Column

Atheism

Creed

1 September 2023

6 min read

Confessions of an atheist philosopher. Part 4: The empty promises of “be here now”

In the fourth of a series, philosopher Stefani Ruper tries the most popular advice given by atheist philosophers.

Stefani Ruper

Stefani Ruper is a philosopher specialising in the ethics of belief and Associate Member of Christ Church College, Oxford. She received her PhD from the Theology & Religion faculty at the University of Oxford in 2020.

A graffited wall shows a stick man face next to 'what now'

Photo by Tim Mossholder on Unsplash.

My name is Stefani. I was a committed atheist for almost my entire life. I studied religion to try to figure out how to have spiritual fulfillment without God. I tried writing books on spirituality for agnostics and atheists, but I gave up because the answers were terrible. Two years after completing my PhD, I finally realised that that’s because the answer is God.

Today, I explain how and why I decided to walk into Christian faith.

Here at Seen and Unseen I am publishing a six-article series highlighting key turning points or realisations I made on my walk into faith. It tells my story, and it tells our story too.

I spent the first thirty years of my life looking for ways to have spiritual fulfillment as an atheist. I even got a PhD studying theology trying to figure out how to get the same peace and joy my religious friends had without believing in God.

For a brief period after finishing my PhD I thought I might have found some solutions. I tried writing books about them titled things like How to Have an Existential Crisis and Agnosticism: The Real Spiritual Truth and Joy. But they were not good books. When I shared this opinion with my friends, they all thought I was being too hard on myself. But I knew the truth: the answers I was providing just weren’t good enough. They didn’t make me feel happy or peaceful. Why would they work for anyone else?

I had one last resort to try: giving up, which is the advice most atheist philosophers provide. According to them, happiness lies not in finding the meaning of life, but in accepting that there is none. Relax, they say. Stop searching for something that isn’t there! Be a good person. Enjoy the present moment. Be here now!

I decided to give it a try—and I really did try my best. I got a prestigious job. I rented an expensive apartment with a balcony overlooking Harvard Square. I bought a brand-new car and paid an extra $600 for a special-edition paint colour. I partied a few nights a week. I meditated every day. I cultivated friendships. I dated. I went hiking and sat on park benches and wondered at the beauty of nature.

Everyone who followed me on Instagram thought I was having the time of my life. But I have never been more miserable.

“Be here now” reduces meaning and possibilities for spiritual fulfillment

Of course, there are beautiful aspects to being present. It is true that being aware, mindful, and grateful in each moment enriches life.

But when that’s all there is, you run into three big problems.

1: Meaning is flimsy

All religions offer meaning that has what Donald Crosby calls a personal-cosmic link—that is, a way to explain our personal stories in terms of a bigger, ultimate story. These stories call us to be the best versions of ourselves for the sake of something beyond us. They give us reason to actualize. They provide solace when we falter or suffer. They offer meaning that is fulfilling, reliable, and concrete.

In contrast, when meaning exists only in the here and now, it’s not out a real thing out there to be discovered, but only something you can make up if you feel like it. Such meaning is flimsy, easily transgressed, and forgotten.

2: The universe is a cold, empty, meaningless void

Believing in God or some transcendent source turns existence into what William James calls a thou. Humans are naturally social beings and always in relationship. Being able to have a relationship with the source of all existence adds great potential for love, awe, adoration, belonging, and homecoming to life. In contrast, when the present moment is all there is, the universe is a cold, empty, meaningless void you just bumble along in until you die.

3: Life is unsatisfying, pain harder to bear, and effort more difficult

“Why bother?” is a common refrain in modern culture. There are many reasons, including unjust systems and corrupt institutions. But one major reason is that living only in the here and now traps what counts as “good” and “evil” in the here and now, too.

The highest good can only ever be pleasure (things like ‘flourishing' and 'well-being' are measurable only by how good they feel), and the worst evil can only ever be pain (suffering and injustice are similarly measurable only by how bad they feel).

