Essay

Climate

Creed

Sustainability

30 May 2024

9 min read

Why Climate Change is at heart, a spiritual problem

Climate change does not begin with technical solutions but with spiritual ones.

Mark Scarlata

Mark is a lecturer and priest. He’s the author of several books and his latest, Wine, Soil and Salvation, explores the use of wine throughout the Old and New Testament.

Planet Earth viewed in totality from space. Africa and Arabia are visible under some cloud in the south.

Captured by Apollo 17, the Blue Marble image is credited with influencing how humanity viewed our home.

NASA.

In 1972 the United Nations commissioned a report called Only One Earth: The Care and Maintenance of a Small Planet. Its authors chose a cover image which captured the earth from space. The bright blue marble-like planet sits majestically against the black background of the vast universe. The beauty and simplicity of the image was a reminder of the unique habitat we share on this planet and the need to care for it.

Over fifty years after the authors raised concerns about a future ecological crisis, we do not find ourselves in any less critical circumstances. Average temperatures around the globe continue to rise, deforestation and pollution of water carries on and the land still suffers from over-farming and the use of harmful chemicals. These are only a few of the ways the planet has suffered.

The tone of the book, and the tone of the dialogue since then, often depicts environmental issues as a problem to be fixed. Rather than changing our own habits, many seek to maintain our current quality of life by coming up with green solutions that satisfy our levels of consumption.

The trouble with this kind of thinking is that we can reduce the beautifully complex and dynamic ecology of our world to a problem that requires a technical solution. The environment becomes common matter or stuff that can be used as a commodity to be bought, sold or traded on the market. This promotes the idea that the world around us is nothing more than material to be mastered through technological innovations by the ingenuity and determination of the human will. But is it just a matter of time before advanced technologies will solve all our environmental problems? Or is it possible that reframing the environmental crisis through a theological lens could help us see that the problem might not only be technology or industrialization, but that it might be something deeper in our souls?

Looking at creation through a different lens

In 2014 Pope Francis wrote an encyclical (a letter to the Catholic Church) called Laudato Si (‘Praise to you’). The title comes from a song of St. Francis of Assisi to celebrate creation - ‘Praise be to you, my Lord, through our Sister, Mother Earth, who sustains and governs us, and who produces various fruit with coloured flowers and herbs.’ The saint’s hymn of praise celebrates creation as a living being, a partner, a sister, a mother that sustains us and reveals the glory of God. And this is what Pope Francis sets out to remind his readers—that creation is not merely a commodity to be used or a problem to be solved. Instead, the natural world is sacred because it was created by God, is sustained by God, and is filled with his divine glory.

Francis writes,

‘We have come to see ourselves as her lords and masters, entitled to plunder her at will…This is why the earth herself, burdened and laid waste, is among the most abandoned and maltreated of our poor.’

The ecological demise and poor health of our environment reflects our misunderstanding of humanity’s role within an integrated ecology. Francis warns that if we fail to see the deepest spiritual roots of our problem, we won’t be able to work out how we are to live within creation.

Rather than focusing on rising sea levels or changing weather patterns, Francis asks us to step back and see the larger picture through the lens of how God relates to his creation and to our role as human beings.

‘Ecological culture cannot be reduced to a series of urgent and partial responses to the immediate problems of pollution, environmental decay and the depletion of natural resources. There needs to be a distinctive way of looking at things, a way of thinking, policies, an educational programme, a lifestyle and a spirituality which together generate resistance to the assault of the technocratic paradigm.’

The globalization and technologization of the world have led us to believe that our relationship to the environment is not a complementary one that is mutually sustaining. Yet Pope Francis reminds us that all of life is bound together in an ‘integral ecology’ and that we live in a vast meshwork of living organisms that sustain and support each other. In an integral ecology these interrelations are fully entwined so as we look to address environmental concerns we also examine our own spiritual health as well as addressing social, economic and political issues in order to build and sustain heathier communities especially for the vulnerable and the poor.

