Article
Belief
Creed
Doubt
Faith
Royalty
8 min read

Prince William's doubt is normal - it's impossible to be certain whether there is a God

Our limited human understanding means we will never fully understand God in this life, writes Graham Tomlin.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

A young man wearing a dark suit talks to a minister wearing regalia.
Prince William talks with the Dean of Westminster Abbey, 2019.
LPhot Belinda Alker, OGL 3, via Wikimedia Commons.

A new book, serialised in the Daily Mail, suggests Prince William is wondering whether he really wants to be Supreme Governor of the Church of England. While he respects the Church, it claims, he doesn’t consider himself particularly religious and doubts if he should head up a church he doesn’t attend much. There has been a fair amount of comment on the contrast between his grandmother’s strong Christian faith, increasingly evident in her Christmas broadcasts as she came to the end of her life, and that of his father, who has also made a point since his accession to the throne of emphasising his own personal Christian commitment, both in statements around the time he became king, and in his Christmas broadcast this past year.  

William, however, is less forthcoming. He was dutifully confirmed at Eton at the age of 14, and goes to church at Christmas and Easter, so presumably is not a hardened Dawkins-esque atheist. Like many of his generation he probably has his doubts about God and religion, doesn't often speak publicly about faith and so it's hard to know from the outside whether this really is a motivating force in his life or not.  

Of course, there is a whole separate argument about why personal faith, while it helps, is not strictly necessary for such a role. Many British monarchs in the past have not had a very strong Christian faith. The significance of the role rests in the office not the person - it is a constitutional not a personal, arrangement. But that is a different story. What interests me is what this story tells us about faith and doubt and the experience of what it is to believe. 

Like in my atheist days, I have days when I wake up and wonder whether it's all true. Am I deceiving myself?

I was once an atheist. Yet, like most atheists, I had my doubts. I tried to get on with my life not believing in God, yet every now and again something would happen to make me doubt my atheism. I would meet a Christian with a profoundly impressive life motivated by their faith and it disturbed me. An argument from a Christian writer momentarily seemed strangely plausible. An encounter of the beauty and wonder of nature suddenly might lodge the thought in my mind that maybe there is a Creator after all? Like all good atheists, however, I managed to push these thoughts to the back of my mind. I learn to doubt and resist these impulses and return to my central take on the world which was that there definitely is no God. 

As it happened, in time, my doubts became too strong for me, and I began to think that Christian faith made more sense of the world than atheism did. And so, eventually and slowly, I became a Christian. Of course, the process happens the other way around as well. People with a notional Christian faith start to doubt it to the extent that it no longer makes sense to them.  

I have now been a Christian for many years and a Bishop for a few of those. Like in my atheist days, I have days when I wake up and wonder whether it's all true. Am I deceiving myself? Have I wasted most of my life on something that is not real? I might read a book that is sceptical about some aspect of the Christian story and a doubt niggles away in the back of my mind. God suddenly appears silent in answer to heartfelt prayers, and for a moment I wonder if he is there at all. I have doubts, just as I did in my atheist days.  

But just like I did when I was an atheist, I learned to doubt my doubts. Atheists often challenge Christians to come up with a piece of evidence that would suggest that God exists. And sometimes we try, with arguments from the design of the universe, apparent miracles, fulfilment of biblical prophecies and so on. But they never quite convince. The reason they don't convince is that the atheist can always come up with an alternative explanation. And that takes us to the heart of the issue.  

For Christians, and for other believers in God for that matter, God is not another object in the universe that can be proved or disproved. I might find indications that point in the direction of there being a God but, as the atheist points out, you can always explain them away in some form or other. 

Instead, atheism and belief in God are better seen, not as the result of a process of sifting evidence, looking for proof one way or another, but as different ways of looking at the world.  

A cartoon etching of a duck that looks like a rabbit.
Wittgenstein's cartoon.

The philosopher Ludwig Wittgenstein once picked up a common cartoon that circulated in German comic newspapers in the late nineteenth century to make a similar point. Looked at one way, it looks like a rabbit. Look at it another way it looks like a duck. Whether you see a rabbit or a duck is dependent upon other factors. Children who have just been to the local duckpond might be inclined to see a duck. Someone with a pet rabbit might be inclined to see a rabbit. Wittgenstein’s point was about the way concepts in our mind shape our perceptions of reality. We may perceive the same thing, but we see it as something different. 

This idea of ‘seeing as’ – seeing something not just in itself, but ‘as’ something shaped by our mind’s perceptions, became well known in philosophy after Wittgenstein’s use of the image. It may help us in thinking about belief in God as well.   

