Explainer
Creed
Freedom of Belief
4 min read

Why should society care about the persecution of Christians?

Believers revere martyrs, but others are also inspired by sacrifice.

Ryan Gilfeather explores social issues through the lens of philosophy, theology, and history. He is a Research Associate at the Joseph Centre for Dignified Work.

A stone monument within which set, in the shape of a cross are statues of numerous standing praying figures.
Martyrs monument, Nagasaki, Japan.

The story of Christian martyrdom began with the death of St Stephen. On the 26th December 36 AD, Stephen the Deacon proclaimed the Christian faith before the rabbinic court in Jerusalem. His apology enraged the crowd before him. They dragged him outside of the city gates and stoned him until he perished. Looked at from one angle, all we see is chaos, fear and violence. Viewed from another perspective, however, we see remarkable courage and love for God. Stephen’s love for God so consumed his heart and mind, that he preferred to die violently than turn against Him. He became the first Christian martyr, a term which means ‘witness’ in the original Greek, because he would rather testify to his belief in Christ than live. We also use this term because his death says something about the character of God. Those who follow Christ take on his virtues. Stephen’s death showed how he possessed God’s virtues of courage and love more than the average believer.  

More stories of martyrdom emerged from the first three centuries after the death of Christ. A number of sources have told of the harrowing death of the Forty Martyrs of Sebaste. Each presented it differently. Basil of Caesarea recounted how the Roman emperor enacted a law, making it illegal to confess faith in Christ. As an imperial official was posting up the law in a public place and demanding obedience, forty soldiers stood up and declared, ‘I am a Christian.’ The official promised them riches and high office to deny their belief in Christ. But they did not relent. He threatened violence and they remained steadfast. They said that because of their love for God they would readily accept torture on the wheel, by screws, and being burned alive. In response the official exposed them to the cold, where they stood until they froze to death. In this story, these same two perspectives emerge. One reveals violent death at the hands of a state scared of the consequences of people refusing to sacrifice to the pagan gods. The other speaks of people full of love for God, and the courage and integrity to refuse to turn their backs on Him.  

The martyrs show us that the virtues we need so often grow out of suffering and struggle.

Stories about martyrdom punctuated the worshipping life of the Early Church. Each year as the anniversary of a martyr’s death rolled around, crowds would gather at their tombs. Singing hymns, they held a candlelit vigil all night. In the morning the crowds processed into the tomb, where the bishop celebrated the eucharist and gave a speech commemorating their violent deaths. By the fourth century, each region celebrated dozens of different martyr festivals. These were joyful and ecstatic occasions. Early Christians treasured the opportunity to honour the martyr’s memory through commemoration. 

They also invested these stories with great spiritual potential. The martyrs were seen to be guides in the path of holiness. The deaths of St Stephen and the Forty Matyrs of Sebaste revealed how to express one’s love for God: to treasure Him so much in one’s heart, that nothing is worth denying one’s belief and trust in Him. Additionally, early Christian writers began to articulate that these stories also inspire and embolden their audiences to imitate the martyrs. Until the early fourth century, when Christianity became legally tolerated, some Christians faced the choice of denying Christ or death. For these Christians, the stories of the martyrs showed them that the Christian life involved proclaiming their faith and facing death, and crucially it gave them the inner strength to follow it through. After Christianity was made legal, Christians still saw the martyrs as spiritual guides. They revealed how to express courage and love for God in the face of hardship. These stories ignited a fire of zeal to imitate the martyrs in some way.   

They are, I propose, also of great inspiration to those who do not think of themselves as Christians.  The martyrs reveal to us how a love for God generates virtues we prize so greatly in society, namely courage, integrity, and faithfulness. If it were not for love for God, Stephen and the other martyrs would not have chosen to suffer, and they wouldn’t have expressed these precious qualities. In short, they give insight into how Christians understand love for God to be the wellspring for those precious virtues. The martyrs show us that the virtues we need so often grow out of suffering and struggle. In a sense, they reveal the value of suffering for virtue. However, they do not encourage us to suffer for its own sake. Rather, they reveal that the full expression of love for God can so often involve suffering and struggle. When Christians faithfully say yes to this hardship out of love for God, it transforms them into the embodiments of these precious virtues, which perhaps we need more than ever today, in an age where comfort and ease seems the goal of life.

Article
Art
Awe and wonder
Belief
Creed
4 min read

The art of astonishment

Why I am still bowled over by Easter’s implications.

