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The theological paranoia driving conspiracy theory among Christians

There are moral and political consequences to conspiracy theories, especially among Christians. Jared Stacy probes the theological paranoia that underpins many of them.

Jared Stacy holds a Theological Ethics PhD from the University of Aberdeen. His research focuses conspiracy theory, politics, and evangelicalism.

a group of protestors holding placards walk down a city street.
A QAnon placard held aloft at the 2020 Stand Up X Rally in London.
Ehimetalor Akhere Unuabona on Unsplash.

From the very beginning, the church has contended with a conspiracy theory about its central claim – that Jesus rose from the dead.  Philosopher MRX Dentith says a conspiracy theory can be any interpretation of an event which cites a conspiracy as a chief cause. Of course, it’s more complex than this. Conspiracy theories today have moral and political consequences. They also carry social stigma. But, at least in this limited way, you can see how Christianity and conspiracy theory have always related to one another.  

The church’s earliest witness to the resurrection emerged alongside a counter-narrative that claimed his disciples stole the body. In other words, a conspiracy theory. Gospel writer Matthew explains how the chief priests paid off the Roman guards, who were keeping an eye on the tomb of Jesus, with a story. The story seemed legitimate because people trusted the authority of the priesthood. This proved to be a potent connection. Some 40-70 years later, Matthew tells his readers, “so they took the money and did as they were directed; and this story has been spread among the Jews to this day.”  This dynamic repays careful consideration as conspiracy theories take root in Christian communities today.  

Ceding the secular criticism 

It’s not hard to sympathize with those who are critical about a perceived link between a Christian imagination and a commitment to conspiracism which, in turn, breeds political extremism. Sociologically, research continues to confirm this link. But I’ve also heard it expressed like this. “If you actually believe that Jesus of Nazareth is the resurrected Son of God” some say, “then why wouldn’t you also believe there’s a pedophilia ring operating out of a Washington D.C. pizza parlor?”  

In this criticism, the resurrection of Jesus is implicated as being just as irrational as the QAnon conspiracy theory. In this sense, Q, the originator of the eponymous conspiracy theory, and Christ seem to hang together in their delusions. Is there anything which can separate them?  Edgar Welch heard enough. He had just spent three days deep in the QAnon rabbit hole watching video after video. Now, he decided, was the time to act. Grabbing his AR-15, he drove to the DC pizza joint Q claimed (and he believed) was a front for a Democrat pedophilia ring. But he never found the pedophilia ring. The only thing he found was a four-year prison sentence.  

Taking the claims of Jesus seriously invites us to consider an empty tomb in place of a pizza parlor. But, unlike Welch, this isn’t a place to which we can drive. I think David Bentley Hart is right when he observes there is something “positively absurd” in balancing the “whole edifice of eternal truth” on a “fleeting temporal episode” that occurred over the course of one weekend in Jerusalem. And without the fantasy of a time machine, without the possiblity of pure historical reconstruction, we stand looking across this void, wondering what exactly to make of the scandalous possibility of an empty tomb. 

The church exists in this void. 

 The church, if it is anything, is a sustained witness over time to an event and its meaning. Both of these matter. The church continues to interpret an incredible event: Jewish women showed up that Easter morning expecting to find Jesus’ body, and didn’t. But this event, to which the church attests, that of an empty tomb, is nothing without its meaning. The historical record alone can’t provoke the crisis which invites us to consider Jesus as anything more than a Jewish itinerrant rabbi excecuted by Rome as an insurrectionist. But the church's witness exists to provoke this crisis. It’s the same crisis obscured in Matthew’s time, as he reminded his readers that many people still believed the narrative of the authorities. 

Like the earliest witness to the resurrection, it is faith in the risen Lord that constitutes and determines the church, not merely the fact of an empty tomb. Many want to disrupt conspiracy theory in the church on rational grounds, without realizing that the central claim of the church itself can’t completely rest on this plot of land. This is why I so appreciated Alistair McGrath article on this site about the place of the Creeds in fuelling the Christian imagination.  

