Review
Culture
Music
S&U interviews
9 min read

Charm in tunes on the eastern edge

Musician and priest Rev Simpkins discusses how music is an expression of humanity and his faith. An interview with Jonathan Evens.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

Standing on a salt marsh beside a wooden pillar, a man holds a banjo upright like a rifle.
Matt Simpkins in his natural habitat.
James Fletcher.

Suffolk-Essex musician, Rev Simpkins, creates music of great imagination and charm, inspired by the history and geography of East Anglia.  

The Reverend Matt Simpkins is the fourth generation of his family to be ordained priest in the Church of England. Prior to ordination, he was a professional musician having been a choral scholar at Oxford University and a Lecturer in Music. He came to musical notoriety through raucous exploits in Fuzzface, Gospel-fiddle duo Sons of Joy, and as a solo artist performing as Rev Simpkins & the Phantom Notes. He collaborated with Kenney Jones of the Small Faces to reconstruct the orchestral parts of their 1968 psychedelic masterpiece Ogden’s Nut Gone Flake

Working as a parish priest a few miles away, Matt came to the saltings to retreat and compose compelling and compassionate songs about his community’s real-life experiences during the pandemic. 

In 2019 a diagnosis of cancer brought an opportunity to make new music and he released the hope-filled album Big Sea in 2020. Written around his initial time of illness, the album is an exuberant celebration of the peaks and troughs of life and death through off-kilter songs about east coast creeks, shattering storms, mystic pelicans and the Colchester martyrs. Shades of Captain Beefheart, Pavement, and the Kinks meld with Evensong choirs and pipe organs, pre-war Gospel Blues, string orchestras, brass bands, and Bert Jansch style fingerpicking. 

Saltings, his acclaimed fourth album and book, was created with the illustrator, Tom Knight, and is a loving portrait of the mystery and beauty of Essex's salt marsh wilderness, and a meditation on the real human cost of the wilderness time of the pandemic. Found within 50 miles of London, the saltings are one of England’s last natural wild spaces. Working as a parish priest a few miles away, Matt came to the saltings to retreat and compose compelling and compassionate songs about his community’s real-life experiences during the pandemic. Saltings portrays hope found amid wilderness. On this album he mixes the colourful folk tradition of Appalachians Mountains with the melodiousness and carefully-observed lyrics of the Kinks. Close harmonies intertwine with banjo, French horn, and bass. 

 

“Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired and profound album this year.”

His most recent album and band, Pissabed Prophet, was born in the resonance field of an MRI machine, as he tried to keep himself sane by mentally harmonising over the deafening noise of a medical scanner. Excited by the potential of the sounds, he recruited Dingus Khan and SuperGlu frontman Ben Brown to help him turn these ideas into an EP. Working over the summer of 2022, the pair formed an immediate intense friendship and working relationship, and ideas for the EP quickly blossomed into an album’s worth of material, overspilling with joyous and ruminative songs, born of an emotionally turbulent time in which Matt underwent unsuccessful immunotherapy for stage 4 cancer. I have previously written that being, “Zany in parts, moving in others, you’ll be hard pressed to find a more unusual, inspired and profound album this year.”  

We meet at Colchester Arts Centre – which self-describes as the little church with the big attitude deep in the heart of Essex - in a room that was once the vestry for St Mary at the Walls Church, now deconsecrated. 

JE: Music and faith seem to have been combined in your upbringing. Can you tell us how that came about and its influence on what you now do? 

MS: Music and faith have been total influences. I am the son, grandson and nephew of Anglican clerics. While I was in my mother’s womb, headphones were placed on the bump and I was played a mix of Boney M (‘Rivers of Babylon’) and Vaughn Williams’ Fantasia on a Theme of Thomas Tallis. My parents let me bash at their piano from a very young age. I was allowed to experiment before begging for piano lessons. I sang in church choirs and played the violin for Morris dancers. I was a church organist and played in bands.    

JE: You embraced a range of different styles early on - from choral to rock - with each influencing the other to create your eclectic and distinctive styles. What is it that interests you about crossing boundaries and blending different styles in this way? 

MS: Growing up I didn’t realise there were distinctions and just played whatever there was. I had a delight and fascination with different sorts of music and began to realise that the fundamentals go across all types of music, so that aspects of ‘Penny Lane’ relate to elements of Palestrina and Tallis. Music moves me and, once I understand its working, I can experiment and play with those things. The way I write is similar to writing classical music through the use of counterpoint and harmonic tricks. If you want a dividing line, you have to force it on the music. I’m not interested in dividing lines between music or grace.  

