Article
Character
Creed
Identity
Sport
4 min read

Scheffler’s secure identity

At the top of the game, win at all costs doesn't cut it.

Jonny Reid leads the communications team at Christians in Sport.

A golfer cups his face as he realises he has won.
Scottie Scheffler realises he has won The Masters.
Augusta National.

Scottie Scheffler is very good at golf. Insanely good. He’s the world Number One and now the reigning Masters Champion. He’s also incredibly competitive. So much so it makes him feel sick. 

"I was sitting around with my buddies this morning, I was a bit overwhelmed," Scheffler said Sunday evening. "I told them, 'I wish I didn't want to win as badly as did I or as badly as I do.' I think it would make the mornings easier. 

"I love winning. I hate losing. I really do. And when you're here in the biggest moments, when I'm sitting there with the lead on Sunday, I really, really want to win badly.” 

It is striking to then read that Scheffler says his golf is soon to be the fourth most important thing in his life. It is his job. It has been his whole mission for decades to be the best golfer in the world and yet in his press conference he went to speak about how his faith, his wife and his soon to be born child, are all more important to him than winning golf tournaments.  

This feels very counter-cultural in the culture we swim in. One where winning is the only currency. Especially so at a tournament like the Masters, steeped in such tradition and cult-like folklore.  

His faith is what he says makes the biggest difference to his outlook. Before we speak more on that, we need to say again, Scottie Scheffler has been blessed with incredible hand eye co-ordination, the right physical attributes, and opportunities at a young age, to practice and develop. And he has worked incredibly hard to become the best player in the game.  

But his faith does seem to enhance his performance and especially his ability to deal with pressure. This runs counter to a caricature which might say that becoming a Christian diminishes your competitive edge.  

As golf journalist Kyle Porter articulately says: 

While Scheffler is not devoted to his faith for the purpose of winning golf tournaments -- quite the opposite, in fact -- in listening to him speak about it, one would find it difficult for a golfer to have a better mind space. He holds the line between "cares a lot" and "identity not tethered to outcome" perfectly. 

Only by separating our self-worth from our achievements (or potential ones) can we find satisfaction and security – not slavery. 

In his press conference after winning the Masters, Scheffler explained more about how his faith impacts his golf. Having narrated how much he wants to win he said: 

"My buddies told me this morning my victory was secure on the cross. And that's a pretty special feeling to know that I'm secure for forever and it doesn't matter if I win this tournament or lose this tournament. My identity is secure for forever." 

What does Scheffler mean?  

He is speaking about how he believes his standing before God is unchangeable because Jesus died in his place on the cross. Scheffler believes he is “secure for forever” because of it. The Bible describes the new identity Christians have as been formerly slaves, but now “dearly loved children.”  

St Paul once described the new identity Christians have as been formerly slaves, but now “dearly loved children.” Scottie Scheffler feels safe.  There are many ways to live as a slave. Being a slave to achievement is one. Your happiness and security is based on your success. Being a slave to approval is another. Your joy is rooted in your approval from others. It is not hard to see how easy it is for sportspeople to live in this kind of slavery.   

Today’s culture encourages us to look within ourselves to find ourselves. Sport is a very easy way to do this. It is natural to base our identity on our skills and our successes—to fashion for ourselves an achieved identity. And that is a shaky place to find worth and value.   

Rory McIlroy, one of Scheffler’s great rivals, seems to struggle with pressure of the Masters more than most. It’s not surprising, the former world N umber Oneis waiting to complete the career grand slam at Augusta and has been trying since his last major victory in 2014. McIlroy longs to be known and respected for his performance, recently reflecting: 

“It’s hard for me not to define myself as one of the best golfers in the world, so when you struggle [like that], you feel a little lost.” 

Only by separating our self-worth from our achievements (or potential ones) can we find satisfaction and security – not slavery. Ashley Null has worked as a chaplain in five Olympic Villages and knows this only too well: 

Only love has the power to make human beings feel truly significant, not achievement. Only knowing that they are loved regardless of their current performance has the power to make Olympians feel emotionally whole. 

Scottie Scheffler seems to know he is loved regardless of his golfing performance, and this enhances his ability to deal with pressure. This freedom and security his faith provides seems to allow him to know that all he can do is control what he can, doing the best he can any given week.  

Scottie Scheffler will not win every week. He’s said himself that “professional golf is an endlessly not satisfying career” with its grind and the variables at play each week.  

He will face periods in his golfing career, as he already has, when his form fails, or picks up injuries and drops down the rankings. It is at those moments, as well as on the morning of potential major victories, that he also needs his friends to remind him his identity is secure forever.  

Review
Art
Character
Creed
Easter
Suffering
5 min read

Why sculpt the face of Christ?

In Nic Fiddian Green’s work we feel pain, strength, fear and wisdom.

Jonathan is Team Rector for Wickford and Runwell. He is co-author of The Secret Chord, and writes on the arts.

A man looks up a shaft of light that illuminates him and a crucifix higher up a wall.
I Accepted, 2025.
Richard Foster.

