Consider the crown and who wears it

The Feast of Christ the King prompts Jamie Mulvaney to ask what sort of strong leader we should seek.

Jamie Mulvaney

Jamie is Associate Minister at Holy Trinity Clapham, London.

King Charles in a black dinner suit talks and gestures to President Macron who is similarly dressed.

King Charles and President Macron at a September 2023 state visit.

Remember singing 'God Save the King' for the first time and it took a little more effort? Instinctively, we were so used the Queen, and unless you're well into your eighties the concept of a King will still be something a novelty. Slowly the stamps have changed, and new passports are finally being printed. After King Charles' first year on the throne, and having celebrated his 75th birthday this month, we can reflect with a little more perspective about what it means to have a king.

A new king gives us an opportunity to look forward and back. The crown cradles continuity, bringing the past into the present. And whether you've been indulging in the latest series of Netflix's The Crown or venturing further back into royal history, we can also indulge in a little time travel. Maybe not a regal DeLorean, but if you hop inside the state coach there’s quite the ride to be taken. The historian Dominic Sandbrook recently detailed in The Times how in Britain that 'it is remarkable how often monarchs’ opening 12 months have set the tone for the rest of their reign.'

We find ourselves in a liminal space - not quite an airport terminal - but one where we are on our way although not there yet. We see glimpses of this still-coming kingdom, but not yet fully realised.

What if we went back to the future even further, considering Jesus Christ as king? We might be unable to argue with the enduring legacy of this historical figure, but most of us are unfamiliar with Jesus as King. We tend to think of baby Jesus, Jesus feeding the five thousand or Jesus on the cross, but what about Jesus as King? Today the church celebrates the Feast of Christ the King, an interestingly fairly recent tradition. A bit like the John Lewis Christmas ad encouraging us to 'let your traditions grow'. But there is nothing new about Jesus' kingship. The church has always thought of Christ as King. According to the accounts of Jesus' life in the Bible, the topic Jesus taught on more than anything else was 'the Kingdom of God'. And King Charles’ coronation was itself a portal to the life of this king. The service began with the Chapel Royal chorister greeting the new monarch, ‘Your Majesty, as children of the Kingdom of God, we welcome you in the name of the King of Kings.’ His reply? ‘In his name, and after his example, I come not to be served, but to serve.’ It was a useful reminder that the form of servant leadership we have assumed and expected from the Queen and now the King is not a modern invention or interpretation of how monarchs should be.

Much like the arrival of a new king, Christ the King Sunday also enables us to both look back and look forward. We find ourselves in a liminal space - not quite an airport terminal - but one where we are on our way although not there yet. We see glimpses of this still-coming kingdom, but not yet fully realised. The word 'Gospel' was well-known in the ancient world, describing the good news of the rightful king who has returned home to take this throne.

But this king is quite the contrast to the strong leader we're used to. As we look to world leaders today, we see many elder statesmen (you decide whether 'elder' or 'statesmen' should be emphasised!). There are different understandings and projections of what strong leadership looks like.

The historical reality of Jesus, his fingerprints on the world today, and the professed experience of millions of people worldwide continue to subvert.

Jesus is a king who comes in humility. There was speculation of a slimmed-down coronation for King Charles proportionate to the cost-of-living crisis. But in Jesus’ mind must have been more the cost of dying, as he rode on a donkey into Jerusalem, surrounded by a fickle crowd cheering his own coronation before condemnation only a week later. At his execution there was mockery with the sign on his cross ‘King of the Jews’, and of course wearing a crown of thorns. If you travel back to his birth, the magi bring royal gifts, so his life is bookended with rumours of kingship.

What might this mean for us in the twenty-first century? On the one hand, there’s the personal, individual connection to the king. Pope Francis heralds ‘Christ the King who conquers us’. We’re happy for his rule and reign out there, but what about extending into our own lives? For the past few years on the eve of Christ the King I've been to baptism services at Southwark Cathedral. One of the symbols of the water in baptism is that we overwhelm our lives with Christ's life, and ultimately his reign over who we are, how we are, and what we do. Then there’s the broader reality: a king who does not neatly or easily fit into our political paradigms, whose priorities in one way or another will catch us off guard.

Jesus is the king who turns things upside-down. His kingdom is not marked by borders but is still whispered of and spoken about two thousand years later. That is what we sing about at Christmas. The king arriving in vulnerability as a baby and one day - who knows when - Christians believe he returns in power as king. On that day, Christians believe justice, goodness and all that we long for will be ushered in. But until then, the historical reality of Jesus, his fingerprints on the world today, and the professed experience of millions of people worldwide continue to subvert.

As Dietrich Bonhoeffer, the German theologian famous for plotting to kill Hitler said, ‘A king who dies on the cross must be the king of a rather strange kingdom.’ The mystery amidst the majesty. Keep looking back. Keep looking forward.

