music
1 min read

Beyoncé’s breaking barriers

Cowboy Carter sees the star crack her whip in the temple of the music industry.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

Side by side, two rodeo riders on horses trot toward the camera. One is Beyonce, the other a cowboy
Beyoncé at the Houston Rodeo.
Beyoncé.com

I sometimes wake up in a cold sweat with flashbacks of one terrible swimming lesson at school. I had accidentally forgotten to forget my kit, so was forced to face not only the freezing water, but the spouting of ignorant prejudice from my teacher.  

“Kandiah, you’re useless,” he said, as I heaved myself out of the pool at the end of the lesson. “Although I guess it’s not your fault you can’t float like the white children. Your bones are heavier. Look at the Olympics – you never see black and Asian swimmers, do you?” 

I opened and closed my mouth a few times, like the fish out of water I suppose I was, but inside I was seething.  

Being told I couldn’t do something made me all the more determined to do it. Back in I jumped.  

Last week, in another splash aimed at proving people wrong, Beyoncé’s magnificent album “Cowboy Carter” became the first album by a black woman to top the country charts. 

On her Instagram feed she said: “the criticisms I faced when I first entered this genre forced me to propel past the limitations that were put on me.” 

It was a brave move. Back in 2016, she had received heated and hate-filled reactions when she performed her song Daddy Issues at the 50th Country Music Association Awards with the country music group Chicks, formerly known as the Dixie Chicks. Many country music fans were outraged, calling it an act of cultural appropriation. One response on social media put it starkly: “SHE DOES NOT BELONG!!”.  

But as a Texan who had been brought up around country music, Beyoncé disagreed. She would spend the next five years planning her response. Cowboy Carter proves her country credentials beyond all doubt. It’s not only about the music. It also does three important things that show the world what can be done when faced with barriers of prejudice and ignorance. 

She honours the past

The album is clearly an act of tribute to trailblazing country artists before her. Beyoncé included notable guest appearances and feature tracks and took the unusual step of sending flowers to all who had inspired her.  

Beyoncé sent flowers to Mickey Guyton, the first black female artist to be nominated for a Grammy Award in the Country category. She also sent flowers to K. Michelle and featured Tanner Adell, Brittney Spencer and Reyna Roberts on the Cowboy Carter track Blackbird, a song that Paul McCartney wrote as a response to the case of the Little Rock Nine, a group of African-American schoolchildren initially barred from attending a previously racially segregated school in Arkansas. It took the direct intervention of then President Dwight Eisenhower in 1957 to make it possible for these children to attend their school. She also included guest appearances from country music royalty Dolly Parton and Linda Martell, who both introduce songs on the album. Dolly’s introduction to Beyoncé’s reworking of Jolene is particularly poignant: “Hey Queen B it’s Dolly P”.  

The song Jolene sticks faithfully to the guitar riff from the original, but the words and the tone of this song are completely different. Dolly’s original Jolene was begging another woman not to take her man from her. But Beyoncé will have none of that. She is full of threat and menace:

“I’m warnin’ you, don’t come for my man… don’t take the chance because you think you can.”  

As Beyoncé pays her dues to the greats that have gone before, she also offers a very different picture. She can recognise the past, and yet not be imprisoned by it. She can appreciate those who have laid the foundations for a new era, unbound by cruel stereotypes.  

She challenges the present 

We don’t have to look far to see the way that western society is splintering. It is becoming harder to find common ground, harder to move from one tribe to another.  Beyoncé’s album is political in that it is deliberately breaking down a wall and smashing a division. She refuses to accept that there are no-go areas for people of colour. The album feels like Beyoncé’s famous baseball bat from Lemonade, but this time it isn’t smashing cars, but preconceptions and prejudices instead. 

There’s anger in this record. The first song is “American Requiem” and includes the line:  

“They used to say I spoke ‘too country’./ And the reaction came,/ said I wasn’t country ’nough / If that ain’t country / I don’t know what is?” 

Full of confidence and rage she asks over a bed of country music guitar chords:  

“Can you hear me? / Can you stand me?”  

Beyoncé does not disguise the ironies. The fresh anger and challenge weaves into classic forms and tropes of country music. The artist that some wanted to exclude from the genre tops the charts. The pop icon becomes an iconoclast.  The smashing of divisions makes way for the building of something new.   

She opens a door for the future

It is within living memory of many that black people were prohibited from sitting at the front of a public bus or drinking from the same water fountain as white people. Beyoncé’s Cowboy Carter is not just a smash hit it is a smash down of the boundaries of genre that had excluded her and others. With this boundary smashed the opportunity is opened for others too.  

For example, there was a recent stand-out performance at the Grammy awards watched by millions around the world – the duet between the country star Luke Combs and Tracy Chapman. Luke, a young white man, is part of a new generation of country singers with a huge following. The legendary black artist Tracy Chapman recently turned 60. The joyful performance was particularly touching as the two of them looked genuinely delighted to be singing together. The video went viral and lead to a huge uplift in Chapman’s sales. The song Fast Car rocketed to the top of the charts some 36 years after it was first released.  
 
Cowboy Carter is Beyoncé using her voice and talent to push back against prejudice and push forward to a new era. She is cracking her whip in the temple of the music industry. She is driving out those who have commandeered the space that rightly belongs to those from any and all backgrounds.  She is righteously angry at the injustice. She is declaring that country music be reclaimed as a meeting place for all nations to enjoy.  

When Jesus unleashed the whip against the tables of the moneychangers in the temple who were excluding the non-Jews the space rightly belonged to, he fiercely declared: “My father’s house is to be a house of prayer for all the nations.” He was not only breaking the barriers of the past but ushering in a new future, a future where everyone could gather together before God on equal footing. Jesus would eventually die on a cross to ensure this free access to God was available to everyone - wherever they were from, whatever they had done and whatever they looked like.  

I welcome this album by Beyoncé in that spirit of challenging prejudices, breaking down barriers, and clearing the decks for a new future equally available to all.  

If only I could have whipped myself into shape, I believe I could have been the Cowboy Carter of the swimming world forty years ago.  

 

Beyoncé in her own words

“Ain’t got time to waste, I got art to make/ I got love to create on this holy night/ They won’t dim my light, all these years I fight.”  

16 Carriages 

“Say a prayer for what has been / We'll be the ones that purify our father's sins / American Requiem / Them old ideas (yeah) / Are buried here (yeah) / Amen (amen) 

 Amen