The Christian faith can’t be judged solely in rational terms without ceasing to be faith. And so, Christians cannot cede the resurrection of Jesus to the standards of rationality or bare history. But they can admit the criticism of outsiders who note that the Christian imagination can get bound up in an extremism in which conspiracy theories play a significant part. This is a moral and theological problem. But it has a solution.  

Whether the Salem Witch Trials of the early Americas, or communist conspiracy theories of the Cold War, a theological imagination lent these claims a potency which allowed them to persist within Christian community. 

Many conspiracy theories find a home in Christian communities today because of a certain Christian view of the world, not despite it. I call this view “theological paranoia”. It’s not a clinical diagnosis but a descriptive characterization. It shows how Christians of all theological persuasions can become purveyors of political conspiracy theory. History tells us as much, and theology is bound up in this problem. Whether the Salem Witch Trials of the early Americas, or communist conspiracy theories of the Cold War, a theological imagination lent these claims a potency which allowed them to persist within Christian community. Perhaps the chief conspiracy of this Christian imagination is Satan’s war on the faithful in the world. It gives Satan too much power. But such is the imagination of theological paranoia.  

Conspiracy theories become plausible in Christian communities where theological paranoia has been constructed upstream. This happens in a few ways. One way is seeing the conflict between the kingdoms of Christ and Satan underlying every argument, every distressing event. Another way is through uninterrogated institutional commitments, like the carousel of “threats” to the church. 

In the US context for example, white evangelicals (the tradition I grew up in) now make up one of the largest religious demographic segments when analyzing belief in QAnon. Q is the self-given title to an anonymous user who posted cryptic messages on an online forum. Q claims (among other things) that there is a pedophilia ring operating at the highest levels of the Democratic Party and the global elites. Soon, according to Q, a “great storm” will come to wipe away these elites. This is the world of Q: battle between good and evil with Donald Trump as the hero. These political contests all largely conform to the theological imagination that is prominent in white evangelical churches, which we have inherited and innovated, in which we see the church’s task not as witness, but as warrior. 

We seek certainty through developing alternative perspectives which keep our world controlled and comfortable.

This is theological paranoia, manifest. It is an imagination which forms people into this view of the world, and informs the practice of politics. It is a “split” world characterized by combat between Satan and Christ. Theologically, it’s as if Christ was given a tour of hell rather than bursting its gates. In theological paranoia, the resurrection of Jesus Christ functions merely as the ultimate “alternative take”. This is potent in digital ‘infostructure’ which produces information on a scale with which we have yet to grapple. Instead, we seek certainty through developing alternative perspectives which keep our world controlled and comfortable. Theological paranoia forms Christians who understand themselves as possessors of truth rather than humble participants in it. 

Theology against theory 

Despite all this, however, I think a richer Christian imagination can dispel and disrupt the theological paranoia which fuels the conspiracy theories in Christian communities. Where would we start this work of dismantling and divestment? I believe it starts fundamentally with how we think of God’s relation to creation, the universe and to us as human beings and some of us as Christians.  Christians occupy the same place in this cosmos as non-Christians, we are not gifted with omniscience.   Instead, all are invited into the church, the place and people built up and marked by faith. Here we aren’t met with anxiety so much as mystery, with a person not an index of answers. It is as theologian Brian Brock says, “the only thing the church knows that the world doesn’t, is who sustains it.” This observation isn’t meant to recast the church against the world. Quite the opposite, it’s an invitation to common ground. One which divests Christians of the claim that our faith is gnosis, some sort of secret knowledge which sets us on a higher plane, with wider vistas, that legitimizes our suspicions of clandestine evil, and perhaps most significantly, our justification for authority in political matters. No, to believe God controls the world is a claim conditioned by hope, not a claim to possession of or special access to knowledge.   