Pleasure, however, never lasts. Dopamine, the neuromodulator that creates a feeling of satisfaction every time you obtain something you want (a meal, an achievement, a date with a crush), falls right back down after you get it, typically to levels lower than when you started. No matter how much you love, or how hard you party, or how much you sacrifice to help others feel good, you (and they) end up in the same state of longing you started in—or worse.

The only solution is to keep pursuing more pleasure. Many fall prey to all sorts of unhealthy attachments such as to substances, sex, and entertainment. Personally, I was most attached to professional success, food, and romantic love. I kept chasing ultimate satisfaction—while realising more every day that it was never going to come.

Pain, the greatest evil, is unavoidable. It can never be overcome. This makes us its victims, “helpless cogs in a cruel machine,” as Tim Keller puts it. This can create a victim mentality as well as a sense of futility, as there is nothing you can do to escape it or give it meaning. Many consider it their purpose in life to fight pain, but as none of us can ever put a significant dent in it, such efforts can feel pointless. Personally, I felt hammered by successive loss and the absurdity of injustice. I had no way to cope other than to escape with pleasure or to numb myself.

Back to the drawing board

Living in my sky rise apartment overlooking Harvard, I would often make a cup of tea and go stand on the balcony. I’d stare off into the horizon, my heart thudding dull and sluggish in my chest, and wonder: is this all there is?

It had been more than twenty years since the first time I read a book on philosophy and started my lifelong quest for spiritual fulfillment without God. I had remained hopeful that I would find an answer. And if there wasn’t an answer to be found, I would create one.

But as I sipped my tea and watched the sun slip below the horizon, night after night, I began to suspect that I was going to fail. I had just tried the most popular advice given by the most esteemed atheist philosophers and came up empty handed.

After just nine months, I pulled the plug on the experiment. A professor in France had recently published a paper on atheism I found intriguing. I terminated my lease, quit my job, and hopped on a plane. Two days later I dropped my books on a desk in the university bibliothèque and settled in to keep learning.

Little did I know, the program of research I’d given myself wasn’t about to deepen my understanding of atheism.

It was about to lead me to the one place I never thought I’d end up: in the loving arms of God.

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Comment

Paganism

Sport

28 July 2024

8 min read

Paris 2024 and Christianity’s opening ceremony

A subversive Olympic opening relies on Christianity’s own beginnings.

Tim May

Tim is an associate vicar of King’s Cross Church (KXC), a London-based Anglican church.

A painting of the Last supper showing Christ and the disciples at a table.

da Vinci's Last Supper.

Public domain, via Wikimedia Commons.

The opening ceremony of the 2024 Paris Olympic Games, held on the River Seine, has unsurprisingly caused controversy. Such moments, where one nation through pageantry and spectacle performs itself to all others, never fail to draw comment. The 2024 ceremony has drawn various detractors, not least those claiming the ceremony was an “attack on Christianity.”

You might remember the masterful opening to the London 2012 games. Director Danny Boyle’s theatrical spectacle told a symbolic story of nationhood. By depicting the bucolic, the industrial, and the NHS, he considered the UK in both dark moments and at its brightest. With a great exhibition of British humour, James Bond appeared to parachute out of a helicopter with HRH Queen Elizabeth II, while Mr Bean entertained the whole wordlessly through sardonic single-finger piano playing.

Widely held to be a creative triumph, Boyle was preceded by the Beijing Olympics where its opening ceremony, CGI fireworks put to one side, wowed the world with unprecedented size and scale, reminding us that we live in an era of Chinese power.

Tokyo 2021, delayed by a year due to the Covid-19 pandemic, involved 1,800 drones filling the skies – a faultless demonstration of a technological age where Japanese engineering has been indispensable.

The sporting side of things was easily forgotten as we witnessed an emphatically kitsch depiction of French history and culture.