Article

Belief

Creed

20 August 2024

4 min read

We’ve been seeking that festival feeling for millennia

Why else do we endure discomfort, queues, and sleep deprivation?

Jamie Mulvaney

Jamie is Associate Minister at Holy Trinity Clapham, London.

A singer on a stage holds out his arms to conduct the crowd.

Chris Martin enchanting Glastonbury.

Raph_PH, CC BY 2.0, via Wikimedia Commons.

Why do we go to festivals? It was something I contemplated at 4am while trying to stop a marquee from setting sail into the air during a quintessentially English late July storm. Thankfully we pinned it down, but sometimes it seems we can't get a handle on something until it's been taken away from us. Lockdown allowed us to indulge in some soul-searching about our appetite for summer festivals. A Department of Digital, Culture, Media and Sport select committee survey of 36,000 people showed that what people most missed about festivals during the pandemic was 'the atmosphere'. The atmosphere, much like that airborne marquee, is something difficult to put your finger on, but whatever it is, you do want to soak it up.

So, what contributes to that ‘atmosphere’? Harry van Vliet from the Amsterdam University of Applied Sciences compared over 20 studies into motivations for festival-going. He distilled them into: escape, family togetherness, socialisation, and novelty. Other researchers, such as Rippen and Bos, cite realising significance, giving meaning and giving shape, and deploying, developing and maintaining competencies. As abstract and ethereal as our motivations are, at festivals we want to ram the tent peg into the ground, staking the opportunity to escape or to imagine the future. Why else would you endure discomfort, questionable cuisine and sanitation, queues and sleep deprivation? We endure little inconveniences because we have bigger thirsts.

Then there's the gap between what people hope to get out of a festival and what the organisers are aiming for. Spare a thought for those who booked onto the FYRE Festival, which promised ‘a new type of music festival that would ignite the energy and power of its guests’. Instead, they ignited fury, lawsuits, and six years in prison for the founder. The driver here was greed. If festivals are an immersive experience, what the festivalgoers unsuspectingly immersed themselves in was the sad fruit of that particular rotten orchard. Instead of the gourmet meals and luxury villas, the staff ate sandwiches in styrofoam boxes and guests who’d spent up to $100,000 to attend fought over a limited number of mattresses and tents. One legal document from a guest claimed guests were lured into ‘a complete disaster, mass chaos and post-apocalyptic nightmare’.

The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

We know if we’ve immersed ourselves in something more hopeful. I’ve spoken to several people who’ve been to Taylor Swift gigs, all still ‘buzzing’. Cities and countries keep reporting the bounce, the economic uplift they’ve all experienced from a Swift visitation. Deep down, at concerts and festivals alike we all probably know that we’re not there to ignite the energy and power of us as the guests, but to spectate the energy of the maestro at work. They are the ones who plumb the depths of creative introspection for us. They are the ones who concoct, via musical alchemy and a large support team, something reaching transcendence. If we can immerse ourselves in that, then, however fleetingly, all the inconvenience will have been worth it.

Festivals, therefore, are a pick-n-mix of artistry that we can come up close to. And therefore, the thought goes, their creative genius. Which is almost as elusive as the atmosphere of an immersive festival itself. Elizabeth Gilbert, the author of Eat, Pray, Love, says it was a mistake when we placed the human at the centre of the universe, and the pressure that comes from having to be a creative genius. In her 2009 TED Talk she spoke about Socrates believing he had a daemon that spoke to him, and the Romans believed that they had a ‘sort of disembodied creative spirit’ called a genius. The performer, therefore, is like a prophet or a priest. We get to enter little portals to the divine.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’

But what if the founder of the FYRE Festival was actually right? What if the guests themselves at festivals have energy and power, and not just Chris Martin? Millenia ago, this idea was once also floated at the festival of tabernacles, or Sukkot, where the Israelites made a pilgrimage to the Temple in Jerusalem and would camp in tents for seven days.

The gospel writer John says that Jesus spoke to whatever it was people had pitched up tents by the temple for:

‘On the last and greatest day of the festival, Jesus stood and said in a loud voice, ‘Let anyone who is thirsty come to me and drink. Whoever believes in me, as Scripture has said, rivers of living water will flow from within them.’

John goes on to explain that ‘By this he meant the Spirit, whom those who believed in him were later to receive. Up to that time the Spirit had not been given, since Jesus had not yet been glorified.’

Where the Holy Spirit had previously been given to specific people, for specific times and purposes, including creativity, here the Holy Spirit was promised to anyone who would believe in him. And as well as their own fulfilment, the divine creative energy would flow through them to others.

More than a mere atmosphere or nebulous spirit, Jesus claims to be one with the creative energy who hovered over the waters at the start of the Bible, the dwelling place at the end of the Bible where God will be with his people, and drove a stake, or a cross, into the ground to enable this to happen.

Maybe Coldplay can be right, when on the Pyramid stage at Glastonbury they sang to tens of thousands, ‘you’ve got a higher power.’