 Let me be clear: conspiracy  does take place in our social and political world.  But knowledge of these clandestine events is not the special prerogative of Christians, nor are such conspiracies as truly pervasive as the theories claim. At least not in a way which justifies developing our moral imagination by their claims 

The Christian faith is not a “secret” Christians possess. Faith is not an omniscience that gives the ability to see behind closed doors or justify spurious claims. Rather, the church is a community whose wisdom is a scandal and whose meaning is a mystery. But this mystery is one which envelops the cosmos. This leads Christians to see the world not as paranoid people, a world “split” between opposing conspiratorial forces known by the names we give them, like sacred or secular, public or private, church or world.  Rather, we can see the world and the church together in the process of being reconciled to God.  

The possibility and hope for unity admittedly comes from different places for the non-Christian and the Christian. But I see no reason why either should give way to conspiratorial paranoia which seems to justify all manner of suspicion and accusation. This ought to be, but is often not, especially true among Christians. 

If the root of conspiracy theory is anxiety over hidden evil, the Christian faith is rooted in joy over God’s manifested goodness. Theology can foster conspiracy theories when it allows this anxiety to outweigh its witness to joy. And while conspiracism does breed extremism made only more potent when it trades on theological authority, I hold out for the possibility that good theology itself can also dismantle the theological paranoia which has so determined the embrace of conspiracy theory by the Christian community. 

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The elegies that fail the forgotten places

Storytelling’s not about giving people a voice, it's about listening to what they’re singing.

Elizabeth Wainwright is a writer, coach and walking guide. She's a former district councillor and has a background in international development.

A book's front cover beside a portrait of the author, JD Vance
J.D. Vance book promotion, 2017.

Does it matter who tells the story of a place? It’s a question I’ve sat with as a writer, a community worker, and as someone who returned to my native West Country after a long time away. My departure and return to this place brought with it a sharper awareness of the labels this rural region could invite; of the way its people could be portrayed; of how easily they can be reduced to a one-dimensional stereotype that fosters little understanding.  

And I am both reducer and reduced. I am a proud Devonian, rooted in soil thick with my ancestors, whilst also craving the culture and variety of elsewhere. My story of life in this place is complex. It’s a story that’s mine to tell, and not representative of anyone else from here – just as the people I’ve worked with in communities here and across sub-Saharan Africa taught me too: this person is not this place. This story is not this people.  

Stories matter – stories told; stories hidden. They shape our identity, our opinions, our possibilities. John Steinbeck wrote that:  

“A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice…”  

Stories told reflect stories carried, like light refracted through a prism. A story’s colours tell us something about who tells the story and how they see the world. Which is one reason perhaps that JD Vance’s memoir Hillbilly Elegy: A Memoir of a Family and Culture in Crisis came under scrutiny, especially since he was named Donald Trump’s vice-presidential running mate in the forthcoming US election.  

Hillbilly Elegy tells the story of Vance’s white working-class family, from his grandparents in the Appalachia region of Kentucky to his own coming of age in Middletown, Ohio. Vance raises questions about how local people, including his own family, are responsible for their own misfortunes, including poverty and addiction. His book came out in 2016, at just the right time to give many Americans an insight into why so many people like Vance’s relatives and past neighbours had voted for Donald Trump. It was painted as the voice of a forgotten community, and it became a bestseller, admired by some for its portrayal of Appalachian culture by someone from the inside. But reading people who know the places he talks of, it becomes clear that the book is “rife with stereotypes and classic Republican talking points peddled under the guise of lived experience,” as one commentator said.  

Sarah Smarsh, author of books including Bone on Bone: Essays in America by a Daughter of the Working Class, said in a Guardian piece published in 2016,  

“that the media industry ignored my home for so long and left a vacuum of understanding in which the first glimpse of an economically downtrodden white is presumed to represent the whole.”  