On a Christmas Day edition of ‘The Rest is Politics’ with Alistair Campbell and Rory Stewart (soon after his appearance on Re-Enchanting’), two of the most popular podcasts of our times met when Tom Holland of ‘The Rest is History’ came on the podcast. As it was Christmas Day, Alistair Campbell asked Tom Holland whether he believed the Christmas story and all the rest of the Bible. His reply referred to this very picture of the duck / rabbit, and he said:  “There are times where I can believe it, and there are other times where I look at the stories and think this is absolutely ridiculous - how could it possibly be true? I think the Infinity of space, I think of vast geological time and I think it's absolutely nonsense. So I kind of veer between the two.” 

In a way he’s right. You can’t decide between the two ways of looking at the picture by some process of forensic scientific evidence. There is no ultimate way of deciding whether it is a duck or a rabbit.  

Now the analogy with faith is imperfect. The picture could be a rabbit, it could be a duck. Whereas, to put it bluntly - there either is or is not a God – both can’t be true. Where the image helps us, is that in our limited understanding of things it is impossible for any of us to say, whether believer or atheist, that we know 100 per cent definitively that there is or is not a God. Even Richard Dawkins agrees on that point! 

The other difference is that you can’t be neutral on this. Whether you see it as a duck or a rabbit probably makes no difference to your life. Yet faith is more than just an opinion. It is a way of life. To ‘believe’ in God, in the Christian sense of ‘believe’ is not just to hold the opinion in your head that God exists, but to decide to live as if it true that God exists, that he is revealed in Jesus Christ, that each person you meet each day is a precious soul, for whom Jesus died and so on. 

The American philosopher Michael Novak put it like this:  

“The centre of the argument concerns whether I should think of the universe as impersonal and indifferent to me, and ruled by randomness and chance. Or whether I should interpret it as personal through and through, in such a way that all things that are and have been and will be dwell in the presence of God a person who understands and chooses all that he brings out of nothingness into existence.” 

Whatever faith position you take up - to believe that there is a God or that there isn't, you will have doubts. But the nature of faith is not to have an absence of doubt, but it's how you treat those doubts. At the end of the day, each of us has to decide which approach makes most sense of the world that we experience every day. Does the problem of Evil – why bad things sometimes happen - mean you can’t believe in God? Or does the problem of Good – why good things sometimes happen – mean you can’t be an atheist? 

Prince William, and Tom Holland for that matter may have their doubts about faith, But that is no reason not to decide to believe.

When I became a Christian it was because the world no longer made sense to me as a place that emerged by chance, that has no ultimate purpose, that our intelligence emerged literally from non-sense. Our deep need for love seemed to fit better with the idea that this world emerged out of love, than that it emerged from a heartless, random void. Seeing the world in that way makes better sense to me than the alternative. It doesn't mean everything suddenly makes sense, but it does offer me a better way of thinking and living in the world. I can't prove it. I have my days of doubt. But that's the way I choose to believe, and choose to live.

Column
Books
Culture
Music
Space
6 min read

Magnificent or mundane: how do you react to the overview effect?

Creators of a book, an album and a game, can’t agree.
A small white space capsule orbits around the earth.
A SpaceX Dragon capsule orbits above Earth.
NASA.

As I write this, two Nasa astronauts – Suni Williams and Butch Wilmore (possibly the most USA-sounding name imaginable) – are preparing to leave the International Space Station to return to Earth. They were supposed to stay on the space station for eight days, but a technical problem with their spacecraft meant they’ve been stranded in space for nine months.  

Nine. Months.  

It sounds like the premise for a horror film. Two stranded astronauts slowly descend into madness as they become increasingly isolated and cut off from humanity. Written and directed by M. Night Shyamalan, probably. 

That’s a lot of time to be stuck orbiting Earth, gazing at the pale blue dot, contemplating our little corner of the universe. There’s a phenomenon called the overview effect: a shift in thinking astronauts go through when they see Earth from space. Putting the planet into the wider context of the entire cosmos leads observers to rethink humanity’s place in the universe, and what it means to be human.  I imagine Suni and Butch have had quite a bit of time to do just that in recent months.  

And the overview effect is currently having a bit of a moment in wider culture, too.  

If you went into any bookshop in the weeks before Christmas, you likely saw stacks of Samantha Harvey’s novel Orbital. It tells the story – although there’s not much by way of traditional ‘story’ in Orbital – of six astronauts on the International Space Station, pondering the nature of humanity from their lofty vantage point. 

Having won the booker prize, booksellers were keen to encourage readers to buy Oribtal. Praised by the Booker Prize judges for its “beauty and ambition”, I was looking forward to reading it, when I could. (And, let’s be honest, it’s a short book, which probably helped sales. Who has the time to read Ulysses or Infinite Jest in between school runs and weekly shops?) 

When I finally read it in January, I was left disappointed. I found a surprising lack of humanity in Orbital. With the exception of one astronaut – who spends her time mourning her recently deceased mother some 250 miles up in the sky – the characters feel somewhat paper thin; barely human. As the story meanders from person to person, never really settling on one character long enough to really develop them, it feels a bit … insubstantial?  

