Article
Belief
Creed
4 min read

Why news of the ‘Quiet Revival’ needs taking with a pinch of salt

When Christianity becomes cool, it has a tendency to lose its soul.

Graham is the Director of the Centre for Cultural Witness and a former Bishop of Kensington.

An ancient salt shaker sits next to a pile of crushed rock salt.
Out of the salt shaker.
Jonathan Tame on Unsplash.

Mark Twain, that purveyor of slanted wisdom, was wary of data. "Figures often beguile me," he wrote, "particularly when I have the arranging of them myself; in which case the remark attributed to Disraeli would often apply with justice and force: 'There are three kinds of lies: lies, damned lies, and statistics.'" 

Now whether Disraeli ever said this is a moot point. The quotation has been attributed to figures as various as Walther Bagehot, Arthur Balfour and the Duke of Wellington. Either way it has gone down in history as expressing a certain strand of suspicion when it comes to statistical analysis of the future. 

This phrase came to mind this past week when reading The Quiet Revival, a study conducted by the Bible Society that suggests that the long story of church decline in England and Wales is over. It claims that church attendance has risen by 50 per cent over the last six years and particularly young adult men are increasingly turning to the Church, especially to the Roman Catholic and Pentecostal versions of it. 

The report been hailed and celebrated by Christian commentators, perhaps in a spirit of relief, thankful for some good news against the background of months of dreary and gloomy news of resigning Archbishops, looming splits in the church over sexuality and the ongoing seemingly inevitable process of decline. 

Now I don't for a moment mean to doubt the results of the survey. Or to get all Scrooge-like at the findings. For those of us who have been part of the church for years it is indeed welcome news and a cause for some cautious optimism. It always lifts the spirits a little to feel that others see what you see, and you're not whistling in the dark when it comes to continuing to believe. ‘Revival’ is perhaps too ambitious a word to use right now. It would need a lot more hard evidence from bigger surveys and more observable results to deserve such a designation. But there do seem to be straws blowing in the wind, perhaps the first signs of a refreshing breeze which might yet sweep away some of the shadows of sceptical unbelief. 

The appeal of Christian faith is precisely the fact that it's not based on how many people believe it. 

Yet forgive me if I take all this with a pinch of salt. The popularity of Christianity has always waxed and waned throughout the last two thousand years. There are times when it has been the flavour of the month - or the century - such as when it started to become the official religion of the Roman Empire 300 years or so after the time of Jesus. Yet popularity brings its dangers. When Christianity becomes cool, it has a tendency to lose its soul, its radical nature diluted by the flocks of people drawn to the cross as a kind of fashion accessory. At other times it has dwindled to a few hardy souls braving it out, like the eleven fearful disciples huddling together in Jerusalem, looking for an escape route after the execution of Jesus, or the tough, rugged Christians who carried on praying during years of persecution, often paying for their faith with their lives.  

Christianity’s claims to truth are not dependent on a referendum. For us Christians, our faith remains true whether or not people believe it. The fact that more people may be going to church now than a few years ago doesn't make the Christian faith any more or less true. I've never taken the predictions of the church's demise too seriously. Which is why I'm not one for putting out the bunting when the predictions go the other way.  

This why it seems to me that, like Mark Twain, believers in Jesus ought also to be a little sceptical of statistics. Numerical projections and probability theory have their uses in trying to spot social trends, but they don't have much bearing on questions of truth. After all, statistical analysis of what tends to happen to dead people would never have predicted the Resurrection. 

The appeal of Christian faith is precisely the fact that it's not based on how many people believe it. It centres on an event where the eternal became temporal, where God entered into human history in the shape of a Galilean rabbi. It therefore transcends time and space, opinion polls and surveys. It gives a confidence rooted not in the swinging mood of public opinion, up one minute and down the next, but instead something lasting, permanent and reliable.  

So be glad, if you want, at the prospect of a coming renewed wave of faith. But don’t be fooled into thinking this proves anything. As Jesus once said: “Do not rejoice at this, that the spirits submit to you, but rejoice that your names are written in heaven.” 

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Review
Belief
Culture
Music
Race
5 min read

Annie Caldwell: “My family is my band”

A force of nature voice that comes from the soul.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A family group stand and sit for a photo.
Family album.
The Caldwells.

They say that good things come to those who wait. Annie Caldwell is someone who has experienced the truth of that proverb.  

The album she and her siblings (known as the Staples Jr. Singers) made and paid for themselves in 1975 sold only a few hundred copies but, when reissued in 2022, was received as a stone-cold classic and led to the recording of a second album 49 years after the first. Now, her other group, Annie and the Caldwells, have released their major label debut to rave reviews, 30 years after they first began performing. 

