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4 min read

‘The silent stars go by’, mocking the Middle East peace process

Where are today’s witnesses to peace in the Holy Lands?

George is a visiting fellow at the London School of Economics and an Anglican priest.

Dots of light, caused by missles, fall across a night sky above the city
Iranian missiles above Jerusalem.
BBC News.

The evil shooting stars of ballistic weaponry over Jerusalem would have been clearly visible from Bethlehem, just to the south of the capital in the occupied West Bank, last Monday evening.  

“Above thy deep and dreamless sleep/ the silent stars go by” goes the children’s Christmas carol. Nothing deep and dreamless about sleep in the little town of Bethlehem just now. Those deadly Iranian-dispatched stars were silent enough, until their alignment with Israeli ones in the Iron Dome. Then “Whump!” as each star collapsed, leaving a black hole in the night sky. 

How depressing that these shining stars of violence and hatred should hang in the same sky that, it is said, hosted the star to mark the birthplace of the Prince of Peace. Depressing but not surprising. The Christ child grew up to foretell to Jerusalem that “the days will come upon you, when your enemies will set up a barricade around you and surround you and hem you in on every side and tear you down to the ground, you and your children within you.” 

He predicted his own death in Jerusalem. And, for sure, the Christ is still being crucified there, every time a man, woman or child loses their life to that violence and hatred, there or in the surrounding region. 

Where are wiser counsels this week, witnesses to peace in the Holy Lands? The legend has it that magi followed the messianic star to the stable. Who looks to these different stars in the night sky this week and asks what they mean? 

Iran’s hardliners, under Ayatollah Ali Khamenei, can’t countenance a dove with an olive twig.

It’s a bit of a stretch to apply the status of magus to Masoud Pezeshkian, Iran’s new reformist president who had just been sworn in when he watched the rockets launched. His only similarity with the magi may be that he watched those travelling stars in the sky from an eastern perspective. 

But Pezeshkian has, at least, tried to talk of the possibility of peace, among a Middle-Eastern cast who can only speak of war. He arrived back in Iran from the UN general assembly, where he had declared that Iran is “ready to lay down its arms if Israel lays down its arms.” He added: “We want to live in peace.” 

Even if it’s not the wolf living with the lamb, or the leopard lying down with the kid, it does at least envisage a time when an Israeli wolf may lie down with the Iranian leopard. But Iran’s hardliners, under Ayatollah Ali Khamenei, can’t countenance a dove with an olive twig. They’re consumed with vengeance for Israel’s killing of their putative military leader, Hezbollah’s Hassan Nasrallah, in Lebanon. And death must always be followed by more death in this scenario. 

Followers of the Nazarene into Jerusalem committed to something very different, a defeat of death as a weapon of despair. Two millennia later, we might expect leaders of a western world founded on the principles of those first followers to speak to peace as the overriding priority for the lands from which their religion derives. 

To draw the West into a war with Iran in defence of Israel. A re-elected president Donald Trump would be a useful dupe for this ploy...

Not a bit of it. Peace in the Holy Lands doesn’t even sound like a strategic aim for the West anymore. On the invasion of Iraq in 2003, the US Army general David Petraeus asked: “Tell me how this ends?” No such foresight today. The all-consuming desire seems solely to show that we’re on Israel’s side, come what may. 

President Joe Biden responded to Iran’s aerial attack by saying that the US is “fully, fully, fully supportive of Israel”. For his part, prime minister Keir Starmer declared that “Britain stands full square” with Israel and supports its “reasonable demand for the security of its people.” Admirable sentiments, but they don’t point to peace any time soon, so long as they encourage Israel (or anyone else) to escalate conflict. 

In some quarters, this is held to be deliberate Israeli policy: To draw the West into a war with Iran in defence of Israel. A re-elected president Donald Trump would be a useful dupe for this ploy, abetted in part by the more extreme ends of the US Christian Right, for whom Israel must be protected at all costs as the locus for the second coming of the Christ. So, war with Iran is Armageddon, the great conflict of the End Times. 

These are truly terrifying prospects. For the time being, it’s possibly enough to note that the president of Iran speaks more about peace than the West currently does. Given that the West is supposed to represent the legacy virtues of Christendom, that is in turn alarming. 

That Bethlehem carol goes on to note “How silently, how silently, the wondrous gift is given.” As we raise our eyes to the fearsome lights in the night sky over Israel, we might wonder whether, when it comes to peace, silence from Christian nations is really enough. 

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Culture
Film & TV
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War & peace
5 min read

The story from a galaxy far, far away that's just made for these times

Andor holds up a galactic mirror to our media-saturated world.

Krish is a social entrepreneur partnering across civil society, faith communities, government and philanthropy. He founded The Sanctuary Foundation.

A montage shows the lead characters from Andor.