An age of gluttony

To look with new eyes at the environmental crisis, however, humanity must also look within. Over the centuries the Christian tradition has highlighted some of the most destructive habits for human beings. These can have a disastrous impact on us and on those around us. In the church these are sometimes called the ‘seven deadly sins’ which outline the most common ways that human beings end up destroying themselves and the world. One of the sins is gluttony.

Gluttony is often associated with overeating or excess. Though excessive consumption may reflect outward signs of gluttony, the real root of it is connected to our desire for more than we need and a fear that we don’t have enough. Consuming more than we need (out of anxiety or for whatever reason) always comes at the expense of the needs of those around us. When we are driven by gluttony, we forget about our interdependence in the world, in our communities or in our families. Instead, we become consumed with satisfying our own needs and making sure that we have enough.

Rowan Williams sums up the dangers of gluttony by saying that we fail to grasp something fundamental in how we relate to others and to creation. ‘Gluttony, as the spiritual tradition approaches it, is another way of losing touch with our createdness: so much comes back to this. We lose touch with what it is to be a created being, and so lose touch with the basic truth that we are because God is.’ When we forget that we are God’s creation, living within an integrated ecology, we forget how we relate to all living things around us. Losing our idea of being created within God’s creation begins to unveil some of the spiritual roots of the current ecological crisis.

Part of what Pope Francis is saying is that a Christian approach to the environment is one that recognizes the spiritual and ethical implications of our actions in the world. A lack of attention to our spiritual condition can result in the abuse of the poor and the exploitation of the earth. When we fail to recognise God’s presence in each person and in his creation we mask the true problems behind extreme global consumerism that seduce us into wanting more without considering the needs of others.

Francis goes on to write,

‘The current global situation engenders a feeling of instability and uncertainty, which in turn becomes “a seedbed for collective selfishness”. When people become self-centred and self-enclosed, their greed increases. The emptier a person’s heart is, the more he or she needs things to buy, own and consume.’

The ecological issues we face today are not problems that can ultimately be solved through technology. They require a change of heart, a change of vision and the ability to see the presence of the divine once again in the world we inhabit.

The re-enchantment of creation

The word ‘re-enchantment’ has seen a recent surge in popular cultural language recently. Indeed, this website uses it to describe its flagship podcast! The word expresses the desire of many to move away from the purely scientific and material approach to the world in order to recapture something that the secular age seems to have lost.

Though the word ‘enchantment’ can often conjure up images of fairies and magical forests, its Christian use is a way to describe how we see God’s divine presence in creation. Both Christians and Jews historically have understood that God inhabits the whole of the cosmos.

This is not some type of pantheism where all things that exist are god. Instead, God’s life and his Spirit sustains all things and brings all life into existence. To see the divine presence in creation is to recognize that the world is not just a material commodity but, rather, as Francis of Assisi understood, it is our companion that sustains us, nurtures us and journeys with us through life.

The re-enchantment of the world has also found its voice through non-Christian environmental approaches that have leaned towards pagan ideas around Gaia. They argue that nature, or Gaia, is something that should be honoured, worshipped and preserved. Philosopher Mary Midgley wrote, ‘The idea of Gaia—of life on earth as a self-sustaining natural system—is not a gratuitous, semi-mystical fantasy. It is a really useful idea, a cure for distortions that spoil our current worldview.’

Though these ideas for creation care move in the right direction, the Christian faith claims that worship should be offered to God alone. To treat the creature as the Creator is a mistake. God is not Gaia. God is the only creator and the creation is filled with his glory.

To see the world through re-enchanted eyes is to see the divine presence radiating through all things—an ocean wave, the sand, soil, trees, streams, birds, insects and animals. All creation breathes with the breath of God. The ancient Israelites understood God’s presence in the wonder of the created world and yet they also saw themselves fully integrated into the life of that world both physically and spiritually. Rather than thinking of God as some eternal entity or ‘thing’ that exists apart from creation, Christian tradition understands that he inhabits his world and sustains all life.

