Video
Creed
Easter
2 min read

Moments of empathy and expectation

As Easter approaches, many contemplate the critical events of Holy Week. These have inspired historic artists, from Da Vinci to anonymous sculptors, and modern creatives. Understand more about their work. Watch this set of short videos from the Visual Commentary on Scripture.

Nick is the senior editor of Seen & Unseen.

A medieval painting of angels holding the dead Christ.
Bellini's Dead Christ Supported by Two Angels.
Giovanni Bellini, Public domain, via Wikimedia Commons

To better understand the events of Maundy Thursday, Good Friday, Holly Saturday and Easter Sunday, and the art works inspired by them, view and listen to these visual commentaries. Curated by The Visual Commentary on Scripture team of theologians and art historians, they give insights into the historical and contemporary cultural responses in art

The Visual Commentary on Scripture is a freely accessible online publication that provides theological commentary on the Bible in dialogue with works of art. 

Maundy Thursday: a global feast

On Maundy Thursday, Christians remember the meal Jesus ate with his disciples known as The Last Supper. This film explores the textual and cultural traditions that inspired three works of art of the Last Supper. It discusses two fifteenth-century paintings, one by Ercole de' Roberti and the other by Leonardo da Vinci, and a 20th century print by Japanese artist Sadao Watanabe.

Find out how the cultural context of diverse communities around the world drives responses to The Last Supper - from high altar pieces with lock and key, to common dining experiences across the centuries.

Good Friday: hope in the darkness

Good Friday is a ‘culminating moment’ that ‘provides evidence of both human violence and cruelty, as well as of grace and human love and charity.’ This film focuses on the Crucifixion of Jesus which is remembered by Christians on Good Friday. It discussing the ‘feast of imagery that is the Altarpiece with Scenes from the Passion of Christ carved by an unknown artist from Antwerp in the early 16th century.

Holy Saturday: considering life and death

Holy Saturday considers the time spent in the tomb by Jesus. This film focuses on a type of religious image known by its German name, an ‘Andachtsbild’ (plural Andachtsbilder). These types of art works shows Christ in his suffering or death, extracted from a narrative context to form a highly focused, and often very emotionally powerful, focus of devotion.

Capturing moments before and after the crucifixion - of a scarred back, bruised knees,  a mouth open for first breath, they compress ‘the spirit of a bigger story’ into single images that encourage empathy. Works carved or painted by the hands of Hans Leinberger, Juan de Valmaseda and Giovanni Belllini.

Easter Sunday: the loving look

On Easter Sunday, the Resurrection of Jesus is celebrated. In this film, VCS Director Ben Quash interviews filmmaker, playwright, author, and photographer Wim Wenders about his photograph 'The Road to Emmaus' (2000), where the risen Jesus is said to have met his disciples.

Wenders shares how he found and photographed The Road to Emmaus, capturing not only his favourite story – a ‘real road movie’ – but also creating his favourite image. The academy nominated director also explains why he loves to photograph places, and compares the ‘critical eye’ and the ‘loving eye’ that a documentary maker can use.

Article
Creed
General Election 24
Politics
5 min read

Cross-check what matters when voting

Three perspectives to inform how we vote wisely.

Sam recently completed a doctorate in political theology and is the Vicar of St Andrew's, Fulham Fields.

A pen draws a cross in a box on a ballot form.

What principles will shape your vote this Thursday? What or who will primarily guide your decision in the ballot booth? Podcaster and former political advisor Alastair Campbell’s  old adage  “we don’t do God” suggests that religion and politics don’t mix. Yet some of the most important movements for social and political justice in modern history had Christians at their heart. Think Wilberforce, Fry, Bonhoeffer, Martin Luther King Jr., Desmond Tutu, or the lesser-known but worth-a-google, Melanesian Brotherhood.  

What wisdom might the Christian faith have to offer when thinking, not just about this election, but how to approach politics in general? Like lions on the England football shirt, all good things come in threes– so, here are three Christian perspectives that can inform political engagement. 

First, earthly kingdoms are penultimate. God’s kingdom is ultimate. 