Jamie is Vicar of St Michael's Chester Square, London.

A painting depicts Jesus talking to disciples at a meal.
Caravaggio's The Supper at Emmaus.
The National Gallery.

Recently I wrote about how it would be helpful for those of us in the church to be honest about what we don't know.  

Mary Oliver wrote: 

'Truly, we live with mysteries too marvellous 

to be understood… 

 

Let me keep my distance, always, from those 

who think they have the answers. 

Let me keep company always with those who say 

"Look!" and laugh in astonishment, 

and bow their heads.' 

We begin life by thinking we know everything, and we end it by thinking we know nothing at all, or, very little. Easter confronts us with what we don't know, and what is too marvellous to be understood comprehensively. Sure, the evidence for the resurrection of Jesus is surprisingly staggering. Take Francis Collins, who was Director of the Human Genome project and led the US government's COVID-19 pandemic. He said that he grew up thinking faith was the result of emotionalism or indoctrination. Although his job was saturated in evidence-proving hypotheses, he hadn't taken the trouble to look at the evidence in arriving at his conclusion that God didn't exist, before doing so and giving his life to Christ. 

But even when you've surveyed the wondrous cross and its aftermath, the implications of Easter are unscientific and unsettling, as well as documented and liberating. Try as we might, we can't pin down Jesus. Rowan Williams offers that: 

 "One of the strangest features of the resurrection narratives is precisely this theme of otherness, the unrecognisability of the risen Jesus… For some at least, the encounter with the risen Jesus began as an encounter with a stranger".  

We see this as Mary Magdalene mistakes Jesus for the gardener at the tomb, and similarly with those on the road to Emmaus on the day of the resurrection. They had known Jesus up close, and yet here they travelled quite some way with him before realising it was him. 

This is most beautifully depicted by Caravaggio in his 'The Supper at Emmaus', hanging in the National Gallery in London. As Jesus breaks the bread, their eyes are opened to see what the breaking of his body meant for them. Jesus was hidden in plain sight all along. With the echoes of Christendom, or the Christ-haunted cultures many of us live in, Jesus is hidden in plain sight for us too. We hear echoes, but do not hear his voice. We see fingerprints, but do not see the scarred hands of the Almighty. And in the renaissance master's painting, we see dramatic light and shade, the freeze-frame burst of astonishment of the disciples. As the National Gallery description offers, 

 'he has shown the disciples as ordinary working men, with bearded, lined faces and ragged clothes, in contrast to the youthful beardless Christ, who seems to have come from a different world.’ 

Amidst the mystery, this revelation comes in relation to us. And this is what Caravaggio depicts: that which we find difficult to understand is the joy of a risen saviour who chooses to walk, talk, eat with fellow humans on the day of his resurrection. But, as Williams writes,  

'He eludes and questions our predictions and projections, recedes and hides before our attempts to arrive at adequate, definitive statements... A theology of the risen Jesus will always be, to a greater or lesser extent, a negative theology, obliged to confess its conceptual and imaginative poverty.'  

Perhaps Caravaggio's imagination is less impoverished than most of us!  

Intriguingly, Williams has also written a poem about how the resurrection changes the way those on the road to Emmaus viewed each other. Maybe the anonymity of one of them (the gospel writer, Luke, only names one) helps us to place ourselves in the middle of this mystery. And that is a good place to find ourselves, if we answer the invitation of the risen Jesus and the God who spoke to a captive people through the prophet Jeremiah  

'Call to me, and I will answer you and tell you great and unsearchable things you do not know.’ 

For the disciples, the penny drops, but there is still so much they don't know. This is not to say that they know nothing. Jesus is, in many ways, what Donald Rumsfeld would categorise as a 'known unknown'. Christians believe that Jesus revealed himself in the scriptures, but enough for us to know that there's a lot more to know that we don't know. For those with Christian faith, we don’t exchange the certainty of what we know for mystery, but one of the invitations of the resurrection is to incorporate mystery into faith. And this in itself is not difficult: for to encounter Jesus is to be met with wonder. Those on the road to Emmaus didn’t recognise Jesus at first but their hearts burned within them. For John Wesley, his 'heart was strangely warmed', which strikes me as a very British way of saying his heart was burning within him! 

But many of us will attest that to encounter the risen to Jesus is to shout 'look!' and laugh in astonishment, and to bow our heads. 

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