In 2024 Paris, the weather was perhaps the greatest focus of attention, which suited the British commentary perfectly. We Brits surely are the world experts in making light-entrainment out of describing rain. Soggy athletes sailed the Seine on a variety of uninspiring looking barges. Sanguine but soaked, the athletes dutifully waved and smiled; adorned not in gold, silver or bronze but flimsy ill-fitting plastic ponchos.

Overshadowing this athletes’ parade were the creations of theatre director Thomas Jolly, mastermind of the whole ceremony. Boldly deciding to choose the city as a stage, rather than make use of the conventional choice of a stadium, the sporting side of things was easily forgotten as we witnessed an emphatically kitsch depiction of French history and culture.

Although the weather somewhat thwarted proceedings, it was the content of the performance that drew criticism.

Far-right politicians decried Jolly’s offering as a violation of French nationhood. Conservative pundits focused their criticism on Jolly’s elevation of LGBTQIA+ culture.

Christian commentators have, with various degrees of rancour, condemned a strange scene where Leonardo da Vinci’s famous painting of the Last Supper was subverted by a pastiche of ostentatiously queer characters. At the centre of which was not Jesus Christ but a robust-looking figure resembling Lady Liberty.

Elon Musk spoke up in protest too, posting that it was ‘extremely disrespectful to Christians.’ Full-throttled cries of blasphemy resound, and probably for good reason. What we witnessed was Christ being usurped and replaced by the insurgency of self-expression and the currently sacred idea of diversity and inclusion.

Ahead of the ceremony, Jolly told British Vogue about the heart behind his creation: “there is room for everyone in Paris. Maybe it’s a little chaotic, it’s true, but that allows everyone to find a place for themselves.” The opening ceremony will be a success, Jolly says, “if everyone feels represented in it.”

I guess this isn’t the case for the thirty per cent of the world who would identify as Christian. That’s because every family and flavour of Christianity would recognise that Holy Communion, the central act of Christian Worship for 2000 years, the institution of which is depicted in da Vinci painting, was being publicly and globally vandalised.

When Christianity becomes moral wallpaper to an entire civilisation and its culture, it unsurprisingly becomes a target for satire.

How can we make sense of this moment? Is there anything more for the Christian to contribute other than indignation or outrage?

Whenever something like this occurs it reminds me of the central role Christianity has played in Western culture. The intelligibility of the ceremony’s controversial scene rests on the idea that da Vinci’s painting is a globally recognised symbol. Otherwise, we would have just been watching a really strange dinner party with no food. But with Da Vinci’s famous painting in our mind the subversive power of Jolly’s scene hits hard.

The view, popularised by the historian Tom Holland among others, would go as far as to suggest that Christianity’s effect on Western culture is so pervasive that even moments of protest and subversion, as we saw in the Paris ceremony, are cultural phenomena inherited from the Protestant Reformation. Regardless of how far you agree with Holland’s thesis, Jolly's subversion only makes sense because of the dominant role Christianity has played in shaping the western imagination, and that is a position of latent power that should cause pause for reflection.

I’ve read half a dozen articles from a certain sort of right-wing journalist who parrot thoughts like, “they wouldn’t do that with the Quran”. That might be right, but it fundamentally misses the point. Blasphemy, let’s say, in Iran, would certainly not involve the Last Supper.

The scene made sense only because of Christianity’s now diminishing position of power but it's a position of power, nonetheless. When you align Jesus Christ with the status quo, with the corridors of power, when Christianity becomes moral wallpaper to an entire civilisation and its culture, it unsurprisingly becomes a target for satire. Especially for anyone or any group that feels persecuted or marginalised. I’m not for a moment defending what Jolly did but trying to understand why it happened.

The last supper, the meal Jesus shared with his friends the night before his crucifixion, was the opening ceremony of Christianity.

The kind of cultural power Christianity has had in the West comes at the cost of clarity because Christianity was itself originally a counterculture. Crucifixion, a supreme act of imperial domination, became the foundation of Christian thought and ultimately its greatest symbol. The original Christian movement was seen itself to be blasphemous for contradictory reasons by both the Jewish and Roman religious leaders of the time.