Annie Brown was 11 when the Staples Jr. Singers was formed in honour of Pops and Mavis Staples of the famed Chicago soul-gospel group, The Staples Singers. The siblings gained popularity at churches and functions throughout the American South and Midwest, being mentored by Mississippi greats like Lee Williams and Spiritual QCs. 

Back then, the South was desegregated on paper but not always in practice. Their parents found refuge and support in the church against the backdrop of an unwelcoming town (and nation), while the children found refuge and a greater purpose in life in the music. They were influenced by what they saw - the backlash after desegregation, Civil Rights - and wrote music with messages of community and social justice. “All the songs we were singing about,” said Annie’s brother Edward Brown, “We were going through it.” 

The Staples Jr. Singers got to make a single record together, one which, because of its rarity, became coveted by gospel soul collectors: When Do We Get Paid. They paid for the record themselves and pressed a few hundred copies, selling most of them on their front lawn to their neighbours. On its re-release in 2022, The Guardian called their socially conscious gospel album “Powerful,” and UNCUT said that it was “music that deserves your attention.” 

As a result, the Staples Jr. Singers finally had their time in the sun, including multiple European tours. Annie spoke then about being able to “do many things that we didn’t get the chance to do in the beginning of life … Because the time and money wasn’t there. It all came late, being in our sixties now—but it looks like it’s just beginning, you know? Life is just beginning for us.” She concluded that: “God has blessed us and opened up doors that we couldn’t even see,” and said that, “If I can help just one person, I know that I’m not singing in vain.” 

They play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. 

One warm evening in October 2023, the family gathered in a single-room church in West Point, Mississippi, called The Message Center to record their second album Searching. There, across the street from Annie’s house, they played songs they had written nearly fifty years before and did so together with four generations of their musical family. The original three Staples Jr. Singers, Edward, R.C., and Annie, were joined by some of the new vanguard: Edward’s son Troy on backing vocals, R.C.’s son Gary on bass, and R.C.’s grandson Jaylin on drums. “It was good to be able to go back,” said Annie, “and look back over our life. Some of the same songs that we had sung, those songs have a new meaning to me.” 

“The process was very easy,” said producer Ahmed Gallab, who performs as the artist Sinkane. “There’s nothing like a family bond/band. It was so special to watch how locked into each other everyone was. You can hear and feel that on this record.” He concluded: “I feel like I was able to witness part of this family’s continued story and legacy in real time. That was a very special thing to witness.” 

Annie and the Caldwells is also a family band, being led by Annie and her husband of the last fifty years Willie Joe Caldwell, Sr. (who plays guitar). Annie says, “My family is my band”: she is backed by their daughters Deborah Caldwell Moore and Anjessica Caldwell and goddaughter Toni Rivers; their eldest son Willie Jr. Caldwell is on the bass and youngest son Abel Aquirius Caldwell is on the drums. 

Annie traces the genesis of the band back to the moment she heard her daughters sing at a talent show: “They were really good. I said, ‘Let me get those girls before the devil gets them!’ Because I was raised up in gospel, so I think you should use what the Lord gave you for good. I decided to raise them with the values my father taught me – singing for the Lord.” 

They generally play on weekends, so for their day jobs Willie Jr. drives a forklift, Abel Aquirius drives hospital patients, Anjessica works in customer care for an insurance company, Toni is an elementary school teacher, and Deborah does hair. Annie runs a clothing store on Main Street called Caldwell Fashions, which has been a beloved staple for women dressing for COGIC (Church Of God In Christ ) convocations and anniversaries since the 1980s.  

Prior to the latest album, they released two albums under Ecko, a renowned soul and gospel label from Memphis. Influenced by The Gap Band, Chaka Kahn, and Bootsy Collins, they play a powerful disco soul and delivering energetic and moving musical testimonies that blend the fiery sounds of gospel with the slow groove of soul. Their music embodies the full power of gospel – the very kind The Message Center, where the family regularly performs, experiences on a weekly basis. The Message Center is also where Joe plays guitar every other Sunday, and where his father used to be a deacon.  

Like Searching, Can’t Lose My (Soul) was also recorded at The Message Center and produced by Gallab. He has said of the recording session: “Hearing Annie’s voice for the first time was like witnessing something rare. Like you’re in the presence of a force of nature that’s been here long before you. It’s visceral, almost like it’s coming from her soul. You can feel every part of her life, every little piece of her journey, in each note she hits. It’s pure talent: no effort, no pretense, just real and raw.” 

In his five-star review of the album for The Guardian, Alexis Petridis wrote: “These are great, powerful, moving songs, made all the more potent by the fact that they’re recorded live, without an audience, in a church …  their message is ultimately one of hope. You don’t need to share the Caldwells’ faith to find something powerful and inspiring in that, particularly given the current climate, which can easily incline you towards hopelessness …”