Identifying as human has deadly implications

The incarnation and an execution impacts humanity.

Barnabas Aspray

Barnabas Aspray is Assistant Professor of Systematic Theology at St Mary’s Seminary and University.

Head and shoulders image of a man with closed eyes, on his forehead is an ashen cross.

Josh Applegate on Unsplash.

Christmas makes no sense without Easter.

In Jesus of Nazareth, the Creator himself entered his creation to live among us. This is what Christians call the Incarnation. But why? What was the point of this identification with humanity? You might have expected these sorts of answers: he came to found the Christian religion, to teach us how to live and to gather a community of followers. These are true enough but look inside any church building or read any part of the New Testament, and you’ll find that another thing is the focus, something that makes Jesus different to any other founder of a religion. He came to die.

Jesus’ death is the climax of all four gospel stories. It is evident that the point of the narrative is there. The rest of the Bible’s New Testament spends more time describing the machinations that led to Jesus’ death than outlining what he taught. Does that mean it doesn’t matter what Jesus taught? Of course not: Jesus’ teachings matter tremendously to Christians. But his death matters still more.

No doubt you knew that. The first thing anyone learns about Christianity is its symbol, the cross on which Jesus was executed. One of the cruellest forms of capital punishment that has ever been legal, those executed on the cross were called ‘crucified’ – a word which still has its shuddering power even today. Crucifixion was a death reserved for the lowest of the low: common thieves, runaway slaves, rebels, and lawbreakers. Yet this particular death was the ultimate goal of Jesus’ life.

Why? What’s it all about? For Christians, Jesus’ crucifixion strikes at the very root of all that is wrong with the world. To understand it, first we have to understand what Christians believe about that.

If you fall into a pit you can’t climb out of, then lack of information is not your problem. Nor does it matter how many other people are in the pit with you: nobody down there can pull you or themselves out.

Everyone agrees the world in its current state is, to put it mildly, less than ideal. Most put it down to a lack of education, or to the stubborn foolishness of a few isolated individuals.

If you believe that people behave badly because they are ill-informed, then you might think the solution is to teach people what is right. You will put great faith in education: give people the information they need and they will change their ways.

Alternatively, if you believe ‘other’ people are the problem, you can focus your attention on opposing them, imprisoning them, or stripping them of power somehow. But Christians believe that the root of the problem is far deeper, such that these efforts only scratch the surface and will never be effective in the long run.

Christians believe that the whole of humanity has been damaged, cut off from its relationship to what matters by a primordial catastrophe that we call ‘the Fall’. Human beings are not simply ignorant, and the problem does not lie in lack of information, or education. The problem lies in our will, the part of us that chooses what is wrong even when we know full-well that it is wrong. And the problem is not just some people ‘over there’, conveniently set apart from me. Every single human being has been impacted. Including you. And me. Every one of us is part of the problem, which is why no one of us, however smart or well-informed we are, can be the solution. If you fall into a pit you can’t climb out of, then lack of information is not your problem. Nor does it matter how many other people are in the pit with you: nobody down there can pull you or themselves out. You need someone outside the pit who can reach down and grab hold of you.

That is why Christianity is more than a moral programme for self-improvement, or a set of spiritual practices comparable to those of other religions. According to Christians, the human race does not need another set of rules about how to live, or a formula to cultivate mindfulness and inner peace. We need a saviour: someone who does not share our fallen condition, but who can reach down and lift us to safety.

How far down did Jesus have to go? All the way to the bottom, which means death. Even the worst kind of death.

How did Jesus’ death save us? Christians have various theories about that. You may have heard the most common which uses law court imagery: we were guilty and sentenced capital punishment, but Jesus was punished instead so we don’t have to. Some people love this theory and live by it; others find it morally problematic and offensive. But the point is not the theory: the point is the reality to which it points. One way or another, by dying Jesus reconnected us to God and restored the broken relationship.

But it’s stranger still than that, because Jesus’ death is not the end. It was only the preliminary to something far more wonderful and transformative, a sign of a promise beyond our wildest hopes. By dying, Jesus defeated death itself and came back to life. If Christmas makes no sense without the cross, then the cross makes no sense without the resurrection. But more on that in my next article.

Article

Belief

Creed

20 August 2024

4 min read

We’ve been seeking that festival feeling for millennia

Why else do we endure discomfort, queues, and sleep deprivation?

Jamie Mulvaney

Jamie is Associate Minister at Holy Trinity Clapham, London.