Pope Francis is right—our environmental challenges are not a technological problem to be solved, they’re a spiritual problem that effects all of humanity. Technology can certainly help address some of the issues that we’ve created and move us towards a healthier future, but if we’re serious about an environmental response it needs to include a spiritual change. If we are called to cherish, keep and live in God’s creation, we will first need to change our hearts and our habits. To grow as participants in God’s integral ecology we begin with an understanding of who we are and our inclination towards things like gluttony. Then we can begin to recognise who we are as God’s creatures and how we can live beneficially and generously in our communities, in relation to our neighbour and to the natural world.

Christianity does not offer some ‘heavenly spirituality’ that detaches our lives from the natural world. Instead, it believes in a God who got his hands dirty in the soil of Eden to make human beings. This a God who fashioned his creation and inhabits his creation through his divine presence and his breath of life. This is also a God who inhabited flesh like us in the incarnation. He is a God who brought all things into beings, sustains all things, and invites us to participate and bring hope to a world fully integrated in the peace, justice and mercy of his love.

Interview

Art

Culture

S&U interviews

5 April 2024

11 min read

How to look at our world: Aaron Rosen interview

In a visual culture how we gaze becomes more important.

Jonathan Evens

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

Aaron Rosen.

Lisa Helfert.

As a writer, curator, and non-profit leader, Aaron Rosen is respected internationally for his work in the public humanities, interfaith dialogue, and the visual arts. With his book What Would Jesus See: Ways of Looking at a Disorienting World he brings a fresh lens to the Gospels, informed by his varied experiences, as well as his life as a practicing Jew married to an Episcopal priest.

He began his career teaching at Yale, Oxford, and Columbia Universities, before becoming Senior Lecturer of Sacred Traditions and the Arts at Kings College London and Professor of Religion & Visual Culture and Director of the Henry Luce III Center for the Arts & Religion at Wesley Theological Seminary, Washington, DC. Currently, as Executive Director of The Clemente Course in the Humanities, a national non-profit in the US, he is involved in delivering transformative, free college courses to low-income adults.

Having particular expertise in art and religion, he has also curated dozens of exhibitions around the world, including an international Stations of the Cross initiative. Together with his wife, Revd Dr Carolyn Rosen, he is founding director of the not-for-profit Parsonage Gallery in Maine which explores ecology and spirituality. He is also arts editor for Image Journal and author or editor of a dozen books including Art and Religion in the 21st Century, Imagining Jewish Art, and Brushes with Faith.

These varied and, in many cases, boundary-crossing experiences have led Aaron to a range of interesting perspectives on the question of Jesus as a visual thinker. Interfaith dialogue features significantly in his experiences and has necessarily been part of his relationship with Carolyn. He thinks the seeds of What Would Jesus See are found in aspects of the journey they have been on together:

‘I always joke that when my wife married a Jew, she converted from Catholicism---just not to Judaism. A bit more accurately, after we were married, Carolyn was received into the Church of England by an Anglican priest, Rev Edward Bailey, a sociologist who had presided over our interfaith wedding. So interfaith dialogue was a part of our relationship, and Carolyn's spiritual journey, early on. Once Carolyn became an Anglican/Episcopalian, the opportunity to become a priest opened up in a way that of course wouldn't be possible in Catholicism. From the moment Carolyn could become a priest, in my mind she started to become one.

I say in my perspective because there was still a whole period in which she had to prove herself to the church. I never doubted she would make an amazing priest, but she had to overcome a lot of obstacles. Perhaps the most egregious was when a priest assigned to guide her in the process told her that she doubted Carolyn's commitment to Christ--and especially mission--because she had married a Jew, and still not managed to convert him! The same priest came to our house to interview us together, and proceeded to tell me that she knew a lot about Jews, including how "they celebrate Passover every week." Needless to say, this person was not exactly an expert in interreligious dialogue! But Carolyn and I stuck it out together and she was able to move forward in the process. In an unlikely turn of events, I found myself as a Jew advocating to Christians why my wife was the ideal ambassador for Jesus! Telling this story, I think the seeds of the current book were sown then, even if I didn't realize it.’