Music is just such a brilliant expression of our humanity and my faith is that all these things have something to do with grace. Christianity is music: the Psalms are the bedrock of Christian faith and worship. All is melded into one. I’m obsessed with the Psalms and the violent mood swings they contain. Their emotional honesty intertwines music and human life with grace. The richness of creation and human experience – for good and ill – mean that I’m not willing to believe that parts of that are somehow untouched by grace and redemption – even our own suffering and sorrow. 

JE: Your work contains a rich vein of humour. What is it about the comedic that meshes with your wider vision? 

MS: At the core of creativity is playfulness. Without playfulness there isn’t seriousness. There is great joy in the creative process and playfulness when recording. Now, I often play together with my son. I’m also thick as thieves with Ben Brown. In the studio we just bounce off each other and egg each other on in adding counterpoint and harmonies. Compositional play is all the way through the creative process and we are playing with sound in the recordings. Forming and shaping songs to sing about real life, brings comfort.      

JE: What impact have the challenges of illness, both personal and social (through the pandemic) had on your work? 

MS: I came back to music because I got ill. After ordination I thought that music was something that formed me but was not part of my ministry. When I first got ill, I found it hard to pray, so I read those ancient songs - the Psalms - as I always have. I became especially interested in the bits people often leave out. We need to see the difficulties that underly the songs but also see the joy like the Psalmist. This is the darkness of grace. Shit happens but grace remains.  

We know that Jesus prayed the Psalms and believe that he takes all human experience up on himself on the cross. So, if I’m having a scary experience like an MRI scan why not think what I might do creatively with that shuddering racket in a song? I take up my experiences in the faith that they have some connection to grace. Human experience and shared experience can result in emotionally dynamic and authentic songs. 

Saltings, I wrote on my own because of lockdown. The songs all came quickly, partly as a coping mechanism in a pressure-cooker environment.   

JE: Your recent albums, though addressing and confronting significant personal and social challenges have remained resolutely positive, upbeat, engaged and wondering. What are the wellspring for these strands in your music? 

MS: I’m trying to give an authentic sense of joy in my music. I find that joy in making music with people I love. We just get together and make music. They know it’s authentic. It’s fun, really fun, and has been incredibly therapeutic. Music is bound up with identity and community and reconnecting with music has been good for my faith. Light and gathering together are part of the Holy Spirit’s personality.  

JE: Your work draws significantly on your locality and its heritage. Why has it been important for you to have that local grounding and inspiration? 

MS: You write about what you know and use music to come close to place. In writing Saltings I was walking over the marshes praying and pondering the amazing history of this area; Eastern England’s connection to the continent and with radical faith and politics. You can’t capture the saltings in photographs, they are Southern England’s last wilderness. Colchester, where we are talking, has also always fascinated me. We are literally sitting on top of amazing remains, a real richness. These places can come alive in music. 

JE: Through music you explore faith in everyday life and as a performer you are on a mainstream label and perform primarily outside of church. Why are these things important to you and what sort of reaction do you get to them? 

MS: The musicians with which I play are seriously good musicians – intelligent and sensitive.  Only a few of them are Christians. We have shared experiences, although I expect faith may not cross their minds. They enjoy playing the music. However, people often ask about faith at gigs or in interviews. These are wonderful ways to bring faith into areas where it might not otherwise be. The venues I often play in have histories of community or religious use, as is the case with this Arts Centre where we are meeting today. 

I want to make music on a label that has all sorts of bands on it because I want to be in the world as a Christian. I don’t like gatherings where I am squirrelled away with people who think the same as me. Not much of the Bible is about being with those who are the same as you.  

I played a Sons of Joy concert – two screeching fiddles playing Gospel and chants – on a lightship and, after the concert, was approached by the owner of Antigen Records. I went back to the label several years after ordination with the recordings that became Big Sea and was very nervous about doing so, but they were very keen. Antigen is a label that has encouraged characterful, inventive music and which is not interested in barriers. There is not a dud release on that label!    

I consider myself to be a thoroughly Anglican Anglican. William Temple, John Donne, George Herbert, as with the Wesley’s, formed me. Temple’s Christian Life and Faith says that where there’s true community, that’s where the Holy Spirit is. 

“If you find something…that promotes true fellowship, there you know the Holy Spirit is at work...It may be that those with whom you join are not themselves Christian…Never mind that.”. 

 Augustine teaches us not to pretend we can know where the boundaries of the City of God sit, as we won’t know where they lie until the End Times. What is the Church for, if we can’t engage with humanity as it is? Part of priestly ministry is to recognise that there are gifts in every person (in and out of church) and to be open to grace, even (or perhaps especially!) when you don’t expect it.  

 

https://revsimpkins.com/ and https://antigenrecords.com/artists/pissabed-prophet/  

A new Pissabed Prophet EP entitled Apple is out in November on Antigen Records. 