A Bitter Southerner article responding to Hillbilly Elegy said that generalisation means that “…complexity gets simplified, the edges get rounded out[…]Appalachia has been written about and photographed in such a compelling (if fabricated) way that the descriptions of passersby took on more weight than the lived experiences of the people being described. What remains is a concept of a place that is both wildly romantic in its natural beauty and backward enough to justify the destruction of that very nature.”  

We live in divided times, but often I find it hard to discern real division versus the media-created story of division. Theirs is a story that gets things wrong. Smarsh reflects how “countless images of working-class progressives…are rendered invisible by a ratings-fixated media that covers elections as horse races and seeks sensational b-roll. This media paradigm created the tale of a divided America…” This is why it matters that we hear stories that do not fit that paradigm. A many-voiced 2019 publication Appalachian Reckoning: A Region Responds to Hillbilly Elegy offered some of those stories in response to Vance’s painting of Appalachia.  

Vance thought he could write the story of a 13-state region, but many Appalachians were unhappy about him becoming their spokesperson, especially when he seemed to blame the poor for their poverty. Appalachian Reckoning is a graceful counter to this: not silencing Vance’s own story but offering many more views and stories from Appalachia. Its co-editor Meredith McCarroll said she wanted to “complicate any singular view simply by including multiple ones. I wanted to create a chorus of voices, “each singing what belongs to him or her and to no one else,” to borrow from Walt Whitman’s view of place.” The publication offers cultural nuance, emotional connection, and a “context for some of the claims Vance makes in his book when it moves beyond memoir, and to pass the mic to a wider range of writers, poets, photographers, activists, and artists who make Appalachia a place far too complex to capture and far too dynamic to die.” 

This approach feels important now, in the world as is it, with a media that often overlooks nuance, and with a culture that has become so visual that the way things are styled and framed and presented to us online can often be quite different to the reality. It is important to know the difference, and stories can help us discern that.  

This symphony of existence can, if we give each voice its space, subvert paradigms of division and fear. 

There are stories that are easy to peddle and easy to buy into. In charity work, I saw how the story of the benevolent professional outsider could shape things, leaving little room for local stories and experience. In politics I saw how the story of opposition got in the way of all the people getting on with the everyday work of restoring and caring for their communities across lines of difference. We can, unknowingly, make a place and a people shrink or even disappear with the stories we carry or amplify, or ignore.  

Stories wielded unwisely can shrink faith as well as people and places. The Jesus who I did not grow up with but came to know slowly as an adult is a Jesus of nuance, compassion, and deep listening. He would not, I think, recognise the brand of Christianity that can be used to justify particular politics. That religion and politics have in places become so intertwined is perhaps a reflection of the reduction of the vastness of the Bible and the many diverse voices it contains into one story that serves a particular group of people. Jesus again and again subverted what empire and hierarchy and tradition expected of him. He invited people into his story over and over, curious about their own story but never using it as a reason to include or exclude.  

When I think about who tells the story of a place – or of a people, a time, a faith – I see that really, there is never one story anyway. There is a chorus of voices, each a little different, each part of a vast harmony that – if we have the ears and heart to hear it – sings a song of challenge and joy, of despair and illumination. Former US president Woodrow Wilson said, “the ear of the leader must ring with the voices of the people”. Storytelling is not about giving people a voice – something I heard a lot in charity work. It is about listening to what they’re already singing. This symphony of existence can, if we give each voice its space, subvert paradigms of division and fear, of biased framing and selective storytelling. It can sing us back to ourselves, helping us see each other. And isn’t that what softens hearts, isn’t that why we tell stories? Author Kazuo said in his Nobel acceptance speech that “stories are about one person saying to another: This is the way it feels to me. Can you understand what I'm saying? Does it also feel this way to you?” Stories are not tools of manipulation or power, but pathways to encounter, to relationship, to understanding. They are, perhaps, the only way through divided times.