Article
Change
Politics
Psychology
5 min read

How to be a wise diplomat about the election result

It’s not just American citizens weighing-up and trading-off.

Emerson writes on geopolitics. He is also a business executive and holds a doctorate in theology.

An ambassador presents credential to President Trump
President Trump accepts credentials from Indonesian ambassador M. Lutfi.
White House via Wikimedia Commons.

The American election result, whatever the case, is a landmark event in geopolitics. And here, it is unclear which result is better for the world in the long-term, given the ambiguous motives, interests and intentions of its main characters.  

Whereas the Biden Administration led by the Democrats has been fraught with war, the Trump Administration was comparatively peaceful, with breakthroughs such as the historic Abraham Accords. Yet, the rhetoric of President Trump is aggressive and divisive.  

Despite mainstream media assertions focused on the clear best choice in the election, a balanced perspective is necessary involving consideration of trade-offs between what the parties and their leaders each offer. This balance, however, is difficult to achieve as polarisation encourages retrenchment into simple views.  

As the American election approaches, it is worth considering what a diplomatic approach to an election transition might entail. Here we can look to the example of Henry Kissinger, whose diplomatic mindset is illustrated in Barry Gewen’s The Inevitability of Tragedy. Gewen eloquently illustrates the Kissingerian – even if often cold-hearted – approach to the consideration of trade-offs in diplomacy.  

Gewen traces the early-life experience of Kissinger, a German Jew forced to flee Nazi persecution, both serving in the US Army and attending Harvard. Unlike his American peers, Kissinger understood through personal experience that authoritarianism could rise through democratic means, Adolph Hitler the primary example.  

It is partly for this reason that Kissinger was willing as US Secretary of State to intervene in the affairs of foreign states to halt dictators emerging through democratic processes. The trade-off was here between respect of democratic process and the possibility of dictatorship, a trade-off which Americans without German-Nazi experience would never understand and which they saw as deeply unsettling.   

Kissinger is the archetypal diplomat. His example is worth reflecting on in the wake of the American elections. Kissinger approached geopolitics with little emotion, instead considering what course of action in a particular situation served as the least worst evil available.  

He engaged across a wide variety of networks, talking with individuals who would not speak with each other. And he maintained a considerable sense of calm throughout his career as both an actor and commentator, responding to events as they developed. 

An initial consideration in emerging from the American elections is that too much emotionality – amplified by political polarization – will expose politicians, diplomats and the public to risk. Emotion colours careful, strategic calculation of various scenarios and actions across potential scenarios.  

‘People constantly show you who they are; we are just too busy to notice,’ 

An effective diplomatic (or strategist) will carefully consider what might happen and think through potential steps in case these realities actually transpire, while recognising that too much anticipation risks cascading into fantasy. Too much emotion impedes this careful process of reflection and deliberation as part of the development of strategy.  

A second element of effective diplomacy and strategy is to consider people as they are, rather than rely on superficial descriptions in the media, biased second-hand accounts or who or what one hopes another person is. People’s motives, intentions and interests are not easily discernible at first glance, instead requiring careful probing and questioning.

At the same time, there are few more accurate sayings than ‘People constantly show you who they are; we are just too busy to notice,’ conveying that counterparts are always providing information as to who they are, few careful or disciplined enough to mask their real thinking.  

An effective diplomat might consider the early upbringing – much like that of Kissinger – that shapes a person’s character and behaviour, if not their worldview informing action.  

Consider Donald J. Trump, learning right from wrong on the streets of New York City via the mentorship of lawyer Roy Cohn, who served as Chief Counsel to Joseph McCarthy while McCarthy prosecuted potential American communist sympathisers.  

Cohn’s rules of life, work and play were as follows (these summarized by a friend well-acquainted with Cohn and his colleagues): ‘One, attack, attack, attack! Two, deny everything! Three, always claim victory!’ The logic of these three rules of life are readily understandable when considering the harsh New York realities within which Cohn and later Trump operated.  

These considerations are overlooked, however, amid the onslaught of media which fails to consider what really shapes the character of a man or woman.  

Curiosity, a critical mindset and self-restraint in the face of the human temptation to reach rapid and satisfying answers are here necessary, as part of figuring out what exactly is driving action.

A wise diplomat would pay particular attention to these pivotal factors – such as the influence of a long-standing mentor or advisor – as they might manifest in the present. This requires an intellectually honest and serious consideration of the worldview that shapes a counterpart, rather than considering superficial media commentary.  

