Video
Creed
Easter
2 min read

Moments of empathy and expectation

As Easter approaches, many contemplate the critical events of Holy Week. These have inspired historic artists, from Da Vinci to anonymous sculptors, and modern creatives. Understand more about their work. Watch this set of short videos from the Visual Commentary on Scripture.

Nick is the senior editor of Seen & Unseen.

A medieval painting of angels holding the dead Christ.
Bellini's Dead Christ Supported by Two Angels.
Giovanni Bellini, Public domain, via Wikimedia Commons

To better understand the events of Maundy Thursday, Good Friday, Holly Saturday and Easter Sunday, and the art works inspired by them, view and listen to these visual commentaries. Curated by The Visual Commentary on Scripture team of theologians and art historians, they give insights into the historical and contemporary cultural responses in art

The Visual Commentary on Scripture is a freely accessible online publication that provides theological commentary on the Bible in dialogue with works of art. 

Maundy Thursday: a global feast

On Maundy Thursday, Christians remember the meal Jesus ate with his disciples known as The Last Supper. This film explores the textual and cultural traditions that inspired three works of art of the Last Supper. It discusses two fifteenth-century paintings, one by Ercole de' Roberti and the other by Leonardo da Vinci, and a 20th century print by Japanese artist Sadao Watanabe.

Find out how the cultural context of diverse communities around the world drives responses to The Last Supper - from high altar pieces with lock and key, to common dining experiences across the centuries.

Good Friday: hope in the darkness

Good Friday is a ‘culminating moment’ that ‘provides evidence of both human violence and cruelty, as well as of grace and human love and charity.’ This film focuses on the Crucifixion of Jesus which is remembered by Christians on Good Friday. It discussing the ‘feast of imagery that is the Altarpiece with Scenes from the Passion of Christ carved by an unknown artist from Antwerp in the early 16th century.

Holy Saturday: considering life and death

Holy Saturday considers the time spent in the tomb by Jesus. This film focuses on a type of religious image known by its German name, an ‘Andachtsbild’ (plural Andachtsbilder). These types of art works shows Christ in his suffering or death, extracted from a narrative context to form a highly focused, and often very emotionally powerful, focus of devotion.

Capturing moments before and after the crucifixion - of a scarred back, bruised knees,  a mouth open for first breath, they compress ‘the spirit of a bigger story’ into single images that encourage empathy. Works carved or painted by the hands of Hans Leinberger, Juan de Valmaseda and Giovanni Belllini.

Easter Sunday: the loving look

On Easter Sunday, the Resurrection of Jesus is celebrated. In this film, VCS Director Ben Quash interviews filmmaker, playwright, author, and photographer Wim Wenders about his photograph 'The Road to Emmaus' (2000), where the risen Jesus is said to have met his disciples.

Wenders shares how he found and photographed The Road to Emmaus, capturing not only his favourite story – a ‘real road movie’ – but also creating his favourite image. The academy nominated director also explains why he loves to photograph places, and compares the ‘critical eye’ and the ‘loving eye’ that a documentary maker can use.

Article
Assisted dying
Creed
Suffering
4 min read

Assisted dying: in praise of being a burden

It's not a reason to end a life, it's the very possibility of our being human.
A younger hand holds a wrinkled older hand of someone in a bed.

A lot has been said already about assisted dying. In the raging bonfire of public discourse, there has been a lot of heat, but not a lot of light. But amid all the noise surrounding Parliament’s upcoming discussion around assisted dying, a recent conversation hosted by Prospect between Brenda Hale (former President of the Supreme Court) and Rowan Williams (former Archbishop of Canterbury) served as a reminder that we are, despite everything, still capable of having meaningful and fruitful discussion about even the most divisive of issues.  

The conversation is earnest and hard-won throughout; both Hale and Williams each push and probe the other for more detail, more nuance, more outworking of implications. And yet their tenor remains respectful. There is no cheap point scoring, no trite comments or easy aphorisms. These are two people working to understand the other, in full recognition of the gravity of the topic.  

One particular moment, however, was frankly spine-chilling. As the conversation progresses, Hale is asked the following: “How do you deal with the pressure questions – pressure from family or financial pressures? What safeguards can you build in?” Her response – in full, for context – is as follows: 

“Well, you can build in the safeguards that the decision must be made without undue influence, coercion, duress or fraud. But in the end, it’s a matter of evidence, isn’t it? One of the things I find most difficult is that I don’t think it’s necessarily irrational for somebody to take into account the suffering their suffering is causing to the people dear to them, or the burden that looking after them is placing upon the whole community.  

I wouldn’t call that “undue influence”, but it’s one of the questions I find most difficult about all of this. You know, obviously there’s duress, there’s financial abuse, there are all of those sorts of things that have got to be checked against, and there ought to be objective evidence of absence of that. But when it comes down to somebody thinking, “I don’t want to be a cause of others suffering,” that seems to me to be a reasonable thing for somebody to take into account.”  

The idea that my dependency or burdensomeness might factor into decisions about whether I continue to live, seems to me to be contrary to the very notion of the Christian message. Let me explain why. 

We are made to be a burden, then. To depend on others, to be burdensome to them, is to be human.

We are, whether we like it or not, now rapidly approaching Christmas. At this time of year, Christians celebrate the birth of Jesus; the divine Son of God made flesh and born of a virgin. As the divine Son of God, Jesus lived the perfect human life of joy, grace, and faithfulness; the kind of life I can only aspire to. 

Because of this, as a Christian, I look to Jesus’ perfect life of faithfulness as a model for what a truly healthy human life looks like. And I am often surprised by what I find there. For example, it turns out true human flourishing does not involve getting married, having sex, or having children; Jesus’ perfect life of flourishing featured none of these things. 

But crucially, Jesus’ perfect life often involved depending upon others; upon being a burden to those around him. As an itinerant travelling teacher, Jesus relied on the financial support of his followers to make his ministry possible. He relied on being made and given food to eat, and a roof to sleep under. He was far from self-sufficient. Rather, he gladly made himself a burden to others in service of his ministry.  

But more than this, we often overlook the radical significance of the Christian claim that, at Christmas, we celebrate God’s becoming a baby. For the first years of his perfect life, Jesus was entirely – entirely – dependent upon his parents for all his needs. Here we see God, in the person of Jesus, depending upon Mary and Joseph to feed him, to clothe him, to cuddle him, to clean up his sick and his excrement. This is what human flourishing looks like. 

This is mirrored at his glorious death, too. Prior to his arrest, Jesus asked his friends for support; to stay awake while he prays for comfort. The Gospels go on to tell us that, having been mercilessly tortured, beaten, stripped, and interrogated, Jesus had his cross carried by a man named Simon of Cyrene. After his death, having no tomb of his own, Jesus was buried in the family tomb of his follower Joseph of Arimathea. And this, too, is what human flourishing looks like. 

Throughout his entire life Jesus lived the perfect life of human joy and faithfulness. And this often involved depending upon others and being a burden to them in every way conceivable. We are made to be a burden, then. To depend on others, to be burdensome to them, is to be human.  

To think, then, with Baroness Hale, that my dependency and burdensomeness upon others might somehow serve to underwrite a decision to end my life, is fraught with difficulty for me as a Christian. I simply cannot reconcile her words with the life I see Jesus living in the Bible: a life of joyful, difficult burdensomeness.  

There may be many other reasons why people decide they want their lives to end. But a sense of burdening others ought not to be one of them. Being a burden is not a reason to bring one’s life to an end, because it is the very possibility of our being human in the first place. To need others, to place ourselves into their care, does not make us less human, it makes us more human. And therein lies its glory.