Interview
Change
Freedom of Belief
S&U interviews
9 min read

Don’t send us back, North Korean escapee tells China

Timothy Cho hopes to help those still trying to escape.
A conference speaker at a podium against a backdrop of blue.
Timothy Cho.
GSHRD.

The UN Secretary-General, Antonio Guterres, has recently stated that North Korea must be held responsible for the grave human rights violations that they have carried out, suggesting that such justice could be secured through the International Criminal Court. In the report, they detail serious human right violations which occurred between July 2023 and May 2024, many of which are tied to a serious escalation in the repression of freedom of thought and belief. Such repression makes North Korea that most dangerous country to be a Christian in 2024, sitting at number one on the World Watch List.   

I don’t know about you, but I find North Korea hard to get my head around.  

And so, I was utterly captivated, completely horrified, and generally left speechless by Timothy Cho’s story of escaping North Korea, at the age of just seventeen. Now, living in the UK and working for the religious charity, Open Doors, as well as lobbying cross-party parliamentarians, Timothy is able to shed a rare light on the realities involved in living in, and leaving, North Korea.   

Would you be able to tell me a little bit about how you managed to leave North Korea? 
I actually escaped twice and was imprisoned four times, three of those imprisonments were in China and one in North Korea. I was sent back, along with the seventeen other North Korean refugees, while we were trying to escape.  

During my first escape, I crossed the border to China and met a Christian missionary guy. He tried to help me cross into China safely, so I followed him to his house. I saw a Bible and a cross and realised that it was a Christian missionary’s house.  

That was very scary for me, I thought he was brainwashed. I believed that Christians were kidnapping North Korean children and selling them into trafficking. And so, when I saw a few children in that house, my legs were shaking. 

I thought the Bible was cursed. 

And so I escaped from the house. I did not regard meeting that man as an opportunity provided by God. I ran away from it.  

And I was then arrested at the Mongolian border with seventeen other refugees as we tried to cross into Mongolia. North Koreans, we’re born without a passport. We don’t know how to leave the country. We’re told that you should never leave the country, so, at the Mongolian border, all eighteen of us were arrested by Chinese military. There were two women in the group, a mother and a daughter, they quickly took something out of their backpack and buried it in the sand. I asked them later what it was, they told me that it was a Bible. It was too dangerous to be sent back to North Korea with it in their possession.  

And we were sent back to North Korea. 

I experienced horrific crimes; terrible things were happening right in front of my eyes. I still live with the trauma of it now. But I survived that horrific experience in the North Korean prison, I was the only one among the eighteen of us who got out of there.  

And then you attempted to escape a second time?  

Yes, by then I couldn't walk properly because of the terrible things that had happened in prison. It was tragic.  

I considered going to the Mongolian border again, but I was massively traumatised from the previous attempt. So, I went to Shanghai. I heard someone could help me to cross the fence into an American International School there, where I hoped I could get support and hopefully get out of China.  

So, I met with a few other North Korean refugees in Shanghai and we managed to get into the school with a piece of paper that read: ‘we are North Korean refugees. Please help us’. 

But the school couldn’t help us and the Chinese police arrived to forcibly remove us. In front of hundreds of students, we were beaten and dragged away.  
We were sent to the International Shanghai Prison.  

That was my fourth imprisonment. 

They were going to send me back to North Korea a second time. And there was no way I thought I would survive that. I would have been executed.   

So, what happened? 

In my cell were seven other inmates, all from different countries. As I was crying every night not eating properly, one of my inmates asked me - why are you crying every night?  

They had never met a North Korean person, of course. So, they were very curious about me. The guy who came to me and asked what was wrong was a South Korean gangster - so we spoke the same language, and I was able to explain to him that I was probably going to be executed.  
Everyone looked quite shocked - and they all asked me if they could pray for me. I said yes, but I didn’t actually know what prayer was. Every one of them had a different religion but the south Korean man brought me a Christian Bible and asked me, ‘have you ever read this book?’ 

Again, this was a book that I was terrified of, and so my legs were shaking. I told him that I had never read it, and that I didn’t want to read it. I told him that it was cursed 

But he said, ‘you probably have some time here in this prison – why don’t you read it. It might give you some comfort’.   
Then he told me that I could pray to God for my survival. I was so desperate, you can imagine – you’re in the darkest prison, thinking that you’re about to be killed. I had nothing to lose. But I didn't how to pray, so I asked him - How do you pray? And he told me that you simply say Amen at the end of your wishes. That's how I learned how to pray.  