‘I was at the art fairs in New York City this fall and people asked me about my latest book, some people were rather gobsmacked I'd written a book about Jesus!’

With What Would Jesus See, Aaron is participating in a long tradition of what Susannah Heschel has called ‘reversing the gaze’ i.e. Jews (including artists) looking at Jesus in order to provide an unexpected window on identity. I asked him what he has gained personally from being part of this tradition and how he has been able to open up those insights more broadly:

‘I do see myself within a surprisingly long tradition of Jews looking at Jesus, and often quite sympathetically. Many people might expect that Jewish artists, writers, and theologians would simply reject Jesus since--whether he intended to or not, and indeed probably not--he led to the founding of Christianity. But Jewish thinkers and creatives have actually been obsessed for centuries with exploring Jesus' identity as a Jew, often casting him as a sort of role model, whether ethically or creatively. As a scholar of art and religion, I often return to the example of Marc Chagall, who felt deeply in the most traumatic points in his life that only Jesus could really understand or symbolize his anguish as a Jew and an artist; a feeling which gave birth to Chagall's masterpiece, The White Crucifixion. When I set out to write this book, I wanted to introduce and participate within this tradition of imagining a Jewish Jesus. And I wanted to do so in a way that could speak to Jewish and Christian audiences, but also those who stand outside of those traditions.’

He ends the book by saying that, in its writing, he had been surprised by the unpredictable and subversive nature of Jesus. Interestingly, the book’s reception has also revealed ‘that Jesus is more subversive in some contexts than others’, as when ‘I was at the art fairs in New York City this fall and people asked me about my latest book, some people were rather gobsmacked I'd written a book about Jesus!’

As a result, he's not getting us to look at Jesus so much as to look with Jesus. For today's generation of visual thinkers this is an approach that may resonate strongly.

We discussed some of the underpinning approaches he has utilised in writing and structuring the book including ‘reception exegesis’ and ‘relating the given to the found’. I asked what he meant by reception exegesis and how it impacts the way he explores the Gospels:

‘I have always been fascinated by primary texts and images. So, I have a sort of canonical impulse, you might say. But one of the dynamics that interests me most about canonical materials is that they refuse to remain static and contained. They imprint themselves constantly on new communities, and of course have their meanings changed dynamically in that process. When it comes to the Gospels, I am interested not only in how these scriptural texts speak to us, but how they do so through the prism of reception. For example, the great painter Caravaggio left such a powerful imprint on our imagination, it's hard to visualize the story of the calling of St Matthew without thinking of Caravaggio. And then even Caravaggio's images have themselves been reinterpreted again and again, quite interestingly, for example, by contemporary artists from minority communities. So, the process is never-ending and recursive. I certainly don't offer a survey in my book--there are plenty of great commentaries that do--but my readings are informed by such histories of interpretation. Recalling your earlier question, I am probably helped in this process by the interpretive freedom that comes from being a Jew. I am far less burdened by policing 'original' or dogmatically correct meanings of the New Testament than some Christian writers.’

Regarding relating the given to the found, he said he needed to give credit ‘to a dear friend and one of my favourite Christian theologians, Ben Quash, who wrote a book called Found Theology’. A key insight from this book is found where Quash writes, “In God, human beings are constantly invited to relate the given to the found”. Quash then elaborates further: “The givens come alive only in this indefinitely extended series of encounters with new circumstances, and the Christian assumption ought to be that no newfound thing need be construed as a threat to what has been given, for we have to do with the same God both in the given and in the found."

Aaron loves this insight ‘because it takes the ground away from the kind of conservative Christianity I often encountered growing up in America, which was animated by a fear of what was new, and the assumption that it was somehow anti-Christian’. He says: ‘Ben invites us to look instead at how new realities can instead propel Christians back to earlier revelations. I also think that Jesus himself was open to this process. With a Christian theological lens, one might say he finds the very realities which he himself gave the world as its creator. Now of course as a Jew I don't personally see Christ as that ultimate or first giver, so to speak, but I appreciate the beauty and productivity of this kind of Christian thinking.’