It’s an unlikely setup for success: a series set in a forgotten corner of the galaxy, a prequel to a prequel, telling the backstory behind Rogue One - the fourth highest-grossing Star Wars film. It’s a show with none of the original characters—no Darth Vader, no Luke Skywalker, no Obi-Wan. And yet, Andor has garnered widespread critical acclaim and fan appreciation. This Disney+ series has become the first true Star Wars content for grown-ups. 

Disney invested heavily in acquiring the rights to both the Marvel and Star Wars franchises, paying $4 billion for each. The returns have been massive—an estimated $13 billion from the Marvel Cinematic Universe and $11 billion from Star Wars. Yet, despite the financial success, something has been lost along the way: mediocre storylines, convoluted time-travel plots, and repetitive tropes have dulled the creative edge. 

But Andor stands apart. It offers something different—a grounded, character-driven narrative with rich, resonant themes that speak directly to today’s audience. 

Tyranny needs resisting at all levels

Andor follows a number of intersecting character arcs. Although the series is named after Cassian Andor (played by Diego Luna), a disillusioned smuggler turned Rebel Alliance operative, the story is much larger than a single man.  

As the Empire tightens its grip—both openly through military might and brutality, and in the shadows with a vast array of spies, surveillance, and an ever-expanding intelligence network—the need for resistance at every level becomes urgent. Those with a voice need to speak up while there is still a semblance of democracy and freedom of speech. Money is required to fund an insurgency and foot soldiers from all walks of life need to be found and prepared to rise and challenge the systemic injustice and rising imperial oppression. 

Enter Cassian Andor, orphaned at age six and adopted by Maarva and Clem Andor. His early experiences with poverty and oppression awaken something within him—something that solidifies when Clem is executed by stormtroopers. At the other end of the spectrum is Mon Mothma, born into privilege and political influence. Her arc centres on a moral crossroads: whether she will risk her status, her wealth, and her safety to support the resistance from within the halls of power. 

The relevance of Andor's message couldn’t be timelier. In an era marked by rising authoritarianism, disinformation, and increasing political polarization, the show insists that tyranny must be resisted at every level. It reminds us that democratic institutions are fragile, and silence in the face of injustice enables oppression to grow unchecked. Whether it’s fighting against despotic leadership, the erosion of freedom of speech, or systemic inequality, Andor suggests that the burden of resistance cannot simply fall solely on the heroic few. It requires people at every level of society to act with courage, integrity, and purpose before it’s too late. 

 Truth matters 

One important storyline in Andor is how the Empire constructs a moral justification for its actions through state-controlled, propagandist media. Good people can be manipulated, and truth can be twisted. In real time, we witness spin doctors denying or reframing the brutality unfolding around them—even as the Empire violently crushes a peaceful protest in Gorman. 

Showrunner Tony Gilroy uses every world-building tool at his disposal to draw parallels with both historical and contemporary injustices. For instance, the costuming of the Empire’s senior leadership and Imperial Security Bureau agents evokes eerie similarities to Gestapo uniforms. In contrast, the Gorman resistance fighters appear as if they’ve stepped off the set of Les Misérables, echoing the June Rebellion of 1832. They even speak in a French-accented galactic dialect, reinforcing the connection. 

It's difficult not to read this as a critique of how modern news outlets reframe and re-narrate global conflicts—such as the war in Israel and Gaza—to suit and shape their audiences. This agenda-driven reporting distorts facts and desensitizes viewers, often at the expense of those suffering on the ground. The complicity of the press in disinformation and facilitating or justifying atrocities, is contributing even today to ongoing humanitarian crises in places like Sudan and Gaza. 

In a supposedly post-truth era, Andor reminds us that truth still matters. The series holds up a mirror to our media-saturated world, revealing how outrage is manufactured, narratives are controlled, and reality is often mediated through selective storytelling. It challenges us to reflect on the reliability of the news we consume—and on our own role in questioning or accepting the stories we're told. 

Which side are you on? 

One of the most compelling aspects of Andor is its portrayal of parallel lives on both sides of the conflict. While much of the action follows Cassian’s transformation from smuggler to reluctant operative to key rebel leader, we also witness the rise of Dedra Meero—a driven, ambitious surveillance officer within the ISB, the Empire’s intelligence arm. 

Dedra begins as an underdog fighting workplace sexism in a male-dominated bureaucracy. But as her career advances, so does her capacity for cruelty. She becomes one of the Empire’s most ruthless enforcers, willing to sacrifice anything and anyone in her relentless pursuit of Rebel operatives. Her story is a chilling reminder of how authoritarian systems reward efficiency and zeal, no matter the moral cost. Ironically, her single-mindedness may end up helping the rebellion—her recklessness potentially exposes secrets about the Death Star. 

Throughout the series, we see similar tactics employed on both sides—surveillance, betrayal, sacrifice. The only difference is the larger narrative arc that ultimately vindicates the Rebellion’s cause. But in building complex, believable antagonists like Dedra, Andor shows us the banality of evil—how ordinary people, convinced they are doing the right thing, can become instruments of oppression. 

The question the series leaves us with is chillingly simple: in a world sliding toward growing injustice, which side are you on? 

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