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I’ll miss football’s disappearing cathedrals

Sharing the same physical space as those that go before is a spiritual act.
A CGI image of a son and dad holding hands on the concourse of a modern stadium.
The 'new' Old Trafford.
MUFC.

On the way back from a gig a few weeks ago, my dad asked me a question. “Are there any artists that you’d be so up for seeing that you’d pay anything for a ticket?” 

Paul McCartney? Julian Lage? Stevie Wonder? 

That’s about it really. Notwithstanding the fact that I’m running out of internal organs to sell to afford gig tickets nowadays, it struck me that a lot of the people I’d pay anything to see are now all dead. Some of them died long before I was born: Miles Davis, John Coltrane, Charles Mingus, Ella Fitzgerald, Jimi Hendrix, John Lennon (as part of The Beatles), John Bonham (as part of Led Zeppelin). And then there are the bands who split up before I was born, especially Waters-Gilmour-Wright-Mason era Pink Floyd and Gabriel-Hackett-Banks-Rutherford-Collins era of Genesis. 

But there are a few artists I wish I’d had the chance to see in the fleeting moments we were alive at the same time. David Bowie, Jeff Beck, Gary Moore, Wayne Shorter, Herbie Hancock, Neil Peart (of Rush), Jeff Buckley (although as a 4-year-old when he died, he probably would have been lost on me back them.)  

I was thinking about this question again while watching the Merseyside football derby in February. It was a proper Merseyside derby. By this, I meant that it ended up with fans on the pitch, fights, two players being sent off, and both Liverpool’s manager and assistant manager being sent off too. A proper Merseyside derby.  

It was also the last ever Merseyside derby to be held at Goodison Park. And that made me profoundly sad.  

I’ve driven past Goodison a fair bit. You catch site of it looming over Stanley Park as you walk up to Anfield. But I’ve never actually been to a match at Goodison. And now I never will. Goodison will soon join a growing list of football grounds that no longer exist: Highbury, Maine Road, White Hart Lane, The Dell, the Boleyn Ground. All gone.  

Along with Goodison, another stadium has been added to the scrap pile in recent days. You may have heard of it: Old Trafford.  

Yes, Manchester United – who last month announced 200 redundancies at the club, having previously made 250 members of staff redundant last year – have made the decision to spend £2bn on leaving the historic and iconic, if crumbling, Old Trafford stadium to move to a new 100,000-seat stadium. Turns out I only have a few more years to go to Old Trafford before it becomes another page in my book of regrets.  

Highbury. Maine Road. White Hart Lane. The Dell. The Boleyn Ground. Goodison. Old Trafford. These are football’s cathedrals, and they are disappearing.  

And all of this reminds me about the kind of debates that pop up whenever a church building – whether active or defunct – is used for a purpose that some Christians find disrespectful or blasphemous. Church buildings are often contested spaces; what goes on within them is policed in a way that simply isn’t the case for many other public spaces. Should they host heavy metal gigs? Should disused churches be converted into housing, as this slightly bizarre article seems to revel in.  

When I used to live in Nottingham, there was a bar in the centre of town located inside an old church. It’s a gorgeous old building and it has largely survived the conversion into a bar. It is, it must be said, a lovely place for a drink. But it’s difficult not to feel at least a tinge of sadness that, where that place once reverberated with the sound of praise and worship, it now echoes with the thrum of drinks orders and club music. It feels haunted with the presence of God. 

Look, things change, I know that. I’m not so nostalgic as to think that everything needs to stay as it was when I was a child. But it’s hard not to wonder about the histories that are being lost, and the stories that are being forgotten, when we demolish or repurpose our church buildings, or our football stadia.   

There is a reason why we preserve our history, and our cultural heritage. Sharing the same physical space as those that go before us is a supremely spiritual act. We visit castle ruins, old churches, and war-torn battlefields because they connect us to those that went before. We enter the stories of those people and realise that perhaps they aren’t so different from our own stories. 