In the book, Aaron applies Jesus's unique ways of seeing the world to key challenges facing society today and, as he does so, utilises a fascinating breadth of examples drawn from his varied experience. These include art (such as the example of Chagall), current events (where he looks at transgender issues, among others), and popular culture (including #LogInYourEye). His invitation to his readers is to use their own imaginations to explore with him how Jesus saw, what he saw, and why that is important for us today. Among the aspects he examines are Jesus's eye for spectacle, his strategies for attentiveness, and his tools for discerning truth amid the flurry of false appearances.

He argues that the way Jesus looks at people and the world is radically different because, “Few people in the history of the world have understood as clearly and intuitively as Jesus that the way we look at people is intimately entwined with how we treat them”. He suggests that paying attention, discerning truth, and recognizing others summarize the vision of Jesus – “At the core of his short ministry was a recurring call to look at the world — and especially its most disadvantaged denizens — with new eyes”. As a result, he's not getting us to look at Jesus so much as to look with Jesus. For today's generation of visual thinkers this is an approach that may resonate strongly.

There are some people and communities of course who are exemplifying admirable empathy. But there are so many groups who simply cannot conceive of suffering except on their own 'side.'

He summarises these aspects of the book as follows:

‘In the book, I suggest that there are three main ways in which Jesus invites us to practice looking: with attention, discernment, and recognition. I certainly accept there might be other ways of approaching the topic, but to me these categories help capture the primary ways in which Jesus looks at his world and especially the people in it. I'm probably not spoiling the plot if I say that Jesus certainly attends to every aspect of sight with a spiritual proclivity (does he do anything that isn't spiritually inclined?).’

In the chapter on ‘Paying Attention’ he notes Simone Weil’s suggestion that paying attention to the present moment - in ways similar to that of Jesus and the creative experience of artists and poets - equates to prayer. He also notes in the book that “This emphasis on attentiveness, and its myriad challenges, runs through non-Western religions as well” as “Buddhism, Hinduism, and Jainism are replete with stories that affirm the importance of mindful contemplation”. Since publishing the book, he has found himself continuing to reflect on some of the questions he raises, and that's been especially true of the chapter on paying attention:

‘Recently, I've learned more about collectives and organizations specifically devoted to increasing and refining our dulled capacity for attention, like the Strother School of Radical Attention, whose faculty are especially attuned to the intersection between spirituality and creativity. I've also witnessed the power of prayerful attention in my work leading The Clemente Course in the Humanities. When I was sitting in on one of our courses in Harlem the other day, it struck me just how closely students listened to one another as they read their creative writing assignments. Not just because they were being polite or wanted good grades. They understood the spiritual importance of listening, and creating a space for their peers to reveal deeper truths.’

At the heart of Jesus's ministry, Aaron suggests, is a call to look at our world--especially those who are most disadvantaged--with radical empathy. He suggests that we are living in a time when our eyes have grown weary and unfocused, and, perhaps surprisingly, Jesus offers us the chance to see the world with renewed vision, focused particularly on those who need us most. As a result, he asks us to imagine what Jesus would see if he looked at the world around us today.

With that in mind, I asked why it is so essential in the exceptional times in which we live to highlight the way Jesus’s vision provides strategies for radical empathy:

‘It's hard to see anything happening right now in the world and not think it would benefit from deeper more energetic empathy! Right now, the world is riven by so many disturbing, tragic conflicts, but the one that seems to divide the most people and communities is the Israel-Hamas conflict. There are some people and communities of course who are exemplifying admirable empathy. But there are so many groups who simply cannot conceive of suffering except on their own 'side.' Now I want to be very careful not to suggest that Jesus is somehow the answer to everything that ails society, especially in a complex conflict involving multiple religions and cultures. But certainly some of his tactics, like taking time to pause, look, and deliberate, would be beneficial to all.’

Aaron Rosen, What Would Jesus See: Ways of Looking at a Disorienting World, Broadleaf Books, 2023.