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Easter

Middle East

Resurrection

War & peace

29 March 2024

7 min read

The Friday world of the Middle East at Easter

Violence begets violence in a zero sum world.

Todd Deatherage

Todd is the Executive Director and Co-Founder of Telos Group. It forms communities of American peacemakers across lines of difference and conflict, including Israel/Palestine.

A family look at the concrete shell and remains of a bombed building.

Christian Aid.

What do the events of Holy Week and Easter---these seminal events in Christianity-- have to say in a time of slaughter and now starvation in the Middle East? The closer we get to Easter Sunday, the most sacred day in Christianity, the more I’ve wrestled with that question.

I’m neither Palestinian nor Israeli, and so my connection to the historic tragedy continuing to unfold is not as visceral or as obvious as some. But as an American and a Christian, I’m deeply bound up in all of this. The realization of my own implication led me back in 2009 to co-found a nonprofit whose mission is to help Americans better understand the modern Israeli-Palestinian conflict, the American role in it, and to learn about the difficult work of honest peacemaking. These past five months are a nightmare I can’t wake up from, and of course they’re more than a nightmare for the people in the south of Israel and the West Bank, and they’re an absolute hell on earth for the people in Gaza today.

For more than 20 years I’ve lived in a set of deep relationships with both Palestinians and Israelis. The horror and barbarity of the Hamas attacks on October 7th and the horror and devastation of the slaughter and starvation taking place unabated in Gaza even this Holy Week have left me begging God to intervene and begging our leaders to do whatever we can to stop the madness.

Sometimes there’s a lot more of the darkness of Thursday and Friday than the joy and light of Easter Sunday morning.

In most of the 65 trips I’ve led to the Holy Land over the years, after we’ve had our heart broken by the stories we’ve heard and the experiences we’ve shared with people on all sides, we visit the place on the Mount of Olives looking at the Old City of Jerusalem where Jesus stopped, looked at the city, and wept. It is here, just as he entered what we call his Passion Week, that he said “Jerusalem, Jerusalem if only you’d known the things that make for peace.” If only you’d known. If only we’d known. If only we knew.

I need this story to be in the Bible. Many times I’ve had to fall back on Jesus weeping for the mess we’ve made of our lives, the way we allow our fears and our hatreds or our indifference to guide how we treat our neighbors, how often we use violence and power to deny the way they too bear the image of God.

This is one of those times. The worst of those times in all the years I’ve been involved in Israel and Palestine. I’ve found myself weeping privately, in conversations, and sometimes in public places. And I’ve spent so much time asking God to intervene. To comfort the terrorized and afraid, to feed the starving, to silence the guns of war, to rescue and deliver those who are dying.

And the answer I keep getting has felt like silence. Deafening silence.

At times like this, the Christian life feels like a Thursday night in a garden when your friends can't’ stay awake to help you and even God is not answering your prayer. Or it feels like a Friday afternoon in Jerusalem when all hope has died and you can’t imagine how the world will ever be better. Sometimes there’s a lot more of the darkness of Thursday and Friday than the joy and light of Easter Sunday morning.

The work of justice and mercy make for peace. Revenge and violence do not.

But Lent and Holy Week have given me another answer, beyond God’s silence--the reminder that the people in Israel and In Gaza, even those this very night who are displaced and starving, are not alone. God is with them. And he weeps for them. And he weeps for us. If only we knew the things that make for peace. If only we knew how to love God and to love our neighbor and to love our enemies. If only we knew the limits of violence to achieve good ends. If only we knew the connection between peace and justice.

And the fullness of this Holy Week also brings me to this reminder that if God does not seem active maybe it’s because we are not listening to his call. My friend Bill Haley says this:

“The actual invitation of the Christian faith is not just to believe in Jesus or be like Jesus or tell others about Jesus (as right as these thing are), but actually to be the presence of Jesus in the world, our hands his hands, our feet his feet, our heart his heart, our bodies his very body... By this does the reality of the risen, living Jesus continue to be displayed, visibly and tangibly, in and around the world (and yours and mine), day after day.”

To do this we first seek to know the things that make for peace (and equally important is to know the things that don’t make for peace). The work of justice and mercy make for peace. Revenge and violence do not. The embrace of our mutuality and interconnectedness make for peace. Tribalism and dehumanization of our neighbors do not. Justice and respect make for peace. Systems of domination and ideologies of hatred do not. Respect for the sacredness of life and the inherent dignity of all as made in the image of God make for peace. Brutality, murder, and starvation do not. Acts of love and service make for peace. Fear and self-centeredness do not.