Perhaps the moment that Jesus is drawn most explicitly to comment on the politics of his day, was when he was asked about paying taxes. “Is it lawful to pay taxes to the emperor, or not?” Given how frustrating it can be watching politicians avoid responding directly to any question posed, we might sympathise with those who wanted a direct answer here. But for Jesus, to say yes would position him as a traitor to the Jewish people who wanted to resist and subvert the authority of the Roman Empire. To say no, however, would be to signal revolutionary intentions to lead a rebellion against the occupying Roman force.  

Set within this political trap, Jesus responds by asking for a coin and turns the tables by asking, “whose face is on this coin?” “Caesar’s,” comes the reply. “Then give to the emperor what belongs to him,” says Jesus. Yet, before we allow this response to justify opting out of political practice or hallow every existing ruling power, Jesus continues: “But give to God what belongs to God.” And what belongs to God, we ask? Well, as the writer of the ancient Psalms poetry put it, “the earth is the Lord’s and all that is in it.” Nothing short of the whole universe and beyond belongs to God, the creator of heaven and earth. So, in taking the coin, Jesus is not giving a blanket affirmation of Caesar’s rule, but challenges each and every earthly kingdom by relativising it in the light of God’s eternal kingdom. What has sustained so many Christians in challenging and renewing the political context of their day is the trust that before, behind, and beyond the rising and falling of each earthly authority stands God’s eternal kingdom. This kingdom is not in competition with the kingdoms of earth, vying to secure its own territory, but is a kingdom inaugurated by a king who wears a crown of thorns, forgives his executioners, and is raised from the dead to proclaim, “peace be with you!” The call to follow Christ within the political is to retain the perspective of this eternal life. 

Second, politics needs a perspective beyond personal interest. 

Holding an eternal perspective, however, is not to say this world or politics does not matter. In contrast, justice, compassion, and seeking a world as God intends it to be matters precisely because of eternity. How we live here and now has eternal significance. How we treat one another and care for all of creation has eternal significance. What belongs to God? We all do. Each person is made in God’s image. As a coin bears the image of its ruler, so we are marked by the image of God. When we consider our political responsibility, therefore, we must do so not with our own cares or concerns alone, or even primarily. Rather, we should ask what political responsibility we have towards others? How do my political decisions or actions impact my neighbour, both local and global– particularly those on the underside of the political power of the day? As the Archbishop of York, Stephen Cotterill, recently shared, “as a Christian, I’m hoping and I’m praying, that when I vote, when you vote, we won’t be placing our vote according to what’s best for us, but for what’s going to be best for God’s world.” If God’s power is displayed most fully in Christ who came, not to be served, but to serve, giving his life for the sake of the world, then political power cannot be a means for securing our own advantage over and against others. A Christian approach to politics recognises that my flourishing is bound up and inseparable from the flourishing of all others. 

Third, let’s disagree well. 

However, even if we could agree on the importance of politics beyond personal interest, we won’t all agree on what this looks like in practice. For instance, whilst two people might agree on the need to ensure a welfare safety net for the most deprived in society, their perspectives on how best to achieve this might differ greatly. Christians are not immune from such disagreements and (not that you would know it from the promises of each political party) no political system can deliver heaven on earth. How then are we to reconcile our political differences?  

Returning to the theme of belonging and image bearing, the church bears the image of Christ. The church is the Body of Christ, comprised of many different members yet united, as one body. One of Jesus’ final acts on earth was to pray that the church would be one in the same way that God, the Father, the Son, and the Holy Spirit are one. Unity in difference. This image offers a counterweight to how political differences are played out across the news and social media platforms. Here, to vote or think differently is often to become an enemy, or even to forfeit one’s belonging as a bearer of God’s image, another person worthy of inestimable dignity and value.  

Belonging to Christ, however, is to know that belonging together runs deeper than divisions of race, gender, societal status, and political tribalism. It is to trust that my sister or brother in Christ, with whom I might strongly disagree politically, is a gift to me, a showing of Christ, that I would otherwise fail to see on my own. If Christ really is the way, the truth, and the life, then the truth is beyond my final possession of it. This does not mean indifference or relativism. As the former Archbishop of Canterbury, Rowan Williams, writes, “unity is Christ-shaped, or it is empty.” But if we can recognise one another placing our penultimate political judgements under the same scrutiny of Christ’s coming kingdom, then even in our disagreements, the church, bearing together in costly communion, reveals a belonging together that anticipates the ultimate: a world where things can only get better.