Third, a wise diplomat will maintain relations across a wide variety of networks, understanding that it is fine to talk with two or multiple individuals whose own relations are fractured (in fact, these strains in relations can be beneficial within diplomacy, the diplomat in this case able to play broker as he or she needs or wishes).  

The maintenance of broad networks is vital, because this enables action under a wide array of potential circumstances, understanding that anything can happen (we are here reminded of Harold MacMillan’s saying “Events, dear boy, events!”) And a key lesson in diplomacy and in the cultivation of strategy is that, once crises unfold, it is the preparatory work in developing networks and alliances that counts; little new network-formation is possible afterwards.  

The previous two points suggest that a wise diplomat will not pay too much attention to what is in the media, but will instead consider their own learning gleaned through in-person interactions with others, as well as the perspective of their most trusted contacts. Curiosity, a critical mindset and self-restraint in the face of the human temptation to reach rapid and satisfying answers are here necessary, as part of figuring out what exactly is driving action, and what can in turn be done to shape action in accordance with interests.  

Finally, an effective diplomat will not try to play God, serving as the arbiter of right or wrong, adopting instead a more considered approach anticipating and responding to circumstances as they gradually or quickly evolve. Effective strategy requires an aloof approach (caring – but not caring too much), removing the self from a given situation so as not to allow natural human vices such as presumptiveness, arrogance or short-term self-interest to affect judgment.  

And the American election bring with them a number of trade-offs, these to be weighed carefully by American citizens, as well as by diplomats and strategists in other countries. These trade-offs will be considered most effectively if approached with calmness – the aloof, even if cold-hearted, approach personified by Henry Kissinger. 

In an age of catastrophising, emphasing emotion, it is easy to descend rapidly into despair, rather than consider action from a long-term perspective. Diplomacy and strategy require the latter, which will be a key to success for those who emerge effective in advancing their interests in the wake of the American elections. 

Review
Change
Community
Joy
Music
6 min read

Sing it out with James Partridge’s joyous assembly

Bad days gets better when we sing together.

Natalie produces and narrates The Seen & Unseen Aloud podcast. She's an Anglican minister and a trained actor.

A pianist sits at a keyboard singing on a stage.

For the first time, in a long time, I can honestly say that last Friday night, I gave it large. I was at a singalong show at the Cheltenham Playhouse, with hundreds of other people belting out the words to some well-known and well-loved songs. 

As an actor-turned-vicar, I am one of life’s unusual people for whom singing is a normal and expected part of life. Yet still, I was taken by surprise by what a truly fabulous evening I had, singing gustily along with hundreds of people I didn’t know. 

Seen & Unseen’s Belle Tindall wrote an article some time ago about the power of Jacob Collier’s concerts to make strangers feel a sense of belonging. I’ve not been to one, but I feel like I went to a lower brow version of that on Friday night. 

I went to James B. Partridge’s Primary School Assembly Bangers Live Show. Which is almost certainly more mainstream and on trend than you think. He arrived on many of our radars when he took Glastonbury by storm last year, but he’s also performed at the Edinburgh Fringe 2024, Latitude, and The Big Feastival. He has been featured on BBC’s The One Show, and ITV’s Loose Women. He featured live on ITV News and on BBC Radio 1 and BBC Radio 2. His online videos have been written about in The Times, The Independent, Buzzfeed and featured in a number of podcasts. And now he’s even got a mention on Seen & Unseen… 

For those of you who still have no idea what I’m talking about, let me take you back to Lockdown. Which may be triggering for some, and for that I apologise. Mr Partridge is a primary school music teacher and during Lockdown, he was trying to bring some joy into the lives of the children that he was still trying to teach online. And indeed, into the lives of their parents. He put some “Assembly Bangers” on YouTube, and the videos went viral; they just made people feel better by singing along. And so, it began. 

Partridge is a great musician and all-round showman – he knew exactly how to play his audience – who were, by the way, really up for it. Some had even come prepared with fruit shakers and triangles to play. I kid you not. Although the bulk of his playlist were indeed Assembly Bangers, the nostalgic singalong extended beyond the Assembly Hall. He played a couple of bars of the intro and the entire theatre burst into the theme song of 90s Australian soap opera Home and Away. He delighted us with a medley of Alan Menkin’s Disney classics from The Little Mermaid through to Tangled. I even got involved in the SClub7 mash up. Get me. 

