Snippet
Art
Belief
Creed
2 min read

The young art critics looking for answers

Whether whacking sculptures or asking questions, there’s a lack of pretence.
A large outdoor sculpture of a round child-like head sits on a dark plinth.
Yoshitomo Nara, Ennui Head.
Freize Art Fair.

Children will always tell you what they think about a piece of art. 

London recently hosted the Freize annual art fair. It’s where galleries sell contemporary art and old masters. Alongside the ticketed fair, there was a free public art installation of sculpture in Regent’s Park. 

The “public-ness” of the art is crucial here. While the major art fairs around the world primarily attract those “in-the-know” - the experienced gallerists, art journalists and wealthy buyers - the installation in the park attracts a wider range of Londoners. They are the art curious who aren’t committed enough to buy a ticket, the young families looking for free Saturday activities, and those who wandered into the park unplanned, perhaps on their way to a picnic or frisbee toss, all come to grapple with the art before them. 

Stood in front of one sculpture, comprising tree bark branches rising into the mythical face of a sea creature, a child remarked “that’s too scary” to her mother. Elsewhere in the park, children ran up to the works, giving bronze pieces anything from a playful tap to an aggressive bang to hear what sound it would make. They wandered up to brightly coloured pieces, quickly walked past things they didn’t like, and always spoke their mind. “That’s too scary.” 

The brutal honesty of children is not a contemporary phenomenon formed by permissive parenting self-help books or new-age educational theories. Even in ancient times, children were known for their lack of pretence. 

In the Bible’s book of Matthew, Jesus was approached by a group of parents and their rambunctious children.  When his disciples tried to rebuke them, Jesus said, “Let the little children come to me, and do not hinder them, for the kingdom of heaven belongs to such as these.”  

It is the same lack of pretence that causes children to run up to sculptures and whack them to see what noise it makes and that caused the children to run up to Jesus. Children aren’t scared to “miss the point,” they look for answers and vocalise their confusion to anyone willing to listen. 

Anyone who walks into one of London’s typical “white cube” galleries can sense a real exclusivity in the art world. Even those on the inside can fear taking a dislike to a piece they’re meant to like. Or worse, not understanding a piece everyone is speaking about. For some, religion can feel similar. 

But God doesn’t call us to have the right opinions. Creation is not a test to be answered correctly or an art investment to weigh the risks of. The Christian view of the world is far closer to children wandering along that Regent’s Park sculpture trail. We are called to explore, to know what we don’t know and to try, in humility, to look for the answers. The end of our lives won’t bring a group of high-minded gallerists checking to see if we have informed opinions or good connections. It will bring a God excited to show us the work of his hands, welcoming all in to share in its glory. 

Explainer
Awe and wonder
Christmas culture
Creed
3 min read

‘Midnight Mass’: a guide for the perplexed

Get set for the wee small hours.
A boy concentrates hard as he holds one candle to another to light it.
A boy little a candle during a Mass in Greece.
Malcolm Lightbody on Unsplash.

For many people in 2024, Christmas is the one time of year that they might seek out a church service. As they survey their local parishes' banquet of offerings, ‘Midnight Mass’ (or ‘Midnight Communion’) may be one dish that jumps out to them. 

But what is this strange midnight event, and where does it come from? Let’s dive in.  

Quite straightforwardly, Midnight Mass is all the same words and actions from a Sunday morning Communion service - i.e., the bread and wine blessing, performed as per Jesus’ command during the Last Supper to “do this in remembrance of me”. Midnight Mass typically begins just before Christmas Day starts at midnight. You can expect a quiet, but poignant service, recalling the birth of Jesus - whom Christians regard as the world’s true king - born in the wee small hours, in a provincial backwater of first century Judea.  

It is a very old tradition. Christians from the get-go would celebrate the great calendar days by holding ‘vigils’ - that is, by staying up all night for prayers and singing, and then conducting a communion service at dawn. In the late fourth century, a western pilgrim called Etheria writes about her visit to the middle east. Already, she records, Christians were doing special ceremonies for the Nativity (the feast day of Jesus’ birth), including a procession all the way from Bethlehem to Jerusalem in the middle of the night. Etheria notes that it takes longer than expected because some of the monks penitentialy refuse to wear shoes. 

But the early Christians were quite particular about something else: the communion bit  should only happen in daylight. They would always reserve that part of their celebration for the sunrise. But how could they develop their celebrations of Jesus’ birth - bearing in mind that tradition held he was born at midnight on the 25th December - with this ban on nighttime communion? 

In 440, the Pope permitted a communion service beginning at midnight as a special ‘one off’ for Christmas. In fact, he allowed for three - one at midnight, one at dawn, and one at the usual midmorning. This was a welcome innovation, because Christians were already quite smitten with Christmas - they loved the festival, and many popular customs built up around it.  

After the Protestant reformation, the Church of England stopped the Christmas tradition of a midnight service, preferring a morning communion on the 25th alone. But in the mid 19th century, amid a lot of general nostalgia for an ‘Olde English Christmas’, it returned, and has been a fairly consistent Anglican offering ever since.  

If you attend a Midnight Mass this Christmas, you will be joining in with something that Christians have done for centuries, and which was a result of a fascination with the facts of Jesus’ birth. Christmas rituals did not spring from any pagan winter festivals, despite what fashionable critics might say. Rather - as you might notice yourself, sat in a pew on a dark winter night - they were animated by a completely new hope: the sense, however small and unexpected, that a great light had come near. 

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