Maybe it’s a victim of its own hype. Maybe the not-quite-humanness of the astronauts and the listless quality of the narrative are intentional, designed to capture the ungrounded nature of life in space in both form and content. Maybe that’s being generous. Either way, I was left closing the book and shrugging my shoulders. If Orbital was supposed to offer a glimpse into that overview effect, it left me nonplussed. 

By coincidence, Steven Wilson has just released his eighth solo album: The Overview. Who is Steven Wilson, you ask? Only “probably the most successful British artist you've never heard of” according to The Daily Telegraph. With Wilson’s album currently sitting at #1 in the UK album charts, it doesn’t seem an unwarranted title.  

In The Overview, Wilson explores the overview effect across just two lengthy pieces of music. In the first, Wilson contrasts the mundanities of life on Earth with the chaos of space, calling us to attend to miracle that is humanity, thanks to lyrics written by the annoyingly talented Andy Partridge of XTC: 

“And there in an ordinary street  

A car isn't where it would normally be  

The driver in tears, about his payment arrears 

 Still, nobody hears whеn a sun disappears in a galaxy afar.” 

With Partridge’s help, Wilson manages to capture that humanity so sorely lacking in Orbital. Amid a sea of seemingly barren space, there is life here on this small, pokey planet, and the dramas and stresses of a man fretting about his debts don’t seem out of place, even when compared to the implosion of a star on the other side of the universe.  

All this makes a recent interview with Wilson all the more odd.  

When speaking about the overview effect, Wilson says “Your life is futile, it’s meaningless – and isn’t that a wonderful thing?” before doubling down: “And I do mean that. We spend so much of our time anxious, stressed, worried about things that sometimes we just need an injection of perspective.” 

For Wilson, this perspective – this overview effect – is liberating. It allows to stop navel-gazing, to pick our heads up and to realise our freedom to do whatever we want. After all, everything’s just matter in varying different arrangements:  

“The clouds have no history 

And the sea feels no sorrow 

The oxygen recycled 

And the atoms are just borrowed,”  

At the climax of the album’s second epic, Wilson sings – with more glee than it warrants –  

“There's no reason for anything  

 Just a beautiful infinity 

 No design and no onе at the wheel.” 

 Cheery stuff. 

It's easy to see why, in the same interview, Wilson rails against the concept of religion: “Religion is a classic manifestation of cosmic vertigo … To even understand even the very simplest, most basic facts about space, should be enough to disabuse anyone of the notion of God. But apparently it doesn’t.” 

It all sounds a bit like an angsty teenager encountering the New Atheists for the first time. And this edge to Wilson’s work jars uncomfortably with the humanitarian streak that runs through his music. Wilson wants (rightly) to celebrate the mundane, the ordinary, and the human. And simultaneously wants to tell us that we’re just … stuff. Just atoms arranged in one way or another. Wilson pays lip-service to the humanity missing from Orbital, but it’s superficial.  

And all this reminds me of my favourite video game ever: 2019’s The Outer Wilds. (Not to be confused with 2019’s also-space-based-but-decidedly-mediocre The Outer Worlds). In The Outer Wilds, you play as an alien with a ramshackle spaceship who sets off to explore their solar system. Except every 22 minutes, the sun explodes. When it does, you wake up on your home planet and start again. 

You use these 22-minute loops to explore the solar system, flying manually from planet to planet, and exploring every nook and cranny of them in the process. You see awe-inspiring sights and are confronting with the absolute otherness and horror of the vastness of space.  

And yet. As you explore, you come across notes left by long-forgotten civilizations. Mundane lists and frustrated exchanges between colleagues. You come across life, in other words, even if you don’t meet many other actual people. I can’t say much more than this without ruining the game: The Outer Wilds depends on your real-world knowledge to progress, and so, the more I tell you, the more I ruin.  

But, suffice it to say that this is exactly what is missing from Harvey and Wilson’s work. While they both ostensibly want to remind us of the value and the miracle of humanity, both leave me feeling cold. Both leave me with the impression that life is little more than atoms arranged one way and not the other. Just stuff.  

But in The Outer Wilds, the sun’s implosion – and all that is lost with it – is a genuine heartbreak every single time. I think about all the stories I’ve read, and the people I’ve met, and how it’s all about to be lost as a bright supernova washes over me. And then I wake up again at the start of the cycle, relieved that all is not lost.  

If you can, you should play The Outer Wilds. It’s beautiful. Really, really beautiful. More so than Orbital or The Overview. Our place in the universe can be overwhelming; we’re small, and the universe is strange and scary. But we’re not just insignificant stuff. Our stories and the people we share them with matter. And Outer Wilds captures this tension impeccably. Only it captures life’s miraculous nature in the way it deserves. 

Celebrate our 2nd birthday!

Since March 2023, our readers have enjoyed over 1,000 articles. All for free. This is made possible through the generosity of our amazing community of supporters.

If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

Graham Tomlin

Editor-in-Chief