The Friday world is zero sum. Justice and peace are separate things. Some lives are more important than others.

In a Good Friday world, to live as if these “things that make for peace” are actually true is a costly endeavor. Jesus paid with his life. Others like Martin Luther King have also. For most of us, it may just be the way our reputation suffers, or how certain relationships are strained. There may be some economic cost or sacrifice of our time and attention required. But if it says anything, Holy Week teaches us that incarnational living is costly. Reconciliation comes at a price. The crucifixion wasn’t just something that happened to Jesus on the way to resurrection. It is central to it.

And yet, believers in Jesus know that Holy Week and the shame, humiliation, brutality and injustice of the crucifixion were not the last word. To borrow from the legendary Black preacher S.M. Lockridge, we live in a Friday world, but we know that Sunday’s coming.

In a world of Fridays, violence begets violence. The Friday world is zero sum. Justice and peace are separate things. Some lives are more important than others. There is minimal cost to looking away from people who are hungry and imprisoned. Religion is used to baptize injustice. We live in a Friday world. But we are Sunday people. And we are called to live as best we can as reminders that in a Sunday world we are responsible for what we know, responsible to each other, and responsible before God. To quote Dr. King again, in a Sunday world, "darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that."

Sunday people are Easter people. And Easter people have a mandate to live as peacemakers in a world riven by conflict. To be purveyors of light and hope in a time of devastation and despair. Frederick Douglass said “I prayed for freedom for 20 years, but received no answer until I prayed with my legs.” As we pray for peace, and we have to be people who pray for peace, let us also be agents of God’s peace. Let us be those incarnational Easter people who pray for peace with our legs. Let us do the urgent work for a lasting ceasefire, for a release of all hostages, and for food for hungry people. And when the guns are silenced and the hungry are at last being fed and the wounded and traumatized are given space to heal, then the greater work begins. Let us learn the lessons of how we got here and let us commit ourselves to a different path forward, one grounded in the sacred dignity of all the people of the land, Palestinians and Israelis alike. Let us support all those who seek justice and peace and security through the path of mutual flourishing. These are the things that make for peace.

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15 October 2024

6 min read

The elegies that fail the forgotten places

Storytelling’s not about giving people a voice, it's about listening to what they’re singing.

Elizabeth Wainwright

Elizabeth Wainwright is a writer, coach and walking guide. She's a former district councillor and has a background in international development.

A book's front cover beside a portrait of the author, JD Vance

J.D. Vance book promotion, 2017.

Does it matter who tells the story of a place? It’s a question I’ve sat with as a writer, a community worker, and as someone who returned to my native West Country after a long time away. My departure and return to this place brought with it a sharper awareness of the labels this rural region could invite; of the way its people could be portrayed; of how easily they can be reduced to a one-dimensional stereotype that fosters little understanding.

And I am both reducer and reduced. I am a proud Devonian, rooted in soil thick with my ancestors, whilst also craving the culture and variety of elsewhere. My story of life in this place is complex. It’s a story that’s mine to tell, and not representative of anyone else from here – just as the people I’ve worked with in communities here and across sub-Saharan Africa taught me too: this person is not this place. This story is not this people.

Stories matter – stories told; stories hidden. They shape our identity, our opinions, our possibilities. John Steinbeck wrote that:

“A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice…”

Stories told reflect stories carried, like light refracted through a prism. A story’s colours tell us something about who tells the story and how they see the world. Which is one reason perhaps that JD Vance’s memoir Hillbilly Elegy: A Memoir of a Family and Culture in Crisis came under scrutiny, especially since he was named Donald Trump’s vice-presidential running mate in the forthcoming US election.

Hillbilly Elegy tells the story of Vance’s white working-class family, from his grandparents in the Appalachia region of Kentucky to his own coming of age in Middletown, Ohio. Vance raises questions about how local people, including his own family, are responsible for their own misfortunes, including poverty and addiction. His book came out in 2016, at just the right time to give many Americans an insight into why so many people like Vance’s relatives and past neighbours had voted for Donald Trump. It was painted as the voice of a forgotten community, and it became a bestseller, admired by some for its portrayal of Appalachian culture by someone from the inside. But reading people who know the places he talks of, it becomes clear that the book is “rife with stereotypes and classic Republican talking points peddled under the guise of lived experience,” as one commentator said.