A singer on a stage holds out his arms to conduct the crowd.

Chris Martin enchanting Glastonbury.

Raph_PH, CC BY 2.0, via Wikimedia Commons.

Why do we go to festivals? It was something I contemplated at 4am while trying to stop a marquee from setting sail into the air during a quintessentially English late July storm. Thankfully we pinned it down, but sometimes it seems we can't get a handle on something until it's been taken away from us. Lockdown allowed us to indulge in some soul-searching about our appetite for summer festivals. A Department of Digital, Culture, Media and Sport select committee survey of 36,000 people showed that what people most missed about festivals during the pandemic was 'the atmosphere'. The atmosphere, much like that airborne marquee, is something difficult to put your finger on, but whatever it is, you do want to soak it up.

So, what contributes to that ‘atmosphere’? Harry van Vliet from the Amsterdam University of Applied Sciences compared over 20 studies into motivations for festival-going. He distilled them into: escape, family togetherness, socialisation, and novelty. Other researchers, such as Rippen and Bos, cite realising significance, giving meaning and giving shape, and deploying, developing and maintaining competencies. As abstract and ethereal as our motivations are, at festivals we want to ram the tent peg into the ground, staking the opportunity to escape or to imagine the future. Why else would you endure discomfort, questionable cuisine and sanitation, queues and sleep deprivation? We endure little inconveniences because we have bigger thirsts.

Then there's the gap between what people hope to get out of a festival and what the organisers are aiming for. Spare a thought for those who booked onto the FYRE Festival, which promised ‘a new type of music festival that would ignite the energy and power of its guests’. Instead, they ignited fury, lawsuits, and six years in prison for the founder. The driver here was greed. If festivals are an immersive experience, what the festivalgoers unsuspectingly immersed themselves in was the sad fruit of that particular rotten orchard. Instead of the gourmet meals and luxury villas, the staff ate sandwiches in styrofoam boxes and guests who’d spent up to $100,000 to attend fought over a limited number of mattresses and tents. One legal document from a guest claimed guests were lured into ‘a complete disaster, mass chaos and post-apocalyptic nightmare’.

The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

We know if we’ve immersed ourselves in something more hopeful. I’ve spoken to several people who’ve been to Taylor Swift gigs, all still ‘buzzing’. Cities and countries keep reporting the bounce, the economic uplift they’ve all experienced from a Swift visitation. Deep down, at concerts and festivals alike we all probably know that we’re not there to ignite the energy and power of us as the guests, but to spectate the energy of the maestro at work. They are the ones who plumb the depths of creative introspection for us. They are the ones who concoct, via musical alchemy and a large support team, something reaching transcendence. If we can immerse ourselves in that, then, however fleetingly, all the inconvenience will have been worth it.

Festivals, therefore, are a pick-n-mix of artistry that we can come up close to. And therefore, the thought goes, their creative genius. Which is almost as elusive as the atmosphere of an immersive festival itself. Elizabeth Gilbert, the author of Eat, Pray, Love, says it was a mistake when we placed the human at the centre of the universe, and the pressure that comes from having to be a creative genius. In her 2009 TED Talk she spoke about Socrates believing he had a daemon that spoke to him, and the Romans believed that they had a ‘sort of disembodied creative spirit’ called a genius. The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’

But what if the founder of the FYRE Festival was actually right? What if the guests themselves at festivals have energy and power, and not just Chris Martin? Millenia ago, this idea was once also floated at the festival of tabernacles, or Sukkot, where the Israelites made a pilgrimage to the Temple in Jerusalem and would camp in tents for seven days.

The gospel writer John says that Jesus spoke to whatever it was people had pitched up tents by the temple for:

‘On the last and greatest day of the festival, Jesus stood and said in a loud voice, ‘Let anyone who is thirsty come to me and drink. Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.’

John goes on to explain that ‘By this he meant the Spirit, whom those who believed in him were later to receive. Up to that time the Spirit had not been given, since Jesus had not yet been glorified.’

Where the Holy Spirit had previously been given to specific people, for specific times and purposes, including creativity, here the Holy Spirit was promised to anyone who would believe in him. And as well as their own fulfilment, the divine creative energy would flow through them to others.

More than a mere atmosphere or nebulous spirit, Jesus claims to be one with the creative energy who hovered over the waters at the start of the Bible, the dwelling place at the end of the Bible where God will be with his people, and drove a stake, or a cross, into the ground to enable this to happen.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’