Come May, the Gwladys Street End at Goodison will have sung its last song. In the near future, Old Trafford’s Stretford End will fall silent, too. Liverpool’s owners FSG have come in for a lot of criticism since taking over in 2010. But, along with appointing Jürgen Klopp, their decision to renovate rather than move away from Anfield will surely go down in history as an unqualified success. It is a place that reeks of history, of stories past. And those stories shape and underwrite the club’s stories in the present.  

Again: things change, I get that. But whether it’s the church’s buildings or football stadia, we lose these spaces – and the stories born within them – at great cost to ourselves.  

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3 min read

What’s the point of celebrating an anniversary?

How Liverpool Cathedral galvanised the heart of a community.

Stuart is communications director for the Diocese of Liverpool.

Two cans of beer depict a drawing of a cathedral.
Raise a toast!
Liverpool Cathedral

2024 was a momentous year for Liverpool Cathedral as we celebrate our centenary. To be honest we also had some celebrations in 2004 and could look at something for nearly every year up until 2078 if we put our mind to it. Is this seemingly random selection of a date merely a marketing trick. What is the point of marking or celebrating an anniversary? 

We are all used to anniversaries. At the very least every person has the anniversary of their birth to mark. Added to that we have weddings, work anniversaries and numerous other opportunities to mark past achievements. For many it can get tiresome seeing another anniversary being paraded through the media. 

For Liverpool Cathedral choosing to mark the centenary of our consecration in 1924 was significant. The centenary provided a galvanising factor for the cathedral community. It provided the impetus for us to try to secure our building through a number of improvement projects and our financial position by a massive fundraising initiative.  

We also, inevitably, planned a year of celebration worthy of a centenary bringing world class artist Anish Kapoor to exhibit, hosting a series focusing on our architect Sir Giles Gilbert Scott and culminating in being one of the Royal Mail’s Christmas stamps. A first-class stamp for a first-class cathedral.  

Central to our celebrations was our Peoples Service in July which marked the anniversary of the cathedral’s consecration. This reached to the heart of why we did this and why our anniversary celebrations were so important.  

Celebrating our centenary pointed to the spiritual heart and essence of us as a cathedral. We believe we were built by the people for the people and our purpose is to serve. Our history mirrors the history of Liverpool in the twentieth century, sharing joys and angsts, triumphs and tragedies. So many who visit us have a personal connection to the cathedral, a story to tell that binds them into our story. To be true to this our celebrations brought these before the God we believe in to celebrate and link these together as a reminder of the values and purpose which drive us on a daily basis. 

We also brought together people to celebrate and thank them for the role they play. For it is the people that make and drive our cathedral. Our volunteers, staff, congregations, visitors all bring the human element that bring true life and joy to the cathedral. The different ways in which they engage with the buildings beautiful, majestic architecture and use its great space fulfil the historic purpose that those who envisioned, created and built this place had. 

By rooting ourselves in our history and our traditional values we are reminded of our duty to future generations. Celebrating our centenary brought home the faithful dedication of the many whose vision brought this magnificent building into being. Knowing that, we treat what could otherwise become familiar with more respect and awe. As a consequence, we are inspired to ensure that the cathedral remains an integral part of people’s story in the future. 

By offering this to the God we believe in we are reminded that those who brought Liverpool Cathedral into existence did it to honour and worship that God. Liverpool Cathedral, like all cathedrals and churches, is meant to stand as a representation of Christ’s presence in our communities. A place of timeless reliability. The edifice of Liverpool Cathedral standing proud on the cityscape offers comfort to the city’s people even those who haven’t yet been through our doors. Celebrating that fact gives both a sense that we still remain a vibrant place, offering a range of activities and events gives a reason for people to take that first step across our threshold. 

It could easily be argued that you don’t need an anniversary to do that but moments help. In a marriage we celebrate the ruby, pearl, silver golden anniversaries but not so much on year 17. Having an excuse to do something, to be focussed, link our past to our future and above all to celebrate the people who inspire us on the way. 

2024 was a great anniversary for Liverpool Cathedral. Here’s to the next. 

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