Sarah Smarsh, author of books including Bone on Bone: Essays in America by a Daughter of the Working Class, said in a Guardian piece published in 2016,

“that the media industry ignored my home for so long and left a vacuum of understanding in which the first glimpse of an economically downtrodden white is presumed to represent the whole.”

A Bitter Southerner article responding to Hillbilly Elegy said that generalisation means that “…complexity gets simplified, the edges get rounded out[…]Appalachia has been written about and photographed in such a compelling (if fabricated) way that the descriptions of passersby took on more weight than the lived experiences of the people being described. What remains is a concept of a place that is both wildly romantic in its natural beauty and backward enough to justify the destruction of that very nature.”

We live in divided times, but often I find it hard to discern real division versus the media-created story of division. Theirs is a story that gets things wrong. Smarsh reflects how “countless images of working-class progressives…are rendered invisible by a ratings-fixated media that covers elections as horse races and seeks sensational b-roll. This media paradigm created the tale of a divided America…” This is why it matters that we hear stories that do not fit that paradigm. A many-voiced 2019 publication Appalachian Reckoning: A Region Responds to Hillbilly Elegy offered some of those stories in response to Vance’s painting of Appalachia.

Vance thought he could write the story of a 13-state region, but many Appalachians were unhappy about him becoming their spokesperson, especially when he seemed to blame the poor for their poverty. Appalachian Reckoning is a graceful counter to this: not silencing Vance’s own story but offering many more views and stories from Appalachia. Its co-editor Meredith McCarroll said she wanted to “complicate any singular view simply by including multiple ones. I wanted to create a chorus of voices, “each singing what belongs to him or her and to no one else,” to borrow from Walt Whitman’s view of place.” The publication offers cultural nuance, emotional connection, and a “context for some of the claims Vance makes in his book when it moves beyond memoir, and to pass the mic to a wider range of writers, poets, photographers, activists, and artists who make Appalachia a place far too complex to capture and far too dynamic to die.”

This approach feels important now, in the world as is it, with a media that often overlooks nuance, and with a culture that has become so visual that the way things are styled and framed and presented to us online can often be quite different to the reality. It is important to know the difference, and stories can help us discern that.

This symphony of existence can, if we give each voice its space, subvert paradigms of division and fear.

There are stories that are easy to peddle and easy to buy into. In charity work, I saw how the story of the benevolent professional outsider could shape things, leaving little room for local stories and experience. In politics I saw how the story of opposition got in the way of all the people getting on with the everyday work of restoring and caring for their communities across lines of difference. We can, unknowingly, make a place and a people shrink or even disappear with the stories we carry or amplify, or ignore.

Stories wielded unwisely can shrink faith as well as people and places. The Jesus who I did not grow up with but came to know slowly as an adult is a Jesus of nuance, compassion, and deep listening. He would not, I think, recognise the brand of Christianity that can be used to justify particular politics. That religion and politics have in places become so intertwined is perhaps a reflection of the reduction of the vastness of the Bible and the many diverse voices it contains into one story that serves a particular group of people. Jesus again and again subverted what empire and hierarchy and tradition expected of him. He invited people into his story over and over, curious about their own story but never using it as a reason to include or exclude.

When I think about who tells the story of a place – or of a people, a time, a faith – I see that really, there is never one story anyway. There is a chorus of voices, each a little different, each part of a vast harmony that – if we have the ears and heart to hear it – sings a song of challenge and joy, of despair and illumination. Former US president Woodrow Wilson said, “the ear of the leader must ring with the voices of the people”. Storytelling is not about giving people a voice – something I heard a lot in charity work. It is about listening to what they’re already singing. This symphony of existence can, if we give each voice its space, subvert paradigms of division and fear, of biased framing and selective storytelling. It can sing us back to ourselves, helping us see each other. And isn’t that what softens hearts, isn’t that why we tell stories? Author Kazuo said in his Nobel acceptance speech that “stories are about one person saying to another: This is the way it feels to me. Can you understand what I'm saying? Does it also feel this way to you?” Stories are not tools of manipulation or power, but pathways to encounter, to relationship, to understanding. They are, perhaps, the only way through divided times.