The fundamental difference between Christianity and merely holding conservative values that should not be transgressed, is God. It was genuine belief in Jesus Christ as the long-awaited messiah of the Jewish people and the Saviour of the whole world - a belief that led his first bedraggled and bewildered disciples to live in such radical and counter-cultural ways that many were killed by the Roman Empire.

It is right for his followers today to speak up and say how wrong it is when the special and sacred things he did for them are yet again trampled on in public, but it's also worth remembering that’s how the story started - with Jesus’ body brutalised and broken. That somehow, in moments like this, we miss the power of Jesus when we simply defend him on grounds of “decency” and “respect.” Instead, if we return to the original events themselves, Jolly’s depiction, in its mockery and subversion, actually reveals the power of The Last Supper.

Da Vinci’s painting was not intended for a gallery but was originally painted on the wall of a fairly obscure monastery, transported to a gallery years later to become primarily art, it is more a foundational aid to the faithful to remember the original events Da Vinci is depicting.

The last supper, the meal Jesus shared with his friends the night before his crucifixion, was the opening ceremony of Christianity. Every time a Christian takes Holy Communion - the central act of Christian worship for over 2,000 years - they remember the opening ceremony where:

“Jesus took bread, and when he had given thanks, he broke it and gave it to his disciples, saying, “Take and eat; this is my body.” Then he took a cup, and when he had given thanks, he gave it to them, saying, “Drink from it, all of you. This is my blood of the covenant, which is poured out for many for the forgiveness of sins”

The most peculiar part of the opening ceremony of Christianity - more peculiar than any sight we saw last night - is the presence of Judas. The biblical accounts describe Jesus’ knowledge of Judas’ intentions to betray him to the Romans, and yet Judas is still welcome to the table. If there’s space for Judas, then there is space for all of us. The opening ceremony Christianity cannot be remembered without the presence of Judas the betrayer, and Peter the coward or Thomas the doubter. The great irony and the big mystery of the Christian Faith is that you can’t out-sin grace. You can mock it and subvert it, but Christ died for the ungodly.

Last night’s scene doesn’t come close to the original events. Not only was Jesus betrayed by his friends, he was then tortured, humiliated and executed publicly in just about the most excruciating way humans have devised. That was blasphemy of another level, but it was also victory because God was choosing to love inclusively beyond any human metric.

Tom Holland may be right that no part of western culture has escaped Christian influence, but I want more than a little downstream influence.

This means that there’s nothing more inclusive than the opening ceremony of Christianity and yet, at the same time, nothing more exclusive. It is not us who provide the food but God. In Jolly’s performance, the Last Supper scene was concluded by the French actor Philippe Katerine, emerging painted head to toe in blue. Whilst this bearded smurf caused baffled sniggers across the planet, Katherine was apparently representing Dionysius, The Greek god associated with wild drunken parties. The food on offer by Jolly is wild desire and self-expression. In Christianity the food is God himself, his body and his blood. God’s love is given not simply expressed, even to those who will betray him.

Moments like this will become harder for Christians to navigate. It feels like just as a wave of secular liberalism wants to finally vanquish the power position Christianity has painted for centuries, a new conservative vanguard of resistance is rising to protect or enrol it for its own means. From the mouth of Modi or in Trump’s tirades, a new religiously armed populism is raging. Tom Holland may be right that no part of western culture has escaped Christian influence, but I want more than a little downstream influence.

Take us back to the opening ceremony, to the foundation of Christian faith. Take us to the waterfall, where the torrent flows straight down from the mountain, and save us from the slow-moving sludge of the wide river downstream. Take me back to the opening ceremony of Christianity. To the table where God welcomes a Judas like me, to the meal where the master became a servant and washed his followers' feet. Take me back to eat food I could never afford and wine I could not create.