Partridge told lots of great stories and anecdotes in between songs and one stuck in the mind. He’d recently received a message on Instagram from a woman who had had an accident in her early 20s and, because of brain damage, had lost all memory of her childhood. Until she listened to some of his Assembly Bangers. Through reconnecting with some of the songs she had sung at Primary School, memories attached to those songs started to come back. Amazing. Beautiful.  

This is a widely known phenomenon. Music – and specifically singing – is increasingly becoming a feature of dementia care because, in trials, it has proved powerful in sparking memories, often long after other forms of communication have diminished.  

There’s also research proving that singing releases endorphins – serotonin and dopamine – the ‘happy’ chemicals that boost your mood and make you feel good about yourself. Singing in the shower or with a hairbrush/microphone is, apparently, genuinely good for you.  

At the same time, we all know that, if you can get over your self-consciousness, singing is a fantastic communal activity. Just go to a football match or a karaoke bar to find the proof. And the good news is, it doesn’t matter whether you think you can sing in tune or not: apparently the health benefits will still be the same. Although possibly not for those standing next to you. 

With all this in mind, it’s interesting to note that much of the greatest classical music ever written (for choirs and orchestras) was composed in worship of the Christian God. Handel, Mozart, Bach, Brahms, Hayden all churned out the bangers of their time. In the same tradition, John Newton, Charles Wesley, Matt Redmond, Chris Tomlin and Stuart Townend – all have written songs that have helped us, over many generations, to lift our eyes and our souls in song. 

The saying, "the one who sings, prays twice," attributed to St. Augustine, helps us understand something about the spiritual power of singing and how it takes our words to the next level. There is something “more” happening when we sing; our whole being is connected, somehow; it’s physical, mental and spiritual all at once. 

The Bible is full of songs and exhortations to God’s people to sing in praise of their God – because it’s good for us. As with so much cutting-edge psychological research, we are only catching up with what has been found in the Bible for thousands of years.  

Sunday by Sunday in churches around the world, Christians sing songs. Songs that teach or remind us about who God is, songs that lift our souls and minds away from the cares and trials of our lives and the state of the world. Songs that take our eyes off ourselves and transport us into a place of worship. Songs that connect our memories of the past with God’s promises for the future. We sing to join together; we sing to join with the choir of Heaven and experience something of the Kingdom of God that we can all too easily miss otherwise. This is powerful stuff. 

Singing along with James Partridge, the Assembly Bangers ranged from the obvious Morning has Broken and All Things Bright and Beautiful to songs steeped more deeply in Christian-ness, such as Give me Oil in my Lamp and Colours of Day (Open the door/let Jesus return[…] Tell the people of Jesus, let his love show).  

For the big finale, Partridge took a vote, and the clear winner was Graham Kendrick’s beloved banger, Shine Jesus Shine. Funnily enough, the Sunday morning before this Friday night, I had thought of Graham Kendrick. As I pressed play on a CD player in a tiny medieval church in a tiny Cotswold village, I thought how Kendrick probably wouldn’t have anticipated Shine Jesus Shine to lift such ancient rafters. But he almost certainly wouldn’t have expected it to be sung by hundreds of theatre-going people who probably haven’t been anywhere near a church in years, if ever. 

By the end of James B. Partridge’s Primary School Assembly Bangers Live Show, I have to say I felt brilliant. I had had a bad day and somehow the joy of singing had made me feel better. The joy of singing with other people and making a shared noise, singing words of prayer and praise as loudly and as freely as my lungs could support, just made me feel better. If you can get tickets, I heartily recommend catching the tail end of his sell out tour so you can experience it for yourself. It’s a bizarre event, a glorious mish mash of secular and sacred but one that the church can learn from and which I can’t help thinking makes God smile. 

By way of Epilogue, as we all poured out of the theatre, and towards our cars, I heard a gaggle of strangers-become-friends skipping across the car park singing,  

Flow, river, flow 

Flood the nations with grace and mercy,  

Send forth Your word,  

Lord, and let there be light.  

To which I say a happy and hearty Amen… 

Celebrate our 2nd birthday

Since March 2023, our readers have enjoyed over 1,000 articles. All for free. This is made possible through the generosity of our amazing community of supporters.

If you’re enjoying Seen & Unseen, would you consider making a gift towards our work?

Do so by joining Behind The Seen. Alongside other benefits, you’ll receive an extra fortnightly email from me sharing my reading and reflections on the ideas that are shaping our times.

Graham Tomlin

Editor-in-Chief