So, my first ever prayer, right in that moment was ‘God, I don't want to be killed. Amen’.  
And I don't want to go back to North Korea. I want to get up from this prison. I prayed hundreds of these kinds of prayers. Very short. Very desperate. I wanted to survive.  
And, eventually, praying that many times a day gave me a feeling of comfort. I began to lean on it. I was holding it like a rope. I was desperately praying, with everything within me, for weeks and weeks. But nothing was happening. 

 At first, I kind of thought that God was a man, like a very powerful man. The kind who could arrive on a helicopter and destroy the prison building. Like in an action film, that’s the only reference of escape I had. But nothing was happening. So, I told the gangster who gave me the Bible that God obviously doesn't exist. He lied to me.  

Time was ticking. I was desperate.  

I was a 17 year old boy, I didn’t understand God at all, but all I wanted was to survive.  
About eight weeks later, two men visited me in the prison. At first, I thought they were from North Korea, finally forcing me back. But it turns out they were diplomats. One South Korean guy and one Westerner. They told me that China had made the very unusual decision to deport us to the Philippines with a diplomatic passport, not to North Korea.  

This was completely out of the blue. I never expected that this would happen. That was the first and the last time that China had officially deported a group of North Korean refugees to a third-party country instead of sending them back to North Korea. 

As it turns out, one of the school children at the International American school in Shanghai wrote to a local journalist about us because she was so traumatised at how she had seen us beaten and arrested. At the same time, other witnesses had written statements of what they witnessed and testified that what they saw in that moment was a crime against humanity.  

This then caught the attention of the BBC, Washington Post and CNN, media outlets in Germany, South Korea, Japan. They all told our story and campaigned on our behalf, pressuring the Chinese Government. Then, many Christian and human rights groups watched that news. They protested in front of Chinese embassies all over the world.  

I remember thinking - oh, this is how God has operated. I saw it straight away. Right in that moment, I needed to thank him.  

One of the Bible scriptures I still remember reading during that prison stay was – ‘I will not leave you as orphans. I will come to you.’  

I didn’t grow up with parents. They left, escaped to China when I was nine. I survived without parents, even though I was picking food on the floor and had no education. I suffered and struggled. And I complained about that a lot to God, even after he had rescued me and given me freedom. I had a lot of trauma, anger, hatred, all that. So many times I cried out to God, I shouted at him, I asked him – ‘why didn’t you leave me to die on the street? Then I wouldn’t have gone through all of this suffering.’ 
Every time when I prayed that to him, the only sentence he tells me in response is – ‘I love you, son’. 

That’s an astonishing story. Thank you for sharing that. Since you’ve become a Christian, left North Korea and gained your freedom, what have you subsequently learnt about the hidden, underground, Christians in North Korea? 

That my grandmother was a Christian, my father's mother. But she couldn’t ever share her faith with me.  

Also, that Korea had experienced a spiritual revival in 1907. Evangelism swept through Korea at that time, and millions on people gathered in Pyongyang, which is North Korea today. Missionaries came over, even Billy Graham’s father-in-law went there as a missionary. They came, built schools, hospitals, universities, they were teaching English. In fact, members of the royal family were baptised by Billy Graham’s father-in-law. 

My grandmother was a part of that revival generation of a Christians. The church has survived, underground, through decades of North Korean communist dictators.  

People start reading this book (the Bible), and they find treasure in there, our daily life is in there. There are stories of economic hardship, persecution, suffering, oppression, anger, hatred. But to be found with the Bible is incredibly dangerous. People who smuggle the Bible are executed. When I was eleven, I watched a public execution. When they’re executing someone, they force the entire village to come out and watch it, and they force you to take your children. In fact, children have to sit on the front row. So, the man I saw executed when I was eleven, he was shot – first in the eyes, then the stomach, then the knees. I remember, my friends and I went and collected some of the bullet shells that were left on the floor. We thought it was normal. That man was accused of being a spy because he was found with religious materials.  

They're very particularly against Christianity because the message liberates people. 

Finally, this recent report from the UN Secretary General – you say that his recommendations are ‘noble aims’ but that they don’t quite go far enough. What would you like to see happen to bring about increased safety for the people in, and trying to leave, North Korea? 

I’m now a Christian and human rights lobbyist, I encourage MPs to do something. The UK has always been influential in holding the flag for freedom of belief, in particular. So, what I suggest is that we have conversations with Chinese diplomats. China deported me to a third-party country; they can actually do that. They have the authority in their hands to make that decision. They don’t have to send people back to North Korea. They could even send them to South Korea.  

Instead, hundreds of thousands of people are arrested and sent back to North Korea, even though China knows that these people will end up in prison camps. If they’re Christians, they’ll be executed.  

So, I have a few recommendations. But this is something that the UK government can urge the Chinese government to do.