The seeds of faith were sown in the life of Nic Fiddian Green by his father. As he has explained recently, he “was shown a way and a faith, and an understanding around the faith of Christianity, in the way my father lived”. 

Later, his wife-to-be, Henrietta Hutley, asked him to help create Stations of the Cross for the Wintershall Estate in Surrey where, today, The Nativity and the Life of Christ are regularly performed. Henrietta’s father, Peter, wrote and brought The Passion of Jesus to Trafalgar Square, while her mother, Anne, had the vision for the Stations of the Cross project after a life-changing visit to Medjugorje. 

Fiddian Green says that “The Face of Christ has been with me for over 40 years” and that he has “searched for His face through my art as part of my spiritual journey, and also in the work of many others – especially Renaissance artists like Giotto, Piero della Francesca and Michelangelo”. 

Fiddian Green, who is internationally celebrated for his monumental equine sculptures, has created a deeply personal and spiritually resonant exhibition entitled The Face of Christ. The exhibition features 20 new sculptures including works in bronze, copper, lead, marble, plaster, and silver, together with a series of drawings. The exhibition ranges from the Nativity to the Resurrection but focuses primarily on the crucifixion.  

The exhibition is deeply personal for Fiddian Green because it is informed by the harrowing encounters he had with an array of life-threatening illnesses a few years ago. These caused an obvious and honest creative re-assessment and it is from these experiences that a stronger, deeper and more contemplative vision has emerged. One that permeates the new work via modes of stillness and reflection.  

The Face of Christ offers a profoundly meditative engagement with the image of Christ, capturing a sense of serenity, resilience, and transcendence in bronze and stone. In these works, he shows us how his spirit and his faith help him triumph over the physical as he explores the enduring power of faith, suffering and redemption. In the eyes of his work, we feel pain, strength, fear, wisdom and more as he asks questions of the viewer that leave a powerful and spiritual resonance. 

Fiddian Green says: “These works are a reflection of my journey of faith. I have come to find that His power to elevate us underpins everything I strive to do and The Face of Christ is an attempt for me to convey in my work all that He conveys in my heart. Christ gives me the key, but will I open the door…?” 

While the exhibition focuses on the crucifixion and the face of the crucified Christ, the expression on Christ’s face is generally one of peace, rather than pain. In part, this is because many of the heads of Christ included are images of Christ resting in death prior to the resurrection. The brokenness that the crucifixion brought is shown in these images through damage to the body of Christ, as opposed to the expressions on his face. This is most powerfully the case with ‘Broken for You’, a bronze crucifixion sculpture where Christ’s torso, as well as being scarred by a long spear-like fissure, has also been fractured with the two parts fused together using brace brackets. Similar fissures appear on other of the crucifixion sculptures but ‘Broken for You’ goes furthest in graphically showing the pain Christ endured on our behalf. 

It seems to me that Fiddian Green could go further in revealing the horrors that Christ endured and that his love of Renaissance art with its focus on beauty and balance might hold him back in this regard. Another artist to have regularly depicted the Crucifixion in images shown in mainstream galleries in recent years is Peter Howson, whose images of the crucifixion are much more expressionist graphically capturing the depth of pain that Christ endured. Fiddian Green’s drawings, more than his sculptures, tap into the sense of pain endured, particularly ‘This Storm will Pass’, a partial image of the face of the crucified Christ which in its frenetic pencil-marks and incomplete state speaks particularly powerfully. 

Fiddian Green, by contrast, primarily gives us a sense of the peace that he receives from Christ on the face of Christ. ‘I Forgive’, a bronze head of the crucified Christ depicts the love with which Christ looks on us as he endures the cross. ‘Christ is Laid to Rest’ is a huge head encircled by a crown of massive spikey thorns with green verdigris overtones suggesting the sweat and blood of anguish which has led to the completion of purpose that Christ finds in death. ‘Peace’, a plaster sculpture of Christ’s head, is also redolent of the supreme achievement of the cross; ‘It is finished’, meaning that all his work is complete and done, enabling him to rest and enabling us to enter rest.  

In these images, Fiddian Green is reading back into the events of the crucifixion the outcomes that it gains for us and showing, in his Christ figures, the peace that he personally finds in the love and forgiveness which overflows from the crucified Christ to each and every human being throughout time and history.  

Fiddian Green writes of having “been given materials to use by the God of heaven and earth” – those materials of the earth that he uses in his sculptures – and says that “it is my hope that some of these pieces may rest and resonate with those who see it; that they may find a deep connection by gazing on the works which takes the eye, the heart and the soul to the One who helped me create them”.  

While Lent, Holy Week and Easter are often times when art is offered to enable us to walk in the footsteps of Christ it is not common for commercial galleries to specifically invite meditation on these events, so don’t miss the opportunity for contemplation that the Sladmore Gallery is providing through this exhibition. 

 

The Face of Christ, 10th April – 2nd May 2025, Sladmore Gallery, London.