Podcast
Books
Culture
Re-enchanting
S&U interviews
1 min read

Re-enchanting... reading and writing

"We are culture making creatures", says Francis Spufford, on the latest episode of Re-enchanting - Seen & Unseen's new podcast series.

Nick is the senior editor of Seen & Unseen.

A man sits and speaks into a microphone beside him on a table, while gesturing with his hand. Behind, Big Ben is on the skyline.
Francis Spufford interviewed at Lambeth Palace Library.
Seen & Unseen

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"Showcasing Spufford's gift for the old-fashioned alchemy of creating flesh-and-blood characters we care about deeply."

Anthony Cummins
The Literary Review

About this episode

This episode of Re-enchanting sits down with Francis Spufford, the author of Golden Hill and Light Perpetual.

Ranging from what books he is is reading at the moment, the podcast covers Spufford's journey into writing and the nature of disenchantment, as well as whether "Christianity belongs in some quiet corner of the human zoo."  

It then moves on to explore the nature or re-enchanting, why it is what humans do, and and how our culture rewards it.

About the podcast series

The Re-enchanting podcast sees hosts, Justin Brierley and Belle Tindall, talk with guests about how Christianity can re-enchant culture, politics, the arts, the sciences, history, and so much more.

Despite the increasingly scientific and secular age we live in, many people are still searching for a bigger story to live by. The podcast features a mix of guests - both with and without faith - and explore how those who have tired of modern materialism are the ones seeking to 're-enchant' the world. This podcast is about tracing their journey and work.

Series one features conversations with the likes of Tom Holland, Louise Perry, Francis Spufford, Sally Phillips and Marilynne Robinson.  

Hosted by Belle Tindall and Justin Brierley, it's recorded for Seen & Unseen at Lambeth Palace Library, home of the Centre for Cultural Witness.

Snippet
Books
Comment
Joy
Music
2 min read

Rick Astley’s contentment is joyous

The veteran popstar’s story strikes more than a musical chord.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

On a music festival stage, a popstar in a pink stages holds raised hands with his band.
Astley at Glastonbury. 2023.
aph_PH, CC BY 2.0, via Wikimedia Commons.

Last month was the wonderful Cheltenham Literature Festival and I flexed my low-brow muscles by going to see Matt Haig, Miranda Hart and Rick Astley. All three truly brilliant events.  

But the last of these was the final event of the whole festival and the most surprising. I had no idea what to expect as I’ve never heard veteran popstar Rick talk or be interviewed. If I’m honest, I was probably being ever so slightly ironic in choosing to buy the ticket. I didn’t even know he’d written a book – his autobiography, Never.  

He was absolutely sensational. The first question was “I’m sure you’ve been asked before to write your autobiography, so why now?” Answer, “Because I wanted to be completely honest and for that, I had to wait for my parents to die.” Oh, hang on. This is going to be a very different evening from the light entertainment rickrolling we were all anticipating. 

He went on to describe a “very scary” childhood. He spoke with grace and kindness where he could, but he was also completely open about how “scary” his dad was. About living in a Portakabin at the age of 14. That music was his ticket out of that “scary” place. He used the word scary a lot. Which I found really moving. As a word, it vividly conjures up the fear felt by a child, which can get lost in the slightly abstract safeguarding language that we often hear people use when talking about abuse.  

He told lots of fabulous stories about the early days with music producer Pete Waterman) and again, he spoke with respect (“they were just amazing musicians”) but also with candour. He dropped names with affection and disinterest in equal measure. We all know he was stratospherically famous – for a while – and then he wasn’t. And now he is again, at least a bit. He talked openly about all of that. He was articulate and funny; the kind of guy you’d have a great evening with, in the pub.  

But most impressive was at the end, with tears rolling down his cheeks, he said, in his rich Lancashire accent “music was my way out of that scary place. Not my ticket to sex, drugs and a Ferrari. I wasn’t interested in all that. What I wanted to find was safety, to build my own family and have a stable, safe home life.”  Wow. And he’s achieved it. He met his wife in 1987. 

Funnily enough, the day before I went to see Rick I found a meme on my Insta feed – it was putting the words of “Never gonna give you up” into the mouth of Jesus. I don’t think Rick Astley is a Christian and he certainly isn’t the Messiah – but there is real joy to be found in an artist whose music celebrates what is good and beautiful in human relationships. And not just in a soft lens, infatuation dream-state ballad. He’s in it for the long haul. 

In the words of the blurb on the back of the book, “Never” is a “portrait of truth, artistic evolution and the astounding power of contentment.” Now that’s rock ‘n’ roll.